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Reminiscences of a Literary Life
CHAP. XIII
SIR LUMLEY SKEFFINGTON
INTRODUCTION & INDEXES
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INTRODUCTION
PREFACE
CONTENTS
CHAP. I
SHELLEY
CHAP. II
JOHN KEATS
THOMAS CAMPBELL
CHAP. III
GEORGE DOUGLAS
CHAP. IV
WILLIAM STEWART ROSE
CHAP. V
SAMUEL ROGERS
SAMUEL COLERIDGE
CHAP. VI
HARTLEY COLERIDGE
CHAP. VII
THOMAS MOORE
WILLIAM LISLE BOWLES
CHAP. VIII
THOMAS DE QUINCEY
JAMES MATHIAS
CHAP. IX
MISS MARTINEAU
WILLIAM GODWIN
CHAP. X
LEIGH HUNT
THOMAS HOOD
HORACE SMITH
CHAP. XI
SIR JAMES MACKINTOSH
MRS. JAMESON
JANE AND ANNA PORTER
CHAP. XII
TOM GENT
CHAP. XIII
VISCOUNT DILLON
‣ SIR LUMLEY SKEFFINGTON
JOHN HOOKHAM FRERE
CHAP. XIV
LORD DUDLEY
LORD DOVER
CHAP. XV
SIR THOMAS LAWRENCE
WILLIAM BROCKEDON
CHAP. XVI
SIR ROBERT PEEL
SPENCER PERCEVAL
CHAP. XVII
MOUNTSTUART ELPHINSTONE
MR. DAVIS
CHAP. XVIII
ELIJAH BARWELL IMPEY
CHAP. XIX
ALEXANDER I.
GEORGE CANNING
NAPOLEON
QUEEN HORTENSE
ROSSINI
CHAP. XX
COUNT PECCHIO
MAZZINI
COUNT NIEMCEWITZ
CHAP. XXI
CARDINAL RUFFO
CHAP. XXII
PRINCESS CAROLINE
BARONNE DE FEUCHÈRES
CHAP. XXIII
SIR SIDNEY SMITH
CHAP. XXIV
SIR GEORGE MURRAY
CHAP. XXV
VISCOUNT HARDINGE
CHAP. XXVI
REV. C. TOWNSEND
CHAP. XXVII
BEAU BRUMMELL
CHAP. XXVIII
AN ENGLISH MERCHANT
THE BRUNELS
APPENDIX
INDEX
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SIR LUMLEY ST. GEORGE SKEFFINGTON
(1771-1850)

I knew, by sight, this rhyming, playgoing, comedy-writing, philandering baronet, in the years 1813 and 1814. I used to see him at the theatres, in the Park, or lounging in Bond Street. I was a boy at the time, and much addicted to rhyming and playgoing myself. He was first pointed out to my notice as a literary and dramatic celebrity, and as a London lion, by a lady who wrote occasional verses, and who had once written a tragedy, which, in the parlance of John Wilson the poet, had been “particularly d——d.” His fame was now on the decline, for Scott, Moore, Byron, and others were in the field; but a few years before, and from about 1790 to 1809, the Baronet had been considered a star of the first magnitude.

Dear me! How easy it was for a man to get into reputation as an author in those days, especially if he had a bit of a handle to his name, an entrée in Society, a fashionable friend or two, and money to carry on the war for a while! My authoress still called him “the celebrated Skeffington.” He had begun by acting in private theatricals, and by inditing
“Songs and sonnets and rustical madrigals.
Made out of nothing and whistled on reeds.”

But these things had been declared to be charming, musical, exquisite; and the bard had worn laurels
CHAP. XIII]SKEFFINGTON’S PLAYS129
enough to conceal his baldness. Afterwards he had written some half-dozen comedies, and had produced a very telling melodrama, “
The Sleeping Beauty,” all of which have long been forgotten. Even then he seemed, in my juvenile eyes, a battered, shattered, made-up old beau, wearing false teeth, a portentous and most artificial wig, and was suspected of painting his cheeks. He was styled “of Skeffington Hall, Leicestershire,” but he had nothing of the Leicestershire baronet about him. He was thoroughly a Cockney; born in one suburb of London (St. Pancras), educated in Hackney, he lived many years in Southwark, and passed nearly all the rest of his time in the purlieus of Covent Garden and Drury Lane. His father, the first baronet, was a Lieutenant-Colonel in the Army, Ferral by name, but he took the surname and arms of Skeffington, by Royal Warrant, in 1772. I thought “old Skeff” must have been dead long ago, when one evening in 1831, as I entered Drury Lane Theatre with H., who knew the whole theatrical world, and two ladies, we met the Baronet in the lobby, to all appearance not very much the worge for seventeen years more wear. H. accosted him with the familiarity of old acquaintanceship; “Old Lummy,” “old Skeff,” or “old Sleeping Beauty,” for he had these nicknames and many more, was not the man to hurry from two pretty women; he buttonholed my friend, got into talk, and H. presented him to the ladies, and me to him. He was as gallant as an old French marquis of the ancien régime.

