Works of Charles and Mary Lamb. VI-VII. Letters
Charles Lamb to Samuel Taylor Coleridge, [5 February 1797]
[Begun Sunday, February 5, 1797.
Dated on address by mistake:
January 5, 1797.]
SUNDAY MORNING.—You cannot
surely mean to degrade the Joan of Arc into a pot girl.
You are not going, I hope, to annex to that most splendid ornament of Southey’s poem all this cock and a bull story of Joan
the publican’s daughter of Neufchatel, with the lamentable episode of a
waggoner, his wife, and six children; the texture will be most lamentably
disproportionate. The first forty or fifty lines of these addenda are, no
doubt, in their way, admirable, too; but many would prefer the Joan of Southey.
“On mightiest deeds to brood Of shadowy vastness,
such as made my heart Throb fast. Anon I paused, and in a state Of half
expectance listen’d to the wind;” “They
wonder’d at me, who had known me once A chearful careless
damsel;” “The eye, That of the circling throng and of the
visible world Unseeing, saw the shapes of holy phantasy;” I see
nothing in your description of the Maid equal to these. There is a fine
originality certainly in those lines—“For she had lived in this bad
world as in a place of tombs, And touch’d not the pollutions of the
Dead”—but your “fierce vivacity” is a faint
copy of the “fierce & terrible benevolence” of Southey. Added to this, that it will look like
rivalship in you, & extort a comparison with S,—I
think to your disadvantage. And the lines, consider’d in themselves as an
addition to what you had before written (strains of a far higher mood), are but
such as Madame Fancy loves in some of her more familiar moods, at such times as
she has met Noll Goldsmith, &
walk’d and talk’d with him, calling him old acquaintance.
Southey certainly has no pretensions to vie with you
in the sublime of poetry; but he tells a plain tale better than you. I will
enumerate some woeful blemishes, some of ’em sad deviations from that
simplicity which
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was your aim.
“Hail’d who might be near” (the canvas-coverture
moving, by the by, is laughable); “a woman & six
children” (by the way,—why not nine children, it would have been just
half as pathetic again): “statues of sleep they
seem’d.” “Frost-mangled wretch:”
“green putridity:” “hail’d him
immortal” (rather ludicrous again): “voiced a sad and
simple tale” (abominable!):
“unprovender’d:” “such his tale:”
“Ah! suffering to the height of what was suffer’d” (a most
insufferable line): “amazements of
affright:” “the hot sore brain attributes its own hues
of ghastliness and torture” (what shocking confusion of ideas!)
In these delineations of common & natural feelings, in the familiar walks
of poetry, you seem to resemble Montauban
dancing with Roubigné’s tenants,
“much of his native loftiness remained in the
execution.” I was reading your Religious Musings the other day,
& sincerely I think it the noblest poem in the language, next after the
Paradise lost; &
even that was not made the vehicle of such grand truths. “There is one
mind,” &c., down to “Almighty’s
Throne,” are without a rival in the whole compass of my poetical
reading. “Stands in the sun, & with no partial gaze Views all
creation”—I wish I could have written those lines. I rejoyce that
I am able to relish them. The loftier walks of Pindus are your proper region.
There you have no compeer in modern times. Leave the lowlands, unenvied, in
possession of such men as Cowper &
Southey. Thus am I pouring balsam into the wounds I
may have been inflicting on my poor friend’s vanity. In your notice of
Southey’s new volume you omit to mention the most
pleasing of all, the
Miniature “There were Who form’d high hopes and
flattering ones of thee, Young Robert. Spirit of Spenser!—was the wanderer
wrong?” Fairfax I have been in
quest of a long time. Johnson in his
life of Waller gives a
most delicious specimen of him, & adds, in the true manner of that delicate
critic, as well as amiable man, “it may be presumed that this old
version will not be much read after the elegant translation of my friend, Mr. Hoole.” I
endeavour’d—I wish’d to gain some idea of Tasso from this Mr.
Hoole, the great boast and ornament of the India House, but soon
desisted. I found him more vapid than smallest small beer sun-vinegared. Your
dream, down to that
exquisite line—“I can’t tell half his adventures,” is
a most happy resemblance of Chaucer. The
remainder is so so. The best line, I think, is, “He belong’d, I
believe, to the witch Melancholy.” By the way, when will our
volume come out?
