George Gordon Byron, sixth Baron Byron (1788-1824)
The author of Childe Harold and Don
Juan.
The author of Childe Harold and Don
Juan.
“Address, Spoken at the Opening of Drury-lane Theater Saturday, October 10th,
1812” in
Childe Harold.
“Address intended to be recited at the Caledonian Meeting” in
Moore, Letters and Journals of Lord Byron.
“The Adieu. Written under the impression that the author would soon die” in
Moore, Letters and Journals of Lord Byron.
“l’Amitié est l’Amour sans ailes” in
Moore, Letters and Journals of Lord Byron.
Beppo a Venetian Story.
“The Blues: a Literary Eclogue” in
The Liberal.
The Bride of Abydos, a Turkish Tale.
“Cain: a Mystery” in
Sardanapalus: a Tragedy. The two Foscari: a Tragedy. Cain: a Mystery.
“The Charity Ball” in
Moore, Letters and Journals of Lord Byron.
Childe Harold's Pilgrimage: a Romaunt.
Childe Harold's Pilgrimage: Canto the Third.
Childe Harold's Pilgrimage: Canto the Fourth.
“Childish Recollections” in
Poems on Various Occasions.
“The Cornelian” in
Hours of Idleness, a Series of Poems, original and translated.
The Corsair: a Tale.
The Curse of Minerva.
“Darkness” in
The Prisoner of Chillon, and other Poems.
The Deformed Transformed: a Drama.
“The Devil's Drive.—a sequel to Porson's 'Devil's Walk'” in
Moore, Letters and Journals of Lord Byron.
Don Juan.
“The Dream” in
The Prisoner of Chillon, and other Poems.
“Elegy on Newstead Abbey” in
Hours of Idleness, a Series of Poems, original and translated.
“Elegy on the Recovery of Lady Noel” in
Conversations of Lord Byron.
English Bards and Scotch Reviewers.
“Epigram. From the French of Rulhière” in
Moore, Letters and Journals of Lord Byron.
“Epigram” in
Moore, Letters and Journals of Lord Byron.
“Epigram. Mr. Hoby and the Queen” in
Moore, Letters and Journals of Lord Byron.
“Epistle from Mr. Murray to Dr. Polidori” in
Moore, Letters and Journals of Lord Byron.
“Epistle to a Friend, In Answer to Some Lines Exhorting the Author to be
Cheerful, and to 'Banish Care'” in
Moore, Letters and Journals of Lord Byron.
“Epitaph” in
Moore, Letters and Journals of Lord Byron.
“Epitaph for a Friend” in
Hours of Idleness, a Series of Poems, original and translated.
“Epitaph on Castlereagh” in
Moore, Letters and Journals of Lord Byron.
“Epitaph on Pitt” in
Moore, Letters and Journals of Lord Byron.
“Epitaph on Voltaire” in
Moore, Letters and Journals of Lord Byron.
“Fare thee well” in
The Champion.
“Fragment of an Epistle to Thomas Moore” in
Moore, Letters and Journals of Lord Byron.
“A Fragment” in
Fugitive Pieces.
“Francesca of Rimini” in
Moore, Letters and Journals of Lord Byron.
“From the French” in
Morning Chronicle.
“From the French” in
The Liberal.
“From the Portuguese” in
Childe Harold.
Fugitive Pieces.
The Giaour, a Fragment of a Turkish Tale.
“Heaven and Earth, a Mystery” in
The Liberal.
Hebrew Melodies.
“Hints from Horace” in
The Miscellaneous Works.
Hours of Idleness, a Series of Poems, original and translated.
“Impromptu, in Reply to a Friend” in
Childe Harold.
The Irish Avatar.
“John Keats” in
Moore, Letters and Journals of Lord Byron.
The Lament of Tasso.
“Lara, a Tale” in
Lara, a Tale. Jacqueline, a Tale.
Letter to **** ****** on the Rev. W. L. Bowles' Strictures on the Life and
Writings of Pope.
“Lines inscribed upon a Cup formed from a Skull” in
Childe Harold.
“Lines on hearing that Lady Byron was Ill” in
New Monthly Magazine.
“Lines to a Lady Weeping” in
Morning Chronicle.
“Lines addressed to a young Lady. As the Author was discharging his Pistols in
a Garden” in
Fugitive Pieces.
