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                <title level="a">The Life of Lord Byron. By John Galt [concluded]</title>
                <title level="j" key="Athenaeum1828">The Athenaeum</title>
                <author key="ChDilke1864">[Charles Wentworth Dilke?]</author>
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                <edition n="1"> Completed <date when="2011-11"> November 2011 </date>
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                <publisher> Center for Applied Technologies in the Humanities </publisher>
                <pubPlace> Virginia Tech </pubPlace>
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                <p>Lord Byron and his Times: http://lordbyron.org</p>
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                    <title level="a">The Life of Lord Byron. By John Galt [concluded]</title>
                    <title level="j" key="Athenaeum1828">The Athenaeum</title>
                    <author key="ChDilke1864">[Charles Wentworth Dilke?]</author>
                    <pubPlace>London</pubPlace>
                    <date when="1830-09-04">11 September 1830</date>
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                    <biblScope type="pp">568-69</biblScope>
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            <div xml:id="LH" n="THE ATHENÆUM." type="article">
                <docAuthor n="LeHunt"/>
                <docDate when="1831-01-15"/>
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                    <item n="ChDilke.1830.Galt1"/>
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                    <seg rend="36px">
                        <hi rend="bold">THE ATHENÆUM.</hi>
                    </seg>
                    <lb/>
                    <figure rend="line100px"/>
                    <seg rend="14px">
                        <hi rend="italic">Journal of English and Foreign Literature, Science, and the Fine
                            Arts.</hi>
                    </seg>
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                    <table>
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                                <seg rend="12px">
                                    <hi rend="small-caps">No.</hi> 150</seg>
                            </cell>
                            <cell rend="center">
                                <seg rend="12px">LONDON, SATURDAY, SEPTEMBER 11, 1830.</seg>
                            </cell>
                            <cell rend="right">
                                <seg rend="14px">
                                    <hi rend="small-caps">Price</hi> 8<hi rend="italic">d</hi>. </seg>
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                <p xml:id="JG2-1a" rend="hang-indent">
                    <hi rend="small-caps">National Library</hi>, No. 1.—<name type="title" key="JoGalt1839.Byron"
                            ><hi rend="italic">The Life of Lord Byron</hi></name>. By <persName key="JoGalt1839"
                        >John Galt</persName>. London, 1830. <persName>Colburn</persName> &amp;
                        <persName>Bentley</persName>. </p>

                <l rend="center">
                    <seg rend="12px">[Second Notice.] </seg>
                </l>

                <p xml:id="JG2-1" rend="not-indent">
                    <hi rend="small-caps">Return</hi> we to our labours on this work—labours which we do not
                    delight in, and which therefore leave our pain unphysicked. We very sincerely lament that we
                    are, by our honesty, prevented from doing that which we earnestly wished to do, when we opened
                        <persName key="JoGalt1839">Mr. Galt&#8217;s</persName> volume: we wished to be pleased with the
                    work, and to be able unreservedly to recommend it to our readers; but the bad spirit in which
                    it has been written, and the utter contempt of wholesome English language which is shown in
                    nearly every page of the book, command us to speak plain truths to <persName>Mr.
                        Galt</persName> and to our readers—truths, which, we regret to know, will be much more
                    beneficial to the latter than palatable to the former. </p>

                <p xml:id="JG2-2"> We rather think, that, harshly as we delivered our opinion of the first volume
                    of the &#8220;National Library,&#8221; in the last number of this Journal, none of our readers
                    will accuse us of having failed to justify the judgment we passed upon <persName
                        key="JoGalt1839">Mr. Galt</persName>, by the evidence we produced out of his own book. We
                    gave daring proofs of unworthy prejudice—of vitiated taste—of limited knowledge, in <persName
                        key="LdByron">Lord Byron&#8217;s</persName> biographer;—and that our readers may be thoroughly
                    satisfied that we have not misrepresented <persName>Mr. Galt</persName>, we will have some
                    further &#8220;<q>talk with this same learned Theban.</q>&#8221; <persName>Lord
                        Byron</persName>, according to his new biographer&#8217;s account, is seldom, if ever, right. If
                    he quarrels with a friend or acquaintance, his lordship is to blame—<persName key="RoSouth1843"
                        >Southey</persName> may be rancorous, but <persName>Lord Byron</persName> was the
                    aggressor—(Pref. iv.) if <persName key="LeHunt">Mr. Leigh Hunt</persName> reviles the noble
                    poet, <persName>Mr. Galt</persName> rather sanctions than rebuts the abuse. The foibles, the
                    irritations, the deeper faults of his lordship&#8217;s character are industriously exposed and
                    magnified—whilst the generosity, spirit, and beauty of mind and heart, are allowed to
                        &#8220;<q>sleep in the shade.</q>&#8221; </p>

