Works of Charles and Mary Lamb. VI-VII. Letters
        Charles Lamb to Samuel Taylor Coleridge, 6 July 1796
        
        
          
        
        
          
        
       
      
      
      
      
     
     
    
    
       the 6th July [p.m. July 7, 1796.]
                                    
     
    
    SUBSTITUTE in room of that last confused &
                                    incorrect Paragraph, following the words “disastrous course,” these
                                    lines 
    
     Vide 3d page of this epistle. No 
    
    
      
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            With better hopes, I trust, from Avon’s vales  
           This other “minstrel” cometh. Youth endear’d,  
           God & Angels guide thee on thy road,  
           And gentler fortunes wait the friends I love.  
         | 
      
    
    
    
     [Lamb has crossed
                                        through the above lines.] 
    
     Let us prose. 
    
     What can I do till you send word what priced and placed
                                    house you should like? Islington (possibly) you would not like, to me
                                    ’tis classical ground. Knightsbridge is a desirable situation for the air
                                    of the parks. St. George’s Fields is convenient for its contiguity ![]()
 to the Bench. Chuse! But are you
                                    really coming to town? The hope of it has entirely disarmed my petty
                                    disappointment of its nettles. Yet I rejoice so much on my own account, that I
                                    fear I do not feel enough pure satisfaction on yours. Why, surely, the joint
                                    editorship of the Chron: must be a
                                    very comfortable & secure living for a man. But should not you read French,
                                    or do you? & can you write with sufficient moderation, as ’tis
                                    call’d, when one suppresses the one half of what one feels, or could say,
                                    on a subject, to chime in the better with popular lukewarmness?—White’s “Letters” are near publication.
                                    Could you review ’em, or get ’em reviewed? Are you not connected
                                    with the Crit: Rev:? His
                                    frontispiece is a good conceit: Sir John
                                    learning to dance, to please Madame Page,
                                    in dress of doublet, etc., from [for] the upper half; & modern pantaloons,
                                    with shoes, etc., of the 18th century, from [for] the lower half—& the
                                    whole work is full of goodly quips & rare fancies, “all deftly
                                    masqued like hoar antiquity”—much superior to Dr. Kenrick’s Falstaff’s Wedding, which you may
                                    have seen. Allen sometimes laughs at
                                    Superstition, & Religion, & the like. A living fell vacant lately in
                                    the gift of the Hospital. White informed him that he stood
                                    a fair chance for it. He scrupled & scrupled about it, and at last (to use
                                    his own words) “tampered” with Godwin to know whether the thing was
                                    honest or not. Godwin said nay to
                                    it, & Allen rejected the living! Could the blindest
                                    Poor Papish have bowed more servilely to his Priest or Casuist? Why sleep the
                                    Watchman’s answers to that Godwin? I beg you will not delay to alter, if you mean to
                                    keep, those last lines I sent you. Do that, & read these for your pains:—  TO THE POET COWPER
                                             Cowper, I thank my God that
                                                thou art heal’d!    Thine was the sorest malady of all;   And I am sad to think that it should light   Upon the worthy head! But thou art heal’d,   And thou art yet, we trust, the destin’d man,   Born to reanimate the Lyre, whose chords   Have slumber’d, and have idle lain so long,   To the immortal sounding of whose strings   Did  Milton frame the
                                                stately-paced verse;   Among whose wires with lighter finger playing,   Our elder bard,  Spenser, a
                                                gentle name,   The Lady Muses’ dearest darling child,   Elicited the deftest tunes yet heard   In Hall or Bower, taking the delicate Ear   Of  Sydney, & his
                                                peerless Maiden Queen.  
  Thou, then, take up the mighty Epic strain,  Cowper, of England’s Bards, the wisest
                                                & the best.   1796   | 
                                
    
    
    
      
        | 38 | 
         LETTERS OF C. AND M. LAMB  | 
        July | 
      
    
    
