Works of Charles and Mary Lamb. VI-VII. Letters
Charles Lamb to Samuel Taylor Coleridge, 8 November 1796
MY Brother, my Friend,—I am distrest for you,
believe me I am; not so much for your painful, troublesome complaint, which, I
trust, is only for a time, as for those anxieties which brought it on, and
perhaps even now may be nursing its malignity. Tell me, dearest of my friends,
is your mind at peace, or has anything, yet unknown to me, happened to give you
fresh disquiet, and steal from you all the pleasant dreams of future rest? Are
you still (I
fear you are) far from being
comfortably settled? Would to God it were in my power to contribute towards the
bringing of you into the haven where you would be! But you are too well skilled
in the philosophy of consolation to need my humble tribute of advice; in pain
and in sickness, and in all manner of disappointments, I trust you have that
within you which shall speak peace to your mind. Make it, I entreat you, one of
your puny comforts, that I feel for you, and share all your griefs with you. I
feel as if I were troubling you about little things; now
I am going to resume the subject of our last two letters, but it may divert us
both from unpleasanter feelings to make such matters, in a manner, of
importance. Without further apology, then, it was not that I did not relish,
that I did not in my heart thank you for, those little pictures of your
feelings which you lately sent me, if I neglected to mention them. You may
remember you had said much the same things before to me on the same subject in
a former letter, and I considered those last verses as only the identical
thoughts better clothed; either way (in prose or verse) such poetry must be
welcome to me. I love them as I love the Confessions of Rousseau, and for the same reason: the same
frankness, the same openness of heart, the same disclosure of all the most
hidden and delicate affections of the mind: they make me proud to be thus
esteemed worthy of the place of friend-confessor, brother-confessor, to a man
like Coleridge. This last is, I
acknowledge, language too high for friendship; but it is also, I declare, too
sincere for flattery. Now, to put on stilts, and talk magnificently about
trifles—I condescend, then, to your counsel, Coleridge,
and allow my first Sonnet
(sick to death am I to make mention of my sonnets, and I blush to be so taken
up with them, indeed I do)—I allow it to run thus, “Fairy Land,” &c. &c., as I [? you] last wrote
it.
The Fragments I now send you I want printed to get rid of
’em; for, while they stick burr-like to my memory, they tempt me to go on
with the idle trade of versifying, which I long—most sincerely I speak it—I
long to leave off, for it is unprofitable to my soul; I feel it is; and these
questions about words, and debates about alterations, take me off, I am
conscious, from the properer business of my life. Take my sonnets once for all,
and do not propose any re-amendments, or mention them again in any shape to me,
I charge you. I blush that my mind can consider them as things of any worth.
And pray admit or reject these fragments, as you like or dislike them, without
ceremony. Call ’em Sketches, Fragments, or what you will, but do not
entitle any of my things Love Sonnets, as I told you to call ’em;
’twill only make me look little in my own eyes; for it is a passion of
which I retain nothing; ’twas a weakness, concerning which I may say, in
the words of Petrarch (whose life is
56 | LETTERS OF C. AND M. LAMB | Nov. |
now open before me), “if it drew me out
of some vices, it also prevented the growth of many virtues, filling me
with the love of the creature rather than the Creator, which is the death
of the soul.” Thank God, the folly has left me for ever; not even
a review of my love verses renews one wayward wish in me; and if I am at all
solicitous to trim ’em out in their best apparel, it is because they are
to make their appearance in good company. Now to my fragments. Lest you have
lost my Grandame, she shall
be one. ’Tis among the few verses I ever wrote (that to Mary is another) which profit me in the
recollection. God love her,—and may we two never love each other less!
These, Coleridge,
are the few sketches I have thought worth preserving; how will they relish thus
detached? Will you reject all or any of them? They are thine: do whatsoever
thou listest with them. My eyes ache with writing long and late, and I wax
wondrous sleepy; God bless you and yours, me and mine! Good night.
I will keep my eyes open reluctantly a minute longer to
tell you, that I love you for those simple, tender, heart-flowing lines
with which you conclude your last, and in my eyes best, sonnet (so you call
’em),
“So, for the mother’s sake, the child was dear, And dearer was the mother for the child.” |
Cultivate simplicity, Coleridge, or rather, I should say, banish elaborateness;
for simplicity springs spontaneous from the heart, and carries into
daylight its own modest buds and genuine, sweet, and clear flowers of
expression. I allow no hot-beds in the gardens of Parnassus. I am unwilling
to go to bed, and leave my sheet unfilled (a good piece of night-work for
an idle body like me), so will finish with begging you to send me the
earliest account of your complaint, its progress, or (as I hope to God you
will be able to send me) the tale of your recovery, or at least amendment.
My tenderest remembrances to your Sara.
Once more good night.
Samuel Taylor Coleridge (1772-1834)
English poet and philosopher who projected
Lyrical Ballads (1798)
with William Wordsworth; author of
Biographia Literaria (1817),
On the Constitution of the Church and State (1829) and other
works.
Jean-Jacques Rousseau (1712-1778)
Swiss-born man of letters; author of, among others,
Julie ou la
Nouvelle Heloïse (1761),
Émile (1762) and
Les Confessions (1782).