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                <title level="a">Lord Byron and his Memoirs</title>
                <title level="j" key="AtticMisc1824">The Attic Miscellany</title>
                <author key="ThGratt1864">[Thomas Colley Grattan?]</author>
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                    <author key="ThGratt1864">[Thomas Colley Grattan?]</author>
                    <title level="a">Lord Byron and his Memoirs</title>
                    <title level="j" key="AtticMisc1824">The Attic Miscellany</title>
                    <pubPlace>London</pubPlace>
                    <date when="1824-10">October 1824</date>
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            <div xml:id="Galt" n="Lord Byron and his Memoirs." type="article">
                <docAuthor n="ThGratt1864"/>
                <docDate when="1824-10"/>
                <l rend="title">
                    <lb/>
                    <seg rend="16px"> THE </seg>
                    <lb/>
                    <lb/>
                    <seg rend="36px"> ATTIC MISCELLANY. </seg>
                    <lb/>
                    <lb/>
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                                <seg rend="22px">
                                    <hi rend="small-caps">No.</hi> I.</seg>
                            </cell>
                            <cell rend="center">
                                <seg rend="22px">OCTOBER, 1824.</seg>
                            </cell>
                            <cell rend="right">
                                <seg rend="22px">
                                    <hi rend="small-caps">Vol.</hi> I.</seg>
                            </cell>
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                <lb/>

                <l rend="center"> <seg rend="20px">ARTICLE IV.</seg> </l>
                <lb/>
                <l rend="center">
                    <seg rend="16px">LORD BYRON AND HIS MEMOIRS.</seg>
                </l>
                <lb/>
                
                <p xml:id="TM-1x" rend="hang-indent">
                    <hi rend="italic">Including Facts and Opinions as detailed by himself in authentic and original
                        Conversations with a Friend, upon the most interesting Circumstances of his Life, his
                        Contemporaries, and the Literature of the present Day</hi>. </p>

                <l rend="center">
                    <seg rend="14px">(Extracted from a Work now in the Press.*)</seg>
                </l>
                <lb/>
                
                <p xml:id="TM-1"> The death-knell of <persName key="LdByron">Lord Byron</persName> still rings in
                    the public ear. Its vibrations have been unceasingly repeated in the wide extended circles of
                    society, since, the hour when Missolounghi was startled by its tone. It has been echoed by
                    every vehicle of news, every organ of opinion, and almost every individual that lives. The
                    whole world has spoken deeply in lamentation of his death, and loudly in reprobation of his
                    life. The great majority of mankind, in condemning his mortal career, has paid its homage to
                    his undying genius, by proving that all-powerful, in awakening the sympathies which may be
                    thought to own no alliance but with conduct which we approve. The interest and sorrow excited
                    by his untimely fate was universal. Men of all persuasions and all parties felt that the
                    mountain heights of genius were riven asunder, and that a wide blank was left gaping by the
                    fall of one of their stupendous elevations. Years had passed over since any of the lights of
                    the world had been quenched; and it will not be thought hyperbole to say that he was one. We
                    will not risk the charge of exaggeration by comparing him with Napoleon, although many striking
                    points of analogy existed in their character and career; and though an ingenious parallel might
                    well be drawn between them. But looking back, as far as our memory can go, and round us, as
                    widely as our observation extends, we know not on whom so soon as on him to fix the epithet
                    which is applied, as if in mockery, to many of his cotemporaries—&#8220;a Spirit of the
                    Age.&#8221; </p>

                <note place="foot">
                    <figure rend="singleLine"/>
                    <p> * <name type="title" key="ThMedwi1869.Conversations">Journal of the Conversations of Lord
                            Byron, detailing the principal Occurrences of his Private Life, his Opinions on
                            Society, Manners, Literature, &amp;c., noted during a Six Months' Residence with him at
                            Pisa, in 1821 and 1822</name>. By <persName key="ThMedwi1869">T. Medwin</persName>,
                        Esq. of the 24th Light Dragoons. </p>
                </note>
                <pb xml:id="LB.27"/>

                <p xml:id="TM-2"> Few have of late years so filled the world with the reputation of their talents;
                    and none excited such acute attention to their private life, such general acknowledgment of
                    their powers, or so much grief for their occasional abuse. Passing over kings and <hi
                        rend="italic">heroes</hi>, commonly so called, as out of the scale of our comparison,
                        <persName key="JeRouss1778">Rousseau</persName> and <persName key="FrVolta1778"
                        >Voltaire</persName> were the last of authors or orators who were so thoroughly identified
                    with &#8220;<q>the business and bosoms of men.</q>&#8221; <persName key="FrSchil1805"
                        >Schiller</persName> was certainly not, nor <persName key="ViAlfie1803">Alfieri</persName>,
                    nor any in fact, Mirabeau perhaps excepted. <persName key="ChFox1806">Fox</persName>, <persName
                        key="WiPitt1806">Pitt</persName>, <persName key="RiSheri1816">Sheridan</persName>, and
                    their copartners in the splendid firm of political talent, agitated the sphere they moved in
                    with magical power:—but the influence of politicians is necessarily confined to their own
                    party; and their sufferings or success create no sensations beyond that, to entitle them to be
                    considered as the property of the world. In literature it is different; for, though the
                    politics of a mere statesman have power to chill the feelings of one half of mankind, and make
                    them look on him as an alien to their sympathy, the works of a writer, if they deal with the
                    passions common to all men, fix him at once, let his opinions be what they may, in the regard,
                    if not in the affection of <hi rend="italic">all</hi>. </p>

                <p xml:id="TM-3">
                    <persName key="LdByron">Byron</persName> was peculiarly situated in the poetical literature of
                    the age: the same in effect, though not in fact, as <persName key="HeGratt1820"
                        >Grattan</persName> was in eloquence, and as <persName key="WaScott">Scott</persName> is in
                    imaginative prose. <persName>Grattan</persName> stood alone, because he was the last of the
                    orators. <persName>Scott</persName> stands singly, from the elevation of his talents.
                        <persName>Byron</persName> remained aloof, in the solitude of his genius, which was
                    incapable, even if he wished it, of merging its individuality in the common commerce of
                    mankind. It is thus those three great men were destined for so marked a station in their
                    different spheres of action. At <persName>Grattan's</persName> death, Eloquence, like a Hindoo
                    widow, seemed to immolate herself upon his funeral pyre; and Poetry, now that
                        <persName>Byron</persName> is gone, floats like an unembodied spirit across the earth. When
                        <persName>Scott</persName>—but we are wandering beyond our limits, and into melancholy
                    anticipations. </p>

