Works of Charles and Mary Lamb. VI-VII. Letters
Charles Lamb to Bernard Barton, [17 September 1823]
[p.m. September 17, 1823.]
DEAR Sir—I have again been reading your stanzas on
Bloomfield, which are the most
appropriate that can be imagined, sweet with Doric delicacy. I like that
622 | LETTERS OF C. AND M. LAMB | Sept. |
just hinting at the fault of the Grecian. I love that stanza ending with Words phrases fashions pass away; But Truth and nature live through all. |
But I shall omit in my own copy the one stanza which alludes to Lord B.—I suppose. It spoils the sweetness and
oneness of the feeling. Cannot we think of Burns, or Thompson,
without sullying the thought with a reflection out of place upon Lord Rochester? These verses might have been
inscribed upon a tomb; are in fact an epitaph; satire does not look pretty upon
a tombstone. Besides, there is a quotation in it, always bad in verse; seldom
advisable in prose.
I doubt if their having been in a Paper will not prevent
T. and H. from insertion, but I shall have a thing to send in a day or
two, and shall try them. Omitting that stanza, a very
little alteration is wantg in the beginng of the next. You see, I use freedom. How happily (I
flatter not!) you have brot in his subjects; and, (I suppose) his favorite measure, though I am not
acquainted with any of his writings but the Farmer’s Boy. He dined with me once,
and his manners took me exceedingly.
I rejoyce that you forgive my long silence. I continue to
estimate my own-roof comforts highly. How could I remain all my life a lodger!
My garden thrives (I am told) tho’ I have yet reaped nothing but some
tiny sallad, and withered carrots. But a garden’s a garden anywhere, and
twice a garden in London.
Somehow I cannot relish that word Horkey. Cannot you supply
it by circumlocution, and direct the reader by a note to explain that it means
the Horkey. But Horkey choaks me in the Text.
It raises crowds of mean associations, Hawking and sp——g,
Gauky, Stalky, Maukin. The sound is every thing, in such dulcet modulations
’specially. I like
Gilbert Meldrum’s sterner
tones, |
without knowing who Gilbert Meldrum
is. You have slipt in your rhymes as if they grew there, so
natural-artificially, or artificial-naturally. There’s a vile phrase.
Do you go on with your Quaker Sonnets—[to] have ’em
ready with Southey’s Book of the Church? I meditate a
letter to S. in the
London, which perhaps will meet
the fate of the Sonnet.
Excuse my brevity, for I write painfully at office, liable
to 100 callings off. And I can never sit down to an epistle elsewhere. I read
or walk. If you return this letter to the Post Office, I think they will return
4d, seeing it is but half a one. Believe me
tho’ entirely yours
Robert Bloomfield (1766-1823)
The shoemaker-poet patronized by Capel Lofft; he wrote the very popular
The Farmer's Boy (1800).
Robert Burns (1759-1796)
Scottish poet and song collector; author of
Poems, chiefly in the
Scottish Dialect (1786).
James Augustus Hessey (1785-1870)
London publisher in partnership with John Taylor; they published the London Magazine from
1821 to 1825.
Robert Southey (1774-1843)
Poet laureate and man of letters whose contemporary reputation depended upon his prose
works, among them the
Life of Nelson, 2 vols (1813),
History of the Peninsular War, 3 vols (1823-32) and
The Doctor, 7 vols (1834-47).
John Taylor (1781-1864)
Publisher of the
London Magazine and poems of John Keats, and a
prolific writer in his own right.
Theocritus ( 300 BC c.-260 BC c.)
Greek pastoral poet whose Sicilian verse was imitated by Virgil and many later
poets.
James Thomson (1700-1748)
Anglo-Scottish poet and playwright; while his descriptive poem,
The
Seasons (1726-30), was perhaps the most popular poem of the eighteenth century,
the poets tended to admire more his Spenserian burlesque,
The Castle of
Indolence (1748).
The London Magazine. (1820-1829). Founded by John Scott as a monthly rival to
Blackwood's, the
London Magazine included among its contributors Charles Lamb, John Clare, Allan Cunningham,
Thomas De Quincey, and Thomas Hood.