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            <div xml:id="WP" n="Review.&#8212;Moore&#8217;s Life of Byron." type="article">
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                    <lb/>
                    <seg rend="18px"> THE </seg>
                    <lb/>
                    <lb/>
                    <seg rend="32px"> GENTLEMAN&#8217;S MAGAZINE. </seg>
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                    <seg rend="22px"> JANUARY, 1831. </seg>
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                <l rend="center">
                    <seg rend="22px">REVIEW OF NEW PUBLICATIONS.</seg>
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                <p xml:id="GM2-1a">
                    <name type="title" key="ThMoore1852.Byron"><hi rend="italic">Letters and Journals of Lord
                            Byron; with Notices of his Life</hi></name>. By <persName key="ThMoore1852">Thomas
                        Moore</persName>. In 2 vols. Vol. II. pp. 826. <persName>Murray</persName>. </p>

                <p xml:id="GM2-1"> A SECOND Volume of this ponderous work is before us, carrying on the notice of
                        <persName key="LdByron">Lord Byron&#8217;s</persName> life to its melancholy close,
                    including many pages of his journal, and a large mass of his foreign correspondence; and surely
                    we may ask ourselves, for what useful purpose all this is done, and marvel at the lamentable
                    want of taste and judgment on the part of his friend <cb/> and biographer. There is a mawkish
                    and sentimental demand for charity in speaking of <persName>Lord Byron</persName>, as though he
                    were a chartered libertine, whose profligate conduct and demoralizing writings were to be
                    covered by the splendour of his talents; and that he who, both by the evil example of his life,
                    and the sinful tendency of his publications, recklessly pursued his wicked course, careless of
                    the mischief he effected, the wrongs he did, and the wounds he inflicted; that he, who never
                    spared an enemy in his resentment, nor a friend in his <hi rend="italic">pleasant</hi>
                    jocularities, safe in the immunities of genius, and &#8220;hedged in&#8221; by the divinity of
                    his poetical reputation, shall be secured from the voice of indignant reprobation. It seems to
                    be expected, that we should smile and simper over his enormities, as a drawing-room miss
                    corrects the profuse allusions of a lover with a fan. In short, we are expected to go on in sin
                    and laughter, like the Indian philosopher singing on the funeral pile; or like <persName
                        key="Nero68">Nero</persName>, fiddling amidst the flames of the capitol. The restraint
                    which morals and religion have imposed on the licentious excesses of the passions, are, in the
                    particular case of the Noble Poet, to be removed; the barriers erected against selfish
                    indulgences, at the expense of public decency and private feelings, are to be broken down; the
                    flood-gates which have been established, to prevent the outbreaks of the waters of strife, are
                    to be removed; and we are called upon, in charity to the memory of the Desolator, to look on,
                    shake our heads, and say nothing. The question, we contend, in opposition to <persName
                        key="ThMoore1852">Mr. Moore</persName>, is not, whether we, under the same circumstances of
                    excitement, might not have been worse than <persName>Lord Byron</persName>? it is, simply,
                    whether the high advantages of birth, and rank, and talents, arc not great and important
                    privileges, given by God as the means of greater usefulness to his creatures, and as the
                    incentives of thankfulness to Himself. To employ these advantages against Him who bestowed
                    them, is to imitate the Titans, and hurl defiance against heaven, through the instrumentality
                    of its loftiest gifts. </p>