                <p xml:id="TM-4">
                    <persName key="LdByron">Lord Byron's</persName> death once ascertained, and the early burst of
                    unbelief gone by—for the public shock at such a loss is always mixed with a feeling of
                    scepticism, as if the thing <hi rend="italic">could</hi> not be—the whole interest of society
                    seemed centred in his <hi rend="italic">memoirs</hi>. Curiosity swallowed up grief; and people
                    becoming wearied by the comments of other writers on him who was no more, turned with
                    unexampled anxiety to know what he had written upon himself. Whether or not the public had a
                    right to these memoirs, is a question which it is not yet, perhaps, quite useless to discuss.
                    It is, at any rate, our opinion that they had the right; and that the depository of the <name
                        type="title" key="LdByron.Memoir">manuscript</name> was no more than a trustee for the
                    public, however his individual interest was concerned or consulted. <persName>Lord
                        Byron</persName> bequeathed his memoirs to the world. The profits of their sale were alone
                    meant for <persName key="ThMoore1852">Mr. Moore</persName>. <persName>Lord Byron's</persName>
                    family had no pretension whatever to the monopoly. And though the delicate consideration of the
                    gentleman just named, prompted his offer of having the manuscript perused—and <hi rend="italic"
                        >purified</hi>, if such be the proper word, by the nearest surviving relative of
                        <persName>Lord Byron</persName>, we maintain that he was right, strictly right, in
                    protesting against its unconditional destruction. </p>

                <p xml:id="TM-5"> The history of the burning is fresh in the public recollection. We think that
                        <persName key="ThMoore1852">Mr. Moore's</persName> conduct is not clearly understood or
                    appreciated. Some blame appears to have been attached to his share in the transaction, not only
                    in this country, but on the continent, where the matter has <pb xml:id="LB.28"/> excited an
                    interest quite as lively as with us. But it is our opinion, that up to this moment, not a
                    shadow of reproach rests upon <persName>Mr. Moore</persName>. One duty, we think, remains for
                    his performance; but <hi rend="italic">one</hi>, and that most imperative: it is, to give to
                    the world the genuine work of <persName>Lord Byron</persName>, if it be in his power to do so.
                    The opinion is at all events widespread, if not well founded, that one copy <hi rend="italic"
                        >at least</hi> of the original work is in existence. That opinion is afloat, and nothing
                    will sink it. If the Life which <persName>Mr. Moore</persName> is supposed to be preparing,
                    comes out as his own production, it will be difficult, if not impossible, to convince the
                    public that it is not a compilation from the copy which we allude to, or from a memory
                    powerfully tenacious of the original. If it be not avowed as such, its genuineness will be
                    doubted, and a dozen spurious Lives will probably appear, professing to be that identical copy,
                    of whose existence no one will consent to doubt. No reasoning, nothing, in fact, short of
                        <persName>Mr. Moore's</persName> positive assertion to the contrary, will persuade people
                    that he could, for years, have run the risk of leaving so interesting a manuscript uncopied, or
                    that he could have entrusted it, without possessing a duplicate, into the hands of any one.
                    And, at all events, it will be thought morally certain, that <hi rend="italic">more than
                        one</hi> of those to whom it <hi rend="italic">was</hi> entrusted had curiosity enough to
                    copy it; and very improbable that <hi rend="italic">any one</hi> had honesty enough to confess
                    it. </p>

                <p xml:id="TM-6"> Besides these reasons for the publication of the real memoirs, supposing a copy
                    to exist, there is one, of such paramount importance, that we are sure it must have struck
                    every body, who has thought at all upon the subject. We mean the retrospective injury done to
                    the character of the deceased, by the conjectures which are abroad, as to the nature of the
                    memoirs he left behind. We do not pretend to be in the secret of their contents, but we are
                    quite sure they can be in no way so reprehensible as the public imagination, and the enemies of
                        <persName key="LdByron">Lord Byron</persName>, have figured them to be; and there is one
                    notion concerning them, of a nature too delicate to touch upon, and for the removal of which no
                    sacrifice of individual or family <hi rend="italic">vanity</hi> would be a price too high. We
                    have besides, as will presently be seen, good authority for believing that the memoirs might
                    and ought to have been published, with perfect safety to public morals, and with very
                    considerable gratification to public anxiety. Curiosity, which is so contemptible in
                    individuals, assumes a very different aspect when it is shared by society at large; and a
                    satisfaction, which may be in most instances wisely withheld from the one, ought very rarely to
                    be refused to the other. Nothing has ever had such power of excitement upon the mass of mankind
                    as private details of illustrious individuals, and most of all what may be called their <hi
                        rend="italic">confessions:</hi> and if those individuals choose to make their opinions as
                    much the property of the world, after their death, as their conduct and their works had been
                    before, we repeat that it is nothing short of a fraud upon the public, to snatch away the
                    treasure of which they were the just inheritors. Nor must it be said that the property in
                    question is of no intrinsic value. Every thing which ministers to the public indulgence is of
                    worth proportioned to its rarity—and in this point of view <persName>Lord Byron's</persName>
                    memoirs were beyond price. If they contain gross scandal, or indecent disclosures, let such
                    parts be suppressed; and enough will remain amply to satisfy all readers. But we merely say
                    this for the sake of supposition, and for the purpose of refuting an argument founded on an
                    extreme <pb xml:id="LB.29"/> case; for we have great pleasure in believing, that the only
                    pretence for such an imputation on the manuscript, was the selfish or squeamish act of their
                    suppression. </p>

                <p xml:id="TM-7"> We are confident that <persName key="ThMoore1852">Mr. Moore</persName> will
                    consider well the part he has to perform; that he is not insensible to the narrow scrutiny
                    which the public puts into this affair, and which posterity will confirm; and that he will, on
                    this occasion, uphold the character for integrity and frankness which is so pre-eminently his.
                    We speak with certitude of his disinterested and upright feelings throughout; we only hope his
                    delicacy towards others may not lead him too far towards the risk of his own popularity, or the
                    sacrifice of, what we designate once more, the public property. </p>

                <p xml:id="TM-8"> But during the interval which must elapse before the intense anxiety of the world
                    can be gratified by the appearance of <persName key="ThMoore1852">Mr. Moore's</persName> (or
                        <persName key="LdByron">Lord Byron's</persName>) work, we are fortunate in having it in our
                    power to present to those who will read <hi rend="italic">us</hi>, some extracts from one, of
                    minor interest certainly, but which puts forth scarcely inferior claims to attention. The fate
                    which seemed to decree the suppression of every record of <persName>Lord Byron</persName> apart
                    from his literary character:—which doomed the burning of the memoirs—the interdiction of the
                    correspondence—and the loss at sea of the MSS. intrusted to <persName key="PiGamba1827">Count
                        Gamba</persName>—has happily spared the volume which we now allude to. For its
                    authenticity, we should offer to vouch, were we not convinced that the perusal of one page will
                    carry proof sufficient to the most sceptical. We shall not offer any anticipated criticism on a
                    work which will so shortly be before the world. Such publications speak for themselves. The
                    only point to ascertain, is their spuriousness or truth. The latter quality once established,
                    their fortune with the public is made. </p>

