The Life and Letters of John Gibson Lockhart
Chapter 7: 1818-20
CHAPTER VII
EDINBURGH, 1818-1820
Lockhart meets Scott.—“The
Shirra.”—Invitation to Abbotsford.—Lord
Melville.—Scott discourages the iniquities of
Blackwood’s.—His chuckle.—The attack on
Keats.—Mr. Colvin’s
theory.—Bailey’s story.—The story
criticised.—Common friends of Keats and
Lockhart.—Christie on
Keats.—Kindly remark of Lockhart on
Keats.—Lockhart and the scrape of a
friend.—Action of Lockhart.—His relations with his
father.—Letter to Christie.—His view of Leigh
Hunt and Hazlitt.—Quarrel with
Hamilton.
I have just mentioned Lockhart’s letter to Scott about
Wilson’s agitation under the lash of
“Hypocrisy Unveiled.”
It is necessary to retrace a step, and, reverting to Lockhart’s
private history, to mention the origin of his relations with Scott.
This is the more needful, as Scott has been causelessly implicated in
a new sin of Blackwood,
the attack on Keats (August 1818). But
it were impertinent, and is superfluous, to re-tell here the story of that first interview
with Scott, which Lockhart has so admirably
narrated. (“Life of Scott,”
vol. v., chapter xli.) Lockhart had doubtless often seen Sir
Walter in public, in the Law Courts, in bookseller’s shops, even in
large gatherings. He first met Scott in private society, apparently
192 | LIFE OF J. G. LOCKHART. | |
in June 1818, at a dinner given by Mr.
Home Drummond of Blair Drummond. Sir Walter greeted him
with his usual cordiality, and, after dinner, while expressing a wish to “have a talk
with Goethe about trees,” invited
Lockhart to visit him at Abbotsford. Lockhart
had remarked that, in Weimar, when he was there, Goethe was only known
as the Herr Geheimer-Rath von Goethe, not at all as der grosse Dichter. Scott, too,
warned Lockhart that, in his own country, he must be asked for as
“The Shirra.”
A few days later, Scott, through
Ballantyne, offered to hand over to Lockhart his own task of compiling the historical part of
the Edinburgh Annual
Register. From a letter to Christie
we learn that “the job,” as Hazlitt
would have called it, was worth £500 a year. Sir Walter was eager
enough to play the historian during Napoleon’s
wars; he did not love celebrare domestica facta.
The elder writer, it is plain, had “taken to” the young one, who, in turn, as
Scott avers, “loved him like a son.” They often
met, over business, or at Scott’s table, during the summer; they
often examined together the legendary houses and heraldic blazons of the Old Town; and
Lockhart’s pen, in the chapter cited, draws the happiest
picture of Sir Walter’s domestic life, in Edinburgh, and at
Abbotsford. Thither, in the following note—the first of the Shirra’s to his
young friend—Lockhart was invited.
“Abbotsford, Sept. 24, 1818.
“Dear Sir,—You were
so good as to give me hopes of seeing you here this Vacation. I am very
desirous that, if possible, you would come here with our friend Mr. Wilson on Thursday, 8th October, as
Lord Melville is to spend a day or two
with me, and I should be happy to introduce you to each other. Do not say me
nay, but arrange matters so as to be with us by five o’clock, or as much
earlier as you please, and to stay a day or two.—Believe me, very
sincerely yours,
“Walter Scott.”
Lockhart and Wilson gladly accepted the invitation. They found Sir Walter in his own grounds, with some friends, and “I trust you
have had enough of certain pranks with your friend Ebony,” Scott said, as he introduced the
Leopard and the Scorpion to Lord Melville,
“the great giver of good things in the Parliament House,”—so
he had described that nobleman.
