Works of Charles and Mary Lamb. VI-VII. Letters
Charles Lamb to Samuel Taylor Coleridge, [2 July 1825]
DEAR C.—We
are going off to Enfield, to Allsop’s, for a day or 2, with some intention of
succeeding them in their lodging for a time, for this damn’d nervous
Fever (vide Lond. Mag. for July) indisposes me
for seeing any friends, and never any poor devil was so befriended as I am. Do
you know any poor solitary human that
1825 | THE THEORY OF THE PUN | 685 |
wants that cordial to life a—true friend? I can
spare him twenty, he shall have ’em good cheap. I have gallipots of
’em—genuine balm of cares—a going—a going—a going. Little plagues plague
me a 1000 times more than ever. I am like a disembodied soul—in this my
eternity. I feel every thing entirely, all in all and all in etc. This price I
pay for liberty, but am richly content to pay it. The Odes are 4-5ths done
by Hood, a silentish young man you met at
Islinton one day, an invalid. The rest are Reynolds’s, whose sister H. has recently married. I have
not had a broken finger in them.
They are hearty good-natured things, and I would put my
name to ’em chearfully, if I could as honestly. I complimented them in a
Newspaper, with an abatement for those puns you laud so. They are generally an
excess. A Pun is a thing of too much consequence to be thrown in as a
make-weight. You shall read one of the addresses over, and miss the puns, and
it shall be quite as good and better than when you discover ’em. A Pun is
a Noble Thing per se: O never lug it in as an accessory. A Pun is a sole object
for reflection (vide my aids to that recessment from a
savage state)—it is entire, it fills the mind: it is perfect as a Sonnet,
better. It limps asham’d in the train and retinue of Humour: it knows it
should have an establishment of its own. The one, for instance, I made the
other day, I forget what it was.
Hood will be gratify’d, as much as
I am, by your mistake. I liked ‘Grimaldi’ the best; it is true painting, of abstract
Clownery, and that precious concrete of a Clown: and the rich succession of
images, and words almost such, in the first half of the Mag. Ignotum. Your picture of the Camel, that would not or
could not thread your nice needle-eye of Subtilisms, was confiim’d by
Elton, who perfectly appreciated his
abrupt departure. Elton borrowed the “Aids” from Hessey (by the way what is your Enigma about
Cupid? I am Cytherea’s son, if I understand a tittle of it), and
returnd it next day saying that 20 years ago, when he was pure, he thought as
you do now, but that he now thinks as you did 20 years ago. But
E. seems a very honest fellow.
Hood has just come in; his sick eyes sparkled into
health when he read your approbation. They had meditated a copy for you, but
postponed it till a neater 2d Edition, which is at hand.
Have you heard the Creature at the Opera House—Signor
Nonvir sed veluti Vir?
Like Orpheus, he is
said to draw storks &c. after him. A picked raisin
for a sweet banquet of sounds; but I affect not these exotics. Nos durum genus, as mellifluous
Ovid hath it.
Fanny Holcroft is just come in, with her
paternal severity of aspect. She has frozen a bright thought which should have
follow’d. She makes us marble, with too little conceiving. ’Twas
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respecting the Signor, whom I honour on
this side idolatry. Well, more of this anon.
We are setting out to walk to Enfield after our Beans and
Bacon, which are just smoking.
Kindest remembrances to the G.’s ever.
From Islinton,
2d day, 3d month of my Hegira or Flight from Leadenhall.
Thomas Allsop (1795-1880)
English silk merchant and stockbroker who was the friend and biographer of Coleridge
(1836) and a member of Charles Lamb's circle.
Samuel Taylor Coleridge (1772-1834)
English poet and philosopher who projected
Lyrical Ballads (1798)
with William Wordsworth; author of
Biographia Literaria (1817),
On the Constitution of the Church and State (1829) and other
works.
Sir Charles Abraham Elton, sixth baronet (1778-1853)
English poet and translator who contributed to the
Edinburgh
Review and
London Magazine. He was an acquaintance of
Charles Lamb and Samuel Taylor Coleridge and was related by marriage to Henry
Hallam.
James Gillman (1782-1839)
The Highgate surgeon with whom Coleridge lived from 1816 until his death in 1834; in 1838
he published an incomplete
Life of Samuel Taylor Coleridge.
Joseph Grimaldi (1778-1837)
English pantomime actor and clown at Drury Lane, Sadler's Wells, and Covent
Garden.
James Augustus Hessey (1785-1870)
London publisher in partnership with John Taylor; they published the London Magazine from
1821 to 1825.
Fanny Margaretta Holcroft (1785-1844)
The daughter of Thomas Holcroft and his third wife, Dinah Robinson; she was a translator
and novelist.
Jane Hood [née Reynolds] (1792-1846)
The daughter of George Reynolds of Christ's Hospital and sister of John Hamilton
Reynolds; in 1825 she married the poet Thomas Hood.
Thomas Hood (1799-1845)
English poet and humorist who wrote for the
London Magazine; he
published
Whims and Oddities (1826) and
Hood's
Magazine (1844-5).
Ovid (43 BC-17 AD c.)
Roman poet famous for his erotic
Art of Love and his mythological
poem,
The Metamorphoses.
John Hamilton Reynolds (1794-1852)
English poet, essayist, and friend of Keats; he wrote for
The
Champion (1815-17) and published
The Garden of Florence; and
other Poems (1821).
The London Magazine. (1820-1829). Founded by John Scott as a monthly rival to
Blackwood's, the
London Magazine included among its contributors Charles Lamb, John Clare, Allan Cunningham,
Thomas De Quincey, and Thomas Hood.