                <p xml:id="GM2-2"> The private life of <persName key="LdByron">Lord Byron</persName> has been
                    thrust upon the world with an elaborate protrusion of its most immoral features; and we should
                    ill perform the duty we owe to our readers, <pb xml:id="GM2.65"/> or to the cause of good
                    morals which our situation as independent Journalists calls upon us to defend, if we did not
                    enter an indignant protest against such a publication. If the work had borne the title of a
                        &#8220;<q>History of the Intrigues of a Man of Fashion,</q>&#8221; the antidote would have
                    been conveyed with the poison, and we should have been forewarned of the character of the
                    volume. If we blush to see a nobleman want manners, if we lament that absence of all moral
                    taste and gentlemanly feeling, which could make his adulteries the perpetual theme of his
                    private correspondence, what shall we say of him, to whom the office of biographer was
                    entrusted, obtruding the degrading register into print, and giving a permanent record to
                    letters which should have been committed to the flames. Where was charily and delicacy, when
                    this offence to his memory was perpetrated? And where was the least respect for the feelings of
                    the living, when the envy, hatred, malice, and all uncharitableness, directed against his
                    contemporaries, have been given to the world. In a letter to <persName key="JoMurra1843">Mr.
                        Murray</persName>, <persName>Lord Byron</persName>, speaking of the publication of his
                    letters, to be collected from a lady whose name is not given, says, &#8220;<hi rend="italic"
                        >sinking, of course, the names, and all such circumstances at might hurt living feelings,
                        or those of survivors!</hi>&#8221; It is only justice to <persName>Lord Byron</persName> to
                    give this extract; a caution which, if it have been in any degree observed by <persName
                        key="ThMoore1852">Mr. Moore</persName>, would lead to an inference, respecting the matter
                    which <hi rend="italic">has been suppressed</hi>, most horrible to think of. </p>

                <p xml:id="GM2-3"> On those who have exposed their &#8220;noble friend&#8221; to the scorn of the
                    high-minded, and the ridicule of the profane, be the shame; on those who have made a public
                    spectacle of his irregularities be the dishonour; on those who emblazon vice, and cry out
                    &#8220;charity,&#8221; be the blame that now falls upon his memory, and on those who have raked
                    among the ashes of the dead, and minted the moral atmosphere with the exhalation, be the sin of
                    the desecration. </p>

                <p xml:id="GM2-4"> The volume, as we have before observed, takes up the life of <persName
                        key="LdByron">Lord Byron</persName> soon after his last departure from England to his
                    death; and there is much in his correspondence during this period (about eight years), of a
                    very interesting character, sufficient <cb/> indeed to have made a selection, that would hare
                    placed him in a very high rank of our epistolary literature. As it is, his letters are
                    disfigured by the sins of bad taste and worse morality; of enmities that never sleep; and a
                    selfishness that cannot emerge from its own eternal waitings. If we lose ourselves fur a moment
                    in the admiration of his fine talents, or of some generous impulse that flits across his
                    habitual mal-temperament, he speedily recalls us to the conviction, that if the distinctions of
                    right and wrong were not confounded in his mind, they were in his practice; and that the homage
                    he occasionally paid to virtue, was not the result of any principle on which it could be said
                    to depend. He would have erected a false standard of judgment in morals, and have the action
                    rated by the man, and not the man by the action; and he has missed the most glorious
                    opportunity which was ever placed by God within the human grasp—of uniting the nobility of
                    birth, and the splendour of talents, with a love of virtue and the practice of holiness; of
                    combining, in one and the same person, the highest natural advantages, and the molt splendid of
                    intellectual gifts; of realizing the angel&#8217;s beauty and the seraph&#8217;s song. But it
                    is passed, and we must deal with the melancholy record before us as we can; and if we appear to
                    be insensible to the many fine thoughts and feelings with which this volume abounds, it is,
                    that however beautiful in themselves, they are too often in direct opposition to man&#8217;s
                    true happiness, and his immortal hopes; at variance with that wisdom, without which the poet,
                    in his highest flights, is but in the regions of clouds and darkness, denser than the world
                    from which he has escaped. </p>

                <p xml:id="GM2-5"> It was during <persName key="LdByron">Byron&#8217;s</persName> residence at
                    Geneva that his third canto of <name type="title" key="LdByron.Harold3">Childe Harold</name>
                    was written, and it bears the deep impressions which that wild and romantic country had traced
                    on his mind and memory. It was in Italy, however, that <persName>Lord Byron</persName> gave a
                    looser rein to his passions; and we leave <persName key="ThMoore1852">Mr. Moore</persName> to
                    be his own apologist, for the publication of letters in which his friend&#8217;s gallantries
                    are recorded by his own hand. </p>

