The Life and Letters of John Gibson Lockhart
Chapter 6: 1817-19
CHAPTER VI
EDINBURGH, 1817-1819
Blackwood’s next scrape.—Its
origin.—Cavalier and Covenanter.—Charles Kirkpatrick
Sharpe.—His edition of
Kirkton.—Dr. M’Crie assailed for
contributing to Blackwood.—Lockhart carries the war into
Africa.—Attacks clerical contributors to the Edinburgh
Review.—Writes as Baron von
Lauerwinkel.—Criticises
critics.—Shakespeare.—The real
Lockhart.—On Napoleon.—On
Jeffrey.—Jeffrey’s real
insignificance.—His ignorance.—His treatment of
Goethe.—Lockhart’s defence of
Christianity against the Edinburgh
Review.—How far justified.—Examples of religious criticism from the
Edinburgh.—The sceptical
priest.—Sydney Smith’s flippancies in the Edinburgh.—“Merriment of
Parsons.”—Evangelicals “nasty
vermin.”—Lockhart on Scottish religion.—His
reprisals.—Personal attack on
Playfair.—Scott’s
disapproval.—Wilson and Lockhart are
attacked anonymously.—“Hypocrisy
Unveiled.”—They challenge their
opponent.—Jeffrey’s reply.—Mr. Macvey
Napier suspected.—Denies the charge.—Extracts from his
unpublished Correspondence.—Sir John Barrow’s
letter.—Playfair and the Quarterly Review.
The next formidable difficulty into which Blackwood picked its way was Lockhart’s own. The new feud was really a sequel of
the old religious Cavalier and Covenanting struggles, at least it arose in the camp of the
suffering yet lovely Remnant. Blackwood,
though Tory, was not Cavalier in politics. We have seen how Charles Kirkpatrick Sharpe was handled in “The Chaldee.” In the December number
164 | LIFE OF J. G. LOCKHART. | |
of 1817 appeared a letter to Sharpe, “On his original mode of editing
Church History,”—that of Kirkton. “We have all along the upper part of the page, the manly
narrative of honest Kirkton, speaking of his suffering friends
with compassion, but of his enemies as became a man and a Christian. And below
that” (in Sharpe’s notes) “such a medley of
base ribaldry, profane stuff, and blasphemous innuendos, as at one view exhibits the
character of both parties.” Sharpe, in fact, had done
his best to rake up the by no means rare absurdities of the Remnant, and his taste led him
to revel in the few scandalous anecdotes about the godly. Whether his new assailant was
Lockhart or Dr.
M’Crie, the Scorpion or the Griffin, is not known.1 It looks more like the Griffin’s touch. Sharpe
himself, in a letter to Scott, calls Dr.
M’Crie “a canting rogue,” speaks of “the
loathsome puddle of Presbyterianism,” says he is collecting
M’Crie’s blunders for the use of Chalmers, and is generally hostile to the reverend
Griffin.
Now in these days arose one Calvinus, who printed “Two Letters to the Rev. Dr. Thomas M’Crie and the
Rev. Andrew Thomson, on the parody of Scripture lately published in Blackwood’s Edinburgh Magazine” (Fairbairn, Edinburgh,
1Mrs. Wilson in a letter attributes it to
Hogg, which seems improbable. (Christopher North, i. 277.) I have
reason to believe that Dr. M’Crie, in
fact, did not contribute to the magazine at this time. He refrained, as he
disapproved of and censured the personal violences. |
1817). His engaging motto was: “Lest that by any
means, when I have preached to others, I myself should be a castaway.”
Calvinus warned the Griffin
that he was very like to be a castaway, if he did not desert Blackwood. The author of “The Chaldee” “makes
indecent jests at his Creator,” which are certainly not visible to the common
eye. “And you, the historian of Knox and the
champion of the Covenanters, are accosted, from the Scorner’s chair, with the
accents of good fellowship, and described in the record of his impiety as an
ally.” The Griffin is warned that “the companion of fools shall be
destroyed.” And what business, it is asked, hath the Griffin dans cette galère, he who “had so
powerfully reprobated and chastised, in ‘Old Mortality,’ profanity not half so gross
and odious as this.” Dr. M’Crie, in fact, had made
a laboured defence of Habakkuk Mucklewrath and
Mause Headrig.1 Dr. M’Crie, minister of the Auld Lichts, seems
to have borne this chastisement with humorous indifference. Writing to his fellow-sinner
and fellow-sufferer, Dr. Thomson, he says,
“Well, and how do you relish the letter of your good friend and great admirer,
Calvinus? Glad you have got off so scratch-free? Gratified with
his equivocal and conditional praise, and determined to merit and secure it by never
entering again the virgin-door of Blackwood, and by
immediately withdrawing from him your Instructor, as well as your Essay on
166 | LIFE OF J. G. LOCKHART. | |
Education, with all the embryo and de
futuro productions of your brain.” Neither gentleman
“seems to have considered himself called upon to answer the summons of an anonymous
writer.”1
Calvinus, unhappily, gave the world to know that he
would “rather belong to the party that, with a Playfair, shares the honour of possessing no quality that can excite
the complacency of so despicable a babbler” as the Chaldæan. This was an
unhappy remark, for the Scorpion, dreading doubtless
that his friend the Griffin, in fear of becoming a
castaway, would forswear his company, carried the war into Africa.
Calvinus (a Mr. Grahame, according to
Lockhart) had called on Dr. M’Crie
“to remember the fate of that priest who associated himself with the infidel
compilers of the ‘Encyclopædia.’” Brewster was threatened in the same style.
Lockhart’s mischief rose to revenge Ebony. In place of wooing the coy Griffin
with fair words, he retorted by attacking the clergy who wrote in the Edinburgh Review, and he specially
singled out the Rev. Professor Playfair, who then held the Chair of
Natural Philosophy, and who “had been originally intended for the
Church,” according to Professor Ferrier.