    
     I have read your climax of praises in those 3 reviews. These
                                    mighty spouters-out of panegyric waters have, 2 of ’em, scattered their
                                    spray even upon me! & the waters are cooling & refreshing. Prosaically,
                                    the Monthly Reviewers have made
                                    indeed a large article of it, & done you justice. The Critical have, in their wisdom, selected not the
                                    very best specimens, & notice not, except as one name on the muster-roll,
                                    the “Religious
                                        Musings.” I suspect Master
                                        Dyer to have been the writer of that article, as the substance
                                    of it was the very remarks & the very language he used to me one day. I
                                    fear you will not accord entirely with my sentiments of Cowper, as exprest above, (perhaps scarcely
                                    just), but the poor Gentleman has just recovered from his Lunacies, & that
                                    begets pity, & pity love, and love admiration, & then it goes hard with
                                    People but they lie! Have you read the Ballad called “Leonora,” in the second Number of
                                    the “Monthly Magazine”?
                                    If you have!!!!!!!!!!!!!! There is another fine song, from the same author (Berger), in the 3d No., of scarce inferior
                                    merit; & (vastly below these) there are some happy specimens of English
                                    hexameters, in an imitation
                                    of Ossian, in the 5th No. For your Dactyls I am sorry you are so
                                    sore about ’em—a very Sir Fretful! In
                                    good troth, the Dactyls are good Dactyls, but their measure is naught. Be not
                                    yourself “half anger, half agony” if I pronounce your
                                    darling lines not to be the best you ever wrote—you have written much. 
    
     For the alterations in those lines, let ’em run thus: 
    
    
      
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            I may not come a pilgrim, to the Banks  
          
           (inspiring wave) was too common place.  
           of Avon, lucid stream, to taste the wave  
          
           or with mine eye, &c., &c.  
          
           (better than “drop a tear ”)  
          To muse, in tears, on that mysterious Youth,
                                            &c.  
         | 
      
    
    
    
     Then the last paragraph alter thus 
    
    
      
        
          
           better refer to my own “complaint”
                                                solely than half to that and half to  Chatterton, as in your copy, which creates a
                                                confusion—“ominous fears “&c.   
           Complaint begone, begone unkind reproof  
           Take up, my song, take up a merrier strain,  
           For yet again, & lo! from Avon’s vales,  
           Another minstrel cometh! youth endeared,  
           God & good angels &c, as before.  
         | 
      
    
    
    
     Have a care, good Master poet, of the Statute de Contumelia.
                                    What do you mean by calling Madame Mara
                                    harlot & naughty things? The goodness of the verse would not save you in a
                                    court of Justice. But are you really coming to town? 
    
    Coleridge, a gentleman called in London
                                    lately from Bristol, & inquired whether there were any of the family of a
                                        Mr. Chambers living—this
                                        Mr. Chambers he said had been the making of a
                                    friend’s fortune who wished to make some return for it. He went ![]()
| 1796 | LAMB’S SCHOOLMISTRESS | 39 | 
 away without seeing her.
                                    Now, a Mrs. Reynolds, a very intimate
                                    friend of ours, whom you have seen at our house, is the only daughter, &
                                    all that survives, of Mr. Chambers—& a very little
                                    supply would be of service to her, for she married very unfortunately, &
                                    has parted with her husband. Pray find out this Mr. Pember
                                    (for that was the gentleman’s friend’s name), he is an attorney,
                                    & lives at Bristol. Find him out, & acquaint him with the circumstances
                                    of the case, & offer to be the medium of supply to Mrs.
                                        Reynolds, if he chuses to make her a present. She is in very
                                    distrest circumstances. Mr. Pember, attorney,
                                        Bristol—Mr. Chambers lived in the Temple.
                                        Mrs. Reynolds, his daughter, was my schoolmistress,
                                    & is in the room at this present writing. This last circumstance induced me
                                    to write so soon again—I have not further to add—Our loves to Sara. 
    
    
    Robert Allen  (1772-1805)  
                  Educated at Christ's Hospital with Coleridge and Lamb, and at University College, Oxford,
                        he wrote for the 
Oracle and other newspapers before taking an MD and
                        working as an army surgeon.
               
 
    Gottfried August Bürger  (1747-1794)  
                  German poet, the author of the much admired and imitated gothic ballad “Lenore.”
               
