Works of Charles and Mary Lamb. VI-VII. Letters
Charles Lamb to Samuel Taylor Coleridge, 6 July 1796
the 6th July [p.m. July 7, 1796.]
SUBSTITUTE in room of that last confused &
incorrect Paragraph, following the words “disastrous course,” these
lines
Vide 3d page of this epistle. No
With better hopes, I trust, from Avon’s vales
This other “minstrel” cometh. Youth endear’d,
God & Angels guide thee on thy road,
And gentler fortunes wait the friends I love.
|
[Lamb has crossed
through the above lines.]
Let us prose.
What can I do till you send word what priced and placed
house you should like? Islington (possibly) you would not like, to me
’tis classical ground. Knightsbridge is a desirable situation for the air
of the parks. St. George’s Fields is convenient for its contiguity
to the Bench. Chuse! But are you
really coming to town? The hope of it has entirely disarmed my petty
disappointment of its nettles. Yet I rejoice so much on my own account, that I
fear I do not feel enough pure satisfaction on yours. Why, surely, the joint
editorship of the Chron: must be a
very comfortable & secure living for a man. But should not you read French,
or do you? & can you write with sufficient moderation, as ’tis
call’d, when one suppresses the one half of what one feels, or could say,
on a subject, to chime in the better with popular lukewarmness?—White’s “Letters” are near publication.
Could you review ’em, or get ’em reviewed? Are you not connected
with the Crit: Rev:? His
frontispiece is a good conceit: Sir John
learning to dance, to please Madame Page,
in dress of doublet, etc., from [for] the upper half; & modern pantaloons,
with shoes, etc., of the 18th century, from [for] the lower half—& the
whole work is full of goodly quips & rare fancies, “all deftly
masqued like hoar antiquity”—much superior to Dr. Kenrick’s Falstaff’s Wedding, which you may
have seen. Allen sometimes laughs at
Superstition, & Religion, & the like. A living fell vacant lately in
the gift of the Hospital. White informed him that he stood
a fair chance for it. He scrupled & scrupled about it, and at last (to use
his own words) “tampered” with Godwin to know whether the thing was
honest or not. Godwin said nay to
it, & Allen rejected the living! Could the blindest
Poor Papish have bowed more servilely to his Priest or Casuist? Why sleep the
Watchman’s answers to that Godwin? I beg you will not delay to alter, if you mean to
keep, those last lines I sent you. Do that, & read these for your pains:— TO THE POET COWPER
Cowper, I thank my God that
thou art heal’d! Thine was the sorest malady of all; And I am sad to think that it should light Upon the worthy head! But thou art heal’d, And thou art yet, we trust, the destin’d man, Born to reanimate the Lyre, whose chords Have slumber’d, and have idle lain so long, To the immortal sounding of whose strings Did Milton frame the
stately-paced verse; Among whose wires with lighter finger playing, Our elder bard, Spenser, a
gentle name, The Lady Muses’ dearest darling child, Elicited the deftest tunes yet heard In Hall or Bower, taking the delicate Ear Of Sydney, & his
peerless Maiden Queen.
Thou, then, take up the mighty Epic strain, Cowper, of England’s Bards, the wisest
& the best. 1796 |
38 |
LETTERS OF C. AND M. LAMB |
July |
I have read your climax of praises in those 3 reviews. These
mighty spouters-out of panegyric waters have, 2 of ’em, scattered their
spray even upon me! & the waters are cooling & refreshing. Prosaically,
the Monthly Reviewers have made
indeed a large article of it, & done you justice. The Critical have, in their wisdom, selected not the
very best specimens, & notice not, except as one name on the muster-roll,
the “Religious
Musings.” I suspect Master
Dyer to have been the writer of that article, as the substance
of it was the very remarks & the very language he used to me one day. I
fear you will not accord entirely with my sentiments of Cowper, as exprest above, (perhaps scarcely
just), but the poor Gentleman has just recovered from his Lunacies, & that
begets pity, & pity love, and love admiration, & then it goes hard with
People but they lie! Have you read the Ballad called “Leonora,” in the second Number of
the “Monthly Magazine”?
If you have!!!!!!!!!!!!!! There is another fine song, from the same author (Berger), in the 3d No., of scarce inferior
merit; & (vastly below these) there are some happy specimens of English
hexameters, in an imitation
of Ossian, in the 5th No. For your Dactyls I am sorry you are so
sore about ’em—a very Sir Fretful! In
good troth, the Dactyls are good Dactyls, but their measure is naught. Be not
yourself “half anger, half agony” if I pronounce your
darling lines not to be the best you ever wrote—you have written much.
For the alterations in those lines, let ’em run thus:
I may not come a pilgrim, to the Banks
(inspiring wave) was too common place.
of Avon, lucid stream, to taste the wave
or with mine eye, &c., &c.
(better than “drop a tear ”)
To muse, in tears, on that mysterious Youth,
&c.
|
Then the last paragraph alter thus
better refer to my own “complaint”
solely than half to that and half to Chatterton, as in your copy, which creates a
confusion—“ominous fears “&c.
