Works of Charles and Mary Lamb. VI-VII. Letters
Charles Lamb to William Wordsworth, [26 April 1819]
DEAR Wordsworth, I received a copy of Peter
Bell a week ago, and I hope the author will not be offended if I say
I do not much relish it. The humour, if it is meant for humour, is
forced, and then the price. Sixpence
would have been dear for it. Mind, I do not mean your Peter
Bell, but a Peter Bell
which preceded it about a week, and is in every bookseller’s shop window
in London, the type and paper nothing differing from the true one, the preface
signed W. W., and the supplementary preface quoting as the
author’s words an extract from supplementary preface to the Lyrical Balads. Is there no
law against these rascals? I would have this Lambert Simnel whipt at the cart’s tail. Then there is
Rogers! he has been re-writing your
Poem of the Stride, and
publishing it at the end of his “Human Life.” Tie him up to the Cart,
hangman, while you are about it. Who started the spurious P.
B. I have not heard. I should guess, one of the sneering
brothers—the vile Smiths—but I have
heard no name mentioned. Peter Bell (not the mock
one) is excellent. For its matter, I mean. I cannot say that the style of it
quite satisfies me. It is too lyrical. The auditors to whom it is feigned to be
told, do not arride me. I had rather it had been told
me, the reader, at once. Heartleap
Well is the tale for me, in matter as good as this, in manner
infinitely before it, in my poor judgment. Why did you not add the Waggoner? Have I thanked
you, though, yet, for Peter Bell? I would not not have it for a good deal of money. C—— is very foolish to scribble about books.
Neither his tongue nor fingers are very retentive. But I shall not say any
thing to him about it. He would only begin a very long story, with a very long
face, and I see him far too seldom to teaze him with affairs of business or
conscience when I do see him. He never comes near our house, and when we go to
see him, he is generally writing, or thinking he is writing, in his study till
the dinner comes, and that is scarce over before the stage summons us away. The
mock P. B. had only this effect on me, that after
twice reading it over in hopes to find something diverting in it, I
reach’d your two books off the shelf and set into a steady reading of
them, till I had nearly finished both before I went to bed. The two of your
last edition, of course, I mean. And in the morning I awoke determining to take
down the Excursion. I
wish the scoundrel imitator could know this. But why waste a wish on him? I do
not believe that paddling about with a stick in a pond and fishing up a dead
author whom his intolerable wrongs had driven to that deed of desperation,
would turn the heart of one of these obtuse literary Bells. There is no Cock
for such Peters. Damn ’em. I am glad this aspiration came upon the red
ink line. It is more of a bloody curse. I have delivered over your other
presents to Alsager and G. D.—A. I am sure will
value it and be proud of the hand from which it came. To G.
D. a poem is a poem. His own as good as any bodie’s, and
god bless him, any bodie’s as good as his own, for 520 | LETTERS OF C. AND M. LAMB | April |
I do not think he has the most distant guess of the possibility
of one poem being better than another. The Gods by denying him the very faculty
itself of discrimination have effectually cut off every seed of envy in his
bosom. But with envy, they excided Curiosity also, and if you wish the copy
again, which you destined for him, I think I shall be able to find it again for
you—on his third shelf, where he stuffs his presentation copies, uncut, in
shape and matter resembling a lump of dry dust, but on carefully removing that
stratum, a thing like a Pamphlet will emerge. I have tried this with fifty
different Poetical Works that have been given G. D. in
return for as many of his own performances, and I confess I never had any
scruple in taking my own again wherever I found it, shaking the adherencies
off—and by this means one Copy of “my Works “served for
G. D. and with a little dusting was made over to my
good friend Dr. Stoddart, who little
thought whose leavings he was taking when he made me that graceful bow. By the
way, the Doctor is the only one of my acquaintance who bows gracefully, my Town
acquaintance I mean. How do you like my way of writing with two Inks? I think
it is pretty and mottley. Suppose Mrs.
W. adopts it, the next time she holds the pen for you.
[The ink differs with every word of the
following paragraph:—]
My dinner waits. I have no time to indulge any longer in
these laborious curiosities. God bless you and cause to thrive and to burgeon
whatsoever you write, and fear no inks of miserable poetasters.
Yours truly
Charles Lamb.
Mary’s love.
Thomas Massa Alsager (1779-1846)
Journalist and music critic for the
Times; he was the friend of
Leigh Hunt and Thomas Barnes; John Keats was reading Alsager's copy of Chapman's poems when
he wrote the famous sonnet.
Samuel Taylor Coleridge (1772-1834)
English poet and philosopher who projected
Lyrical Ballads (1798)
with William Wordsworth; author of
Biographia Literaria (1817),
On the Constitution of the Church and State (1829) and other
works.
George Dyer (1755-1841)
English poet, antiquary, and friend of Charles Lamb; author of
Poems
and Critical Essays (1802),
Poetics: or a Series of Poems and
Disquisitions on Poetry, 2 vols (1812),
History of the
University and Colleges of Cambridge, 2 vols (1814) and other works.
Mary Anne Lamb (1764-1847)
Sister of Charles Lamb with whom she wrote Tales from Shakespeare (1807). She lived with
her brother, having killed their mother in a temporary fit of insanity.
Samuel Rogers (1763-1855)
English poet, banker, and aesthete, author of the ever-popular
Pleasures of Memory (1792),
Columbus (1810),
Jaqueline (1814), and
Italy (1822-28).
Lambert Simnel (1476 c.-1534 fl.)
An imposter claiming to be Edward, earl of Warwick, the last surviving male of the house
of York.
Horace Smith (1779-1849)
English poet and novelist; with his brother James he wrote
Rejected
Addresses (1812) and
Horace in London (1813). Among his
novels was
Brambletye House (1826).
Sir John Stoddart (1773-1856)
Educated at Christ Church, Oxford, he befriended Coleridge and Wordsworth and after
abandoning his early republican principles became a writer for the
Times, and afterwards editor of the Tory newspaper
New
Times in 1817 and a judge in Malta (1826-40). His sister married William Hazlitt
in 1808.
William Wordsworth (1770-1850)
With Coleridge, author of
Lyrical Ballads (1798), Wordsworth
survived his early unpopularity to succeed Robert Southey as poet laureate in 1843.
William Wordsworth (1770-1850) “The Force of Prayer, or, The Founding of Bolton, a Tradition” in White Doe of Rylstone, or, the Fate of the Nortons, a Poem. (London: Longman, Hurst, Rees, Orme, and Brown, 1815). In ballad quatrains.