Works of Charles and Mary Lamb. VI-VII. Letters
Charles Lamb to Bernard Barton, [11 October 1828]
A SPLENDID edition of Bunyan’s Pilgrim—why, the thought is enough to turn one’s moral
stomach. His cockle hat and staff transformed to a smart cockd beaver and a
jemmy cane, his amice gray to the last Regent Street cut, and his painful
Palmer’s pace to the modern swagger. Stop thy friend’s sacriligious
hand. Nothing can be done for B. but to reprint the old
cuts in as homely but good a style as possible. The Vanity Fair, and the
pilgrims there—the silly soothness in his setting out countenance—the Christian
idiocy (in a good sense) of his admiration of the Shepherds on the Delectable
Mountains—the Lions so truly Allegorical and remote from any similitude to
Pidcock’s. The great head (the
author’s) capacious of dreams and similitudes dreaming in the dungeon.
Perhaps you don’t know my edition, what I had when a child: if you do,
can you bear new designs from—Martin,
enameld into copper or silver plate by—Heath, accompanied with verses from Mrs. Heman’s pen O how unlike his own—
Wouldst thou divert thyself from melancholy? Wouldst thou be pleasant, yet be far from folly? Wouldst thou read riddles and their explanation? Or else be drowned in thy contemplation? Dost thou love picking meat? or wouldst thou see A man i’ th’ clouds, and hear him speak to thee? Wouldst thou be in a dream, and yet not sleep? Or wouldst thou in a moment laugh and weep? Or wouldst thou lose thyself, and catch no harm, And find thyself again without a charm? Wouldst read thyself, and read thou knowst
not what, And yet know whether thou art blest or not By reading the same lines? O then come hither, And lay my book, thy head and heart together. |
Shew me such poetry in any of the 15 forthcoming combinations of show and
emptiness, yclept Annuals. Let me whisper in your ear that wholesome
sacramental bread is not more nutritious than papistical wafer stuff, than
these (to head and heart) exceed the visual frippery of Mitford’s Salamander God, baking himself
up to the work of creation in a solar oven, not yet by the terms of the context
itself existing. Blake’s ravings
made genteel. So there’s verses for thy verses; and now let me tell you
that the sight of your hand gladdend me. I have been daily trying to write to
you, but paralysed. You have spurd me on this tiny effort, and at 780 | LETTERS OF C. AND M. LAMB | Oct. |
intervals I hope to hear from and talk to you.
But my spirits have been in a deprest way for a long long time, and they are
things which must be to you of faith, for who can explain depression? Yes I am
hooked into the Gem, but only for some
lines written on a dead
infant of the Editor’s, which being as it were his property, I
could not refuse their appearing, but I hate the paper, the type, the gloss,
the dandy plates, the names of contributors poked up into your eyes in 1st
page, and whistled thro’ all the covers of magazines, the barefaced sort
of emulation, the unmodest candidateship, brot into so
little space—in those old Londons a
signature was lost in the wood of matter—the paper coarse (till latterly, which
spoil’d them)—in short I detest to appear in an Annual. What a fertile
genius (an[d] a quiet good soul withal) is Hood. He has 50 things in hand, farces to supply the Adelphi
for the season, a comedy for one of the great theatres, just ready, a whole
entertainment by himself for Mathews and
Yates to figure in, a meditated
Comic Annual for next
year, to be nearly done by himself.—You’d like him very much. Wordsworth I see has a good many pieces
announced in one of em, not our Gem. W. Scott has distributed himself like a bribe
haunch among ’em. Of all the poets, Cary has had the good sense to keep quite clear of ’em,
with Clergy-gentle-manly right notions. Don’t think I set up for being
proud in this point, I like a bit of flattery tickling my vanity as well as any
one. But these pompous masquerades without masks (naked names or faces) I hate.
So there’s a bit of my mind. Besides they infallibly cheat you, I mean
the booksellers. If I get but a copy, I only expect it from
Hood’s being my friend. Coleridge has lately been here. He too is deep
among the Prophets—the Year-servers—the mob of Gentlemen Annuals. But
they’ll cheat him, I know.
And now, dear B. B.,
the Sun shining out merrily, and the dirty clouds we had yesterday having washd
their own faces clean with their own rain, tempts me to wander up Winchmore
Hill, or into some of the delightful vicinages of Enfield, which I hope to show
you at some time when you can get a few days up to the great Town. Believe me
it would give both of us great pleasure to show you all three (we can lodge
you) our pleasant farms and villages.—
We both join in kindest loves to you and yours.—
Ch. Lamb redivivus.
Saturday.
Bernard Barton (1784-1849)
Prolific Quaker poet whose verse appeared in many of the literary annuals; he was an
acquaintance of Charles Lamb.
William Blake (1757-1827)
English poet, engraver, painter, and prophet; his first illuminated book,
Songs of Innocence, was published in 1789.
John Bunyan (1628-1688)
Dissenting preacher and autobiographer; he published
Grace Abounding to
the Chief of Sinners (1666) and
Pilgrim's Progress
(1678).
Henry Francis Cary (1772-1844)
English poet; he was assistant-keeper of printed books at the British Museum (1826) and
translator of Dante (1805-19).
Samuel Taylor Coleridge (1772-1834)
English poet and philosopher who projected
Lyrical Ballads (1798)
with William Wordsworth; author of
Biographia Literaria (1817),
On the Constitution of the Church and State (1829) and other
works.
Charles Theodosius Heath (1785-1848)
English illustrator and engraver whose work was published in
The
Keepsake and other literary annuals.
Felicia Dorothea Hemans [née Browne] (1793-1835)
English poet; author of
Tales, and Historic Scenes (1819),
Records of Woman (1828), and other volumes. She was much in demand
as a contributor to the literary annuals.
Thomas Hood (1799-1845)
English poet and humorist who wrote for the
London Magazine; he
published
Whims and Oddities (1826) and
Hood's
Magazine (1844-5).
John Martin (1789-1854)
English landscape and historical painter who illustrated
Paradise
Lost in mezzotint (1825-27).
Charles Mathews (1776-1835)
Comic actor at the Haymarket and Covent Garden theaters; from 1818 he gave a series of
performances under the title of
Mr. Mathews at Home.
John Mitford (1781-1859)
Educated at Oriel College, Oxford, he was rector of Benhall in Suffolk, a friend of
Charles Lamb and Samuel Rogers. He was a book collector and editor of the
Gentleman's Magazine (1834-50).
Gilbert Pidcock (1743 c.-1810)
Showman and menagerie-keeper at the Exeter ’Change in London—his lions were grand
attractions.
William Wordsworth (1770-1850)
With Coleridge, author of
Lyrical Ballads (1798), Wordsworth
survived his early unpopularity to succeed Robert Southey as poet laureate in 1843.
Frederick Henry Yates (1797-1842)
English actor and theater manager educated at Charterhouse; he performed with Charles
Kemble and was a partner of Charles Mathews in the Adelphi Theatre (1825-35).
The London Magazine. (1820-1829). Founded by John Scott as a monthly rival to
Blackwood's, the
London Magazine included among its contributors Charles Lamb, John Clare, Allan Cunningham,
Thomas De Quincey, and Thomas Hood.