National Library—Galt's Life of Lord Byron.
THE
EDINBURGH REVIEW.
OCTOBER, 1830.
Art. XI.—The National Library. Conducted by
the Rev. G. R. Gleig, M.A. Vol. I. The Life of Lord Byron, by John Galt, Esq. 12mo. London: 1830.
This is one of the many works which have been lately published in
imitation, or apparent imitation, of the plan adopted by the Society for the Diffusion of
Useful Knowledge. Of these, Dr Lardner's Cyclopædia is by
much the most valuable, and the most recommended by distinguished assistance, scientific and
literary. Considered as bookselling speculations, they may all be allowed to be moderately
priced; but in this most essential recommendation they are still greatly excelled by the Libraries of the Society.
This quality is really so material a requisite in such publications, that nothing
can supply its place. The Society originally bent itself almost exclusively to the important
task of bringing down the enormous price of books, which was by degrees confining the use of
them more and more to those classes of the community who are in easy circumstances. Writings of
an original cast, and of extraordinary genius, it was impossible, at least until most extensive
circulation could be obtained, to publish at such very small cost as those of the Society are
sold at. Sixpence only for as much matter as would fill a hundred pages of a common volume,
with a number of excellent engravings, was plainly out of the question, if high prices were to
be paid for original genius, or learning of the first order. It is of the essence of such books
to be extremely cheap, but, or rather we should say, therefore, of a kind which many men may be
able to write, as well as all to read. The immense circulation of twenty-five or thirty
thousand, may now have enabled the Society to extend its remuneration greatly to authors. Its
maps, too, are extensively circulated, and certainly of a very rare excellence, as well in the
composition as in the execution. But it is manifest that such books as many of the volumes
forming the Libraries, both of Entertaining Knowledge, and the Family Library, might be composed by a variety of literary men; and
that, consequently, competition must be fatal to any one of this sort not sold at the lowest
price possible. This applies in an especial manner to works published by individuals. Those of
the Society must always have a material advantage, from being revised by many eminent men of
science and letters, which gives a security against errors, and even against omissions, not
attainable by the works of unaided individuals. Hence, the authority of the Society's Treatises
will always be higher, and therefore competition will be
| Moore's Life of Lord Byron. | 229 |
less hurtful to
them. Yet, the fact is undeniable, that, notwithstanding this very material advantage, they are
incomparably cheaper than any brought out by the common publishers. They are much cheaper than
Mr Murray's—in other respects a very excellent and
always entertaining, if not always instructive miscellany. They bear an equal preference, in
point of price, over the new publication of
Mr Colburn,
of which the volume before us is the commencement.
These remarks are forced from us by the great importance of the subject. It is
the very use of such works, to be of easy access to all purses, and consequently of unlimited
circulation. They must comply with this requisite to be permanent favourites, or even to
succeed long with the public; for other booksellers, and other writers, can so easily take up
the same kind of works, that they will inevitably undersell them, until the lowest price be
reached. Indeed, there is nothing at all characteristic in either Mr Murray's or Mr Colburn's Library. The works are connected together by no tie; they fall under no
particular class or arrangement; they are merely a succession of so many books of a certain
size and price;—that is all they have in common, and to distinguish them from other sets of
separate books. Their titles are extremely little applicable as descriptions of their nature.
Another remark we must be allowed to add, because it is of essential importance.
The Society intended its books for the benefit—the solid use—the substantial profit—of the
community;—in a word, for their instruction and their improvement. To communicate knowledge,
and knowledge of real value, was their primary design; to this entertainment was
subsidiary—accordingly, the Entertaining Library conveys as much
entertainment only as is consistent with the plan of instruction, by conveying useful knowledge
too. The imitative works to which the Society's have furnished the example, excepting Dr Lardner's Cyclopædia, all depart widely
in this great particular from their original. It is not very easy to perceive the great
instruction to be derived by the people from reading the Lives of Napoleon or of Lord Byron, especially as no
pains are taken to read useful moral lessons by the writers, in the progress of their
narratives. The Society never omits a single occasion to give the practical improvement, the
useful reflections, suggested by, or which can, by some stretch, be connected with, the more
amusing parts of its treatises. All tends to instruction in its treatises; in those of the
other Libraries, which adopt the name, but widely depart from the nature
of the thing, amusement, in
230 | Moore's Life of Lord Byron. | |
fact sale, is the main object. To begin a
National Library with
Lord
Byron's Life, argues a determination to consult only the taste and fashion of the
times. These might, indeed, have been taken advantage of, for important purposes; and under the
cloak of a popular biography, some useful matter, some wholesome truths, might well have been
recorded, and widely disseminated. But a perusal of
Mr
Galt's work obliges us to say, that no such considerate and instructive course
has been pursued by him.
