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Recollections of Writers
Leigh Hunt to Charles Cowden Clarke, 13 December [1832?]
INTRODUCTION & INDEXES
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Contents
Preface
Chapter I.
Chapter II.
Chapter III.
Chapter IV.
Chapter V.
Chapter VI.
Chapter VII.
Chapter VIII.
Chapter IX
John Keats
Charles Lamb
Mary Lamb
Leigh Hunt
Douglas Jerrold
Charles Dickens
Index
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5, York Buildings, New Road, Dec. 13th.

My dear Clarke,—I beg your acceptance of a copy of my book. I do not send one to Vincent, because tho’ he is one of the few friends to whom one of my few copies, sent in this manner, would otherwise have gone, he is among its patrons and purchasers, and therefore, I must, even out of my sense of his kindness, omit him. But tho’ it is not altogether out of his power to stretch a point for me in this way with his purse, I dare to tell you that I know it to be yours and that your generosity, equally real with his but unequal to show itself in the same manner, will give me credit for understanding you thoroughly and believing that you understand me. I appeal to it also, with hand on heart, for giving me entire credit when I say, that the sonnet in which you were mentioned, and the one mentioning himself, were omitted solely in consequence of the severe law I had laid down for myself in selecting my verses (as you will see in the Preface), and which, much against my will, forced me to throw out others
242 RECOLLECTIONS OF WRITERS  
relating to a variety of my friends. I am still, however, to be inspired with better ones, if they insist upon overwhelming me with amiableness and being illustrious. Pray tell him all this. Now let me tell you that there is real poetry in some of the verses you have sent me, and that I have read them over and over again. There are one or two points which might be amended perhaps, in point of construction, and it is a pity, I think, that you have made the Fairy so entirely serious at the close of his song,1 as to say “Oh, misery!” He should have

1 We append the following copy of this “Song.”

THE LAST OF THE FAIRIES.
Gone are all the merry band! Gone
Is my Lord—my Oberon!
Gone is Titania! Moonlight song
And roundel now no more
Shall patter on the grassy floor.
And Robin too! the wild bee of our throng,
Has wound his last recheat—
Oh fate unmeet!
The roosted cock, with answering crow,
No longer starts to his “Ho! ho! ho!”
For low he lies in death,
With violet, and muskrose breath
Woven into his winding-sheet.
And now I wander through the night,
An old and solitary sprite!
No laughing sister meets me;
No friendly chirping greets me;
But the glow-worm shuns me,
And the mouse outruns me.
And every hare-bell
Rings my knell;
For I am old,
And my heart is cold.
Oh misery!
Alone to die!
LEIGH HUNT AND HIS LETTERS.243
died like Suet, between sorrow, astonishment, and jest, and he might have perished of frost, because there was no longer any fireside for him. But the idea of a “Last of the fairies,” is excellent, and the treatment of it too, especially down to the words I have quoted, from the line beginning “the roosted cock.”

“Robin Goodfellow’s winding-sheet” is worthy of Keats. I admire also the first eight lines of the sonnet beginning “I feel my spirit humbled,” only you should not have said “small as is the love I bear you:” you want to say such as is the value of it; and this is not what the other words can be made to imply. At least I think so. The allusion to the “room” is good. How good is truth, and how sure it is to tell! I have always admired, my dear Clarke, the way in which you took your fortunes, and the wise-heartedness with which you found out the jewel of good at the core of them, and known how to cherish it. It has made you superior to them, and gives you an advantage which many richer persons might envy. God bless you both, and all of you, and believe me,

Your affectionate friend,
Leigh Hunt.