                <p xml:id="TM-9"> It is only then necessary for us to say, that the MS. in question was put into
                    our hands, with the amplest liberty of selection for our present purpose. Sensible of the
                    advantage thus offered to us, we did not abuse the confidence. We have taken but little from a
                    large mass of matter, all equally interesting, and which treats largely of <persName
                        key="LdByron">Lord Byron's</persName> opinions of many of his friends and acquaintance;
                    many anecdotes regarding him hitherto unknown; some original verses; and many of his thoughts
                    on politics, religion, and literature. Our chief object in taking enough to enrich our own
                    work, was to give the public a specimen of the ample treat which they will so shortly be able
                    to enjoy. </p>

                <p xml:id="TM-10"> Leaving the author to speak, as he does explicitly and manfully, of his
                    publication, and the motives which induced it, we proceed to lay before our readers extracts
                    from ten of the conversations held by <persName key="LdByron">Lord Byron</persName> with his
                    friend <persName key="ThMedwi1869">Capt. Medwin</persName>, on subjects of public and personal
                    importance. </p>

                <lb/>
                <figure rend="line100px"/>
                <l rend="center"> HIS MEMOIRS. </l>

                <p xml:id="TM-11"> &#8220;<q>I am sorry,</q>&#8221; said he, &#8220;<q>not to have a copy of my
                        memoirs to shew you. I gave them to <persName key="ThMoore1852">Moore</persName>, or rather
                            <persName>Moore's</persName> little boy, at Venice. I remember saying, Here's 2000<hi
                            rend="italic">l</hi>. for you, my young friend! I made one observation in the gift,
                        that they were not to be published till after my death. I have not the least abjection to
                        their being circulated; in fact, they have been seen by some of my friends and several of
                            <persName>Moore's</persName>. Among others, they were lent to Lady <pb xml:id="LB.30"/>
                        <persName key="LyWestm11">Burghersh</persName>. On returning the MS. her Ladyship told
                            <persName>Moore</persName> that she had transcribed the whole work. This was
                                <foreign><hi rend="italic">un peu fort</hi></foreign>, and he suggested the
                        propriety of her destroying the copy. She did so, by putting it into the fire in his
                        presence. Ever since this happened, <persName key="DoKinna1830">Douglas Kinnaird</persName>
                        has been recommending me to resume possession of the MS., thinking to frighten me by
                        saying, that a spurious or real copy, surreptitiously obtained, may go forth to the world.
                        I am quite indifferent about the world knowing all they contain. There are very few
                        licentious adventures of my own, or scandalous adventures that will affect others, in the
                        book. It is taken up from my earliest recollections, almost from childhood—very incoherent,
                        written in a very loose and familiar style. The second part will prove a good lesson to
                        young men, for it treats of the irregular life I led, and the fatal consequences of a life
                        of dissipation. There are few parts that may not, and none that will not be read by
                        women.</q>&#8221; Another time he said, &#8220;<q>A very full account of my marriage and
                        separation is contained in my memoirs. After they were completed, I wrote to <persName
                            key="LyByron">Lady Byron</persName>, proposing to send them for her inspection, that
                        any mis-statement or inaccuracy (if any such existed, which I was not aware of) might be
                        pointed out and corrected. In her answer she declined the offer, without assigning any
                        reason, but desiring, if not on her own account, on that of her daughter, that they might
                        never appear, and finishing with a threat. My reply was the severest thing I ever wrote,
                        and contained two quotations, one from <persName key="WiShake1616">Shakspeare</persName>,
                        the other from <persName key="DaAligh">Dante</persName>.* I told her that she knew all she
                        had written was incontrovertible truth, and that she did not wish to sanction the truth. I
                        ended by saying, that she might depend on their being published. It was not till after this
                        correspondence that I made <persName>Moore</persName> the depository of the MS.</q>&#8221; </p>

                <lb/>
                <l rend="center">
                    <seg rend="14px">HIS MARRIAGE.</seg>
                </l>

                <p xml:id="TM-12"> &#8220;The first time of my seeing <persName key="LyByron">Miss
                        Milbanke</persName> was at <persName key="LyMelbo1">Lady ——&#8217;s</persName>. It was a
                    fatal day; and I remember that in going up stairs I stumbled, and remarked to <persName
                        key="ThMoore1852">Moore</persName> who accompanied me, that it was a bad omen, I ought to
                    have taken the warning. On entering the room I observed a young laxly, more simply dressed than
                    the rest, sitting alone upon a sofa. I took her for a humble companion, and asked
                        <persName>Moore</persName> if I was right in my conjecture. &#8216;<q>She is a great
                        heiress,</q>&#8217; said he in a whisper, that became lower as he proceeded, &#8216;<q>you
                        had better marry her, and repair the old place at Newstead.</q>&#8217; </p>

                <p xml:id="TM-13">
                    <q>There was something piquant, and what we term pretty in <persName key="LyByron">Miss
                            Milbanke</persName>; her features were small and feminine, though not regular. She had
                        the fairest skin imaginable. Her figure was perfect for her height, and there was a
                        simplicity and retired modesty about her, which were very characteristic, and formed a
                        striking contrast to the cold artificial formality and studied, stiffness of what is called
                        fashion. She interested me exceedingly. It is unnecessary to detail the progress of our
                        acquaintance: I became daily more attached to her, and it ended in my making her a proposal
                        that was rejected. Her refusal was couched in terms that could not offend me. I was besides
                        persuaded, that in declining my offer, she was governed by the influence of her mother, and
                        was the more confirmed in this opinion, by her reviving the correspondence herself twelve
                        months after. The tenour of the letter was, that although she could not love me, she
                        desired my friendship. Friendship is a dangerous word for young ladies. It is love full
                        fledged, and waiting for a fine day to fly.</q>
                </p>

