Works of Charles and Mary Lamb. VI-VII. Letters
Charles Lamb to George Dyer, 22 February 1831
DEAR Dyer,—Mr. Rogers, and
Mr. Rogers’s friends, are perfectly assured,
that you never intended any harm by an innocent couplet, and that in the
revivification of it by blundering Barker you had no hand whatever. To imagine that, at this time
of day, Rogers broods over a fantastic expression of more
than thirty years’ standing, would be to suppose him indulging his
“Pleasures of
Memory” with a vengeance. You never penned a line which for
its own sake you need (dying) wish to blot. You mistake your heart if you think
you can write a lampoon. Your whips are rods of roses. Your spleen has ever had
for its objects vices, not the vicious—abstract offences, not the concrete
sinner. But you are sensitive, and wince as much at the consciousness of having
committed a compliment, as another man would at the perpetration of an affront.
But do not lug me into the same soreness of conscience with yourself. I
maintain, and will to the last hour, that I never writ of you but con amore. That if any allusion was made
to your near-sightedness, it was not for the purpose of mocking an infirmity,
but of connecting it with scholar-like habits: for is it not erudite and
scholarly to be somewhat near of sight, before age naturally brings on the
malady? You could not then plead the obrepens
senectus. Did I not moreover make it an apology for a
certain absence, which some of your friends may have experienced, when you have
not on a sudden made recognition of them in a casual street-meeting, and did I
not strengthen your excuse for this slowness of recognition, by further
accounting morally for the present engagement of your mind in worthy objects?
Did I not, in your person, make the handsomest apology for absent-of-mind
people that was ever made? If these things be not so, I never knew what I wrote
or meant by my writing, and have been penning libels all my life without being
aware of it. Does it follow that I should have exprest myself exactly in the
same way of those dear old eyes of yours now—now that Father Time has conspired
with a hard task-master to put a last extinguisher upon them? I should as soon
have insulted the Answerer of Salmasius,
when he awoke up from his ended task, and saw no more with mortal vision. But
you are many films removed yet from Milton’s
calamity. You write perfectly intelligibly. Marry, the letters are not all of
the same size or tallness; but that only shows your proficiency in the
hands—text, german-hand, court-hand, sometimes law-hand, and affords
1831 | A GRECIAN’S HANDWRITING | 869 |
variety. You pen
better than you did a twelvemonth ago; and if you continue to improve, you bid
fair to win the golden pen which is the prize at your young gentlemen’s
academy. But you must beware of Valpy,
and his printing-house, that hazy cave of Trophonius, out of which it was a mercy that you escaped with a
glimmer. Beware of MSS. and Variæ Lectiones. Settle the text
for once in your mind, and stick to it. You have some years’ good sight
in you yet, if you do not tamper with it. It is not for you (for us I should
say) to go poring into Greek contractions, and star-gazing upon slim Hebrew
points. We have yet the sight Of sun, and moon, and star, throughout the year, And man and woman. |
You have vision enough to discern Mrs.
Dyer from the other comely gentlewoman who lives up at staircase
No. 5; or, if you should make a blunder in the twilight, Mrs.
Dyer has too much good sense to be jealous for a mere effect of
imperfect optics. But don’t try to write the Lord’s Prayer, Creed,
and Ten Commandments, in the compass of a halfpenny; nor run after a midge or a
mote to catch it; and leave off hunting for needles in bushels of hay, for all
these things strain the eyes. The snow is six feet deep in some parts here. I
must put on jack-boots to get at the post-office with this. It is not good for
weak eyes to pore upon snow too much. It lies in drifts. I wonder what its
drift is; only that it makes good pancakes, remind Mrs.