As Mr Colburn is an active and very
enterprising man, to whom literature is under considerable obligations; and as Mr Gleig is a very respectable writer, we are willing to hope
that they will both believe us when we state our good wishes towards their project, and our
hopes that the observations we are making may minister towards its success. It is really our
purpose to further that object, by improving both the execution and the plan. We must therefore
be allowed, on behalf of all the most approved principles of good taste, all the soundest
canons of criticism, nay, the rules of the English language, and even of ordinary grammar, to
enter our protest against the manner of writing which Mr
Galt has thought fit to adopt. He is favourably known as a novelist of a certain
class; but he is strangely mistaken if he thinks himself of such consideration in the republic
of letters, as to entitle him to make himself a dictator over language, or rather sultan of the
Dictionary. His composition is often a wild mixture of absurd and incongruous images—his
language a preposterous medley of old words used in new senses, and new words coined without
either the warrant of necessity, etymology, analogy, or harmony. His book is in other respects
liable to censure; but it is not of sufficient importance to call for detailed criticism; and
we should not have noticed it at all, except as forming the initial part of a publication
calling itself National. This requires of us that we should guard the
public taste from any chance of contamination that might arise from the circulation of such a
production; and the more so, that it has been lauded by some as a rare specimen of biographical
skill and masterly composition. These praises are not more ludicrous than its own pretensions.
We leave it and its eulogists to the ridicule that must ever attach to the signal failure of
overweening claims, and to literary encomiums bestowed on the palpable transgressors of
literary rules.
Joseph Addison (1672-1719)
English politician and man of letters, with his friend Richard Steele he edited
The Spectator (1711-12). He was the author of the tragedy
Cato (1713).
Vittorio Alfieri (1749-1803)
Italian tragic poet, author of
Saul (1782),
Antigone (1783), and
Maria Stuart (1804); he was the
consort of Louisa, (Jacobite) countess of Albany.
Aristotle (384 BC-322 BC)
Athenian philosopher and scientist who studied under Plato; the author of
Metaphysics,
Politics,
Nichomachean Ethics, and
Poetics.
James Beattie (1735-1803)
Scottish poet and professor of moral philosophy and logic at Marischal College, author of
Essay on the Nature and Immutability of Truth (1770), and
The Minstrel (1771, 1774).
King Charles I of England (1600-1649)
The son of James VI and I; as king of England (1625-1649) he contended with Parliament;
he was revered as a martyr after his execution.
Colley Cibber (1671-1757)
English actor, playwright, and much-ridiculed poet-laureate; he was the author of
The Careless Husband (1704) and
An Apology for the
Life of Mr. Colley Cibber (1740).
Claudian (397 fl.)
Late Roman poet, author of
The Rape of Proserpine.
Anacharsis Cloots (1755-1794)
Prussian-born philosophe who espoused cosmopolitanism and became a French citizen. He was
executed during the French Revolution.
Henry Colburn (1785-1855)
English publisher who began business about 1806; he co-founded the
New
Monthly Magazine in 1814 and was publisher of the
Literary
Gazette from 1817.
Samuel Taylor Coleridge (1772-1834)
English poet and philosopher who projected
Lyrical Ballads (1798)
with William Wordsworth; author of
Biographia Literaria (1817),
On the Constitution of the Church and State (1829) and other
works.
William Collins (1721-1759)
English poet, author of
Persian Eclogues (1742),
Odes on Several Descriptive and Allegorical Subjects (1746), and
Ode on the Popular Superstitions of the Highlands (1788).
Jean-Antoine-Nicholas Condorcet (1749-1794)
French philosopher; author of
Esquisse d'un tableau historique des
progrès de l'esprit humain (1794). He died in prison under disputed
circumstances.
William Cowper (1731-1800)
English poet, author of
Olney Hymns (1779),
John
Gilpin (1782), and
The Task (1785); Cowper's delicate
mental health attracted as much sympathy from romantic readers as his letters, edited by
William Hayley, did admiration.
Charlotte Cox (1825 fl.)
The American-born mistress of Edmund Kean; in she was married to Robert Albion Cox, a
banker and London alderman, who divorced her following a spectacular crim. con. trial in
January 1825.
Robert Albion Cox (1772 c.-1826)
A banker and member of the Goldsmith's Company, he was a London alderman who won damages
from Edmund Kean in a crim. con. case in 1825.
Dante Alighieri (1265-1321)
Florentine poet, the author of the
Divine Comedy and other
works.
Joseph-Marie Dessaix (1764-1834)
French military officer who opposed Napoleon in the coup d'etat of the 18th Brumaire; he
served in the Russian campaign and in the Hundred Days.
John Donne (1572-1631)
English poet, wit, and divine; he was dean of St. Paul's (1621-31).