                <p xml:id="TM-14">
                    <q>It had been predicted by <persName>Mrs. Williams</persName>, that 27 was to be a dangerous
                        age to me. The fortune-telling witch was right. It was destined to prove so. I shall never
                        forget it. <persName key="LyByron">Lady Byron</persName> (<hi rend="italic">Burn</hi> he
                        pronounced it) was the only unconcerned person present. <persName key="JuMilba1822">Lady
                            Noel</persName>, her mother, cried. I trembled like <note place="foot">
                                <figure rend="singleLine"/>
                                <p xml:id="LB.30-n1" rend="center"> * I could not retain them.—<hi rend="italic">Author's note</hi>.
                            </p>
                        </note>
                        <pb xml:id="LB.31"/> a leaf—made the wrong responses, and after the ceremony called her
                            <persName>Miss Milbank</persName>. There is a singular history attached to the ring.
                        The very day the match was concluded, a ring of my mother's that had been lost, was dug up
                        by the gardener at Newstead. I thought it had been sent on purpose for the wedding: but my
                        mother's marriage had not been a fortunate one, and this ring was doomed to be the seal of
                        an unhappier union still.</q>
                </p>

                <p xml:id="TM-15">
                    <q>After the ordeal was over, we set off for a country seat of <persName key="RaMilba1825">Sir
                            Ralph's</persName>, and I was surprised at the arrangements for the journey; and
                        somewhat out of humour to find a lady's maid stuck between me and my bride. It was rather
                        too early to assume the husband, and I was forced to submit, but with a very bad grace. Put
                        yourself in my situation, and tell me whether I had not some reason to be in the sulks. I
                        have been accused, on getting into the carriage, of saying that I had married <persName
                            key="LyByron">Lady B.</persName> out of spite, and because she had refused me twice.
                        Though I was for a moment astonished at her prudery, or whatever you may choose to call it,
                        if I had made so un-cavalier, not to say, brutal speech, I am convinced <persName>Lady
                            B.</persName> would have immediately left the carriage to me, and the maid, (I mean the
                        lady's). She had spirit enough to have done so, and would properly have resented the
                        affront.</q>&#8221; </p>

                <lb/>
                <l rend="center">
                    <seg rend="14px">HIS DEPARTURE FROM LADY BYRON.</seg>
                </l>

                <p xml:id="TM-16"> &#8220;<q>Our honey-moon was not all sunshine. It had its clouds; and <persName
                            key="JoHobho1869">Hobhouse</persName> has some letters which would serve to explain the
                        rise and fall in the barometer; but it was never down at zero. You tell me the world says I
                        married <persName key="LyByron">Miss Milbanke</persName> for her fortune, because she was a
                        great heiress. All I have ever received, or am likely to receive, was 10,000<hi
                            rend="italic">l</hi>. My own income at this period was small, and somewhat bespoke.
                        Newstead was a very unprofitable estate, and brought me in a bare 1500 a-year. The
                        Lancashire property was hampered with a law suit, which has cost me 14,000<hi rend="italic"
                            >l</hi>. and is not yet finished. We had a house in town, gave dinner parties, had
                        separate carriages, and launched into every sort of extravagance. This could not last long.
                        My wife's 10,000<hi rend="italic">l</hi>. soon melted away. I was beset by duns, and at
                        length an execution was levied, and the bailiffs put in possession of the very beds we had
                        to sleep upon. This was no very agreeable state of affairs, no very pleasant scene for
                            <persName>Lady Byron</persName> to witness; and it was agreed she should pay her father
                        a visit till the storm had blown over, and some arrangements been made with my creditors.
                        You may suppose on what terms we parted, from the style of a letter she wrote me on the
                        road. You will think it begun ridiculously enough. &#8216;<q>Dear Duck,</q>&#8217; &amp;c.
                        Imagine my astonishment to receive immediately on her arrival, a few lines from her father
                        of a very unlike, and very unaffectionate nature, beginning, &#8216;<q>Sir,</q>&#8217; and
                        ending with saying, that his daughter should never see me again. In my reply, I disclaimed
                        his authority as a parent over my wife; and told him, I was convinced the sentiments
                        expressed were his, not hers. Another post, however, brought me a confirmation, under her
                        own hand and seal, of her father's sentence. I afterwards learned from <persName
                            key="WiFletc1831">Fletcher</persName>, my valet, whose wife was at that time
                                <foreign><hi rend="italic">femme de chambre</hi></foreign> to <persName>Lady
                            Byron</persName>, that after her definitive resolution was taken, and the fatal letter
                        consigned to the post-office, she sent to withdraw it, and was in hysterics of joy that it
                        was not too late. It seems, however, that they did not last long, or that she was
                        afterwards over-persuaded to forward it. There can be no doubt that the influence of her
                        enemies prevailed over her affection for me. You ask me if no cause was assigned for this
                        sudden resolution; if I formed no conjecture about the cause. I will tell you, I have
                        prejudices about women, I do not like to see them eat. <persName key="JeRouss1778"
                            >Rousseau</persName> makes <persName type="fiction">Julie</persName>&#32;<foreign><hi
                                rend="italic">un peu gourmande</hi></foreign>, but that is not at all according to
                        my taste. I do not like to be interrupted when I am writing. <persName>Lady
                            Byron</persName> did not attend to these whims of mine. The only harsh thing I ever
                        remember saying to her, was one evening shortly before our parting. I was <pb
                            xml:id="LB.32"/> standing before the fire, ruminating upon the embarrassments of my
                        affairs and other annoyances, when <persName>Lady Byron</persName> came up to me and said,
                                &#8216;<q><persName>Byron</persName>, am I in your way?</q>&#8217; to which I
                        replied, &#8216;<q>Damnably.</q>&#8217; I was afterwards sorry, and reproached myself for
                        the expression, but it escaped me unconsciously, involuntarily; I hardly knew what I
                        said.</q>&#8221; </p>

                <lb/>
                <l rend="center">
                    <seg rend="14px">HIS FIRST LOVE.</seg>
                </l>

                <p xml:id="TM-17"> &#8220;<q>I don't know from whom I inherited verse-making. Probably the wild
                        scenery of Morven, Loch-na-gar, and the banks of the Dee, were the parents of my poetical
                        vein, and the developers of my poetical boss. If it was so, it was dormant; at least, I
                        never wrote any thing worth mentioning till after I was in love. <persName key="DaAligh"
                            >Dante</persName> dates his passion for <persName type="fiction">Beatrice</persName> at
                        twelve. I was almost as young when I fell over head and ears in love. But I anticipate. I
                        was sent to Harrow at twelve, and spent my vacation at Newstead. It was there that I first
                        saw <persName key="MaMuste1832">Mary C——</persName>. She was several years older than
                        myself, but at my age, boys like something older than themselves, as they do younger, later
                        in life. Our estates adjoined, but owing to the unhappy circumstance of the feud to which I
                        before alluded, our families (as is generally the case with neighbours who happen to be
                        relations) were never on terms of more than common civility, hardly those. I passed the
                        summer vacation of this year among the Malvern hills—those were days of romance. She was
                        the <foreign><hi rend="italic">beau ideal</hi></foreign> of all that my fancy could paint
                        of beautiful, and I have taken all my fables about the celestial nature of women from the
                        perfection my imagination created in her. I say <hi rend="italic">created</hi>, for I found
                        her like the rest of her sex, any thing but angelic.</q>
                </p>