Now the truth of the matter is, that, far from being an accomplice of
Lockhart and Wilson in their Blackwoodian iniquities, Sir
Walter, from the first, and always, attempted to wean both men from
“that mother of mischief,” Blackwood, or, at least, from personal satire therein. He
began by offering Lockhart more remunerative and reputable work, as we
have seen. He repeated his gentle warning
194 | LIFE OF J. G. LOCKHART. | |
while walking in one of his
own young woods at Abbotsford. I shall later quote his long-lost and strangely recovered
admonition, written when Wilson, partly by his aid—for he
thought to turn Wilson’s great powers into a new
channel—obtained the Chair of Moral Philosophy. Before
Lockhart’s marriage, Scott returned to
the charge;1 he repeated his warning and advice, strenuously and
for the last time, after the unhappy end of the affair with poor Mr. John Scott of the London Magazine. He would not speak as with
authority. But he did keep Lockhart out of the scurrilous Beacon, though Lord Cockburn says that, “instead of preventing
it” (the Beacon’s libels),
“he gave it his countenance. . . . His was the fault of unreflecting
acquiescence.” Lockhart himself (“Life of Scott,” iv. 65), says that
Sir Walter “had no kindness for Blackwood personally, and disapproved (though he
chuckled over it) the reckless extravagance of juvenile satire” (v. 213).2 Lord Cockburn kindly adds, “A
chuckle from Scott, in the blaze of his reputation, was all that
young men needed to instigate them.” But Lockhart is
probably thinking of Fergusson’s success in
breaking down Scott’s gravity, and eliciting a chuckle, by a
repeated, an insidious, and an innocent quotation about himself, 1 There is some uncertainty on this point. 2 A letter of Scott to
Laidlaw, of 1818, entirely bears out
what Lockhart says about Sir
Walter’s feelings, at this time, towards Mr. Blackwood. |
from “The Chaldee.” That
chuckle, however reprehensible, was a year after date, and Scott had
never met Lockhart when “The
Chaldee” was penned. (“Life of Scott,”
v. 370.) Had Lord Cockburn read Scott’s
letters to Lockhart, he could scarcely have pressed his accusation.
(“Memorials,” pp.
316, 317.)
It is painful for a biographer to be obliged to confess his hero’s
inexplicable attachment to “the mother of mischief.” But he is well
assured that, while Scott did not, indeed, regard the
offences of Maga with our
modern horror, still he did most earnestly endeavour, on every occasion, to withdraw
Lockhart and Wilson from the cup of her inexplicable sorceries. Alas, to each might have
been said—
“La laide dame Sans Merci
Thee hath in thrall!” |
Before this meeting at Abbotsford, in October 1818, there had appeared, in
August, the vulgar reviling of Keats. We have
already seen that Leigh Hunt, in the spirit of conceit
which offended Keats, suspected Scott of being the author of the attacks on himself and his associates.
Leigh Hunt, it is only fair to say, knew no more of
Scott personally than Lockhart, in 1818, knew of Keats. To
Lockhart, Keats was, at first, an uneducated
Cockney adulator of Leigh Hunt; as, to Leigh
Hunt, Scott was a wicked Tory, whom he had tried
196 | LIFE OF J. G. LOCKHART. | |
to insult in his “Feast of
Poets.” Hunt’s opinion was absurd, but, in
Mr. Sidney Colvin’s excellent “Life of Keats,” we hear an echo of
the old belief. Mr. Colvin has changed his mind, and sung his
palinode, but his “Life of Keats” remains an
authority. “In the party violence of the time and place Scott himself was drawn into encouraging the
savage polemics of his young Edinburgh friends, and that he was in some measure privy
to the Cockney School outrages seems certain.”
Why?
Mr. Colvin’s reason is, “Such at
least was the impression prevailing at the time,”—in the bosom of
Leigh Hunt and his friends, for example. And again,
because Severn “observed both in Scott and his daughter signs of pain and confusion which
he could only interpret in the same sense,” when he talked to them about
“Keats and his
detractors” in Rome (1832). Something more is needed than
Severn’s recollection of his impressions of
Scott’s apparent “pain and confusion!” I
repeat that Keats had been selected for attack, as a Huntian, and he
knew it, before Scott and Lockhart ever met. That Anne Scott,
who was a lively girl of sixteen when the crime was committed, should have betrayed painful
emotion, when the subject was mentioned fourteen years later, is quite incredible.
Mr. Colvin adds a tale communicated, long after
date, by Keats’s friend Bailey, to Lord
Houghton.
Bailey had met Lockhart at the
house of Mr. Gleig’s father, in the summer of
1818. “He took the opportunity of telling Lockhart in a
friendly way his (Keats’s) circumstances and history,
explaining, at the same time, that his attachment to Leigh
Hunt was personal, not political, pleading that he should not be made an
object of party denunciation, and ending with the request that at any rate what had
been thus said in confidence should not be used to his disadvantage. To which
Lockhart replied that it certainly should not be so used by
him. Within three weeks the article appeared, making use, to all appearance, and to
Bailey’s great indignation, of the very facts he had
thus confidentially communicated. To the end of his life Bailey
remained convinced that, whether or not Lockhart himself wrote the
piece, he must at any rate have prompted and supplied the materials for it. It seems,
in fact, all but certain that he actually wrote it.” Mr.