Michael Drayton (1563-1631)
English poet, the imitator of Spenser and friend of Ben Jonson; he published
Poly-Olbion (1612).
John Dryden (1631-1700)
English poet laureate, dramatist, and critic; author of
Of Dramatick
Poesie (1667),
Absalom and Achitophel (1681),
Alexander's Feast; or the Power of Musique (1697),
The Works of Virgil translated into English Verse (1697), and
Fables (1700).
John Galt (1779-1839)
Scottish novelist who met Byron during the first journey to Greece and was afterwards his
biographer; author of
Annals of the Parish (1821).
William Gifford (1756-1826)
Poet, scholar, and editor who began as a shoemaker's apprentice; after Oxford he
published
The Baviad (1794),
The Maeviad
(1795), and
The Satires of Juvenal translated (1802) before becoming
the founding editor of the
Quarterly Review (1809-24).
George Robert Gleig (1796-1888)
Prolific Tory writer who rose to attention with
The Subaltern,
serialized in
Blackwood's; he was appointed chaplain-general of the
forces in 1844.
Lewis Goldsmith (1764 c.-1846)
English journalist and pamphleteer; as a Jacobin he published
The
Crimes of Cabinets (1801) and as an anti-Gallican,
The Secret
History of the Cabinet of Bonaparte (1810).
Oliver Goldsmith (1728 c.-1774)
Irish miscellaneous writer; his works include
The Vicar of
Wakefield (1766),
The Deserted Village (1770), and
She Stoops to Conquer (1773).
Thomas Gray (1716-1771)
English poet, author of “Ode on a Distant Prospect of Eton College,” “Elegy written in a
Country Churchyard,” and “The Bard”; he was professor of history at Cambridge
(1768).
Teresa Guiccioli (1800-1873)
Byron's lover, who in 1818 married Alessandro Guiccioli. She composed a memoir of Byron,
Lord Byron,
Jugé par les Témoines de sa Vie (1868).
William Hayley (1745-1820)
English poet, patron of George Romney, William Cowper, and William Blake. His best-known
poem,
Triumphs of Temper (1781) was several times reprinted. Robert
Southey said of him, “everything about that man is good except his poetry.”
Hesiod (700 BC fl.)
Greek poet; author of
The Works and Days.
Homer (850 BC fl.)
Poet of the
Iliad and
Odyssey.
John Hoole (1727-1803)
English translator, playwright, and friend of Dr. Johnson; he published
Jerusalem Delivered (1763), an often-reprinted translation reviled by the
romantics.
Horace (65 BC-8 BC)
Roman lyric poet; author of
Odes,
Epistles, Satires, and the
Ars Poetica.
James Henry Leigh Hunt (1784-1859)
English poet, journalist, and man of letters; editor of
The
Examiner and
The Liberal; friend of Byron, Keats, and
Shelley.
Samuel Johnson (1709-1784)
English man of letters, among many other works he edited
A Dictionary
of the English Language (1755) and Shakespeare (1765), and wrote
Lives of the Poets (1779-81).
Ben Jonson (1572-1637)
English dramatist, critic, and epigrammatist, friend of William Shakespeare and John
Donne.
Juvenal (110 AD fl.)
Roman satirist noted, in contrast to Horace, for his angry manner.
Edmund Kean (1787-1833)
English tragic actor famous for his Shakespearean roles.
Bernhard Knipperdolling (1495 c.-1536)
The leader of the Münster Anabaptists who rebelled in 1534; he was tortured and exectued
in 1535.
Dionysius Lardner (1793-1859)
Lecturer on science and contributor to the
Edinburgh Review; he
published the
Cabinet Cyclopaedia (1829-1846).
Edward Ligonier, earl Ligonier of Clonmell (1740 c.-1782)
English military officer; after his wife Penelope became the mistress of Alfieri he
challenged him to a duel and subsequently spared the Italian poet's life.
Louis XVI, king of France (1754-1793)
King of France 1774-1793; the husband of Marie Antoinette, he was guillotined 21 January
1793.
Louis Philippe, king of the French (1773-1850)
The son of Louis Philippe II, Duke of Orléans; he was King of France 1830-48; he
abdicated following the February Revolution of 1848 and fled to England.
Martin Luther (1483-1546)
German theologian and leader of the Protestant Reformation.
James Macpherson (1736-1796)
Scottish poet who attributed his adaptations of Gaelic poetry to the blind bard Ossian;
author of the prose epics
Fingal (1761) and
Temora (1763).
William Mason (1725-1797)
English poet, the friend and biographer of Thomas Gray; author of
Odes (1756),
Elfrida (1752), and
The
English Garden (4 books, 1772-81).
