I PROTEST I know not in what words to invest my
sense of the shameful violation of hospitality, which I was guilty of on that
fatal Wednesday. Let it be blotted from the calendar. Had
1834
A PEEFECT APOLOGY
939
it been committed at a layman’s house, say a
merchant’s or manufacturer’s, a cheesemonger’s or
greengrocer’s, or, to go higher, a barrister’s, a member of
Parliament’s, a rich banker’s, I should have felt alleviation, a
drop of self-pity. But to be seen deliberately to go out of the house of a
clergyman drunk! a clergyman of the Church of England too! not that alone, but
of an expounder of that dark Italian
Hierophant, an exposition little short of his who dared unfold
the Apocalypse: divine riddles both and (without supernal grace vouchsafed)
Arks not to be fingered without present blasting to the touchers. And, then,
from what house! Not a common glebe or vicarage (which yet had been shameful),
but from a kingly repository of sciences, human and divine, with the primate of
England for its guardian, arrayed in public majesty, from which the profane
vulgar are bid fly. Could all those volumes have taught me nothing better! With
feverish eyes on the succeeding dawn I opened upon the faint light, enough to
distinguish, in a strange chamber not immediately to be recognised, garters,
hose, waistcoat, neckerchief, arranged in dreadful order and proportion, which
I knew was not mine own. ’Tis the common symptom, on awaking, I judge my
last night’s condition from. A tolerable scattering on the floor I hail
as being too probably my own, and if the candlestick be not removed, I assoil
myself. But this finical arrangement, this finding everything in the morning in
exact diametrical rectitude, torments me. By whom was I divested? Burning
blushes! not by the fair hands of nymphs, the Buffam Graces? Remote whispers suggested that I coached it home in triumph—far be that from working
pride in me, for I was unconscious of the locomotion; that a young Mentor accompanied a reprobate old Telemachus; that, the Trojan like, he bore his
charge upon his shoulders, while the wretched incubus, in glimmering sense,
hiccuped drunken snatches of flying on the bats’ wings after sunset. An
aged servitor was also hinted at, to make disgrace more complete: one, to whom
my ignominy may offer further occasions of revolt (to which he was before too
fondly inclining) from the true faith; for, at a sight of my helplessness, what
more was needed to drive him to the advocacy of independency? Occasion led me
through Great Russell Street yesterday. I gazed at the great knocker. My feeble
hands in vain essayed to lift it. I dreaded that Argus
Portitor, who doubtless lanterned me out on that prodigious
night. I called the Elginian marbles. They were cold to my suit. I shall never
again, I said, on the wide gates unfolding, say without fear of thrusting back,
in a light but a peremptory air, “I am going to Mr. Cary’s.” I passed by the walls
of Balclutha. I had imaged to myself a zodiac of third Wednesdays irradiating
by glimpses the Edmonton dulness. I dreamed of Highmore! I am
940
LETTERS OF C. AND M. LAMB
Oct.
de-vited to come on Wednesdays. Villanous old
age that, with second childhood, brings linked hand in hand her inseparable
twin, new inexperience, which knows not effects of liquor. Where I was to have
sate for a sober, middle-aged-and-a-half gentleman, literary too, the
neat-fingered artist can educe no notions but of a dissolute Silenus, lecturing natural philosophy to a
jeering Chromius or a Mnasilus. Pudet. From the
context gather the lost name of ——.
Emily Buffam (1834 fl.)
The Buffam sisters, friends of Charles Lamb, let rooms at 34 Southampton Buildings,
Chancery Lane. An Emily Buffam is listed, with Lamb, as a contributor to James White's Falstaff's Letters (1796).
Henry Francis Cary (1772-1844)
English poet; he was assistant-keeper of printed books at the British Museum (1826) and
translator of Dante (1805-19).
Dante Alighieri (1265-1321)
Florentine poet, the author of the Divine Comedy and other
works.
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INFORMATION FROM TEI HEADER
Source Description:
Authors:
Charles Lamb; Mary Lamb
Title:The Works of Charles and Mary Lamb. Letters (London: Methuen and Co., 1905).
Electronic Edition:
Series: Lord Byron and his Times: http://lordbyron.org
Encoding Description: Any dashes occurring in line breaks have been removed. Obvious and unambiguous compositors’ errors have been silently corrected.
Markup and editing by: David Hill Radcliffe
Completed January 2012
Publication Statement:
Publisher: Center for Applied Technologies in the Humanities, Virginia Tech
Availability: Published under Creative Commons Attribution-Noncommercial-Share Alike 3.0 Unported
License