Colvin instances the word Sangrado, for “a doctor,” as a touch of his style, and I myself
could add another possible example.
Accepting Bailey’s account
of Lockhart as a traitor, what
confidence did he betray? That Keats’s “attachment to Leigh Hunt was personal, not
political”? The Reviewer asserts the very reverse:
“Keats belongs to the Cockney school of politics, as
well as to the Cockney school of poetry.” That Keats had no classical
education? Keats himself betrays that mischance in a dozen
198 | LIFE OF J. G. LOCKHART. | |
places, as where he rhymes “ear” to
“Cytherea,” and speaks of “a penetralium.”
The single solitary fact which Lockhart might have betrayed is, that Keats in early life had been “destined to the career of medicine,
and bound apprentice to a worthy apothecary in town.” Now that fact might
have been let slip inadvertently, or might well have been known through other channels.
Where, in the review, are “the very facts which Bailey had confidentially communicated”? One expects to hear
about the paternal livery stable, and so forth, but there is no such matter. If
Bailey communicated private facts, they were not betrayed. There
is not a word of Keats’s private affairs, except his medical
studies.
Mr. Colvin does not seem to have remarked, when he
wrote the passage cited, that Lockhart had sources
of information about Keats, apart from Bailey.1 On November 22, 1817,
Keats wrote to Bailey
himself—“I should have been here” (at Leatherhead) “a
day earlier, but the Reynoldses persuaded me to stay
in town to meet your friend Christie. There were
Rice and Martin—we talked about ghosts.”2
By a curious freak of chance, Christie, Keats, John Hamilton Reynolds, Gleig, and Bailey were all “in
touch,” and thus Lockhart might know,
through Christie or
Gleig, anything that was to be known about the author of
“Lamia.”
Bailey, then, was not his only source of information.
Christie did write to Lockhart about
Keats, though his letter is not preserved, unluckily; for, on
January 27, 1818, I find Lockhart writing to him, “What you
say of Keates (sic) is pleasing, and if you like to write a little
review of him, in admonition to leave his ways, &c., and in praise of his natural
genius, I shall be greatly obliged to you.”
There is no “malignity” in this private reference by
Lockhart to Keats; Christie, in remonstrances
about Blackwood, never
refers to the treatment of Keats, whom he obviously liked, and there
my information about this unhappy matter ends. I do not know who wrote the article. On
September 15, 1820, Lockhart wrote to a Mr.
Aitken, in Dunbar, “I have already attempted to say something kind
about Mr. Keats, in Blackwood’s Magazine, but been thwarted, I know not well
how. . . . I trust his health will mend, and that he will live to be a merry fellow. .
. .”
For the rest, Keats’s
temper, as to literary reviling, was as manly as Scott’s. “My own domestic criticism has given me pain
without comparison beyond what Blackwood or the Quarterly could possibly inflict.” Could
Keats have read Shelley’s letter to Leigh Hunt,1 it would have vexed him far more than the stingless insults of an
anony-
200 | LIFE OF J. G. LOCKHART. | |
mous reviewer. It is needless to add the expression of the
biographer’s extreme regret that Lockhart was,
to whatever extent or degree, connected with an unpardonable attack on a great poet and a
good and brave man. The blindness of prejudice, the infatuation of political and literary
feud, and, more or less, the undeniable weaknesses, and effeminacies, and ignorances of
some of Keats’s immature poems, account for, though they do not
palliate the deed. Yet we must not judge it as if it had been the act of a man who had
before him the whole of Keats’s poems, or who possessed our
knowledge of the fortunes and character of Keats.