Don’t delay it till you have written a new Joan of
Arc. Send what letters you please by me, & in any way you
choose, single or double. The India Co. is better adapted to answer the cost
than the generality of my friend’s correspondents,—such poor & honest
dogs as John Thelwall, particularly. I
can 1797 | JOHN WOOLMAN’S JOUBNAL | 91 |
not say I know
Colson, at least intimately. I once
supped with him & Allen. I think his
manners very pleasing. I will not tell you what I think of Lloyd, for he may by chance come to see this
letter, and that thought puts a restraint on me. I cannot think what subject
would suit your epic genius; some philosophical subject, I conjecture, in which
shall be blended the Sublime of Poetry & of Science. Your proposed Hymns
will be a fit preparatory study wherewith “to discipline your young
noviciate soul.” I grow dull; I’ll go walk myself out of my
dulness.
Sunday Night.—You & Sara are very good to think so kindly & so favourably of
poor Mary. I would to God all did so too.
But I very much fear she must not think of coming home in my father’s
lifetime. It is very hard upon her. But our circumstances are peculiar, &
we must submit to them. God be praised she is so well as she is. She bears her
situation as one who has no right to complain. My poor old aunt, whom you have seen, the kindest, goodest
creature to me when I was at school; who used to toddle there to bring me fag,
when I, school-boy like, only despised her for it, & used to be ashamed to
see her come & sit herself down on the old coal hole steps as you went into
the old grammar school, & opend her apron & bring out her bason, with
some nice thing she had caused to be saved for me—the good old creature is now
lying on her death bed. I cannot bear to think on her deplorable state. To the
shock she received on that our evil day, from which she never completely
recovered, I impute her illness. She says, poor thing, she is glad she is come
home to die with me. I was always her favourite: “No after friendship
e’er can raise The endearments of our early days, Nor e’er the
heart such fondness prove, As when it first began to love.”
Lloyd has kindly left me for a
keep-sake, John Woolman.
You have read it, he says, & like it. Will you excuse one short extract? I
think it could not have escaped you:—“Small treasure to a resigned
mind is sufficient. How happy is it to be content with a little, to live in
humility, & feel that in us which breathes out this language—Abba!
Father!” I am almost ashamed to patch up a letter in this
miscellaneous sort; but I please myself in the thought, that anything from me
will be acceptable to you. I am rather impatient, childishly so, to see our
names affixed to the same common volume. Send me two, when it does come out; 2
will be enough—or indeed 1—but 2 better. I have a dim recollection that, when
in town, you were talking of the Origin of Evil as a most prolific subject for
a long poem. Why not adopt it, Coleridge? there would be room for imagination. Or the description
(from a Vision or Dream, suppose) of an Utopia in one of the planets (the Moon,
92 | LETTERS OF C. AND M. LAMB | Feb. |
for instance). Or a Five Days’ Dream,
which shall illustrate, in 1 sensible imagery, Hartley’s 5 motives to conduct:—1 sensation, 2
imagination, 3 ambition, 4 sympathy, 5 Theopathy. 1st banquets, music, etc.,
effeminacy,—and their insufficiency. 2d “beds or hyacinth & roses,
where young Adonis oft reposes;”
“fortunate Isles;” “The pagan Elysium,” &c.,
&c.; poetical pictures; antiquity as pleasing to the fancy;—their
emptiness, madness, etc. 3d warriors, poets; some famous, yet more forgotten,
their fame or oblivion now alike indifferent, pride, vanity, &c. 4th all
manner of pitiable stories, in Spenser-like verse—love—friendship, relationship, &c. 5th
Hermits—Christ and his apostles—martyrs—heaven—&c., &c. An imagination
like yours, from these scanty hints, may expand into a thousand great Ideas—if
indeed you at all comprehend my scheme, which I scarce do myself.
Monday Morn.—“A London letter. 9½.” Look
you, master poet, I have remorse as well as another man, & my bowels can
sound upon occasion. But I must put you to this charge, for I cannot keep back
my protest, however ineffectual, against the annexing your latter lines to
those former—this putting of new wine into old bottles. This my duty done, I
will cease from writing till you invent some more reasonable mode of
conveyance. Well may the “ragged followers of the nine” set
up for flocci-nauci-what-do-you-call-’em-ists! And I do not wonder that
in their splendid visions of Utopias in America they protest against the
admission of those yellow-complexioned, copper-color’d, white-liver’d Gentlemen, who never proved themselves their friends.
Don’t you think your verses on a Young Ass too trivial a companion for the Religious Musings?
