Recollections of Writers
Leigh Hunt to Charles Cowden Clarke, [1819]
And so Charles Clarke is
very angry with me for not sooner answering his two letters, and talks to my
friends about my “regal scorn.” Well,—I have been guilty
certainly of not sooner answering said two;—I have not answered them, even
though they pleased me infinitely:—Charles Clarke also
sent me some verses, the goodness of which (if he will not be very angry) even
surprised me, yet I answered not:—he sent me them again, yet I answered
not:—undoubtedly I have been extremely unresponsive; I have seemed to neglect
him,—I have been silent, dilatory,
200 | RECOLLECTIONS OF WRITERS | |
unepistolary,
strange, distant ( miles), and (if the phrase
“regal scorn” be true) without an excuse.
C. C. C. (meditative, but quick)—Ho, not without an
excuse, I dare say. Come, come, I ought to have thought of that, before I used the
words “regal scorn.” I did not mean them in fact, and therefore I
thought they would touch him. Bless my soul, I ought to have thought of an excuse
for him, now I think of it;—let me see;—he must have been very
busy;—yes, yes, he was very busy, depend upon it:—I should not wonder
if he had some particular reason for being busy just now;—I warrant you he
has been writing like the Devil;—I’ll stake my life
on’t,—he has almost set his tingling head asleep like my foot, with
writing;—and then too, you may be certain he reproached himself every day
nevertheless with not writing to me;—I’ll be bound to say that he said:
I will write to Charles Clarke to-day, and I
will not forget to give another notice to him in the Examiner (for he did give one),
and above all, he will see his verses there, and then he will guess all;—then
one day he is busy till it is too late to write by the post, and in some cursed
hurry he forgets me on Saturday, and then—and what then? Am I not one of his
real friends? Have I not a right to be forgotten or rather
unwritten to by him, for weeks, if by turning his looks, not his heart, away from
me, he can snatch repose upon the confidence of my good opinion of him? I think I
see him asking me this; and curse me (I beg your pardon, Miss
Jones), but confound me, I should say—no, I should not
say,—but the deuce take—in short, here’s the beginning of his
letter, and so there’s an end of my vagaries.
My dear friend, you are right. I have
been very busy,—so busy both summer and winter, that summer has scarcely been
any to me; and my head at times has almost grown benumbed over my writing. I have
been intending everything and anything, except loyal anti-constitutionalism and
Christian want of charity. I have written prose, I have written poetry, I have
written levities and gravities, I have written two acts of a Tragedy, and (oh Diva pecunia) I have written a Pocket-Book! Let my Morocco blushes
speak for me; for with this packet comes a copy. When you read
| LEIGH HUNT AND HIS LETTERS. | 201 |
my Calendar of Nature, you will feel that I did not
forget you; for you are one of those in whose company I always seem to be writing
these things. Had your poetry arrived soon enough, I should have said “Oh,
ho!” and clapped it among my Pocket-Book prisoners.
As it is, it must go at large in the Examiner, where it will accordingly be found in a
week or two. And here let me say, that bad as I have been, I begged Mr. Holmes to explain why I had not written; so
that if he has been a negligent epistolian as well as myself, why—there are
two good fellows who have done as they ought not to have done, and there is no
epistle in us. (Here Charles Clarke gives a
laugh, which socially speaking is very musical; but abstractedly, resembles fifty
Fawcetts, or ten rusty iron gates
scraping along gravel.) You must know that you must keep my tragic drama a secret,
unless you have one female ear into which you can own for me
the rough impeachment. (Here ten gates.) It is on the same subject as the
“Cid” of Corneille; and I mean it to be ready by the middle
of January for the so theatre; if you will get your hands in
training meantime, I trust, God willing, the groundlings will have their ears
split. If not, I shall make up my mind, like a damned vain
fellow, that they are too large and tough; and so with this new pun in your throat,
go you along with me in as many things as you did before, my dear friend, for I am
ever the same, most truly yours,
P.S.—The verses marked ϕ in the Pocket-Book are mine, Δ
Mr. Shelley’s, P.R. a
Mr. Procter’s, and I.
Keats’s, who has just lost his
brother Tom after a most exemplary
attendance on him. The close of such lingering illness, however, can hardly be
lamented. Mr. Richards, who has just
dropped in upon me, begs to be remembered to you.
Charles Cowden Clarke (1787-1877)
The schoolmate and friend of John Keats; he lectured on Shakespeare and European
literature and published
Recollections of Writers (1878).
Pierre Corneille (1606-1684)
French neoclassical dramatist whose works were several times adapted in England; author
of Le Cid (1637),
Horace (1640), and
Cinna
(1641).
John Fawcett (1769-1837)
English actor and composer of pantomimes and melodramas, among them
Obi, or, Three-Fingered Jack (1800).
Edward Holmes (1797-1859)
English music-critic and organist; he befriended John Keats and Charles Cowden Clarke at
the school at Enfield and was a member of Leigh Hunt's circle in London. He was music
critic for
The Atlas.
James Henry Leigh Hunt (1784-1859)
English poet, journalist, and man of letters; editor of
The
Examiner and
The Liberal; friend of Byron, Keats, and
Shelley.
John Keats (1795-1821)
English poet, author of
Endymion, "The Eve of St. Agnes," and
other poems, who died of tuberculosis in Rome.
Thomas Keats (1799-1818)
The younger brother of John Keats who died of tuberculosis in 1818.
Bryan Waller Procter [Barry Cornwall] (1787-1874)
English poet; a contemporary of Byron at Harrow, and friend of Leigh Hunt and Charles
Lamb. He was the author of several volumes of poem and
Mirandola, a
tragedy (1821).
Thomas Richards (d. 1831)
A keeper of a livery-stable and member of Leigh Hunt's circle; like his friend John Keats
he studied under Charles Cowden Clarke at Enfield.
Percy Bysshe Shelley (1792-1822)
English poet, with Byron in Switzerland in 1816; author of
Queen
Mab (1813),
The Revolt of Islam (1817),
The Cenci and
Prometheus Unbound (1820), and
Adonais (1821).
The Examiner. (1808-1881). Founded by John and Leigh Hunt, this weekly paper divided its attention between literary
matters and radical politics; William Hazlitt was among its regular contributors.