That Lockhart, whatever his
literary offences at this period, kept a tender and loyal heart for the service of his
friends, appears from letters written to Christie,
just before and just after the visit to Abbotsford. A young man’s scrape, exaggerated
by fancy, had befallen one of the old Oxford set, and was complicated by a misunderstanding
with the sufferer’s father. “Your letter,” writes
Lockhart (Edinburgh, October 5, 1818), “has afflicted me
beyond all expression. I feel that fruitless sorrow is the only way by which any of us
shall have it in our power to express our feeling of our poor friend’s worth. I
am very sorry that Hamilton is out of town,
which deprives me of having any one to speak to about it. I have ventured to drop a few
lines to under cover to his father, and if he be at home they will reach him,—if
he be not there, they will come back
to me. If
anything could be done by my going or Hamilton’s going to ——, I am
sure I can answer for his readiness, as well as for my own. But I fear it is too late.
After having told me so much, do tell me more. Let me know as much as possible of his
state and its causes, and I shall burn your letter five minutes after reading it. This
story has unhinged me for everything else.”
As to the nature of the story, as to the cause of the friend’s
private sorrow, not a glimmer of light escapes the discretion of Lockhart—nor did he keep Mr. Christie’s letters on the subject. But his benevolence and
friendly courage were engaged. On November 14, 1818, he writes from
Edinburgh—“As ——’s own letter
must have reached you before you receive this, I need not tell you the step I took in
consequence of my knowledge of the cause of ——’s
distress. I am apprehensive that you may, in one point of view, condemn it. All I can
say is, that it was undertaken in consequence of the most sincere conviction, both in
Hamilton’s mind and my own, that it
was a proper one. The intentions of us
both I can have no reason to justify, because I am sure you are in no danger of
suspecting them.
“I have now received three or four letters from
——’s father, and were it not for the postage
I would send them, in order that you might see with your own eyes what a pure-minded,
feeling, affectionate, and estimable man he is, to whom I confided
202 | LIFE OF J. G. LOCKHART. | |
so much. The result is sure to be happy in every point of view. It will not only be the
means of releasing —— from his immediate cause of
distress, but, I would trust, of opening a more entire system of confidence between him
and his excellent parent, a species of confidence which, alas! the circumstances of my
own life have, for some years, prevented me from entirely and undoubtingly enjoying in
regard of my own father, equally good and affectionate as his, but still more averse
from knowledge and participation of many feelings and views which, without being in
themselves blamable, appear very much so in the eyes of secluded and venerable men.
“I trust that this is the last occasion on which I shall be put
in the distressing situation of thinking myself called upon to do a thing so contrary
to the common rules of friendship, and every way so hazardous. It will, however, be a
consolation to me to hear from you that you do not seriously disapprove of what I have
done. The affectionate manner in which —— himself
writes on the occasion has endeared him to me more than ever. The longer I
live” (he was twenty-four!) “the more do the ties of two or three old
friendships strengthen round me. Living at a distance, and living in a different way,
and with different pursuits in some respects, I always think of you as of brothers, and
look forward to any prospect of meeting with you as a long absent voyager must do to a
return to his home.”
Such were the friendships of the antique world. In words like these, we
catch a glimpse of the true, the inward Lockhart,
earnest, simple, affectionate, loyal: daring, in the cause of friendship, and with the most
fortunate results, to break “the common rules of friendship.” This is
all unlike the aspect of “the mischievous Oxford puppy,” who,
“with his cigar in his mouth, his one leg flung carelessly over the other, and
without the symptoms of a smile on his face, or one twinkle of mischief in his dark
grey eye,” would beguile the good Shepherd with all manner of nonsense.
“The callant never tawld me the truth a’ his days but aince, an’
that was merely by chance, an’ without the least intention on his
part,” said James Hogg, who himself
rejoiced greatly in a bam or bite, he being an Ettrick man indeed, in whom was (properly
speaking) no guile.
The deep thoughtfulness and considerate regard for friends which shine in
Lockhart’s letters are alien to the
reckless manner of his literary feuds. To his mind Leigh
Hunt, Keats, and Hazlitt were all cockney and conceited conspirators
against the constitution, common sense, and the English language. There were two aspects of
Leigh Hunt; he had, so to speak, “a double
personality,” like Lockhart himself. Keats
censured Hunt almost as severely in private as
Lockhart did in public, and for the same faults. Concerning that
other and admirable aspect of Hunt which shines, for example, in his
regrets for Shelley, and in his letter to Severn
204 | LIFE OF J. G. LOCKHART. | |
about the time of Keats’s death,
Lockhart could know nothing.1 As to
Hazlitt, he never had a better friend, no man ever had a more
loyal friend, than Mr. Patmore. Yet, before he met
Hazlitt, Mr. Patmore had regarded that critic
as “an incarnate fiend.” Lockhart, writing to
Christie, only calls
Hazlitt “a clever profligate.”