He had been a placed minister. In the attack on Playfair, which justly
caused “no end of public emotion,” Lockhart called himself
the Baron von Lauerwinkel. Under this name, in March 1818, he had
written “
| LOCKHART ON THE REVIEWS | 167 |
cism of England.” This admirable
essay it is which justifies the opinion that, in the reserved and lofty centre of his
genius, Lockhart regarded all the bickerings and feuds of literary
people with impartial disdain. “These strange Reviews,” says the Baron
(much in the tone of Mr.
Arnold’s Arminius), rule the
authors and readers of England with the sway “of a sportive Nero, or a gloomy Tiberius.” He speaks as if Goethe had been censuring our Reviews, but this is probably part of the
manner. In Germany, “a poem, history, or treatise is judged according to its
merits by the critic.” “On the other hand, an Edinburgh Reviewer is a smart, clever man of the
world, or else a violent political zealot.” The author may be alien to
politics: “The Reviewer does not mind that; when he sits down to criticise, his
first question is not, ‘Is the book good or bad?’ but, ‘Is this
writer a Ministerialist or an Oppositionist?’ ‘No one knows . . . but if
the author has a nephew, or a cousin, or an uncle, who is a member of Parliament and
votes, that is quite sufficient,” for both Edinburgh and Quarterly.
What follows is eloquent.
“You remember what I have said of Shakespeare, that he is an angelic being, a pure spirit, who looks down
upon ‘the great globe itself, and all which it inhabits,’ as if from
the elevation of some higher planet. He is like Uriel, the Angel of the Sun, partaker of all the glories of the orb
168 | LIFE OF J. G. LOCKHART. | |
in which he dwells. Undazzled by the splendour which surrounds
himself, he sees everything with the calm eye of intellect. It is true that, at the
moment when he views any object, a flood of light and warmth is thrown over it from the
passing sun of genius. Still, he sees the world as it is; and if the beams love to
dwell longest on some favoured region, there is none upon which they never
shine.”
In the centuries of Shakespeare’s praises few are nobler, more severely great, more
illuminating than those lines, tossed by Lockhart
into the medley of a magazine—
“As rich men give that care not for their gifts.” |
Lockhart goes on to say that “if the world shall ever possess a
perfect reviewer, like Shakespeare he will be universal, impartial,
rational. . . . He will have divine intellect and human feeling so blended within him, that
he shall sound, with equal facility, the soul of a Hamlet and the heart of a Juliet. What
a being would this be! Compared with him the present critics of England are either
satirical buffoons, like and Aristophanes, or they are truculent tragedians, like the
author of ‘The
Revenge.’”1
Here we listen to the real Lockhart, and are admitted to the region above the polished threshold
of his disdain. He descends, he moves among the crew of
“satirical buffoons,” and shares their pranks as if the Lady, in “Comus,” had frolicked with the rout
of revelling fauns and Sileni. Here we are with that Lockhart whom
Scott loved, whom even Carlyle praised, not with the companion of the Leopard and the great Boar from the forest of
Lebanon. This is the Lockhart of whom Lady Eastlake wrote:—
“How many kind and good things I remember from his lips—how
unfailing his tribute to worth and duty, though under the homeliest garb.”
Descending from his height Lockhart
compares Whigs and Tories to the Neri and Bianchi of criticism; Jeffrey and Gifford are the leaders.
“The former resembles the gay despot of Rome, the latter the bloody and cruel
one of Capræa. Both are men of great talent, and both, I think, are very bad
reviewers.”
Lockhart then avers that no man can be a good
critic, unless he be more than a mere reviewer. “Aristotle and Lessing remain, but
Chamfort and all the wits of the Mercure have
perished.” This is hardly true of Chamfort, but, compared with
Lessing and Aristotle, his is an ineffectual
light. In Gifford, with many better things,
Lockhart notes “ill-natured abuse and cold rancorous
raillery. . . . He is exquisitely formed for the purposes of political objurgation, but
not at all for those of gentle and universal criticism.” Gentle and
universal criticism,
170 | LIFE OF J. G. LOCKHART. | |
of the masters of literature, not of contemporaries, for that end
Lockhart was formed. But, in the main, he took the world and the
press as he found them, and, with a stoical disdain that verged on cynicism, he subdued his
hand to that it worked in.
“We often read the reviews in Gifford’s journal with pleasure—such are the strength of his
language, and the malignity of our nature. . . . How can one who thinks the
‘Lauras’ and ‘Della Cruscas’ matters of so great moment, form any
rational opinion concerning such men as Scott, Wordsworth, Byron, or
Goethe?” Lockhart then protests against the Quarterly’s “truly English” view
of Napoleon. “Nations yet to come will look
back upon his history as to some grand and supernatural romance. The fiery energy of
his youthful career, and the magnificent progress of his irresistible ambition, have
invested his character with the mysterious grandeur of some heavenly appearance; and
when all the lesser tumults, and lesser men of our age, shall have passed away into the
darkness of oblivion, history will still inscribe one mighty era with the majestic name
of Napoleon.”
Jeffrey is ingeniously described, by the German
Baron, as “an advocate before the parliament of Edinburgh.”
“The intellectual timidity of Jeffrey’s profession
has clung to him in all his pursuits, and prevented him from coming manfully and
decidedly to any firm opinion respecting matters of such moment, that it is absolutely
impossible to be a
great critic while the mind remains
unsettled in regard to them.” He is represented as carrying the popular ways
of the legal advocate into the court of the literary judge. “He can very easily
persuade the multitude that nothing is worth knowing but what they can comprehend; that
true philosophy is quite attainable without the labour of years” (as in
reviewing Kant through the French), “and
that whenever we meet with anything new, and at first sight unintelligible, the best
rule is to take it for granted that it is something mystical and absurd.”1 He is acute enough to see that, however great his authority
“among the generation of indolent and laughing readers to whom he dictates
opinion, he has as yet done nothing which will ever induce a man of research, in the
next century, to turn over the volumes of his review.” On the threshold of
the next century we may ask who does read Jeffrey? Mr.