                <p xml:id="TM-18">
                    <q>I returned to Harrow after my trip to Cheltenham, more deeply enamoured than ever, and
                        passed the ensuing holidays at Newstead. I now began to fancy myself a man, and to make
                        love in earnest. Our meetings were stolen ones, and my letters passed through the medium of
                        a <hi rend="italic">confidante</hi>. A gate leading from <persName key="MaMuste1832">Mr.
                            C.&#8217;s</persName> ground to those of my mother, was the place of our interviews.
                        But the ardour was all on my side. I was serious—she was volatile: she liked me as a
                        younger brother, and treated and laughed at me as a boy. She, however, gave me her picture,
                        and that was something to make verses upon.* During the last years that I was at Harrow,
                        all my thoughts were occupied with this love affair.</q>
                </p>

                <p xml:id="TM-19">
                    <q>Had I married <persName key="MaMuste1832">Miss C.</persName>, perhaps the whole tenour of my
                        life would have been different. She jilted me, however; but her marriage proved any thing
                        but a happy one. She was at length separated from <persName key="JoMuste1849">Mr.
                            M.</persName>, and proposed an interview with me, but by the advice of my sister, I
                        declined it. I remember meeting her after my return from Greece, but pride had consumed my
                        love, and yet it was not with perfect indifference I saw her. For a man to become a poet
                        (witness <persName key="FrPetra1374">Petrarch</persName> and <persName key="DaAligh"
                            >Dante</persName>) he must be in love, or miserable. I was both when I wrote the <name
                            type="title" key="LdByron.Hours"><hi rend="italic">Hours of Idleness</hi></name>. Some
                        of these poems, in spite of what the reviewers say, are as good as any I ever produced.</q>
                </p>

                <p xml:id="TM-20">
                    <q>For some years after the event that had so much influence on my fate, I tried to drown the
                        remembrance of it and her in the most disgusting dissipation.</q>&#8221; </p>

                <lb/>
                <l rend="center">
                    <seg rend="14px">HIS DAUGHTER.</seg>
                </l>

                <p xml:id="TM-21"> &#8220;<q><q>What do you think of <persName key="AdByron1852"
                            >Ada</persName>?</q>&#8221; said he, looking earnestly at his daugh- <note place="foot">
                                <figure rend="singleLine"/>
                                <p xml:id="LB.32-n1"> * &#8220;<q>He had always a black ribbon round his neck, to which
                                    was attached a locket, containing hair and a picture. We had been playing at
                                    billiards one night till the balls appeared double; when all at once be
                                    searched hastily for something under his waistcoat, and said, in great alarm,
                                    &#8220;Good God, I have lost my ——,&#8221; but before he had finished the
                                    sentence he discovered the hidden treasure,</q>&#8221;—<hi rend="italic"
                                    >Author's Note</hi>. </p>
                        </note>
                        <pb xml:id="LB.33"/>ter's miniature, that hung by the side of his writing table.
                            &#8220;<q>They tell me she is like me, but she has her mother's eyes. It is very odd
                            that my mother was an only child, and <persName>Ada</persName> is an only child. It is
                            a singular coincidence—the least that can be said of it. I can't help thinking it was
                            destined to be so, and perhaps it is best. I was anxious for a son, for if I had one he
                            would he a peer at once, but after our separation was glad to have had a daughter, for
                            it would have distressed me too much to have taken him away from <persName
                                key="LyByron">Lady Byron</persName>, and I could not have trusted her with a son's
                            education. I have no idea of boys being brought up by mothers. I suffered too much from
                            that myself; and, then, wandering about the world as I do, I could not take proper care
                            of a child, otherwise I should not have left <persName key="AlByron1822"
                                >Allegra</persName>,* poor little thing, at Ravenna. She has been a great resource
                            to me, though I am not so fond of her as of <persName>Ada</persName>; and yet I mean to
                            make their fortunes equal—there will be enough for them both. I have desired in my will
                            that <persName>Allegra</persName> shall not marry an Englishman. The Irish and Scotch
                            make better husbands than we do. You will think it was an odd fancy—but I was not in
                            the best of humours with my countrymen at that moment. You know the reason. I am told
                            that <persName>Ada</persName> is a little termagant; I hope not. I shall write to my
                            sister to know if this is the case. Perhaps I am wrong in letting <persName>Lady
                                Byron</persName> have entirely her own way in her education. I hear that my name is
                            never mentioned in her presence, that a green curtain is always kept over my portrait,
                            as something forbidden, and that she is not to know that she has a father till she
                            comes of age. Of course she will be taught to hate me—she will be brought up to it.
                                <persName>Lady Byron</persName> is conscious of all this, and is afraid that I
                            shall some day carry off her daughter by stealth or force. I might claim her from the
                            Chancellor, without having recourse to either one or the other; but I had rather be
                            unhappy myself than make her mother so. Probably I shall never see her
                        again!</q>&#8221; Here he opened his writing desk, and shewed me some hair, which he told
                        me was his child's. During our drive and ride this evening, he declined our usual amusement
                        of pistol-firing, without assigning a cause. He hardly spoke a word during the first half
                        hour, and it was evident that something weighed heavily on his mind. There was a sacredness
                        in his melancholy that I dared not interrupt. At length he said, &#8220;<q>This is
                                <persName>Ada's</persName> birth-day, and might have been the happiest day of my
                            life. As it is</q>&#8221;—. He stopped, seemingly ashamed of having betrayed his
                        feelings. He tried in vain to rally his spirits by turning the conversation, but he created
                        a laugh in which he could not join, and soon relapsed into his former reverie.</q>&#8221; </p>

                <lb/>
                <l rend="center">
                    <seg rend="14px">HIS EARLY POEMS.</seg>
                </l>