Dyer. It turns a pretty green world into a white one. It glares
too much for an innocent colour, methinks. I wonder why you think I dislike
gilt edges. They set off a letter marvellously. Yours, for instance, looks for
all the world like a tablet of curious hieroglyphics in
a gold frame. But don’t go and lay this to your eyes. You always wrote
hieroglyphically, yet not to come up to the mystical notations and conjuring
characters of Dr. Parr. You never wrote
what I call a schoolmaster’s hand, like Clarke; nor a woman’s hand, like Southey; nor a missal hand, like Porson; nor an all-of-the-wrong-side-sloping
hand, like Miss Hayes; nor a dogmatic,
Mede-and-Persian, peremptory hand, like Rickman; but you ever wrote what I call a Grecian’s hand;
what the Grecians write (or used) at Christ’s Hospital; such as Whalley would have admired, and Boyer have applauded, but
Smith or Atwood
(writing-masters) would have horsed you for. Your boy-of-genius hand and your
mercantile hand are various. By your flourishes, I should think you never
learned to make eagles or corkscrews, or flourish the governors’ names in
the writing-school; and by the tenor and cut of your letters I suspect you were
never in it at all. By the length of this scrawl you will think I have a design
upon your optics; but I 870 | LETTERS OF C. AND M. LAMB | Feb. |
have writ as large as I
could out of respect to them—too large, indeed, for beauty. Mine is a sort of
deputy Grecian’s hand; a little better, and more of a worldly hand, than
a Grecian’s, but still remote from the mercantile. I don’t know how
it is, but I keep my rank in fancy still since school-days. I can never forget
I was a deputy Grecian! And writing to you, or to Coleridge, besides affection, I feel a reverential deference as
to Grecians still. I keep my soaring way above the Great Erasmians, yet far
beneath the other. Alas! what am I now? what is a Leadenhall clerk or India
pensioner to a deputy Grecian? How art thou fallen, O
Lucifer! Just room for our loves to Mrs.
D., &c.
John Attwood (d. 1792)
For forty years a writing master at Christ's Hospital.
Edmund Henry Barker (1788-1839)
Educated at Trinity College, Cambridge, he was an improvident classical scholar, editor,
philologist, and collector of anecdotes.
James Bowyer (1736-1814)
Educated at Christ's Hospital and Balliol College, Oxford, he was upper-master at
Christ's Hospital where he was governor after his retirement in 1799; among his pupils were
Samuel Taylor Coleridge and Charles Lamb.
Charles Cowden Clarke (1787-1877)
The schoolmate and friend of John Keats; he lectured on Shakespeare and European
literature and published
Recollections of Writers (1878).
Samuel Taylor Coleridge (1772-1834)
English poet and philosopher who projected
Lyrical Ballads (1798)
with William Wordsworth; author of
Biographia Literaria (1817),
On the Constitution of the Church and State (1829) and other
works.
George Dyer (1755-1841)
English poet, antiquary, and friend of Charles Lamb; author of
Poems
and Critical Essays (1802),
Poetics: or a Series of Poems and
Disquisitions on Poetry, 2 vols (1812),
History of the
University and Colleges of Cambridge, 2 vols (1814) and other works.
Honour Mather Dyer (1761-1861)
In 1824 she married the poet and scholar George Dyer as her fourth husband.
Mary Hays (1759-1843)
English writer who contributed to the
Monthly Magazine, traveled
in radical circles, and published an autobiographical novel,
Memoirs of
Emma Courtney (1796).
John Milton (1608-1674)
English poet and controversialist; author of
Comus (1634),
Lycidas (1638),
Areopagitica (1644),
Paradise Lost (1667), and other works.
Samuel Parr (1747-1825)
English schoolmaster, scholar, and book collector whose strident politics and assertive
personality involved him in a long series of quarrels.
Richard Porson (1759-1808)
Classical scholar and Regius Professor of Greek at Cambridge (1792); he edited four plays
of Euripides.
John Rickman (1771-1840)
Educated at Magdalen Hall and Lincoln College, Oxford, he was statistician and clerk to
the House of Commons and an early friend of Charles Lamb and Robert Southey.
Samuel Rogers (1763-1855)
English poet, banker, and aesthete, author of the ever-popular
Pleasures of Memory (1792),
Columbus (1810),
Jaqueline (1814), and
Italy (1822-28).
Robert Southey (1774-1843)
Poet laureate and man of letters whose contemporary reputation depended upon his prose
works, among them the
Life of Nelson, 2 vols (1813),
History of the Peninsular War, 3 vols (1823-32) and
The Doctor, 7 vols (1834-47).
Abraham John Valpy (1787-1854)
Son of the Reading schoolmaster Richard Valpy, he was a London printer who specialized in
classical texts. With the poet George Dyer he published 141 volumes of Delphin classics
(1819-30).
Peter Whalley (1722-1791)
English clergyman and man of letters educated at St John's College, Oxford; he was a
master at Christ's Hospital and published
On the Learning of
Shakespeare (1748) and edited the works of Ben Jonson (1756).