Complaint begone, begone unkind reproof
Take up, my song, take up a merrier strain,
For yet again, & lo! from Avon’s vales,
Another minstrel cometh! youth endeared,
God & good angels &c, as before.
|
Have a care, good Master poet, of the Statute de Contumelia.
What do you mean by calling Madame Mara
harlot & naughty things? The goodness of the verse would not save you in a
court of Justice. But are you really coming to town?
Coleridge, a gentleman called in London
lately from Bristol, & inquired whether there were any of the family of a
Mr. Chambers living—this
Mr. Chambers he said had been the making of a
friend’s fortune who wished to make some return for it. He went
1796 | LAMB’S SCHOOLMISTRESS | 39 |
away without seeing her.
Now, a Mrs. Reynolds, a very intimate
friend of ours, whom you have seen at our house, is the only daughter, &
all that survives, of Mr. Chambers—& a very little
supply would be of service to her, for she married very unfortunately, &
has parted with her husband. Pray find out this Mr. Pember
(for that was the gentleman’s friend’s name), he is an attorney,
& lives at Bristol. Find him out, & acquaint him with the circumstances
of the case, & offer to be the medium of supply to Mrs.
Reynolds, if he chuses to make her a present. She is in very
distrest circumstances. Mr. Pember, attorney,
Bristol—Mr. Chambers lived in the Temple.
Mrs. Reynolds, his daughter, was my schoolmistress,
& is in the room at this present writing. This last circumstance induced me
to write so soon again—I have not further to add—Our loves to Sara.
Robert Allen (1772-1805)
Educated at Christ's Hospital with Coleridge and Lamb, and at University College, Oxford,
he wrote for the
Oracle and other newspapers before taking an MD and
working as an army surgeon.
Gottfried August Bürger (1747-1794)
German poet, the author of the much admired and imitated gothic ballad “Lenore.”
Charles Chambers (d. 1777)
He was a clerk to Samuel Salt and librarian of the Temple Society; he was the father of
Charles Lamb's friend Elizabeth Reynolds.
Thomas Chatterton (1752-1770)
The “marvelous boy” of Bristol, whose forgeries of medieval poetry deceived many and
whose early death by suicide came to epitomize the fate neglected genius.
Samuel Taylor Coleridge (1772-1834)
English poet and philosopher who projected
Lyrical Ballads (1798)
with William Wordsworth; author of
Biographia Literaria (1817),
On the Constitution of the Church and State (1829) and other
works.
William Cowper (1731-1800)
English poet, author of
Olney Hymns (1779),
John
Gilpin (1782), and
The Task (1785); Cowper's delicate
mental health attracted as much sympathy from romantic readers as his letters, edited by
William Hayley, did admiration.
George Dyer (1755-1841)
English poet, antiquary, and friend of Charles Lamb; author of
Poems
and Critical Essays (1802),
Poetics: or a Series of Poems and
Disquisitions on Poetry, 2 vols (1812),
History of the
University and Colleges of Cambridge, 2 vols (1814) and other works.
William Godwin (1756-1836)
English novelist and political philosopher; author of
An Inquiry
concerning the Principles of Political Justice (1793) and
Caleb
Williams (1794); in 1797 he married Mary Wollstonecraft.
William Kenrick (1730 c.-1779)
English poet, playwright, translator, and contentious reviewer for the
Monthly Review.
John Milton (1608-1674)
English poet and controversialist; author of
Comus (1634),
Lycidas (1638),
Areopagitica (1644),
Paradise Lost (1667), and other works.
Ossian (250 fl.)
Legendary blind bard of Gaelic story to whom James Macpherson attributed his poems
Fingal and
Temora.
Elizabeth Reynolds [née Chambers] (d. 1832)
The daughter of Charles Chambers (d. 1777); she was an older friend of Charles Lamb who
had once been his schoolmistress.
Sir Philip Sidney (1554-1586)
English poet, courtier, and soldier, author of the
Arcadia (1590),
Astrophel and Stella (1591) and
Apology for
Poetry (1595).
Edmund Spenser (1552 c.-1599)
English poet, author of
The Shepheards Calender (1579) and
The Faerie Queene (1590, 1596).
James White (1775-1820)
Educated at Christ's Hospital, where he was for many years a clerk in the treasurer's
office. He founded an advertising agency which operated in Fleet Street.
The Critical Review, or, Annals of Literature. (1756-1817). Originally conducted by Tobias Smollett, the
Critical Review began
as a rival to the
Monthly Review, begun in 1749. It survived for 144
volumes before falling prey to the more fashionable quarterlies of the nineteenth
century.
The Monthly Magazine. (1796-1843). The original editor of this liberal-leaning periodical was John Aikin (1747-1822); later
editors included Sir Richard Phillips (1767-1840), the poet John Abraham Heraud
(1779-1887), and Benson Earle Hill (1795-45).
The Monthly Review. (1749-1844). The original editor was Ralph Griffiths; he was succeeded by his son George Edward who
edited the journal from 1803 to 1825, who was succeeded by Michael Joseph Quin
(1825–32).
Morning Chronicle. (1769-1862). James Perry was proprietor of this London daily newspaper from 1789-1821; among its many
notable poetical contributors were Coleridge, Southey, Lamb, Rogers, and Campbell.