Keats was taken by Lockhart for a flatterer,
imitator, and general camp-follower of Leigh Hunt, though he certainly
learned to modify this opinion. A visit to Christie in London might
have dispelled many of these mists, but the visit, though meditated, was not then paid. One
yet more melancholy reflection occurs. We see that, in November 1818,
Lockhart and Hamilton were
still on the old terms. Thereafter I find no mention of Hamilton, and,
in the election to the Chair of Moral Philosophy, Lockhart was strong
on Wilson’s side. To a heart like his, which
in friendship gave itself once and for ever, the mysterious estrangement must have been the
first of his lifelong sorrows. But he could not speak of it, he never spoke out, even to
Christie. To his brother he was less reticent. He lost the aid and
counsel of the most learned, pure, and estimable man among his contemporaries; he was
divided by distance from the society of Christie, and his chief
Edinburgh associates were not likely to keep him out of mischief. In the letter to
Christie, of Nov. 14, 1818, he
mentions his pain at the impression which
the author of “Hypocrisy Unveiled” made on “the mind
of Wilson, and that of his amiable wife,” a lady of whom he ever spoke (and notably in his
“Life of Scott”) with the
highest respect and affection, and, after her death, with a tender regret.1
1 The Rev. Lawrence
Lockhart has left a brief record of the cause of estrangement between
Lockhart and Hamilton. It arose, he says (as we have remarked), from a hasty word of
Sir William’s. But he dates it at the time of
“The Chaldee,” and
though his account is, no doubt, essentially correct, we find that, more than a year
after the date of “The Chaldee,”
Lockhart and Hamilton were on the best
terms.
|
Benjamin Bailey (1791-1853)
Son of John Bailey; he was a student at Magdalen College, Oxford, when he made the
acquaintance of John Keats; he married a sister of George Robert Gleig in 1819, and was
chaplain in Ceylon in 1831.
James Ballantyne (1772-1833)
Edinburgh printer in partnership with his younger brother John; the company failed in the
financial collapse of 1826.
William Blackwood (1776-1834)
Edinburgh bookseller; he began business 1804 and for a time was John Murray's Scottish
agent. He launched
Blackwood's Magazine in 1817.
Jonathan Henry Christie (1793-1876)
Educated at Marischal College, Baliol College, Oxford, and Lincoln's Inn; after slaying
John Scott in the famous duel at Chalk Farm he was acquitted of murder and afterwards
practiced law as a conveyancer in London. He was the lifelong friend of John Gibson
Lockhart and an acquaintance of John Keats.
Henry Cockburn, Lord Cockburn (1779-1854)
Scottish judge, reformer, and friend of Francis Jeffrey; he wrote a
Life of Lord Jeffrey (1852) and
Memorials of his Time
(1856).
Sir Sidney Colvin (1845-1927)
Literary and art critic educated at Trinity College, Cambridge; he was professor of Fine
Arts, Cambridge (1873-85) and keeper of prints and drawings at the British Museum
(1883-1912).
Henry Home Drummond of Blair Drummond (1783-1867)
Scottish Advocate, educated at Oxford; he was MP for Stirlingshire (1821-31) and
Perthshire (1840-52). He was the grandson of Lord Kames.
Sir Adam Ferguson (1771-1855)
Son of the philosopher and classmate and friend of Sir Walter Scott; he served in the
Peninsular Campaign under Wellington, afterwards living on his estate in
Dumfriesshire.
George Gleig, bishop of Brechin (1753-1840)
Educated at King's College, Aberdeen, he contributed to the
Monthly
Review,
Gentleman's Magazine, British Critic, and
Anti-Jacobin Review; he was Episcopal bishop of Brechin
(1810-40).
George Robert Gleig (1796-1888)
Prolific Tory writer who rose to attention with
The Subaltern,
serialized in
Blackwood's; he was appointed chaplain-general of the
forces in 1844.
Johann Wolfgang Goethe (1749-1832)
German poet, playwright, and novelist; author of
The Sorrows of Young
Werther (1774) and
Faust (1808, 1832).
William Hazlitt (1778-1830)
English essayist and literary critic; author of
Characters of
Shakespeare's Plays (1817),
Lectures on the English Poets
(1818), and
The Spirit of the Age (1825).