 
    Charles Chambers  (d. 1777)  
                  He was a clerk to Samuel Salt and librarian of the Temple Society; he was the father of
                        Charles Lamb's friend Elizabeth Reynolds.
               
 
    Thomas Chatterton  (1752-1770)  
                  The “marvelous boy” of Bristol, whose forgeries of medieval poetry deceived many and
                        whose early death by suicide came to epitomize the fate neglected genius.
               
 
    Samuel Taylor Coleridge  (1772-1834)  
                  English poet and philosopher who projected 
Lyrical Ballads (1798)
                        with William Wordsworth; author of 
Biographia Literaria (1817), 
On the Constitution of the Church and State (1829) and other
                        works.
               
 
    
    William Cowper  (1731-1800)  
                  English poet, author of 
Olney Hymns (1779), 
John
                            Gilpin (1782), and 
The Task (1785); Cowper's delicate
                        mental health attracted as much sympathy from romantic readers as his letters, edited by
                        William Hayley, did admiration.
               
 
    George Dyer  (1755-1841)  
                  English poet, antiquary, and friend of Charles Lamb; author of 
Poems
                            and Critical Essays (1802), 
Poetics: or a Series of Poems and
                            Disquisitions on Poetry, 2 vols (1812), 
History of the
                            University and Colleges of Cambridge, 2 vols (1814) and other works.
               
 
    William Godwin  (1756-1836)  
                  English novelist and political philosopher; author of 
An Inquiry
                            concerning the Principles of Political Justice (1793) and 
Caleb
                            Williams (1794); in 1797 he married Mary Wollstonecraft.
               
 
    William Kenrick  (1730 c.-1779)  
                  English poet, playwright, translator, and contentious reviewer for the 
Monthly Review.
               
 
    
    John Milton  (1608-1674)  
                  English poet and controversialist; author of 
Comus (1634), 
Lycidas (1638), 
Areopagitica (1644), 
Paradise Lost (1667), and other works.
               
 
    Ossian  (250 fl.)  
                  Legendary blind bard of Gaelic story to whom James Macpherson attributed his poems 
Fingal and 
Temora.
               
 
    Elizabeth Reynolds  [née Chambers]   (d. 1832)  
                  The daughter of Charles Chambers (d. 1777); she was an older friend of Charles Lamb who
                        had once been his schoolmistress.
               
 
    
    Sir Philip Sidney  (1554-1586)  
                  English poet, courtier, and soldier, author of the 
Arcadia (1590),
                            
Astrophel and Stella (1591) and 
Apology for
                            Poetry (1595).
               
 
    Edmund Spenser  (1552 c.-1599)  
                  English poet, author of 
The Shepheards Calender (1579) and 
The Faerie Queene (1590, 1596).
               
 
    James White  (1775-1820)  
                  Educated at Christ's Hospital, where he was for many years a clerk in the treasurer's
                        office. He founded an advertising agency which operated in Fleet Street.
               
 
    
                  The Critical Review, or, Annals of Literature.    (1756-1817). Originally conducted by Tobias Smollett, the 
Critical Review began
                        as a rival to the 
Monthly Review, begun in 1749. It survived for 144
                        volumes before falling prey to the more fashionable quarterlies of the nineteenth
                        century.
 
    
                  The Monthly Magazine.    (1796-1843). The original editor of this liberal-leaning periodical was John Aikin (1747-1822); later
                        editors included Sir Richard Phillips (1767-1840), the poet John Abraham Heraud
                        (1779-1887), and Benson Earle Hill (1795-45).
 
    
                  The Monthly Review.    (1749-1844). The original editor was Ralph Griffiths; he was succeeded by his son George Edward who
                        edited the journal from 1803 to 1825, who was succeeded by Michael Joseph Quin
                        (1825–32).
 
    
                  Morning Chronicle.    (1769-1862). James Perry was proprietor of this London daily newspaper from 1789-1821; among its many
                        notable poetical contributors were Coleridge, Southey, Lamb, Rogers, and Campbell.