Saintsbury, who reads everything (except “Popol
Vuh”), has indeed read Jeffrey, and in a remarkable
essay has formed a much more favourable judgment of his criticisms than can be done by a
writer who stills resents, like a personal affront,
Jeffrey’s review of “Marmion.” “There may be much that Jeffrey does
not see,” says Mr. Saintsbury; “there may be
some things which he is physically unable to see: but
172 | LIFE OF J. G. LOCKHART. | |
what he does see, he sees with a clearness, and co-ordinates in
its bearings on other things seen with like precision, which are hardly to be matched
among the fluctuating and diverse race of critics.” Thus Mr.
Saintsbury; but Lockhart writes: “When the
great men whom Jeffrey has insulted by his mirth shall have
received their due recompense in the admiration of our children, it will appear but an
unprofitable task to read his ineffectual and shallow criticisms.” In later
life Lockhart took an infinitely more favourable view of
Jeffrey.
“When the good and venerable Goethe,” writes the Baron, “told the stories of his youth to a people who all look
upon him with the affectionate admiration of children, this foreigner, who cannot read
our language, amused his countrymen, equally ignorant as himself, with an absurd and
heartless caricature of the only poet, in modern times, who is entitled to stand in the
same class with Dante, Calderon, and Shakespeare.” Jeffrey is then
said to have given up his original strictly “classical principles” of
Pope’s and Boileau’s school, not as a man converted by reading and reflection,
but as a politician who sees what way the cat is jumping—“I admire his
talents, I lament their misapplication, and I prophesy that they will soon be
forgotten.”
As to politics, it is enough to quote one sentence. “A great
country, in the hour of her conflict, should not hear the voice of despondency from
| THE “EDINBURGH” ON RELIGION | 173 |
her
children.” That voice Jeffrey uttered,
though personally a volunteer in the peril of England.
The Baron now defends Christianity from the Edinburgh Review.
“This journal has never ventured to declare itself openly the champion of
infidelity; but there is no artifice, no petty subterfuge, no insidious treachery, by
which it has not ventured to weaken the influence which the Bible possesses over the
minds of a devout and meditative people.”
The Baron exclaims—“Does any man dare
to speak, with the feelings and the fearlessness of a Christian, concerning God and the
destiny of man? Mr. Jeffrey is sure to ridicule
his piety as Methodism, and stoops to court the silly sneers of striplings against a
faith which, as he well knows, neither he nor they have ever taken the trouble to
understand.” He must not imagine that, as a public instructor, “he
can avoid being either the friend or foe of religion.” The Edinburgh advocates Catholic claims,
the Quarterly attacks
Catholics. But the Edinburgh
“befriends Catholicism only because it despises Christianity.”
What element of truth is there in these and even stronger assertions? Had
Lockhart’s observations any bottom of
fact? These old feuds are dead enough, but they had the deepest influence on
Lockhart’s future. It is, therefore, necessary to ask
“how far had he any justification in fact?” It will be shown that he
did
174 | LIFE OF J. G. LOCKHART. | |
denounce that chilly and ignorant scepticism, which Carlyle hated.
The Edinburgh
Review prolonged, one may say, and even carried farther, the principles
of the “Moderates” of the last century, the party which secured the alliance of
Burns. This Moderation, even among the clergy,
was sometimes a thing inconsistent, not only with the Standards of the Kirk, but even with
the dogmatic and doctrinal essence of Christianity. In the earliest number of the Edinburgh some assurance is given to
orthodoxy by the remark that “the presumptuous theories and audacious maxims of
Rousseau, Mably, Condorcet, &c., had a
necessary tendency to do harm.” “Submission to lawful authority is
indisputably the maxim of Christianity, and they who destroy our faith in that religion
take away one security for our submission, and facilitate the subversion of
governments. This is a great truth” (Edinburgh Review, i. p. 13). Voltaire and d’Alembert, with
other Encyclopædists, are described as “pernicious writers.” The
value of morality is insisted upon—“We agree with our author in the
importance of the doctrines peculiar to Christianity” (iv. 193).
But “good sense and morality are indispensable
requisites” (in a preacher), “and if the preacher gives us these, he may
be allowed, in other respects, to follow the dictates of his peculiar genius or
fancy.” That is, if we read through the spectacles of an orthodox Scot, a
Christian pulpit may be occupied
by a Buddhist, or an
Atheist, if only he has sense, morality, and a genius to follow, a fancy to indulge (vi.
105). In an essay on the sermons of Sir Henry
Moncreiff, an essay marked by the courtesy of its manner, the writer
says—“A preacher who studiously keeps Christianity in the background . .
. is by no means doing his duty,” a lenient censure, yet in contradiction to
the opinion about genius and fancy. But, in the next sentence we
read—“Whether that religion (Christianity) be true or false is another
question, but surely no one who thinks it true ought to be ashamed of it.”
Evangelical preaching is handled thus: “Preachers who have not their supernatural
evidences” (the power of working miracles is referred to), “must
take a lower and more moderate tone” than the Apostles. Preachers must
remember that it is “extremely disagreeable to be kept in the trammels of
mystery.”
“Too great constancy in enforcing Christian doctrines”
is censured in Sir Henry Moncreiff. He laid stress
on “those doctrines of revelation which, in the eyes of the world in general, and
especially in those of sceptics, have most the appearance of foolishness.”
Still, as against Moncreiff, “the charge of hypocrisy would
be highly illiberal.” These remarks are not, on the whole, reassuring to a
defender of the Christianity of the Edinburgh Review. Christianity may be true, or false—it is an
open question, but a preacher who happens to think it true, should not keep it in the
background altogether. Still, he
176 | LIFE OF J. G. LOCKHART. | |
must be very careful. He cannot work
miracles, so he must not ardently uphold the doctrines of the Apostles, whom he believes to
have authenticated their doctrine by their thaumaturgy. Unless he can heal the sick, and
blast the apostate, he will do well to avoid expounding these doctrines of revelation
(whatever they may be) which are most conspicuously absurd in the eyes of the world in
general. Perhaps if the preacher, however firm his belief, burks it, and gives us only
morality and good sense, his conduct is most judicious. The preacher, in common charity,
must remember that, though he has been solemnly called to announce the mysteries in which
he has no less solemnly avowed his belief, yet it is “extremely disagreeable to be
kept in the trammels of mystery.”