Thomas James Mathias (1755-1835)
English satirist, the anonymous author of
Pursuits of Literature
(1794-98) and editor of
The Works of Thomas Gray, 2 vols (1814).
From 1817 he lived in Italy, where he translated classic English poets into Italian.
Robert Merry [Della Crusca] (1755-1798)
Della Cruscan poet and playwright who contributed to The Florence Miscellany (1785) and
to The World; author of
Diversity: a Poem by Della Crusca (1788) and
The Pains of Memory (1796).
John Milton (1608-1674)
English poet and controversialist; author of
Comus (1634),
Lycidas (1638),
Areopagitica (1644),
Paradise Lost (1667), and other works.
Thomas Moore (1779-1852)
Irish poet and biographer, author of the
Irish Melodies (1807-34),
The Fudge Family in Paris (1818), and
Lalla
Rookh (1817); he was Byron's close friend and designated biographer.
John Murray II (1778-1843)
The second John Murray began the
Quarterly Review in 1809 and
published works by Scott, Byron, Austen, Crabbe, and other literary notables.
Emperor Napoleon I (1769-1821)
Military leader, First Consul (1799), and Emperor of the French (1804), after his
abdication he was exiled to Elba (1814); after his defeat at Waterloo he was exiled to St.
Helena (1815).
Horatio Nelson, viscount Nelson (1758-1805)
Britain's naval hero who destroyed the French fleet in the Battle of the Nile (1798) and
defeated the combined French and Spanish fleets at Trafalgar (1805) in which action he was
killed.
Sir Roger Newdigate, fifth baronet (1719-1806)
Educated at Westminster School and University College, Oxford, he was a high churchman,
Tory MP, proponent of Gothic architecture, and donor of the Newdigate prize at
Oxford.
John Newton (1725-1807)
Evangelical clergyman who wrote the
Olney Hymns (1779) with
William Cowper; he was curate of Olney in Buckinghamshire from 1764.
Thomas Parnell (1679-1718)
Irish poet and clergyman educated at Trinity College, Dublin; he was the friend of fellow
Scriblerians Jonathan Swift and Alexander Pope.
Alexander Pope (1688-1744)
English poet and satirist; author of
The Rape of the Lock (1714)
and
The Dunciad (1728).
Jean Racine (1639-1699)
French neoclassical playwright, author of
Andromaque (1667),
Bajazet (1672),
Mithridate (1673) and Phèdre
(1677).
Sir Joshua Reynolds (1723-1792)
English portrait-painter and writer on art; he was the first president of the Royal
Academy (1768).
Samuel Rogers (1763-1855)
English poet, banker, and aesthete, author of the ever-popular
Pleasures of Memory (1792),
Columbus (1810),
Jaqueline (1814), and
Italy (1822-28).
Jean-Jacques Rousseau (1712-1778)
Swiss-born man of letters; author of, among others,
Julie ou la
Nouvelle Heloïse (1761),
Émile (1762) and
Les Confessions (1782).
Thomas Rymer (1643-1713)
English dramatic critic and compiler of state papers; he published
A
Short View of Tragedy (1693) and
Foedera (17 vols,
1704-17).
Thomas Seaton (1684-1741)
Educated at Clare College, Cambridge, he was vicar of Ravenstone, Buckinghamshire; he
willed his estate to Cambridge to fund the Seatonian prize for the best poem in English on
the attributes of the supreme being.
Percy Bysshe Shelley (1792-1822)
English poet, with Byron in Switzerland in 1816; author of
Queen
Mab (1813),
The Revolt of Islam (1817),
The Cenci and
Prometheus Unbound (1820), and
Adonais (1821).
Robert Southey (1774-1843)
Poet laureate and man of letters whose contemporary reputation depended upon his prose
works, among them the
Life of Nelson, 2 vols (1813),
History of the Peninsular War, 3 vols (1823-32) and
The Doctor, 7 vols (1834-47).
Edmund Spenser (1552 c.-1599)
English poet, author of
The Shepheards Calender (1579) and
The Faerie Queene (1590, 1596).
Torquato Tasso (1554-1595)
Italian poet, author of
Aminta (1573), a pastoral drama, and
Jerusalem Delivered (1580).
Mary Unwin [née Cawthorne] (1723-1796)
The daughter of William Cawthorne who in 1744 married Morley Unwin; she was friend,
correspondent, and care-giver to William Cowper.
Virgil (70 BC-19 BC)
Roman epic poet; author of
Eclogues,
Georgics, and the
Aenead.
Voltaire (1694-1778)
French historian and man of letters; author of, among many other works,
The Age of Louis XIV (1751) and
Candide (1759).
William Wordsworth (1770-1850)
With Coleridge, author of
Lyrical Ballads (1798), Wordsworth
survived his early unpopularity to succeed Robert Southey as poet laureate in 1843.