James Hogg [The Ettrick Shepherd] (1770-1835)
Scottish autodidact, poet, and novelist; author of
The Queen's
Wake (1813) and
Private Memoirs and Confessions of a Justified
Sinner (1824).
James Henry Leigh Hunt (1784-1859)
English poet, journalist, and man of letters; editor of
The
Examiner and
The Liberal; friend of Byron, Keats, and
Shelley.
John Keats (1795-1821)
English poet, author of
Endymion, "The Eve of St. Agnes," and
other poems, who died of tuberculosis in Rome.
William Laidlaw (1779-1845)
The early friend of James Hogg and Sir Walter Scott's steward and amanuensis.
John Gibson Lockhart (1794-1854)
Editor of the
Quarterly Review (1825-1853); son-in-law of Walter
Scott and author of the
Life of Scott 5 vols (1838).
Lawrence Lockhart (1795-1876)
The son of the Rev. John Lockhart and younger brother of John Gibson Lockhart; he was
minister of Inchinnan (1822-60) after which he resided on the family estate at Milton
Lockhart.
John Martin (1791-1855)
London bookseller, sometimes in partnership with John Rodwell; he was afterwards a
bibliographer, writer, and librarian to Lord Russell at Woburn Abbey.
Macvey Napier (1776-1847)
Scottish barrister, editor of the
Encyclopedia Britannica, and
from 1829 editor of the
Edinburgh Review.
Emperor Napoleon I (1769-1821)
Military leader, First Consul (1799), and Emperor of the French (1804), after his
abdication he was exiled to Elba (1814); after his defeat at Waterloo he was exiled to St.
Helena (1815).
Peter George Patmore [Tims] (1786-1855)
English writer and friend of Charles Lamb and Leigh Hunt; an early contributor to
Blackwood's, he was John Scott's second in the fatal duel, editor of
the
Court Journal, and father of the poet Coventry Patmore.
John Hamilton Reynolds (1794-1852)
English poet, essayist, and friend of Keats; he wrote for
The
Champion (1815-17) and published
The Garden of Florence; and
other Poems (1821).
James Rice (1792-1832)
London attorney, the friend and partner of John Hamilton Reynolds and correspondent of
John Keats.
Anne Scott (1803-1833)
Walter Scott's younger daughter who cared for him in his old age and died
unmarried.
John Scott (1784-1821)
After Marischal College he worked as a journalist with Leigh Hunt, edited
The Champion (1814-1817), and edited the
London
Magazine (1820) until he was killed in the duel at Chalk Farm.
Joseph Severn (1793-1879)
English painter who traveled to Rome with the dying Keats; he worked in Italy and England
before becoming British consul at Rome in 1861.
Percy Bysshe Shelley (1792-1822)
English poet, with Byron in Switzerland in 1816; author of
Queen
Mab (1813),
The Revolt of Islam (1817),
The Cenci and
Prometheus Unbound (1820), and
Adonais (1821).
Jane Wilson [née Penny] (d. 1837)
The daughter of a wealthy Liverpool merchant; in 1811 she married the poet John Wilson.
Charles Macfarlane described her as “kind-hearted, sonsie, thoroughly
Scottish.”
John Wilson [Christopher North] (1785-1854)
Scottish poet and Tory essayist, the chief writer for the “Noctes Ambrosianae” in
Blackwood's Magazine and professor of moral philosophy at Edinburgh
University (1820).
The Beacon. (1821). A Tory newspaper partly funded by Sir Walter Scott that ceased publication after its
financial backers objected to the scandals its contributors were raising.
Blackwood's Edinburgh Magazine. (1817-1980). Begun as the
Edinburgh Monthly Magazine,
Blackwood's assumed the name of its proprietor, William Blackwood after the sixth
number. Blackwood was the nominal editor until 1834.
The London Magazine. (1820-1829). Founded by John Scott as a monthly rival to
Blackwood's, the
London Magazine included among its contributors Charles Lamb, John Clare, Allan Cunningham,
Thomas De Quincey, and Thomas Hood.
The Quarterly Review. (1809-1967). Published by John Murray, the
Quarterly was instigated by Walter
Scott as a Tory rival to the
Edinburgh Review. It was edited by
William Gifford to 1824, and by John Gibson Lockhart from 1826 to 1853.