                <p xml:id="GM2-6" rend="quote"> &#8220;<q>It must have been observed, in my account of <persName
                            key="LdByron">Lord Byron&#8217;s</persName> life previous to his marriage, that,
                        without leaving altogether <pb xml:id="GM2.66"/> unnoticed (what, indeed, was too notorious
                        to be so evaded) certain affairs of gallantry in which he had the reputation of being
                        engaged, I have thought it right, besides refraining from such details in my narrative, to
                        suppress also whatever passages in his journals and letters might be supposed to bear too
                        personally or particularly on the same delicate topics. Incomplete as the strange history
                        of his mind and heart must, in one of its most interesting chapters, be left by these
                        omissions, still a deference to that peculiar sense of decorum in this country, which marks
                        the mention of such frailties as hardly a less crime than the commission of them, and,
                        still more, the regard due to the feelings of the living, who ought not rashly to he made
                        to suffer for the errors of the dead, have combined to render the sacrifice, however much
                        it may he regretted, necessary.</q>
                </p>

                <p xml:id="GM2-7" rend="quote"> &#8220;<q>We have now, however, shifted the scene to a region where
                        less caution is requisite; where, from the different standard applied to female morals in
                        these respects, if the wrong itself be not lessened by this diminution of the consciousness
                        of it, less scruple may be, at least, felt towards persons to circumstanced; and whatever
                        delicacy we may think right to exercise in speaking of their frailties, must be with
                        reference rather to our views and usages than theirs.</q>&#8221; </p>

                <p xml:id="GM2-8"> We will give one specimen of <persName key="ThMoore1852">Mr.
                        Moore&#8217;s</persName> regard to the feelings of the living. In a letter to <persName
                        key="JoMurra1843">Mr. Murray</persName>, dated Jan. 2, 1817, <persName key="LdByron">Lord
                        Byron</persName> says, &#8220;<q>On this day two years I married:—&#8216;Whom the Lord
                        loveth he chasteneth.&#8217;</q>&#8221; And again, speaking of his excitement during the
                    writing of <name type="title" key="LdByron.Harold">Childe Harold</name>, &#8220;<q>I should
                        many a good day have blown my brains out, but for the recollection that it would have given
                        pleasure to my mother-in-law; and even then, if I could have been certain to haunt
                    her.</q>&#8221; </p>

                <p xml:id="GM2-9"> The following passage of a letter to <persName key="JoMurra1843">Mr.
                        Murray</persName> was said, by <persName key="WiGiffo1826">Mr. Gifford</persName>, to
                    contain more good sense, feeling, and judgment, than any other he ever read, or <persName
                        key="LdByron">Lord Byron</persName> wrote: </p>

                <p xml:id="GM2-10" rend="quote"> &#8220;<q>With regard to poetry in general, I am convinced, the
                        more I think of it, that he and all of us—<persName key="WaScott">Scott</persName>,
                            <persName key="RoSouth1843">Southey</persName>, <persName key="WiWords1850"
                            >Wordsworth</persName>, <persName key="ThMoore1852">Moore</persName>, <persName
                            key="ThCampb1844">Campbell</persName>, I,—are all in the wrong, one as much as another;
                        that we are upon a wrong revolutionary poetical system, or systems, not worth a damn in
                        itself, and from which none but <persName key="SaRoger1855">Rogers</persName> and <persName
                            key="GeCrabb1832">Crabbe</persName> are free; and that the present and next generations
                        will finally be of this opinion. I am the more confirmed in this, by having lately gone
                        over some of our classics, particularly <persName key="AlPope1744">Pope</persName>, whom I
                        tried in this way:—I <cb/> took <persName>Moore&#8217;s</persName> poems, and my own and
                        some others, and went over them side by side with <persName>Pope&#8217;s</persName>, and I
                        was really astonished (I ought not to have been so) and mortified at the ineffable
                        distance, in point of sense, learning, effect, and even imagination, passion, and
                        invention, between the little <persName>Queen Anne&#8217;s</persName> man and us of the
                        Lower Empire. Depend upon it, it is all <persName key="QuHorac">Horace</persName> then, and
                            <persName key="ClClaud">Claudian</persName> now, among us; and if I had to begin again,
                        I would mould myself accordingly. <persName>Crabbe&#8217;s</persName> the man, but he has
                        got a coarse and impracticable subject; and <persName>* * *</persName> is retired upon half
                        pay, and has done enough, unless he were to do as he did formerly.</q>&#8221; </p>