The sceptical priest is an object odious to an honest mind. The journal
which writes as the Review wrote on Sir Henry Moncreiff
encourages the sceptical priest, and discourages the priest of sincere faith. This much
might be said by an observer who was of no faith. Much more might any man, the son and
brother of Scottish ministers, if he cherished a sentiment of loyalty to a creed which his
reason rejected, assail the tone, so to speak, of the Review. The nature of Lockhart’s own attitude to religion will be manifest later. If he
chose to say that the Edinburgh Review
shuffled, and, without the courage to make open profession of “infidelity,”
adopted “petty subterfuges” to weaken
the
influence of the Bible, I do not feel certain that we could blame him. It is not a question
of whether the Review was right in
regarding “the doctrines of Revelation as ‘foolish,’ to the
world’s mind, in various degrees; but whether a journal which spoke in the tone
of the Edinburgh had grounds for
resenting the charge of what was then regarded as suppressed
‘infidelity.’”
Again, the flippancies of the Review were in the worst taste. Few people now, it is
probable, read Sydney Smith. His Edinburgh articles on Methodism and missionaries would not to-day be reckoned
decorous. Arminian and Calvinistic Methodists and evangelical clergymen of the Church of
England are to his mind “three classes of fanatics,” differing only in
“the finer shades and nicer discriminations of lunacy.” The Scottish
clergy, being on the whole “Evangelical,” must apparently be inmates of the
same asylum, though the reviewer makes exceptions, in the case of truly religious persons.
The reviewer of Moncreiff would
allow preachers of miraculous gifts to preach the doctrine of Peter or
of John. But when an evangelical preacher converts a man “of
scrofulous legs and atheistical principles,” and when the man “walks
home with the greatest ease,” Sydney
Smith does not (as in common fairness an Edinburgh Reviewer should) make an
exception in favour of Mr. Coles, the miraculously gifted divine in
question. The Rev. James Moody is converted by a sermon. “The
178 | LIFE OF J. G. LOCKHART. | |
Lord . . . was about to stop him in his vain career of sin and
folly.” Stopped he was (which is something), and the Rev. Sydney
Smith emphasizes this ludicrous circumstance by the aid of italics.
Mr. Roberts was “given to feel that God was waiting to be
very gracious to him”—what a truly laughable delusion! Mr.
Kestin, on his death-bed, murmured, “Come, Lord Jesus,
come,” and his degree and discrimination of lunacy is patent to our Edinburgh Reviewer. Mr. John
Robinson, an hour before his death, cried, “Ye powers of darkness,
begone,” and was later at ease. An ejaculation so natural in the mortal
strait, on the threshold of the unknown, is exquisitely comic. Miss Louisa
Cooke approaches the rapturous condition of St.
Francis and St. Theresa,
“she often seemed to be dissolved in the love of God her
Saviour,”—a rare jest indeed.
In brief, the experiences of the most saintly souls on earth, from
St. Paul to St.
Francis, emotions which have been familiar to the devout from the days of
the Apostles to our own, are not, to the Edinburgh Reviewer, an awful mystery of the Soul, nor a
topic in scientific psychology or pathology (and either view may be taken), but simply a
ludicrous shade in a general lunacy.
A naval officer is reported to have said that there were Methodists
present, and distinguished by their valour and discipline, in Nelson’s ship, the Victory, at Trafalgar—“These were the only fellows that I
ever knew do their duty without swearing.” All
lived to do their duty again. This testimony might
conciliate a Christian divine, like the Rev. Sydney
Smith, even if he had a personal partiality for profane language. But he
merely says, “The army and navy appear to be the particular objects of the
Methodists’ attention.”
“This merriment of parsons is very offensive,” said
Dr. Johnson. Enough of it has been cited to
prove that neither the spiritual consolations which, from the beginning, have been the
common privilege, or the fortunate illusion of Christians without exception of sect, nor
the change from vice to virtue (if occasioned by a sermon), nor valour accompanied by
decency in conduct, if displayed by “fanatics,” was anything but a
laughing-stock to the Edinburgh
Review. Methodists (and Evangelical members of the Church of England)
are “nasty and numerous vermin.” Their protests against ridicule are
like the complaints of “lice against the comb.” The Review will clear out the vermin as it will also
defend Christianity from “the tiger-spring of infidelity.” But where is
the promised defence?
It did not occur to Sydney Smith
and the Edinburgh
Review that but for the spiritual conditions at which he mocked,
Christianity could never have been founded, the world could never have been converted, the
Faith could never among persecutions and distresses have been preserved. Assuredly
“rational Christians” would neither have originated,
180 | LIFE OF J. G. LOCKHART. | |
nor perpetuated a law and a creed. As in the earth’s centre, so
in the core of every vital Religion, lives a fire; on occasion it will break the crust of
decent routine, and will excite the terror or the laughter of the “rational.”
Yet without this fire there could be no spiritual life, and without its volcanic outbursts,
there would be none of life’s cleansing and renewal. The critic, in fact, mocked (as
Lockhart wrote) at what he “had never
attempted to understand.”
If Lockhart had confined himself
to saying that the Christian faith, in the eyes of his opponents, was a respectable form of
opinion, useful in discouraging the excesses of the populace, and (if taken in extreme
moderation) not unworthy of the patronage of men of taste, Lockhart
might have made good his argument. He might have supported it by such quotations as his
industry could discover, or his acuteness detect. But he wrote in general terms, and, with
occasional reservations, he argued as if the Edinburgh deliberately designed the overthrow of
Christianity. He added the element of personality, in a calm and clearly conceived
éreintement of an individual. His
more superficial and discernible motives are plain enough. If Blackwood (to descend to the vulgar
facts) was to lose its Griffin because of its
irreligion, the war might be carried into Africa with little expense or trouble.