                <p xml:id="TM-22"> &#8220;<q>When I first saw the review of &#8216;<name type="title"
                            key="LdByron.Hours">Hours of Idleness</name>,&#8217; I was furious—in such a rage as I
                        have never been in since. I dined that day with <persName key="ScDavie1852">Scrope
                            Davies</persName>, and drank three bottles of claret to drown it, but it only boiled
                        the more. That <name type="title" key="LdBroug1.Byron">critique</name> was a masterpiece of
                        low wit—a tissue of scurrilous abuse. I remember there was a great deal of vulgar trash in
                        it, that was meant for humour, about &#8216;<q>people being thankful for what they could
                            get,</q>&#8217; &#8216;<q>looking a gift horse in the mouth,</q>&#8217; and other such
                        stable expressions. The severity of the <name type="title" key="QuarterlyRev"
                            >Quarterly</name> killed poor <persName key="JoKeats1821">Keats</persName>, and
                        neglect, <persName key="HeWhite1806">Kirke White</persName>. But I was made of different
                        stuff,—of tougher materials. So far from bullying me, or deterring me from writing, I was
                        bent on falsifying their raven predictions, and determined to shew them, croak as they
                        would, that it was not the last, time they should hear from me. I set to work immediately
                        and in good earnest, and produced in a year &#8216;<name type="title" key="LdByron.Bards"
                            >The English Bards and Scotch Reviewers</name>.&#8217; <note place="foot">
                            <figure rend="singleLine"/>
                            <p xml:id="LB.33-n1"> * She appears to be the <persName type="fiction">Leila</persName>
                                of his <name type="title" key="LdByron.Juan">Don Juan</name>:— <q>
                                    <lg xml:id="LB.33a">
                                        <l rend="indent40"> &#8220;Poor little thing;, she was as fair as docile, </l>
                                        <l rend="indent40"> And with that gentle, serious character,
                                                &amp;c.&#8221;—<name type="title" key="LdByron.Juan"><hi
                                                    rend="italic">Don Juan</hi></name>. </l>
                                    </lg>
                                </q>
                            </p>
                        </note>
                        <pb xml:id="LB.34"/> For the first few days after it was announced, I was very anxious
                        about its fate. Generally speaking, the first fortnight decides the public opinion of a new
                        book. This made a prodigious impression, more perhaps than any of my works except
                            &#8216;<name type="title" key="LdByron.Corsair">The Corsair</name>.&#8217; * * * * *
                        There were many things in that satire which I was afterwards very sorry for, and I wished
                        to cancel it. If <persName key="GiGalig1821">Galignani</persName> chose to reprint it, it
                        was no fault of mine. I did my utmost to suppress the publication, not only in England but
                        in Ireland. I will tell you my principal reason for doing so. I had good grounds to believe
                        that <persName key="FrJeffr1850">Jeffrey</persName> (though perhaps really responsible for
                        whatever appears in the <name type="title" key="EdinburghRev">Edinburgh</name>, as
                            <persName key="WiGiffo1826">Gifford</persName> is for the <persName key="QuarterlyRev"
                            >Quarterly</persName>, as editor,) was not the author of that article—was not guilty of
                        it. He disowned it, and though he would not give up the aggressor, he said he would
                        convince me, if I ever came to Scotland, who the person was. I have every reason to believe
                        it was a <persName key="LdBroug1">certain lawyer</persName>, who hated me for something I
                        once said of him.</q>&#8221; </p>

                <lb/>
                <l rend="center">
                    <seg rend="14px">MR. JEFFREY AND MR. MOORE.</seg>
                </l>

                <p xml:id="TM-23"> ——&#8220;<q>But there was another reason that influenced me, more even than my
                        cool resentment against <persName key="FrJeffr1850">Jeffrey</persName>, to suppress <name
                            type="title" key="LdByron.Bards">English Bards and Scotch Reviewers</name>. In the duel
                        scene I had unconsciously made a part of the ridicule to fall on <persName
                            key="ThMoore1852">Moore</persName>. The fact was, that there was no imputation on the
                        courage of either of the principals. One of the balls fell out in the carriage and was
                        lost; and the seconds, not having a further supply, drew the remaining one. Shortly after
                        this publication I went abroad, and <persName>Moore</persName> was so offended by the
                        mention of the leadless pistols, that he addressed a letter to me, in the nature of a
                        challenge, delivering it to the care of <persName key="JoHanso1841">Mr. Hanson</persName>,
                        but without acquainting him with the contents. This letter was mislaid; at least never
                        forwarded to me. But on my return to England in 1812, an inquiry was made by <persName
                            key="ThMoore1852">Moore</persName> if I had received such a letter, adding that
                        particular circumstances (meaning his marriage, or perhaps the suppression of my satire,)
                        had now altered his situation, and that he wished to recall the letter, and to be known to
                        me through <persName key="SaRoger1855">Rogers</persName>. I was shy of this mode of
                        arranging matters—one hand presenting a pistol, and another held out to shake; and felt
                        awkward at the loss of a letter of such a nature, and the imputations it might have given
                        rise to; but when, after a considerable search, it was at length found, I returned it to
                            <persName>Moore</persName>, with the seal unbroken; and we have since been the best
                        friends, in the world. I correspond with no one so regularly as with
                            <persName>Moore</persName>.</q>&#8221; </p>

                <lb/>
                <l rend="center">
                    <seg rend="14px">HIS LITERARY QUARREL WITH MR. SOUTHEY.</seg>
                </l>

                <p xml:id="TM-24"> &#8220;<q>It is remarkable,</q>&#8221; said he, &#8220;that I should at this
                    moment number among my most intimate friends and correspondents, those whom I most made the
                    subject of satire in <name type="title" key="LdByron.Bards">English Bards</name>. I never
                    retracted my opinions of their works; I never sought their acquaintance: but there are men who
                    can forgive and forget. The <persName key="RoSouth1843">Laureate</persName> is not one of that
                    description; and exults over the anticipated death-bed repentance of the objects of his hatred.
                    Finding that his denunciations or panegyrics are of little or no avail here, he indulges
                    himself in a pleasant vision as to what will be their fate hereafter. The third heaven is
                    hardly good enough for a king, and <persName key="DaAligh">Dante's</persName> worst birth in
                    the <name type="title" key="DaAligh.Inferno">Inferno</name> hardly bad enough for me. My
                    kindness to his <persName key="SaColer1834">brother-in-law</persName> might have taught him to
                    be more charitable. I said, in a note to the <name type="title" key="LdByron.Foscari">two
                        Foscari</name>, in answer to his vain boasting, that I had done more real good in one year
                    than <persName>Mr. Southey</persName> in the whole course of his shifting and turn-coat
                    existence, on which he seems to reflect with so much complacency. I did not mean to pride
                    myself on the act to which I have just referred, and should not mention it to you, but that his
                    self-sufficiency calls for the explanation. When <persName>Coleridge</persName> was in great
                    distress, I borrowed 100<hi rend="italic">l</hi>. to give him.&#8221; </p>