                <p xml:id="GM2-11"> In speaking of <name type="title" key="LdByron.Juan">Don Juan</name>, <persName
                        key="ThMoore1852">Mr. Moore</persName> uses the following language, and it is, upon the
                    whole, a faithful description of that monument of misapplied talent. The phrase &#8220;<q><hi
                            rend="italic">in many respects</hi></q>&#8221; occurs twice, and serves to soften down
                    the darker shadowing which truth would have laid on the picture. </p>

                <p xml:id="GM2-12" rend="quote"> &#8220;<q>It was at this time, as we shall see by the letters I am
                        about to produce, and as the features indeed of the progeny itself would hut too plainly
                        indicate, that he conceived, and wrote some part of his poem of &#8220;<name type="title"
                            key="LdByron.Juan">Don Juan</name>,&#8221; and never did pages more faithfully, and, in
                        many respects, lamentably reflect every variety of feeling, and whim, and passion, that,
                        like the rack of autumn, swept across the author&#8217;s mind in writing them. Nothing
                        less, indeed, than that singular combination of attributes, which existed and were in full
                        activity in his mind at this moment, could have suggested, or been capable of the execution
                        of such a work. The cool shrewdness of age, with the vivacity and glowing temperament of
                        youth—the wit of a <persName key="FrVolta1778">Voltaire</persName>, with the sensibility of
                        a <persName key="JeRouss1778">Rousseau</persName>—the minute, practical knowledge, of the
                        man of society, with the abstract and self-contemplative spirit of the poet—a
                        susceptibility of all that is grandest and most affecting in human virtue, with a deep
                        withering experience of all that is most fatal to it—the two extremes, in short, of
                        man&#8217;s mixed and inconsistent nature—now rankly smelling of earth, now breathing of
                        heaven,—such was the strange assemblage of contrary elements, all meeting together in the
                        same mind, and all brought to bear, in turn, upon the same task, from which alone could
                        have sprung this extraordinary poem—the must powerful, and, in many respects, painful
                        display of the versatility of genius, that has ever been left for succeeding ages to wonder
                        at and deplore.</q>&#8221; </p>

                <p xml:id="GM2-13"> The account of the visit paid to <persName key="LdByron">Lord Byron</persName>
                    by <persName key="ThMoore1852">Mr. Moore</persName>, is not the least entertaining portion of
                    the volume. <pb xml:id="GM2.67"/> Would that there were more of such matter. </p>

                <p xml:id="GM2-15"> Lord Byron&#8217;s intercourse with <persName key="PeShell1822">Mr.
                        Shelley</persName>, <persName key="LeHunt">Mr. Hunt</persName>, &amp;c. has been amply
                    detailed in the <name type="title" key="LeHunt.Byron">volume</name> which the latter gentleman
                    gave to the world soon after <persName>Lord Byron&#8217;s</persName> death; an injury which has
                    been amply revenged by the publication of <persName>Lord Byron&#8217;s</persName> letters.
                            &#8220;<q><foreign>Amicitia nisi inter bonos esse non potest,</foreign></q>&#8221; says
                        <persName key="MaCicer">Cicero</persName>, and we see no reason to doubt the truth of this
                    assertion in any of the friendships of this nobleman—there was connection, but no union. </p>

