Works of Charles and Mary Lamb. VI-VII. Letters
Charles Lamb to Bernard Barton, 2 September 1823
[Dated at end: 2 September [1823].]
DEAR B.
B.—What will you say to my not writing? You cannot say I do not
write now. Hessey has not used your kind
sonnet, nor have I seen it. Pray send me a Copy. Neither have I heard any more
of your Friend’s MS., which I will reclaim, whenever you please. When you
come London-ward you will find me no longer in Covt.
Gard. I have a Cottage, in Colebrook row, Islington. A cottage, for it is
detach’d; a white house, with 6 good rooms; the New River (rather elderly
by this time) runs (if a moderate walking pace can be so termed) close to the
foot of the house; and behind is a spacious garden, with vines (I assure you),
pears, strawberries, parsnips, leeks, carrots, cabbages, to delight the heart
of old Alcinous. You enter without passage
into a cheerful dining room, all studded over and rough with old Books, and
above is a lightsome Drawing room, 3 windows, full of choice prints. I feel
like a great Lord, never having had a house before.
The London I fear
falls off.—I linger among its creaking rafters, like the last rat. It will
topple down, if they don’t get some Buttresses. They have pull’d
down three, W. Hazlitt, Proctor, and their best stay, kind light
hearted Wainwright—their
Janus. The best is, neither of our fortunes is
concern’d in it.
I heard of you from Mr.
Pulham this morning, and that gave a fillip to my Laziness,
which has been intolerable. But I am so
1823 | COLEBEOOKE COTTAGE | 619 |
taken up with pruning and gardening, quite a new
sort of occupation to me. I have gather’d my Jargonels, but my Windsor
Pears are backward. The former were of exquisite raciness. I do now sit under
my own vine, and contemplate the growth of vegetable nature. I can now
understand in what sense they speak of Father
Adam. I recognise the paternity, while I watch my
tulips. I almost Fell with him, for the first day I
turned a drunken gard’ner (as he let in the serpent) into my Eden, and he
laid about him, lopping off some choice boughs, &c., which hung over from a
neighbor’s garden, and in his blind zeal laid waste a shade, which had
sheltered their window from the gaze of passers by. The old gentlewoman (fury
made her not handsome) could scarcely be reconciled by all my fine words. There
was no buttering her parsnips. She talk’d of the Law. What a lapse to
commit on the first day of my happy “garden-state.”
I hope you transmitted the Fox-Journal to its Owner with suitable
thanks.
Mr. Cary, the Dante-man, dines with me to-day. He is a model of a country
Parson, lean (as a Curate ought to be), modest, sensible, no obtruder of church
dogmas, quite a different man from Southey,—you would like him.
Pray accept this for a Letter, and believe me with sincere
regards
Yours
Bernard Barton (1784-1849)
Prolific Quaker poet whose verse appeared in many of the literary annuals; he was an
acquaintance of Charles Lamb.
Henry Francis Cary (1772-1844)
English poet; he was assistant-keeper of printed books at the British Museum (1826) and
translator of Dante (1805-19).
Dante Alighieri (1265-1321)
Florentine poet, the author of the
Divine Comedy and other
works.
William Hazlitt (1778-1830)
English essayist and literary critic; author of
Characters of
Shakespeare's Plays (1817),
Lectures on the English Poets
(1818), and
The Spirit of the Age (1825).
James Augustus Hessey (1785-1870)
London publisher in partnership with John Taylor; they published the London Magazine from
1821 to 1825.
Bryan Waller Procter [Barry Cornwall] (1787-1874)
English poet; a contemporary of Byron at Harrow, and friend of Leigh Hunt and Charles
Lamb. He was the author of several volumes of poem and
Mirandola, a
tragedy (1821).
James Brook Pulham (1791 c.-1860)
The son of James and Frances Pulham; he was a clerk in the treasurer's office at East
India House where he was a colleague of Charles Lamb. His mother's portrait was painted by
John Constable, a family friend.
Robert Southey (1774-1843)
Poet laureate and man of letters whose contemporary reputation depended upon his prose
works, among them the
Life of Nelson, 2 vols (1813),
History of the Peninsular War, 3 vols (1823-32) and
The Doctor, 7 vols (1834-47).
Thomas Griffiths Wainewright [Janus Weathercock] (1794-1847)
The grandson of Ralph Griffiths of the
Monthly Review; he was a
dandy, a painter who exhibited at the Royal Academy, essayist for the
London Magazine, and criminal transported to Australia for forgery. He is thought
to have murdered several persons.
The London Magazine. (1820-1829). Founded by John Scott as a monthly rival to
Blackwood's, the
London Magazine included among its contributors Charles Lamb, John Clare, Allan Cunningham,
Thomas De Quincey, and Thomas Hood.