Lord Byron's Farewell to England; with three other Poems, viz. Ode to St.
Helena, To my Daughter, on the Morning of her Birth, and To the Lily of France.
Manfred, a Dramatic Poem.
“Marino Faliero” in
Marino Faliero, Doge of Venice: An Historical Tragedy, in Five Acts. With
Notes. The Prophecy of Dante, a Poem.
Mazeppa: A Poem.
Memoir.
“Morgante Maggiore” in
The Liberal.
Monody on the death of the Right Honourable R.B. Sheridan.
My Boat is on the Shore." Written and Addressed to Thomas Moore Esq. by Lord
Byron. The Music by Henry R. Bishop.
Observations upon ‘Observations.’ A Second Letter to John Murray,
Esq. on the Rev. W. L. Bowles's Strictures on the Life and Writings of Pope..
Ode to Napoleon Buonaparte.
“On My Wedding Day” in
Moore, Letters and Journals of Lord Byron.
“On Revisiting Harrow” in
Moore, Letters and Journals of Lord Byron.
“On the Birth of John William Rizzo Hoppner” in
Moore, Letters and Journals of Lord Byron.
“On the Countess of Blessington” in
Moore, Letters and Journals of Lord Byron.
“Parenthetical Address, by Dr. Plagiary” in
Morning Chronicle.
“Parisina: a Poem” in
The Siege of Corinth, a Poem; Parisina: a Poem.
“The Prayer of Nature” in
Moore, Letters and Journals of Lord Byron.
The Prisoner of Chillon, and other Poems.
“The Prophecy of Dante, a Poem” in
Marino Faliero, Doge of Venice: An Historical Tragedy, in Five Acts. With
Notes. The Prophecy of Dante, a Poem.
“Reply to Blackwood's” in
Works of Lord Byron with his Letters and Journals.
“Sardanapalus a Tragedy” in
Sardanapalus a Tragedy. The two Foscari, a Tragedy. Cain, a Mystery.
“The Siege of Corinth, a Poem” in
The Siege of Corinth, a Poem; Parisina: a Poem.
“A Sketch from Private Life” in
The Champion.
“Song” in
Childe Harold.
“Stanzas” in
Childe Harold.
“Stanzas” in
John Bull.
“Stanzas composed October 11th 1809, during the night, in a
thunder-storm” in
Childe Harold.
“Stanzas for Music” in
Moore, Letters and Journals of Lord Byron.
“Stanzas to * * * On Leaving England” in
Imitations and Translations from the ancient and modern Classics.
“Stanzas to Augusta” in
The Prisoner of Chillon, and other Poems.
“Stanzas written on the Road between Florence and Pisa” in
Moore, Letters and Journals of Lord Byron.
“To a Beautiful Quaker” in
Hours of Idleness, a Series of Poems, original and translated.
“To an Oak in the Garden of Newstead Abbey” in
Moore, Letters and Journals of Lord Byron.
“To Delewarr” in
Fugitive Pieces.
“To Mary” in
Fugitive Pieces.
“To Mary, on receiving her Picture” in
Hours of Idleness, a Series of Poems, original and translated.
“To Mr. Murray” in
Moore, Letters and Journals of Lord Byron.
“To Mr. Murray” in
Moore, Letters and Journals of Lord Byron.
“To My Son” in
Moore, Letters and Journals of Lord Byron.
“To the Po” in
Conversations of Lord Byron: noted during a Residence with his Lordship at
Pisa, in the Years 1821 and 1822.
“To the Prince Regent” in
Moore, Letters and Journals of Lord Byron.
“To the Rev. J. T. Becher” in
Poems on Various Occasions.
“The Two Foscari, a Tragedy” in
Sardanapalus a Tragedy. The two Foscari, a Tragedy. Cain, a Mystery.
“Venice. An Ode” in
Mazeppa: A Poem.
“The Vision of Judgment. By Quevedo Redivivus” in
The Liberal.
Waltz: an Apostrophic Hymn.
“Well! Thou Art Happy” in
Imitations and Translations from the ancient and modern Classics.
Werner: a Tragedy.
“Windsor Poetics” in
English Bards and Scotch Reviewers . . . Suppressed Poems..
“Written Beneath a Picture” in
Childe Harold.