                <p xml:id="JG2-3"> We have already observed upon the splenetic feeling which characterizes the
                    work: and we now, without further comment, illustrate our observations with the following
                    passages. </p>

                <p xml:id="JG2-4"> &#8220;<q><persName key="JoPater1797">Paterson</persName> attended him until he
                        went to the grammar-school, where his character first began to be developed; and his
                        schoolfellows, many of whom are alive, still recollect him as a lively, warm-hearted, and
                        high-spirited boy, passionate and resentful, but withal affectionate and companionable;
                        this, however, is an opinion given of him after he had become celebrated; for a very
                        different impression has unquestionably remained among some who carry their recollections
                        back to his childhood. By them he has been described as a malignant imp: was often spoken
                        of for his pranks by the worthy housewives of the neighbourhood, as &#8220;<q><persName
                                key="CaByron1811">Mrs. Byron&#8217;s</persName> crockit deevil,</q>&#8221; and
                        generally disliked for the deep vindictive anger he retained against those with whom he
                        happened to quarrel.</q>&#8221; p. 13. </p>

                <p xml:id="JG2-5"> &#8220;<q>In the few reminiscences preserved of his childhood, it is remarkable
                        that he appears in this period, commonly of innocence and playfulness, rarely to have
                        evinced any symptom of generous feeling. Silent rages, moody sullenness, and revenge are
                        the general characteristics of his conduct as a boy.</q>&#8221; p. 14. </p>

                <p xml:id="JG2-6"> &#8220;<q>Although the rhymes upon the lunar lady of Notts are supposed to have
                        been the first twitter of his muse, he has said himself, &#8216;My first dash into poetry
                        was as early as 1800. It was the ebullition of a passion for my first cousin, <cb/>
                        <persName key="MaParke1802">Margaret Parker</persName>. I was then about twelve, she rather
                        older, perhaps a year.&#8217; And it is curious to remark, that in his description of this
                        beautiful girl there is the same lack of animal admiration which we have noticed in all his
                        loves.</q>&#8221; p. 27. </p>

                <p xml:id="JG2-7"> &#8220;<q>It was impossible that his imagination could avoid the impulses of the
                        spirit which haunts the walls and ramparts of Malta; and the silence of his muse on a topic
                        so rich in romance, and so well calculated to awaken associations concerning the knights,
                        in unison with the ruminations of <persName type="fiction">Childe Harold</persName>,
                        persuades me that there must have been some specific cause for the omission. If it were
                        nothing in the duel, I should be inclined to say, notwithstanding the seeming improbability
                        of the notion, that it was owing to some curious modification of vindictive spite. It might
                        not be that Malta should receive no celebrity from his pen; but assuredly he had met with
                        something there which made him resolute to forget the place. The question as to what it
                        was, he never answered: the result would throw light into the labyrinths of his
                        character.</q>&#8221; p. 69. </p>

                <p xml:id="JG2-8"> &#8220;<q>During a violent storm the boat was swamped, and the party on board
                        were all drowned. Their bodies were, however, afterwards cast on shore; <persName
                            key="PeShell1822">Mr. Shelley&#8217;s</persName> was found near Via Reggio, and, being
                        greatly decomposed, and unfit to be removed, it was determined to reduce the remains to
                        ashes, that they might be carried to a place of sepulture. Accordingly preparations were
                        made for the burning.</q>
                </p>

                <p xml:id="JG2-9"> &#8220;<q>Wood in abundance was found on the shore, consisting of old trees and
                        the wreck of vessels: the spot itself was well suited for the ceremony. The magnificent bay
                        of Spezzia was on the right, and Leghorn on the left, at equal distances of about
                        two-and-twenty miles. The headlands project boldly far into the sea; in front lie several
                        islands, and behind dark forests and the cliffy Apennines. Nothing was omitted that could
                        exalt and dignify the mournful rites with the associations of classic antiquity;
                        frankincense and wine were not forgotten. The weather was serene and beautiful, and the
                        pacified ocean was silent, as the flame rose with extraordinary brightness. <persName
                            key="LdByron">Lord Byron</persName> was present; but he should himself have described
                        the scene and what he felt.</q>
                </p>