                <p xml:id="GM2-16"> It is consolatory to reflect, that the brightest epoch of <persName
                        key="LdByron">Lord Byron&#8217;s</persName> life was the last. It is impossible to peruse
                    the memoir of his disinterested services in the cause of Greece without the liveliest sympathy.
                    Something perhaps of that love of excitement by which his life was governed, may have had a
                    share in his efforts in that quarter; but there was a consistency in his conduct, which leaves
                    no doubt of his sincerity, and to this cause he devoted the best energies of his heart, his
                    fortune, and his life. It is in reading this record of his services, that we feel the deepest
                    regret for the narrative that precedes it. It is now, we find, what great and good things he
                    might hare effected for himself, his country, and the world, had he been restrained by the
                    early guidance of moral discipline, and been persuaded of the high purposes for which his
                    stupendous talents were bestowed. But we must not be betrayed, by our admiration of the heroic
                    qualities displayed by him on this new theatre of action, into an amnesty with unrepented sin.
                    We admire his undaunted courage, his generous devotion, his disinterested ambition. We cannot
                    read of his personal sacrifices for the cause of liberty, without the respect that is due to
                    all he did and all he suffered; but there is a hand-writing against him, which the moralist
                    cannot blot out—it is, unhappily, stamped on the pages of his immortal works; and it would be
                    revived, if even it could have been forgotten in the pages through which we have toiled, with
                    the mingled feelings of admiration, and pity, and disgust. </p>

                <p xml:id="GM2-17"> But we must conclude. The more we read of this extraordinary man, whether in
                    the history of his habits, his recorded conversations, his opinions and connexions, or in the
                    ponderous <cb/> collection of his letters now before us, the stronger is our conviction, that
                    he was wholly destitute of any settled principle of virtuous feeling, or of love for his
                    fellow-creatures. Like <persName key="LaStern1768">Sterne</persName>, he had sentiment at his
                    fingers&#8217; ends, but he had nothing of the reality in his heart. He was the <persName
                        key="Timon450">Timon</persName> of his country, and his day; but he outdid the Grecian
                    misanthrope, by adding a legacy of posthumous venom to the poison he had circulated in his
                    life. Though dead, he is made by his Biographer the agent of deeper mischief, and an unholy
                    gain is attempted to be made of a correspondence which ought never to have seen the light. It
                    is to the honour of <persName key="JoHobho1869">Mr. Hobhouse</persName> that he has withheld
                    the letters addressed to him. He has shewn himself worthy of the eulogy bestowed on his
                    friendship by <persName key="LdByron">Lord Byron</persName>, in the dedication of his finest
                    poem; and he has increased his title to the respect of the good, by the suppression of every
                    thing that could add to the obloquy which this and similar publications have heaped upon the
                    tomb of his friend. In this delinquency he has had no share. </p>

                <p xml:id="GM2-18"> We will not apply to the editor of this volume the strong language of <persName
                        key="SaJohns1784">Johnson</persName> on the conduct of <persName key="DaMalle1765"
                        >Mallet</persName>, in, the publication of the works of <persName key="LdBolin1"
                        >Bolingbroke</persName>. We are quite sure that it is a production on which <persName
                        key="ThMoore1852">Mr. Moore</persName> will never look with pleasure, and which we suspect
                    its publisher does not now view with much complacency. </p>

                <p xml:id="GM2-19"> An useful volume might be written on literary ethics, for the guidance and
                    direction of authors, editors, and publishers. There is a cold and calculating spirit, tainting
                    the literature of the present day, and debasing all that is noble in the exertions of
                    intellect. A vile huckstering feeling is abroad, overlaying much that is generous and
                    high-minded; the puniest appetite is more consulted than the cultivation of the understanding;
                    and the Temple of Learning, like the Temple of the Jews, is profaned by the seat of the mean
                    and the mercenary, who, dead to glory, only burn for gold. </p>

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