Lockhart, as a child, though a strange one, of the
Covenanters (whose peculiarities were precisely those of the Methodists); as the son and
the brother
of orthodox ministers, “an
unmenseful bairn of the Manse”; as an admirer, were it but a sentimental
admirer, of the Kirk and her exercises; as a man of taste above all, when prejudice did not
blind him, might well dislike with heartiness the tone of the Edinburgh Review. We may thus account
for his attacks on the “infidelity” of the Review, first by a sentiment of loyalty to the ancestral faith.
We can appeal, on this point, from the Baron
von Lauerwinkel, in the flush of his polemical youth, to
Lockhart soberly writing the “Life of Burns.” He is criticising “The Holy Fair.” He asks,
“Were ‘Superstition,’ ‘Hypocrisy,’ and
‘Fun’ the only influences which Burns might justly have impersonated? It would be hard, I think, to
speak so of the old Popish festivals to which a critic of Burns
alludes; it would be hard, surely, to say it of any festival in which, mingled as they
may be with sanctimonious pretenders, and surrounded with giddy groups of onlookers, a
mighty multitude of devout men are assembled for the worship of God, beneath the open
heaven, and above the graves of their ancestors.”
Here we have Lockhart in his
serious inward mood, and that mood, distorted and refracted by meaner passions, may have
entered into his criticism of the Edinburgh Review.
Much more patently Lockhart was
influenced by the desire to deal to the partisans of the Whig journal, the same measure as
Calvinus and others had meted out to the
“blasphemous” authors
182 | LIFE OF J. G. LOCKHART. | |
of “The Chaldee,” and to their learned and puritan
associate, Dr. M’Crie. Mr. Saintsbury, referring among other things to the
metaphysical creed of the Edinburgh Academy of Physics (to which Jeffrey and several of his staff belonged), says:
“Seventy years ago it would have been the exception to find an orthodox
metaphysician who did admit it; and Lockhart, or rather
Baron von Lauerwinkel, was perfectly justified in taking the
view which ordinary opinion took.”
He may, as we have seen, have been justified in “taking the
view,” but emphatically (as Scott thought)
he was not justified in his manner of urging home his opinions.
After a letter
to Dr. Chalmers on his connection with the Edinburgh—a letter
attributed to Lockhart by Mrs. Wilson—the Baron von Lauerwinkel, in September
1818, addressed another to the
“Rev. Professor Laugner,” on his writings in the Königsberg Review. Laugner was meant for the
Rev. Professor Playfair.1
Mr. Playfair, having begun as a parish minister,
ended as a professor. What could be more blameless? Dr.
Chalmers left his Glasgow parish for the Moral Philosophy Chair in St.
Andrews, and such translations are common, and often laudable, never blameworthy. And
Mr. Playfair wrote in
1 Minister of Liff and Bervie 1773-1782. In 1805 he
accepted the Chair of Natural Philosophy in Edinburgh (“Christopher North,” i. 281, note). He
died in 1819. |
the Edinburgh Review, as Chalmers did,
as Sir Walter Scott had done. He was now an old man,
loved and respected. The Baron, to be brief, treated
him as if he had been an apostate priest. He is called the d’Alembert of the Northern
Encyclopædia. “You have manifested every possible eagerness to
banish from the view and recollection of the public every trace of your previous habits
and situation. You disclaimed every relic of that character, which in spite of, or in
ignorance of, the existence of such men as you, the wisdom of the legislature has
declared to be indelible.”
The Edinburgh, however, had argued long before this date that
“the supposed indelibility of the sacred character is entirely a relic of
Popish superstition,” “an imposition practised upon the public by
the priests of the dark ages.”1 How Lockhart’s words applied to Mr. Playfair, whether he dressed as a layman and
“sunk the minister,” it is not now easy, nor is it important, to ascertain. He
handled the learned Professor as an apostate, allied with a band of men like those whom
St. Augustine calls “the Corruptors.” It
is not possible here, as in the case of “Peter’s Letters,” to say that the article “was such as
only a very young and thoughtless person would write.” Young
Lockhart was, but the article, in its calm implacable logic, could
only have been written by one who had thought deeply and clearly
184 | LIFE OF J. G. LOCKHART. | |
on the conditions of belief, and on the
different lines of conduct open to a reluctant, an amiable, a proselytising, and a
malignant sceptic. For “thoughtless,” in Lockhart’s
apology, we must substitute “reckless.” Granting the premises—namely,
that Mr. Playfair’s conduct had been that attributed to
him,—the article is a model of polished vigour. But nobody grants or granted the
premises, nobody can palliate what Scott, writing to
Lockhart, calls “the personal and severe attack on
Playfair, of which I did not approve.” (October 29,
1818.) “I agree with you,” Scott wrote to Mr. Morritt of Rokeby, “that the conductors of
the Magazine have acted inconsiderately and rashly in a personal attack on
Playfair. It gives too much occasion to charge them with
intolerance, for although Playfair has never been suspected of
orthodoxy, yet I know not that he has on any occasion made any attack upon religion,
and consequently the dragging forward a charge of infidelity, which cannot be proved
from any overt act, sounds very like personal scandal. . . . It seems to me not
sufficiently bottomed on specific allegations of assaults committed by him on
Christianity.”
Scott was, at this time, a mere senior acquaintance of
Lockhart’s, addressed by him on the
following occasion.
Wilson and Lockhart had been attacked by the anonymous author of a pamphlet styled
“Hypocrisy Unveiled.”
It is unnecessary to make a garland
of the not
undeserved amenities contained in this pamphlet. Mr. John
Murray, the publisher, is cited as a great denouncer of
Lockhart and Wilson, which is interesting, if
we remember how long Lockhart and Mr. Murray were
to work together. Indeed, according to the pamphleteer, Croker had already reconciled Blackwood and the London publisher.