“Scoundrel monarch,” alter that; and the Man of Ross is scarce admissible as
it now stands curtailed of its fairer half: reclaim its property from the Chatterton, which it does but
encumber, & it will be a rich little poem. I hope you expunge great part of
the old notes in the new edition. That, in particular, most barefaced unfounded
impudent assertion, that Mr. Rogers is
indebted for his story to Loch
Lomond, a poem by Bruce! I
have read the latter. I scarce think you have. Scarce anything is common to
them both. The poor author of the Pleasures of Memory was sorely hurt,
Dyer says, by the accusation of
unoriginality. He never saw the Poem. I long to read your Poem on Burns; I retain so indistinct
a memory of it. In what shape and how does it come into public? As you leave
off writing poetry till you finish your Hymns, I suppose you print now all you
have got by you. You have scarce enough unprinted to make a 2d volume with
Lloyd. Tell me all about it. What is
become of Cowper?
Lloyd told me of some verses on
his mother. If you have them by you, pray send ’em
me. I do so love him! Never mind their merit. May be I
may like ’em—as your taste and mine do not always exactly indentify. Yours,
Robert Allen (1772-1805)
Educated at Christ's Hospital with Coleridge and Lamb, and at University College, Oxford,
he wrote for the
Oracle and other newspapers before taking an MD and
working as an army surgeon.
Michael Bruce (1746-1767)
Scottish poet and schoolmaster educated at Edinburgh University; he died of consumption
in straightened circumstances, and partly on account of his piety and sad history his poems
were long reprinted.
Geoffrey Chaucer (1340 c.-1400)
English Poet, the author of
The Canterbury Tales (1390 c.).
Samuel Taylor Coleridge (1772-1834)
English poet and philosopher who projected
Lyrical Ballads (1798)
with William Wordsworth; author of
Biographia Literaria (1817),
On the Constitution of the Church and State (1829) and other
works.
John Coulson (1809 fl.)
A lawyer and acquaintance of Coleridge and Thelwall in the 1790s; the Coulsons were
American Tories who resettled in Bristol.
William Cowper (1731-1800)
English poet, author of
Olney Hymns (1779),
John
Gilpin (1782), and
The Task (1785); Cowper's delicate
mental health attracted as much sympathy from romantic readers as his letters, edited by
William Hayley, did admiration.
George Dyer (1755-1841)
English poet, antiquary, and friend of Charles Lamb; author of
Poems
and Critical Essays (1802),
Poetics: or a Series of Poems and
Disquisitions on Poetry, 2 vols (1812),
History of the
University and Colleges of Cambridge, 2 vols (1814) and other works.
Edward Fairfax (1568 c.-1635 c.)
In 1600 he translated Tasso as
Godfrey of Bulloigne.
Oliver Goldsmith (1728 c.-1774)
Irish miscellaneous writer; his works include
The Vicar of
Wakefield (1766),
The Deserted Village (1770), and
She Stoops to Conquer (1773).
David Hartley (1705-1757)
English philosopher and physician educated at Jesus College, Cambridge; he published
Observations on Man, his Frame, his Duty, and his Expectations
(1749).
John Hoole (1727-1803)
English translator, playwright, and friend of Dr. Johnson; he published
Jerusalem Delivered (1763), an often-reprinted translation reviled by the
romantics.
Samuel Johnson (1709-1784)
English man of letters, among many other works he edited
A Dictionary
of the English Language (1755) and Shakespeare (1765), and wrote
Lives of the Poets (1779-81).
Mary Anne Lamb (1764-1847)
Sister of Charles Lamb with whom she wrote Tales from Shakespeare (1807). She lived with
her brother, having killed their mother in a temporary fit of insanity.
Sarah Lamb [Aunt Hetty] (1712 c.-1797)
The pious and unmarried elder sister of Charles Lamb's father, with whom she
lived.
Charles Lloyd (1775-1839)
Quaker poet; a disciple of Coleridge and friend of Charles Lamb, he published
Poetical Essays on the Character of Pope (1821) and other
volumes.
Samuel Rogers (1763-1855)
English poet, banker, and aesthete, author of the ever-popular
Pleasures of Memory (1792),
Columbus (1810),
Jaqueline (1814), and
Italy (1822-28).
Robert Southey (1774-1843)
Poet laureate and man of letters whose contemporary reputation depended upon his prose
works, among them the
Life of Nelson, 2 vols (1813),
History of the Peninsular War, 3 vols (1823-32) and
The Doctor, 7 vols (1834-47).
Edmund Spenser (1552 c.-1599)
English poet, author of
The Shepheards Calender (1579) and
The Faerie Queene (1590, 1596).
Torquato Tasso (1554-1595)
Italian poet, author of
Aminta (1573), a pastoral drama, and
Jerusalem Delivered (1580).
John Thelwall (1764-1834)
English poet and radical acquitted of treason in the famous trial of 1794; he was
afterwards a lecturer on elocution.