                <p xml:id="JG2-10"> &#8220;<q>These antique obsequies were undoubtedly affecting; but the return of
                        the mourners from the burning is the most appalling orgia, without the horror of crime, of
                        which I have ever heard. When the duty was done, and the ashes collected, they dined and
                        drank much together, and bursting from the calm mastery with which they had repressed their
                        feelings during the solemnity, gave way to frantic exultation. They were all drunk; they
                        sang, they shouted, and their barouche was driven like a whirlwind through the forest. I
                        can conceive nothing descriptive of the demoniac revelry of that flight, but scraps of the
                        dead man&#8217;s own <name type="title" key="PeShell1822.Translations">song</name> of
                            <persName type="fiction">Faust</persName>, <persName type="fiction"
                            >Mephistophiles</persName>, and Ignis Fatuus, in alternate chorus.</q>&#8221; p. 258. </p>

                <p xml:id="JG2-11"> Our readers will be surprised to find that <persName key="LdByron">Lord
                        Byron</persName> had no &#8220;<q>sexual feeling of female attraction,</q>&#8221; as
                        <persName key="JoGalt1839">Mr. Galt</persName> words it. What would his lordship have
                    thought of &#8220;Dear <persName>Galt</persName>,&#8221; if he could have foreseen what was to
                    be said of his passionless love! We think there is a passage or two in &#8220;<name
                        type="title" key="LdByron.Juan">Don Juan</name>&#8221; which <persName>Mr. Galt</persName>
                    could not have read, or must have forgotten, when he wrote the following sentences:— </p>

                <p xml:id="JG2-12"> &#8220;<q>It is singular, and I am not aware it has been before noticed, that
                        with all his tender and impassioned apostrophes to beauty and love, <persName key="LdByron"
                            >Byron</persName> has in no instance, not even in the freest passages of <name
                            type="title" key="LdByron.Juan">Don Juan</name>, associated either the one or the other
                        with sensual images.</q>&#8221; p. 15. </p>

                <p xml:id="JG2-13"> &#8220;<q>There is upon the subject of love, no doubt, much beautiful
                        composition throughout <cb/> his works; but not one line in all the thousands which shows a
                        sexual feeling of female attraction&#8212;all is vague and passionless, save in the
                        delicious rhythm of the verse.</q>&#8221; p. 16. </p>

                <p xml:id="JG2-14"> The passage last extracted has reference to a boyish attachment which <persName
                        key="LdByron">Byron</persName> had formed for his cousin, <persName key="MaDuff1858">Mary
                        Duff</persName>, when he and she were children. Nineteen years had elapsed,—and his mother
                    told him that <persName>Mary</persName> was married. &#8220;<q>Hearing of her
                    marriage,</q>&#8221; says his Lordship, &#8220;s<q>everal years after, was a thunderstroke. It
                        nearly choked me, to the horror of my mother, and the astonishment and almost incredulity
                        of everybody!</q>&#8221; Is there nothing of passion in all this? Was not this jealousy of
                    any other creature possessing <persName>Mary Duff</persName>? </p>

                <p xml:id="JG2-15"> Again. </p>

                <p xml:id="JG2-16"> &#8220;<q>During the time he was under the care of <persName key="WiGlenn1828"
                            >Dr. Glennie</persName>, he was more amiable than at any other period of his life, a
                        circumstance which justifies the supposition, that had he been left more to the discipline
                        of that respectable person, he would have proved a better man; for however much his heart
                        afterwards became incrusted with the leprosy of selfishness, at this period his feelings
                        were warm and kind.</q>&#8221; p. 27. </p>

                <p xml:id="JG2-17"> We promised in our last number, to cull a few of <persName key="JoGalt1839">Mr.
                        Galt&#8217;s</persName> own especial words, for the amusement and instruction of our readers. We
                    will be as good as <hi rend="italic">our</hi> word. But first, it may not be amiss to give a
                    specimen or two of what may be termed the Juvenile Library style—a style in which nonsense
                    flourishes with an almost inconceivable rapidity and vigour. The following passages ought
                    really to be done into English by some competent usher for the use of schools:— </p>

                <p xml:id="JG2-18"> &#8220;<q>There is no account of any great poet, whose genius was of that
                        dreamy cartilaginous kind, which hath its being in haze, and draws its nourishment from
                        lights and shadows; which ponders over the mysteries of trees, and interprets the oracles
                        of babbling waters. They have all been men&#8212;worldly men, different only from others in
                        reasoning more by feeling than induction. Directed by impulse, in a greater degree than
                        other men, poets are apt to be betrayed into actions which make them singular, as compared
                            <hi rend="italic">by</hi> those who are less imaginative; but the effects of
                        earnestness should never be confounded with the qualities of talent.</q>&#8221; p. 40 </p>