The sentence which probably gave most annoyance to Blackwood’s men was: “The Scorpion has often, in conversation, expressed his
disbelief of the Christian religion,” while the Leopard makes “obscene parodies on the Psalms.”
Wilson “has praised Coleridge’s ‘Christabel,’ which sins as heinously
against purity and decency as it is well possible to imagine.”
The author of “Hypocrisy Unveiled” was clearly
of “a nice morality.” Finally the Leopard and the Scorpion are advised
to hang themselves.
They did not take that extreme step; in letters to the author of
“Hypocrisy,”
published in the Scotsman (Oct. 24, 1818)—published, of course, without their
knowledge—they asked for their assailant’s name and address. “If you
suppose yourself to have any claim to the character of a gentleman, you will take care
that I be not long without this knowledge,” said Lockhart (“Christopher
North,” i. 283, note). The author (like Zeta) would
not “make a premature avowal of his name.” He was sought for so eagerly,
“by fair means and foul if any can in
186 | LIFE OF J. G. LOCKHART. | |
such a case be foul,” says Lockhart
to Scott;1 he was in such
undeniably anxious request, that he did not write any more pamphlets, and even suppressed
one which he had advertised. Some suspicion fell on Mr. Macvey
Napier, who disavowed the pamphlet “on his word of
honour.” Lockhart prepared Scott for an
agitated letter from Wilson. None arrived. Jeffrey broke with Wilson, in a
letter which Mrs. Gordon prints, and justly
describes as “manly and honourable.” “I say then that it is false that it is one of the principal objects, or any object at
all of the Edinburgh
Review, to discredit religion, or promote the cause of infidelity.
. . . I declare to you, upon my honour, that nothing of that tendency has ever been
inserted without its being followed with sincere regret both on my part, and on that of
all who have any permanent connection with the work.” “A tone of too
great levity in exposing the excesses of bigotry and intolerance” is
admitted; for example, to say (as the Edinburgh said) that all Methodists would gladly “lie for the
Tabernacle,” may be thought rather a light-hearted statement. “But
that anything was ever bespoken or written by the regular supporters of the work, or
admitted except by inadvertence, with a view to discredit the truth of religion, I most
positively deny, and that it is no part of its object to do so, I think must be felt by
every one of its candid readers.” (“Christopher
North,” i. 299.)
The exact state of the case was well put by Mr. Morehead, an Episcopalian clergyman, in a letter to Wilson. “Nobody of sense supposes, whatever slips
the Edinburgh may
occasionally have made, that its object and secret view is to pull down Christianity,
and particularly no one who knows Mr. Playfair
conceives that this is one of his darling contemplations and schemes, whatever may be
his opinions on the subject of Revelation, which nobody has any business to rake
out.” Mr. Morehead implies that
Wilson and Lockhart
possibly “cannot get the regulation of Blackwood into their own hands,” and, if
so, advises them to leave it. He gives both friends credit for sincerity, and allows for
“the wantonness of youth and conscious power”—“this
is the best view to take of you.”
Unable to exchange shots with the author of “Hypocrisy
Unveiled,” Lockhart caricatured
him, gowned, in a majestic attitude of conscious virtue, but with a villainously low
forehead, protuberant occiput, and snub nose. (“Christopher North,” i. 284.) He then set about
finishing “Peter’s Letters to his
Friends.”
Mr. Macvey Napier, later the editor of the Edinburgh Review, was
suspected, as we have seen, of being the author of “Hypocrisy Unveiled.” He denied the charge, and
doubtless with truth. By way of curiosity, however, I add an expression of the feelings of
a Tory writer, in a letter to Mr.
188 | LIFE OF J. G. LOCKHART. | |
Napier, copied from his papers now in the British Museum.1
Mr. Barrow, afterwards Sir
John, a Quarterly Reviewer, though he condemns an attack on Mr. Napier himself, feels for the wrongs of the Quarterly at Mr.
Playfair’s hands.
“Admiralty, 17th October 1818.
“My dear Sir,— . . .
I assure you that your information respecting my aid to
Blackwood’s
Magazine is wholly unfounded. I have not, in fact, once
been asked to do so, and from what I have seen of it, little value as I set on
anything that proceeds from my pen, I think that I should feel no disposition
to enter the lists. . . . To fair and liberal criticism I have not the least
objection. If a man chooses to come before the public in print, his doctrines
and opinions and his style are all fair game; but I thoroughly, and from my
soul, detest those vile and slanderous personalities which are too much the
fashion of the present day; but are they not peculiarly the vice that besets
the gude town of Edinburgh? Were they not enrolled there? Did not the Edinburgh
Review set the example of personal attack and party rancour?
And have not your own domestic literary squabbles been conducted in that style
ever since? The attack on Professor
1 (For examining these papers, and for making
extracts, I have to thank Miss Violet A. Simpson,
who has aided me in other researches.) |
Playfair I have not seen and never heard
of; but I did hear that the Professor, I suppose in some moment of irritation,
declared aloud, in a public assembly, that the
Quarterly Review was a most contemptible
journal, and a disgrace to the literature of the age. Now, if such be the fact,
and the young men you speak of who are friendly to the
Quarterly should have heard it,
Professor Playfair cannot refuse them the
fair play (vile pun) of retaliation. But I know nothing
of the matter in dispute one way or other, nor do I believe it interests us of
the South in the slightest degree. For my own part, I am candid enough to
confess that, in spite of the, talent put forth in the
Edinburgh Review, and the trash which the
learned Professor finds in the
Quarterly, I am stupid enough to derive more amusement
from the latter than the former, and this does not arise, I can assure you,
from the slightest prejudice for or against either. . . .
“Very faithfully yours.”
This letter, from a future victim of Blackwood’s, refers to the publication of the
challenges not accepted by the author of “Hypocrisy Unveiled.”
“Raith, 25th October 1818.
