Works of Charles and Mary Lamb. VI-VII. Letters
Charles Lamb to William Wordsworth, [7 January 1815]
[p.m. illegible. ? Early Jan., 1815.]
DEAR Wordsworth, I told you my Review was a very imperfect one. But
what you will see in the Quarterly
is a spurious one which Mr. Baviad
Gifford has palm’d upon it for mine. I never felt more
vexd in my life than when I read it. I cannot give you an idea of what he has
done to it out of spite at me because he once sufferd me to be called a lunatic
in his Thing. The language he has alterd throughout.
Whatever inadequateness it had to its subject, it was in point of composition
the prettiest piece of prose I ever writ, and so my sister (to whom alone I
read the MS.) said. That charm if it had any is all gone: more than a third of
the substance is cut away, and that not all from one place, but passim, so as to make utter nonsense. Every warm
expression is changed for a nasty cold one. I have not the cursed alteration by
me, I shall never look at it again, but for a specimen I remember I had said
the Poet of the Excursn.
“walks thro’ common forests as thro’ some Dodona or
enchanted wood, and every casual bird that flits upon the boughs, like that
miraculous one in Tasso, but in
language more piercing than any articulate sounds, reveals to him far
higher lovelays.” It is now (besides half a dozen alterations in
the same half dozen lines) “but in language more intelligent reveals to him”—that is one I remember. But
that would have been little, putting his damnd Shoemaker phraseology (for he
was a shoemaker) in stead of mine, which has been tinctured with better authors
than his ignorance can comprehend—for I reckon myself a dab at Prose—verse I leave to my betters—God help them, if they
are to be so reviewed by friend and foe as you have been this quarter. I have
read “It won’t
do.” But worse than altering words, he has kept a few members
only of the part I had done best, which was to explain all I could of your
“scheme
1815 | THE MUTILATING GIFFORD | 453 |
of
harmonies,” as I had ventured to call it, between the external
universe and what within us answers to it. To do this I had accumulated a good
many short passages, rising in length to the end, weaving in the Extracts as if
they came in as a part of the text, naturally, not obtruding them as specimens.
Of this part a little is left, but so as without conjuration no man could tell
what I was driving it [? at]. A proof of it you may see (tho’ not judge
of the whole of the injustice) by these words: I had spoken something about
“natural methodism—”and after follows “and
therefore the tale of Margaret shd. have been postponed” (I forget my
words, or his words): now the reasons for postponing it are as deducible from
what goes before, as they are from the 104th psalm. The passage whence I
deduced it has vanished, but clapping a colon before a therefore is always reason enough for Mr. Baviad
Gifford to allow to a reviewer that is not himself. I assure you
my complaints are founded. I know how sore a word alterd makes one, but indeed
of this Review the whole complexion is gone. I regret only that I did not keep
a copy. I am sure you would have been pleased with it, because I have been
feeding my fancy for some months with the notion of pleasing you. Its
imperfection or inadequateness in size and method I knew, but for the writing
part of it, I was fully satisfied. I hoped it would make more than atonement.
Ten or twelve distinct passages come to my mind, which are gone, and what is
left is of course the worse for their having been there, the eyes are pulld out
and the bleeding sockets are left. I read it at Arch’s shop with my face burning with vexation secretly,
with just such a feeling as if it had been a review written against myself,
making false quotations from me. But I am ashamd to say so much about a short
piece. How are you served! and the labors of years
turn’d into contempt by scoundrels.
But I could not but protest against your taking that thing
as mine. Every pretty expression, (I know there were
many) every warm expression, there was nothing else, is vulgarised and
frozen—but if they catch me in their camps again let them spitchcock me. They
had a right to do it, as no name appears to it, and Mr. Shoemaker Gifford I suppose never wa[i]ved a right he had
since he commencd author. God confound him and all caitiffs.
John Arch (1838 fl.)
London bookseller, trading with Arthur Arch at Gracechurch St (1794-1804) and 61 Cornhill
(1805-39).
William Gifford (1756-1826)
Poet, scholar, and editor who began as a shoemaker's apprentice; after Oxford he
published
The Baviad (1794),
The Maeviad
(1795), and
The Satires of Juvenal translated (1802) before becoming
the founding editor of the
Quarterly Review (1809-24).
Torquato Tasso (1554-1595)
Italian poet, author of
Aminta (1573), a pastoral drama, and
Jerusalem Delivered (1580).
William Wordsworth (1770-1850)
With Coleridge, author of
Lyrical Ballads (1798), Wordsworth
survived his early unpopularity to succeed Robert Southey as poet laureate in 1843.
The Quarterly Review. (1809-1967). Published by John Murray, the
Quarterly was instigated by Walter
Scott as a Tory rival to the
Edinburgh Review. It was edited by
William Gifford to 1824, and by John Gibson Lockhart from 1826 to 1853.