                <p xml:id="JG2-19"> &#8220;<q>They came like moths to the candle, and sarcasms in the satire which
                        had long been unheeded, in the belief that they would soon be forgotten, were felt to have
                        been <hi rend="italic">barbed with</hi> irremediable <hi rend="italic">venom</hi>, when
                        they beheld the avenger</q>
                    <q>
                        <lg xml:id="JG.173a">
                            <l rend="indent100"> Towering in his pride of place.—p. 73 </l>
                        </lg>
                    </q>
                </p>

                <p xml:id="JG2-20"> &#8220;<q>The account given by <persName key="ThMedwi1869">Captain
                            Medwin</persName> of the manner in which <persName key="LdByron">Lord Byron</persName>
                        spent his time in Switzerland, has the <hi rend="italic">raciness</hi> of his
                        Lordship&#8217;s own quaintness, <hi rend="italic">somewhat dilated</hi>.</q>&#8221; p.
                    211. </p>

                <p xml:id="JG2-21"> &#8220;<q>The change of life came over him, and when the <hi rend="italic"
                            >vegetable</hi> period of boyhood was past, the <hi rend="italic">animal</hi> passions
                        mastered all the softer affections of his character.</q>&#8221; p. 28. </p>

                <p xml:id="JG2-22"> &#8220;<q>Still it could not have been to any inveterate degree; for
                        undoubtedly, in his younger years, he was susceptible of warm impressions from gentle
                        treatment, and his obstinacy and arbitrary humour were perhaps more the effects of
                        unrepressed habit than of natural bias; they were the prickles which surrounded his genius
                        in the bud.</q>&#8221; p. 31. </p>

                <p xml:id="JG2-23"> &#8220;These little infirmities are, however, at most only calculated to excite
                    a smile; there is no turpitude in them, and they merit notice but as indications of the humour
                    of character. It was his Lordship&#8217;s foible to overrate his rank, to grudge his deformity
                    beyond reason, and to exaggerate the condition of his family and circumstances. But the <hi
                        rend="italic">alloy</hi> of such small vanities,—<hi rend="italic">his caprice and feline
                        temper, were as vapour compared with the mass of rich</hi> and <hi rend="italic">rare
                        ore</hi> which <pb xml:id="JG2.569"/>
                    <hi rend="italic">constituted the orb and nucleus of his brilliancy</hi>.&#8221; p. 155. </p>

                <p xml:id="JG2-24"> We are out of breath at reading the last passage. It is indeed a wonderful
                    composition. </p>

                <p xml:id="JG2-25"> The following words are rather new. <persName key="ThGray1771">Gray</persName>
                    has said old words are as good as old gold, when properly used. We should be glad if
                        <persName>Gray</persName> were alive now, to appraise the value of this new furniture. Our
                    readers will be pleased to observe the little creations marked in italics. &#8220;And become
                        <hi rend="italic">epochal</hi> in the history of the developement of his intellectual
                    powers,&#8221; p. 73.—Wine is &#8220;<hi rend="italic">expressed</hi> by the hand,&#8221; p.
                    77.—&#8220;I never in the whole course of my acquaintance saw him <hi rend="italic"
                    >kithe</hi>,&#8221; &amp;c. p. 130.—&#8220;At last it grew into a diseased <hi rend="italic"
                        >crave</hi>,&#8221; p. 171.—&#8220;For, in addition to all his own <hi rend="italic"
                        >clanjawphry</hi>, he had <persName key="LeHunt">Mr. Hunt&#8217;s</persName> miscellaneous
                    assemblage of chattels and <hi rend="italic">chattery</hi> and little ones,&#8221; p.
                    267.—&#8220;Whatever was the degree of <persName>Lord Byron&#8217;s</persName>&#32;<hi rend="italic"
                        >dubiety</hi>,&#8221; p. 263.—&#8220;His mind had suffered by the <hi rend="italic"
                        >decadency</hi> of his circumstances,&#8221; p. 311.—&#8220;<hi rend="italic">Churming</hi>
                    an inarticulate melody,&#8221; p. 63. </p>

                <p xml:id="JG2-26"> But enough of this affectation. We trust we have made <persName
                        key="JoGalt1839">Mr. Galt</persName> prove his own incompetency for the task he felt
                    himself destined to undertake. We have made him speak for himself, which is in fact speaking
                    against himself. What petty anger has inspired the attack! </p>

                <p xml:id="JG2-27"> It is very desirable that books should be well printed, and cheaply sold; but
                    it is of infinitely greater importance that they should be well written. The new <hi
                        rend="italic">Libraries</hi> are not like the libraries of old, full of standard works; but
                    no doubt the buttermen and cheesemongers will have prayers offered up in the churches, for
                    their continuance and increase! </p>
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