“My Dear Sir,— . . . I am glad to see from the
Scotsman
to-day, that those assassins of Blackwood’s have been made to feel some
of the pangs which
190 | LIFE OF J. G. LOCKHART. | |
they have been attempting to inflict on
others. This will probably put an end to their plots.— Sincerely yours,
Professor Leslie was soon to learn that his hope was
unfulfilled. Mr. Macvey Napier’s interest in
these feuds probably led to the belief that he was the author of “Hypocrisy Unveiled.”
Aristophanes (445 BC c.-385 BC c.)
Greek comic poet, the author of eleven surviving plays including
The
Clouds,
Lysistrata, and
The Frogs.
Aristotle (384 BC-322 BC)
Athenian philosopher and scientist who studied under Plato; the author of
Metaphysics,
Politics,
Nichomachean Ethics, and
Poetics.
Matthew Arnold (1822-1888)
English poet and critic, son of Thomas Arnold of Rugby; he published
Culture and Anarchy (1869).
Saint Augustine (354-430)
Bishop of Hippo (395), author of
Confessions and
The City of God.
Sir John Barrow, first baronet (1764-1848)
English traveler, secretary of the Admiralty, and author of over two hundred articles in
the
Quarterly Review; he is remembered for his
Mutiny on the Bounty (1831).
William Blackwood (1776-1834)
Edinburgh bookseller; he began business 1804 and for a time was John Murray's Scottish
agent. He launched
Blackwood's Magazine in 1817.
Sir David Brewster (1781-1868)
Scottish natural philosopher and editor of the
Edinburgh
Encyclopaedia (1807-1830). He contributed to the
Literary
Gazette and invented the kaleidoscope.
Robert Burns (1759-1796)
Scottish poet and song collector; author of
Poems, chiefly in the
Scottish Dialect (1786).
Thomas Carlyle (1795-1881)
Scottish essayist and man of letters; he translated Goethe's
Wilhelm
Meister (1824) and published
Sartor Resartus
(1833-34).
George Chalmers (1742-1825)
Scottish antiquary ridiculed by Edmond Malone for defending Ireland's forgeries in
An Apology for the Believers in the Shakspear Papers (1797).
Thomas Chalmers (1780-1847)
Scottish divine and leader of the Free Church of Scotland; he was professor of moral
philosophy at St. Andrews (1823-28) and professor of divinity at Edinburgh
(1828-43).
Nicolas Chamfort (1741-1794)
French journalist, wit, and friend of Mirabeau; he was alternately a courtier and a
jacobin, and died a suicide.
Samuel Taylor Coleridge (1772-1834)
English poet and philosopher who projected
Lyrical Ballads (1798)
with William Wordsworth; author of
Biographia Literaria (1817),
On the Constitution of the Church and State (1829) and other
works.
Jean-Antoine-Nicholas Condorcet (1749-1794)
French philosopher; author of
Esquisse d'un tableau historique des
progrès de l'esprit humain (1794). He died in prison under disputed
circumstances.
Victor Cousin (1792-1867)
French proponent of Scottish Common Sense Philosophy and educational reform.
John Wilson Croker (1780-1857)
Secretary of the Admiralty (1810) and writer for the
Quarterly
Review; he edited an elaborate edition of Boswell's
Life of
Johnson (1831).
Dante Alighieri (1265-1321)
Florentine poet, the author of the
Divine Comedy and other
works.
Lady Elizabeth Eastlake [née Rigby] (1809-1893)
Art critic, translator, and reviewer for the
Quarterly; she
married Sir Charles Lock Eastlake in 1849. She was related to Lady Palgrave through her
mother, Anne Palgrave.
James Frederick Ferrier (1808-1864)
Professor of moral philosophy and political economy at St Andrews (1845); he was the
nephew of John Wilson, whose works he edited (1855-58).
William Gifford (1756-1826)
Poet, scholar, and editor who began as a shoemaker's apprentice; after Oxford he
published
The Baviad (1794),
The Maeviad
(1795), and
The Satires of Juvenal translated (1802) before becoming
the founding editor of the
Quarterly Review (1809-24).
Johann Wolfgang Goethe (1749-1832)
German poet, playwright, and novelist; author of
The Sorrows of Young
Werther (1774) and
Faust (1808, 1832).
James Grahame (1790-1842)
Scottish lawyer born in Glasgow and educated at Glasgow University and St. John's
College, Cambridge, he became an advocate in 1812 and published
Defence
of Usury Laws (1817) and
History of the United States of North
America (1827).
James Hogg [The Ettrick Shepherd] (1770-1835)
Scottish autodidact, poet, and novelist; author of
The Queen's
Wake (1813) and
Private Memoirs and Confessions of a Justified
Sinner (1824).
Francis Jeffrey, Lord Jeffrey (1773-1850)
Scottish barrister, Whig MP, and co-founder and editor of the
Edinburgh
Review (1802-29). As a reviewer he was the implacable foe of the Lake School of
poetry.
Samuel Johnson (1709-1784)
English man of letters, among many other works he edited
A Dictionary
of the English Language (1755) and Shakespeare (1765), and wrote
Lives of the Poets (1779-81).
Immanuel Kant (1724-1804)
German philosopher, author of
Critique of Pure Reason (1781),
Critique of Practical Reason (1789), and
Critique
of Judgment (1790).
James Kirkton (1628-1699)
Minister of the Tolbooth parish in Edinburgh and author of
The Secret
and True History of the Church of Scotland which circulated in manuscript until
published by Charles Kirkpatrick Sharpe in 1817.
John Knox (1514 c.-1572)
The founder of Presbyterianism in Scotland.
Sir Thomas Lawrence (1769-1830)
English portrait painter who succeeded Joshua Reynolds as painter in ordinary to the king
(1792); he was president of the Royal Academy (1820).
Sir John Leslie (1766-1832)
Professor of Mathematics at Edinburgh University, author of
Experimental Enquiries into the Nature and Properties of Heat (1804), and
contributor to the
Edinburgh Review.
