Recollections of Writers
Leigh Hunt to Charles Cowden Clarke, 7 July 1857
7, Cornwall Road, Hammersmith, July 7th, 1857.
My dear friends—Dear Clarke and dear Mary Victoria,—(for you know I
don’t like to part with the old word) the first letter from Nice came duly to
hand; but for the reason kindly contemplated by itself, I could not answer it at
the moment, and the same reason made me delay the answer, and now still makes me
say almost equally little on that particular point, except that I sigh as I am wont
to do from the bottom of my heart, and thank you with tears for the privilege of
silence accorded me.
Were it not for dear friends and connexions still living, I
should now feel as if I belonged wholly to the next world; but while they remain to
me, or I to them, I must still do my best to make the most of the world I am in, in
order to deserve their comfort of me during the remainder of my progress to that
other; where I do believe that all the wants which hearts and natures yearn to be
lovingly made up, will be made up, as surely as in this world fruits are sounded
and perfected (final short-comings of any kind being not to be thought possible in
God’s works) and where “all tears will be wiped from all faces.”
Why was any text inconsistent with that, ever suffered to remain in the book that
contains it? But I am talking when I thought to become mute. Be you mute for me. I
shall take your silence for dumb and loving squeezes of the hand. Winter here has
been as severe with us, after its severer kind, as it has been with you in the
midst of its lemon-blossoms and green peas. I hope your summer has turned out as
proportionately excellent, and then you will have had a summer indeed; for we have
been astonished at our June without fires, and our continuously blue weather. Your
walks are noble truly, and would be wonderful if you had not a companion; a thing
which always makes me feel as if I could walk anywhere and for ever; that is to
say, if anything like such a companion as yours, but doubtless stoppings would
occasionally be found desirable, especially at inns, or where “si vende birra” “Strada Smollett” is delightful. By-and-by there will be
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such streets all over the world. People will know, not only
the name of a street, but the reason for it, “and by the visions
splendid,” be “on their way attended.” Let who else will live in
“Smollett Street,” Matthew Brambles, and Randoms, and Bowlings will be
met there by passengers, as long as the name endures. I see the last, turning a
corner with little Roderick in his hand,
hitching up his respectable, bad-fitting trousers, and jerking the tobacco out of
his mouth at the thought of unfeeling old hunkses of grandfathers. Your finale
respecting Burns was to good final purpose;
and I do not wonder at its exciting the applause of the genial portion of his
countrymen; for such only would be the portion to come to your lectures. They must
have felt it like an utterance of their own hearts, let free for the first time; at
least, thus publicly. To find fault with Burns is to find
fault with the excess of geniality of Nature herself; which, tho’ like the
sun it may do harm here and there, or seem to do it in its hottest places, is a
universal beneficence, and could not be perhaps what it is without them. Nor are
those irremediable to such as are in Nature’s secrets, or “to the
matter born.” The life of
Burns by Robert Chambers, a
serene and sweet-minded philosophic kind of man, is undoubtedly, as you say, the
best of all the lives of him. . . . . I long to see the fifteen famous women,1
and am truly obliged by the desire expressed to the publisher to send it me. It is
impossible they should be in better hands than in those of the bringer-up of the
women of Shakespeare;
people, that make a Mormon of me; and, with your leave, a Molly—as well as a Polygamist. Indeed with
the help of another l, the latter word might express both.
You see you have made me a little wild, with the compliment paid to my portrait.
But I am no less respectful at heart; as in truth you know; otherwise I should not
be where you have put me. So I feel new times and old mingled beautifully together,
with the champagne once more over my hair, and all kindly nights and mornings, and
outpourings of heart as well as wine, and
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laughters and tears too,
that make such extremes meet as veritably seem to join heaven and earth and render
the most transient joys foretastes of those that are to last for ever.
Ah me! Thus preach I my first sermon to loving eyes from my wall
in Maison Quaglia, at Nice.
The other day I got news at last of the safe arrival of my box
of books and manuscripts (for the American press) at Washington, Pennsylvania,
which it had reached by a circuitous progress thro’ other Washingtons, caused
by my ignorance of there being any other Washington than one, and so having omitted
the Pennsylvania. One London, I thought, one Washington; forgetting that London is
a word of unknown meaning, therefore who cares to repeat it? Whereas Washington was
a man, of whom men are proud; and hence it seems, there are 70 Washingtons! All
goes well with my “works” (grand sound!) and they are to come out, both
in verse and prose, the former forthwith; and special direction shall be sent to
Boston for all being forwarded duty free to Maison Quaglia, in return for my
“fifteen women” (strange, impossible sound of payment!) so I do not
send you the list you speak of, meantime; only I should be glad to know what prose
works of mine you may happen to possess at present, in case, if the publication of
them in America be comparatively delayed, I may be able to send you some of them,
such as I think you would best like; for there is a talk of republishing those in
England. Besides, I need room for an extract which I had got to make for Victoria from my friend Craik’s “English of Shakespeare.” I must not even
stop to enjoy with you some quotations from Drayton and Jonson, but I
must not omit to congratulate you both, and everybody else, on the new edition of Shakespeare,
especially as I reckon upon her turning her unique knowledge of him to dainty
account in her Preface, and would suggest to that end (if it be not already in her
head) that she would let us know what particular flowers, feelings, pursuits,
readings, and other things great and small he appears to have liked best. Other
people might gather this from her Concordance, but who so well as she that made it? Therefore
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pray let her forestall those who might take it into their
heads to avail themselves of the information afforded them by that marvellous piece
of love and industry. But to the extract: . . . . Shall I send my copy of it to
Nice? It would interest editorship and occasion would be found to say a grateful
and deserved word for it in the introduction to Julius Caesar. I lend the “Iron
Cousin” to all understanding persons, and they are unanimous in their
praises. Item.—I trust to read and mark it again,
myself, shortly. Loving friends, both, I am your ever loving
friend,
Robert Burns (1759-1796)
Scottish poet and song collector; author of
Poems, chiefly in the
Scottish Dialect (1786).
Robert Chambers (1802-1871)
Scottish miscellaneous writer and journalist; his chief works are
Cyclopaedia of English Literature, 2 vols (1841-43) and
Vestiges of the Natural History of Creation (1844). He partnered with his brother
William (1800-1883).
Charles Cowden Clarke (1787-1877)
The schoolmate and friend of John Keats; he lectured on Shakespeare and European
literature and published
Recollections of Writers (1878).
Mary Victoria Cowden Clarke [née Novello] (1809-1898)
The daughter of the musician Vincent Novello, she married Charles Cowden Clarke in 1828
and wrote works on Shakespeare, including
The Complete Concordance to
Shakespeare (1845).
George Lillie Craik (1798-1866)
Scottish literary historian and professor of English literature and history at Queen's
College, Belfast (1849); he published
Spenser and his Poetry, 3 vols
(1845).
Michael Drayton (1563-1631)
English poet, the imitator of Spenser and friend of Ben Jonson; he published
Poly-Olbion (1612).
James Henry Leigh Hunt (1784-1859)
English poet, journalist, and man of letters; editor of
The
Examiner and
The Liberal; friend of Byron, Keats, and
Shelley.
Ben Jonson (1572-1637)
English dramatist, critic, and epigrammatist, friend of William Shakespeare and John
Donne.
Tobias Smollett (1721-1771)
Scottish physician and man of letters; author of the novels
Roderick
Random (1747) and
Humphry Clinker (1771).