You know my opinions respecting the biography of living persons, especially of those who either deserve no such notice, or may wish to deserve it better: but you have succeeded in persuading me, that a public writer, who pays attention to the drama, is a person of some interest to your readers; and as an author, on these occasions, must be an assisting party to what is said of him, I have thought it best to say quite as much as need be said, in my own person; and thus perform the task as frankly and decently as possible. Addison has observed, in corroboration of your arguments, “that a reader seldom peruses a book with pleasure, till he knows whether the writers of it be a black or a fair man, of a mild or choleric disposition, married or a bachelor, with other particulars of the like nature, that conduce very much to the right understanding of an author.” (Spec. No. I.) And it was said of Tom Brown, I think, when the second edition of his poems did not sell, that the joke was lost, because he omitted the portrait. Now, as my first wish is to be well understood, I would not willingly lose any help towards that valuable qualification. I should be very sorry were the reader puzzled with any opinion of mine, from his ignorance of my having a dark complexion, or
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Of birth, &c. you tell me it is absolutely necessary to say something.
Well:—I was born at Southgate, in October, 1784. My
parents were the late Rev. I.
Hunt, at that time tutor in the Duke of
Chandos’s family, and Mary, daughter of Stephen Shewell, merchant of Philadelphia,
whose sister is the lady of Mr. President West. Here indeed I could enlarge, both seriously and proudly; for if
any one circumstance of my life could give me cause for boasting, it would be that of having
had such a mother. She was indeed a mother in every exalted sense of the word, in piety, in
sound teaching, in patient care, in spotless example. Married at an early age, and commencing
from that time a life of sorrow, the world afflicted, but it could not change her: no rigid
œconomy could hide the native generosity of her heart, no sophistical and skulking example
injure her fine sense or her contempt of worldly-mindedness, no unmerited sorrow convert her
resignation into bitterness. But let me not hurt the noble simplicity of her character by a
declamation, however involuntary. At the time when she died, the recollection of her sufferings
and virtues tended to embitter the loss; but knowing what she was, and believing where she is,
I know feel her memory as a serene and inspiring influence, that comes over my social moments,
only to temper cheerfulness, and over my reflecting ones, to animate me in the love of truth.
At seven, I was admitted into the grammar-school of Christ’s
Hospital, where I remained till fifteen, and received a good foundation in the
Greek and Latin languages. On my departure from school, a collection of verses, consisting of
some school-exercises, and some larger pieces, written during the first part of 1800, was
published that year under the title of Juvenilia, and in a manner, which, however I may
have regretted it, it does not become me, perhaps, to reprobate. My verses were my own, but not
my will. The pieces were written with sufficient imi-
tative enthusiasm, but that is all:—I had read Gray, and I must write something like Gray; I admired Collins, and I must write something like Collins; I adored Spenser, and I must write a long allegorical
poem, filled with “ne’s” “whiloms,” and personifications, like
Spenser. I say thus much upon the subject,
because as I was a sort of rhyming young Roscius, and
tended to lead astray other youths, who mistook reading for inspiration, as in fact has been
the case, I wish to deprecate these precocious performances in public, which are always
dangerous to the taste, and in general dissatisfactory to the recollection. After spending some time in that gloomiest of all “darkness palpable,” a lawyer’s office—and
plunging, when I left it, into alternate study and morbid idleness, studious all night,
and hypochondriac all day, to the great and reprehensible injury of my health and
spirits, it fell into my way to commence theatrical critic in a newly established
paper, called the News, and
I did so with an ardour proportioned to the want of honest newspaper criticism, and to
the insufferable dramatic nonsense which then rioted in public favour. In 1805,
an amiable nobleman, at that time high in office,
procured me an humble situation in a government office. This office, in January, 1809, I
voluntarily gave up, not only from habitual disinclination, but from certain hints, futile
enough in themselves yet sufficiently annoying, respecting the feelings of the higher
orders, who could not contemplate with pleasure a new paper called the Examiner, which, in concert with one
of my brothers, I had commenced the year before, and
in which I pursued the very uncourtly plan of caring for nothing but the truth. This
paper, which it is our pleasure to manage as well as we can, and our pride to keep as
independent as we ought, is now my only regular employment; but I contrive to make it a part of
other literary studies, which may at a future time, by God’s blessing, enable me to do
something better for the good opinion of the public; and as to its profits—with
constitutional reform for its object, and a stubborn consistency for its merit, it promises, in
spite of the wretched efforts of the wretched men in power, to procure The Monthly Mirror. 245
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I find I have been getting serious on this magnificent subject; but a man’s muscles unconsciously return to their gravity when employed in talking of his own affairs, and few persons have enjoyed a more effectual round of flatteries than myself, who have been abused and vilified by every publication that has had the least pretension to infamy;—not to mention the grateful things said of me by the writers of “comedy,” to whom I have been teaching grammar any time these six years,—or the epithets lavished upon my head by our prepossessing Attorney General, who has twice brought me into court as “a malicious and ill disposed person,” purely to shew that he could not prove his accusation. It is in vain, however, that I write as clearly as I can for the comprehension of the ministerialists: nothing can persuade them or their writers, that all I desire is an honest reputation on my own part, and a little sense and decency on theirs. It is to no purpose that I have preserved a singleness of conduct, and even kept myself studiously aloof from public men whom I admire, in order to write at all times just as I think. The corruptionists will have it, that I am a turbulent demagogue, a factious, ferocious, and diabolical republican, a wretch who “horrifies the pure and amiable nature” of royal personages, a plotter with Cobbett whom I never saw in my life, and an instrument of the designs of Horne Tooke whom I never wish to see. It is equally in vain that I have taken such pains to secure the gratitude of the dramatists. I understand, they never could be brought to regard me in the proper light; and a variety of criticisms, as well as the reports of my “good-natured friends,” have conveyed to me, at divers times, the most positive assurances that I was an uninformed, an unwarrantable, and an unfeeling critic,—a malignant critic,—a bad critic,—no critic at all,—nay, a black-hearted being who delighted in tormenting—a sort of critical Rhynwick Williams who went about slashing in the dark,—and in fine,—what I must
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Il pover’ uomo che non sen era accorto,
Andava combattendo, ed era morto.
|
But you see they die off, one after the other. The process is the same, though slower, with those “living dead men,” the dramatists: and even the Attorney-general and his right honourable friends whose vigour consists in the persecution of news-papers, and whose genius is the waste of their country’s blood, will recollect, I trust, that the inevitable hour awaits them also, and a much more serious one than can be contemplated in jest.
But enough of this egregious history. Disinclined as I was at first to the publication of this little memoir, I am at length not dissatisfied, I confess, with having an opportunity of contradicting, under my name, all those motives of envy or of ill-temper, to which my humble efforts in the cause of taste and reason may have been attributed. To envy Mr. Cherry or Mr. Dibdin is no easy task; but to feel a personal ill-will against bad writers would be, I trust, a still harder with me, if possible. If such persons lose their reputation or their profits, and become bye-words for bad writing, they must attribute the misfortune to its real cause, and make the plain shoulder-shrugging confession which the other day escaped Mr. Reynolds, who has now given the town not only a fair warning, but a better proof of his sense than all his comedies put together. The just severity of criticism regards nothing but what is public; and had I made any answer to those poor reprobates, who when they could find nothing personal to a-
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