Gotthold Ephraim Lessing (1729-1781)
Germman playwright and critic who extolled Shakespeare in opposition to French models; he
was the author of
Emelia Galotti (1779) and
Nathan
der Weise (1779).
John Gibson Lockhart (1794-1854)
Editor of the
Quarterly Review (1825-1853); son-in-law of Walter
Scott and author of the
Life of Scott 5 vols (1838).
John Hugh Lockhart (1821-1831)
The first child of John Gibson Lockhart and his wife Sophia, for whom Sir Walter Scott
wrote
Tales of a Grandfather (1828-1831).
Thomas McCrie (1772-1835)
Scottish seceding divine and historian; he was professor of divinity at Edinburgh
(1816-1818) and wrote
Life of John Knox (1812).
Robert Merry [Della Crusca] (1755-1798)
Della Cruscan poet and playwright who contributed to The Florence Miscellany (1785) and
to The World; author of
Diversity: a Poem by Della Crusca (1788) and
The Pains of Memory (1796).
Robert Morehead (1777-1842)
Educated at Glasgow and Edinburgh Universities, and Balliol College, Oxford (Snell
Exhibitioner), he was chaplain to Princess Charlotte, Dean of Edinburgh (1818-32) and
Rector of Easington, Yorkshire (1832-40). He contributed to the
Edinburgh
Review.
John Murray II (1778-1843)
The second John Murray began the
Quarterly Review in 1809 and
published works by Scott, Byron, Austen, Crabbe, and other literary notables.
Macvey Napier (1776-1847)
Scottish barrister, editor of the
Encyclopedia Britannica, and
from 1829 editor of the
Edinburgh Review.
Emperor Napoleon I (1769-1821)
Military leader, First Consul (1799), and Emperor of the French (1804), after his
abdication he was exiled to Elba (1814); after his defeat at Waterloo he was exiled to St.
Helena (1815).
Horatio Nelson, viscount Nelson (1758-1805)
Britain's naval hero who destroyed the French fleet in the Battle of the Nile (1798) and
defeated the combined French and Spanish fleets at Trafalgar (1805) in which action he was
killed.
Nero, emperor of Rome (37-68)
Roman emperor (54-68) who made Christians scapegoats for the disastrous fire of 64
AD.
St Paul (5 c.-67 c.)
Apostle to the Gentiles.
John Playfair (1748-1819)
Professor of Mathematics at Edinburgh University and Whig man of letters who contributed
to the
Edinburgh Review.
Alexander Pope (1688-1744)
English poet and satirist; author of
The Rape of the Lock (1714)
and
The Dunciad (1728).
Mary Robinson [née Darby] [Perdita] (1758-1800)
English actress and poet; shortly after her marriage she became the mistress of the young
Prince of Wales, who afterwards supplied her with a pension. She was a prominent Della
Cruscan poet, crippled in her later years.
Jean-Jacques Rousseau (1712-1778)
Swiss-born man of letters; author of, among others,
Julie ou la
Nouvelle Heloïse (1761),
Émile (1762) and
Les Confessions (1782).
Charles Kirkpatrick Sharpe (1781-1851)
Scottish poet, painter, editor, antiquary, and eccentric; he edited James Kirkton's
Secret and True History of the Church of Scotland (1817) with
elaborate notes mocking his author.
Sydney Smith (1771-1845)
Clergyman, wit, and one of the original projectors of the
Edinburgh
Review; afterwards lecturer in London and one of the Holland House
denizens.
St. Teresa of Avila (1515-1582)
Spanish mystic, theologian, and Carmelite nun; she wrote
Camino de
Perfección.
Andrew Thomson (1779-1831)
The evangelical minister of St George's Church in Edinburgh; his
Sacred
Harmony (1820) included original compositions. He was a friend of Thomas
McCrie.
Tiberius (42 BC-37)
Roman emperor 14-37 AD, the heir of Augustus.
Voltaire (1694-1778)
French historian and man of letters; author of, among many other works,
The Age of Louis XIV (1751) and
Candide (1759).
John Wilson [Christopher North] (1785-1854)
Scottish poet and Tory essayist, the chief writer for the “Noctes Ambrosianae” in
Blackwood's Magazine and professor of moral philosophy at Edinburgh
University (1820).
William Wordsworth (1770-1850)
With Coleridge, author of
Lyrical Ballads (1798), Wordsworth
survived his early unpopularity to succeed Robert Southey as poet laureate in 1843.
Blackwood's Edinburgh Magazine. (1817-1980). Begun as the
Edinburgh Monthly Magazine,
Blackwood's assumed the name of its proprietor, William Blackwood after the sixth
number. Blackwood was the nominal editor until 1834.
Mercure de France. (1724-1825). French newspaper, the successor to
Mercure galant
(1672-1824).
The Quarterly Review. (1809-1967). Published by John Murray, the
Quarterly was instigated by Walter
Scott as a Tory rival to the
Edinburgh Review. It was edited by
William Gifford to 1824, and by John Gibson Lockhart from 1826 to 1853.
The Scotsman. (1817-). An Edinburgh Liberal newspaper published weekly 1817-1855, afterwards daily; the original
proprietor was William Ritchie.
Encyclopædia Britannica; or, a Dictionary of Arts and Sciences, compiled upon
a new plan. 3 vols (Edinburgh: Colin Macfarquhar, 1771). 3 vols, 1768-1771, ed. William Smellie; 10 vols, 1777–1784, ed. James Tytler; 18 vols,
1788–1797, ed. Colin Macfarquhar and George Gleig; supplement to 3rd, 2 vols, 1801; 20
vols, 1801–1809, ed. James Millar; 20 vols, 1817, ed. James Millar; supplement to 5th, 6
vols, 1816–1824, ed. Macvey Napier; 20 vols, 1820–1823, ed. Charles Maclaren; 21 vols,
1830–1842, ed. Macvey Napier and James Browne.
L'Encyclopédie. 17 vols (Paris: 1751-1772). Edited by Diderot and d'Alembert.