                <pb xml:id="LB.35"/>

                <p xml:id="TM-25"> Some days after this discussion with <persName key="LdByron">Lord B.</persName>,
                    appeared <persName key="RoSouth1843">Mr. Southey's</persName> reply to the note in question. I
                    happened to see the <name type="title" key="LiteraryGaz">Literary Gazette</name> at <persName
                        key="ChEdgew1864">Mr. Edgeworth's</persName>, and mentioned the general purport of the
                    letter to <persName>Lord Byron</persName> during our evening ride. His anxiety to get a sight
                    of it was so great, that he wrote me two notes in the course of the evening, entreating me to
                    procure the paper. I at length succeeded, and took it to the Lanfranchi palace at eleven
                    o'clock (after coming from the Opera), an hour at which I was frequently in the habit of
                    calling on him <foreign><hi rend="italic">en passant</hi></foreign>. He had left the <persName
                        key="TeGuicc1873">Countess Guiccioli</persName> earlier than usual; and I found him waiting
                    with some impatience. I never shall forget his countenance, as he glanced rapidly over the
                    contents. He looked perfectly awful. His colour changed almost prismatically. His lips were as
                    pale as death. He said not a word. He read the paper a second time, and with more attention
                    than his rage at first permitted, commenting on some of the passages as he went on. When he had
                    finished, he threw down the paper, and asked me if I thought there was any thing of a personal
                    nature in the reply that demanded satisfaction, as if there was, he would instantly set off for
                    England, and call <persName>Southey</persName> to an account; muttering something about whips,
                    and branding irons, and gibbets, and wounding the heart of a woman—words of <persName>Mr.
                        Southey's</persName>. I said, that, &#8220;<q>as to personality, his own expressions of
                        &#8216;cowardly ferocity, pitiful renegadoship,&#8217; &amp;c. were much stronger than any
                        in the letter before me.</q>&#8221; He paused a moment, and said, &#8220;<q>Perhaps you are
                        right; but I will consider of it. You have not seen my <name type="title"
                            key="LdByron.Vision">Vision of Judgment</name>; I wish I had a copy to shew you; but
                        the only one I have is in London. I had almost decided not to publish it; but it shall now
                        go forth to the world. I will write to <persName key="DoKinna1830">Douglas
                            Kinnaird</persName> by to-morrow's post—to night—not to delay its appearance. The
                        question is whom to get to print it. <persName key="JoMurra1843">Murray</persName> will
                        have nothing to say to it just now, while the prosecution of &#8216;<name type="title"
                            key="LdByron.Cain">Cain</name>&#8217; hangs over his head. It was offered to <persName
                            key="ThLongm1842">Longman</persName>; but he declined, it, on the plea of its injuring
                        the sale of <persName>Southey's</persName> hexameters, of which he is the
                            publisher.—<persName key="JoHunt1848">Hunt</persName> shall have it.</q>&#8221; </p>

                <lb/>
                <l rend="center">
                    <seg rend="14px">THE AUTHOR OF WAVERLEY.</seg>
                </l>

                <p xml:id="TM-26"> When I entered the room, <persName key="LdByron">Lord Byron</persName> was
                    devouring, as he called it, a new novel of <persName key="WaScott">Walter Scott's</persName>.
                        &#8220;<q>How difficult it is,</q>&#8221; said he, &#8220;<q>to say any thing new! Who was
                        that voluptuary of antiquity who offered a reward for a new pleasure? Perhaps all nature
                        and art could not supply a new idea. This page, for instance, is a brilliant one. It is
                        full of wit; but let us see how much of it is original. This passage, for instance, comes
                        from <persName key="WiShake1616">Shakspeare</persName>; this <foreign><hi rend="italic">bon
                                mot</hi></foreign> from one of <persName key="RiSheri1816">Sheridan's</persName>
                        Comedies; this observation from another,</q>&#8221; naming the author; &#8220;<q>and yet
                        the ideas are new modelled, and perhaps <persName>Scott</persName> was not aware of their
                        being plagiarisms.—It is a bad thing to have too good a memory.</q>&#8221; </p>

                <p xml:id="TM-27"> &#8220;<q>I should not like to have you for a critic,</q>&#8221; I observed.
                        &#8220;<q>Set a thief to catch a thief,</q>&#8221; was the reply. </p>

                <p xml:id="TM-28"> &#8220;<q>I never travel without <persName key="WaScott">Scott's</persName>
                        Novels,</q>&#8221; said he, &#8220;<q>they are a perfect library in themselves; a perfect
                        literary treasure. I could read them once a year with new pleasure.</q>&#8221; I asked him
                    if he was certain about the Novels being <persName>Sir Walter Scott's</persName>. </p>

                <p xml:id="TM-29"> &#8220;<q><persName key="WaScott">Scott</persName> as much as owned himself the
                        author of <name type="title" key="WaScott.Waverley">Waverley</name> to me at <persName
                            key="JoMurra1843">Murray's</persName> shop. I was talking to him about that novel, and
                        lamented that its author had not carried back the story nearer to the time of the
                        revolution. <persName key="WaScott">Scott</persName>, entirely off his guard, said
                            &#8216;<q>Aye, I ought to have done so, but</q>&#8217;——there he stopped. It was in
                        vain to attempt to correct himself; he looked confused, and relieved his embarrassment by a
                        precipitate retreat. On another occasion I was to dine at <persName key="JoMurra1843"
                            >Murray's</persName>, and, being in his parlour in the morning, he told me I should
                        meet the author of <name type="title" key="WaScott.Waverley">Waverley</name> at dinner.
                            <persName>Murray</persName> had received several excuses, and the party was a small
                        one, and <pb xml:id="LB.36"/> knowing all the people present, I was satisfied that the
                        writer of that novel must have been, and could have been no other, than <persName>Walter
                            Scott</persName>. He spoiled the fame of his poetry by his superior prose. He has such
                        extent and versatility of powers in writing, that, should his novels ever tire the public,
                        which is not likely, he will apply himself to something else, and succeed as well. His
                        mottos from <hi rend="italic">old plays</hi> prove that he at all events possesses the
                        dramatic faculty which is denied me, and yet I am told that his <name type="title"
                            key="WaScott.Halidon">Halidon Hill</name> did not justify expectation. I have never met
                        with, but have seen extracts from it.</q>&#8221; </p>

                <p xml:id="TM-30"> &#8220;<q>Do you think,</q>&#8221; asked I, &#8220;<q>that <persName
                            key="WaScott">Sir Walter Scott's</persName> novels owe any part of their reputation to
                        the concealment of the author's name?</q>&#8221; </p>

                <p xml:id="TM-31"> &#8220;<q>No,</q>&#8221; said he, &#8220;<q>such works do not gain or lose by
                        it. I am at a loss to know his reasons for keeping up the incognito, but that the reigning
                        family could not have been very well pleased with <name type="title" key="WaScott.Waverley"
                            >Waverley</name>.</q>
                </p>

                <p xml:id="TM-32"> &#8220;<q>When <persName key="WaScott">Walter Scott</persName> began to write
                        poetry, which was not at a very early age, <persName key="MaLewis1818">Monk
                            Lewis</persName> corrected his verses; he understood little then of the mechanical part
                        of his art. The <name type="title" key="WaScott.FireKing">Fire King</name> in the <name
                            type="title" key="WaScott.Minstrelsy">minstrelsy of the Scottish border</name> was
                        almost all <persName>Lewis's</persName>. One of the ballads in that work, and except some
                        of <persName key="JoLeyde1811">Leyden's</persName>, perhaps one of the best, was made from
                        a story picked up in a stage coach,—I mean that of <name type="title"
                            key="MaLewis1818.Bill">Will Jones</name>:</q>
                    <q>
                        <lg xml:id="LB.36a">
                            <l rend="indent40"> &#8220;They boiled <persName type="fiction">Will Jones</persName>
                                within the pot, </l>
                            <l rend="indent40"> And not much fat had <persName type="fiction"
                                >Will</persName>.&#8221; </l>
                        </lg>
                    </q>
                </p>

                <p xml:id="TM-33"> &#8220;<q>I hope <persName key="WaScott">Walter Scott</persName> did not write
                        the <name type="title" key="WiHazli1830.Christabel">review</name> of &#8216;<name
                            type="title" key="SaColer1834.Christabel">Christabel</name>,&#8217; for he in common
                        with many of us is indebted to <persName key="SaColer1834">Coleridge</persName>. But for
                        him perhaps the <name type="title" key="WaScott.Lay">Lay of the Last Minstrel</name> would
                        never have been thought of. The line <q>
                            <lg xml:id="LB.36b">
                                <l rend="indent60"> &#8220;Jesu Maria, shield us well!&#8221; </l>
                            </lg>
                        </q> is taken word for word from <persName>Coleridge's</persName> poem. Of all the writers
                        of the day <persName>Walter Scott</persName> is the least jealous. He is too confident of
                        his own fame to dread the rivalry of others. He does not think of good writing as the
                        Tuscans do about fever, that there is only a certain quantity of it in the
                    world.</q>&#8221; </p>

                <lb/>
                <l rend="center">
                    <seg rend="14px">LADY ——.</seg>
                </l>

                <p xml:id="TM-35"> &#8220;<q>About this time I became what the French call u<foreign><hi
                                rend="italic">n homme à bonnes fortunes</hi></foreign>, was engaged in a liaison,
                        and I might add a serious one.</q>
                </p>

                <p xml:id="TM-36"> &#8220;<name type="title" key="CaLamb1828">The lady</name> had scarcely any
                    personal attractions to recommend her. Her figure, though genteel, was too thin to be good, and
                    wanted that roundness which elegance and grace would vainly supply. She was however young, and
                    of the first connexions; <foreign><hi rend="italic">au reste</hi></foreign> she possessed an
                    infinite vivacity, and an imagination heated by novel-reading which made her fancy herself a
                    heroine of romance, and led her into all sorts of eccentricities. She was married, but it was a
                    match of convenience; and no couple could be more fashionably indifferent to or independent of
                    one another. It was at this time that we happened to be thrown much together. She had never
                    been in love, at least where the affections are concerned, and was perhaps made without a
                    heart, as many of the sex are, but her head more than supplied the deficiency. I was soon
                    congratulated by my friends on the conquest I had made, and did my utmost to shew that I was
                    not insensible to the partiality I could not help perceiving. I made every effort to be in
                    love, expressed as much ardour as 1 could muster, and kept feeding the flame with a constant
                    supply of billet-doux and amatory verses. In short, I was in time duly and regularly installed
                    into what the Italians call service, and soon became in every sense of the word a <hi
                        rend="italic">patito</hi>. It required no Œdipus to see where all this would end. I am
                    easily governed by women, and she gained an ascendancy over me that I could not easily shake
                    off. </p>

                <pb xml:id="LB.37"/>

                <p xml:id="TM-37"> &#8220;I submitted to this thraldom long, for I hate scenes, and am of an
                    indolent disposition; but I was forced to snap the knot rather rudely at last. Like all lovers,
                    we had several quarrels before we came to a final rupture. One was made up in a very odd way,
                    and without any verbal explanation. She will remember it. Even during our intimacy I was not at
                    all constant to this fair one, and she suspected as much. In order to detect my intrigues she
                    watched me, and earthed a lady into my lodgings, and came herself, terrier-like, in the
                    disguise of a carman. My valet, who did not see through the masquerade, let her in, when, to
                    the despair of <persName key="WiFletc1831">Fletcher</persName>, she put off the man and assumed
                    the woman. Imagine the scene; it was worthy of <persName type="fiction">Faublas</persName>. Her
                    conduct was unaccountable madness—a combination of spite and jealousy. It was perfectly agreed
                    and understood that we were to meet as strangers. We were at a ball. She came up and asked me
                    if she might waltz. I thought it perfectly indifferent whether she waltzed or not, or with
                    whom, and I told her so, in different terms, but with much coolness. After she had finished, a
                    comi-tragic scene occurred which was in the mouth of every one. She stabbed herself with a pair
                    of scissars, and cut herself with a tumbler. Soon after this she promised <persName
                        key="HeGratt1859">young ——</persName> . . . . . . . if he would call me out. I suppose he
                    did not think her worth fighting for. Yet can any one believe that she should be so infatuated
                    after all this as to call at my apartments—certainly with no view of shooting herself. I was
                    from home, but finding &#8216;<name type="title" key="WiBeckf1844.Vathek">Vathek</name>&#8217;
                    on the table, she wrote in the first page &#8216;<q>Remember me!</q>&#8217;—Yes, I had cause to
                    remember her, and in the irritability of the moment wrote, under the two words, these two
                    stanzas: </p>

                <q>
                    <lg xml:id="LB.37a">
                        <l rend="indent60"> Remember thee—remember thee! </l>
                        <l rend="indent80"> Till Lethe quench life's burning stream; </l>
                        <l rend="indent60"> Remorse and shame shall cling to thee, </l>
                        <l rend="indent80"> And haunt thee like a feverish dream. </l>
                    </lg>
                    <lg xml:id="LB.37b">
                        <l rend="indent60"> Remember thee!—aye, doubt it not— </l>
                        <l rend="indent80"> Thy husband too shall think of thee: </l>
                        <l rend="indent60"> By neither shalt thou be forgot— </l>
                        <l rend="indent80"> Thou false to him—thou fiend to me! </l>
                    </lg>
                </q>
                <lb/>
                <lb/>
                <figure rend="line150px"/>

                <l rend="v-spacer250px"/>
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