He left us to go behind the scenes and into the Green Room, where he had an appointment of importance; and we went into Lady Holland’s private box, graciously lent to me by her ladyship for that evening. I expressed my astonishment at the apparition I had seen in the lobby. “Oh!” said H., “old Skeff is much as he was fifteen years ago, except that he stoops a little more, and wears a wig
130SIR LUMLEY SKEFFINGTON [CHAP. XIII
made not of human hair but of black horse-hair, to which he attributes many advantages both of comfort and appearance. He must be getting on to seventy, but he still plays the young man, and his heart and head seem to be as young as ever.” Presently we saw old Lum in the stage-box, at the opposite side of the theatre, now leering at the actresses on the stage, now ogling the ladies in the dress-circle and the private boxes, and now frequently standing up, projecting his horse-hair wig, and bowing to some gentleman or kissing his hand, more antico, to some lady or ladies.

Next to the actors and actresses, he was making himself the most conspicuous person in the house. Before long he was up in our box, and making downright love to Miss ——, who had great difficulty in preventing herself from laughing in his face, as he was so outré, and she could not help thinking of the horse-hair wig. He then rattled on, like one who has lived la vie des coulisses, about this actress and that, and this Green-Room quarrel and that other, and how Mrs. —— became too soon jealous of Miss ——, and thwarted her in her parts, and how Sir T. stood by Mrs. ——, and how Lord —— took the part of Miss ——, and got the parties reconciled in the presence of the stage-manager and half a dozen of the proprietors. He seemed to know all the traditions of the Green Room, and all its tattle and bickerings for the last half-century. This was not unamusing, but it did not bear thinking of afterwards.

To be so old, and yet so trivial! To have lived so long in the world, and to have one’s head stuffed full of nothing but this, and “tags” of play-speeches and rhymes! To be so bent, shrunk, and withered, and yet never to think of death! Was there no honest rector, no zealous curate, no thoughtful friend, to tell him that he had an immortal soul, however little he might think of it, and to say to him, “Go to your prayers, old man!” Yet the Baronet lived a
CHAP. XIII]SATIRIZED BY BYRON131
good nineteen years after this, not dying until 1850, when he was in his eighty-fourth or eighty-fifth year. He was one of a good many examples I have known, that late hours and other irregularities of life do not, of necessity, or in all cases, abridge the duration of human existence. As the theatres declined, or as I lost my taste for that kind of amusement, I seldom again saw
old Skeff, who I believe was to be found almost to the last at some playhouse or other.

I met him one morning at old Andrews’ library in Bond Street; another day I met him walking towards one of the theatres with Liston the comedian, and the last time I saw him was about the time of Her Majesty’s marriage with Prince Albert. At this period he was bent almost double, but the horsehair wig was on his head and the rouge on his cheeks, and he was as frivolous as ever. The exoterics had been accustomed to call him a dandy. A great mistake! for his style and manners were reprobated by Brummell, Mildmay, and all the set, who pronounced old Skeff to be a quizzical guy. For the last forty years of his life he was quite unfashionable, and pretty well confined to the society of actors and actresses, and of a few young men of fashion, like my friend H., who had a mania for the stage and for private theatricals.

Old Skeff, who would dangle about fifty women at a time, was not the man to marry, and in him the baronetcy became extinct. He was thought of sufficient consequence to be satirized by Byron in “English and Scotch Reviewers,” by Tommy Moore in his “Twopenny Post-bag,” and by the Smiths in their “Rejected Addresses.” Though often in debt, he had never known the pangs or the actual pressure of poverty, and the last twenty years of his life he is said to have had a free income of from £600 to £800 a year. I have seen it stated that he was the author of that rich piece of burlesque, “Bombastes
132SIR LUMLEY SKEFFINGTON [CHAP. XIII
Furioso,” which still keeps possession of the stage; but I rather doubt the fact. His “
Sleeping Beauty” had a wonderful run. Though so unmanly and so frivolous, I never heard of poor old Lummy doing any great harm, and he was said to have been always amiable and good-natured. There were much worse men, in his time.

I think I have hinted that my acquaintance, fat old Andrews the bookseller, circulating library keeper, and opera-box letter, of Bond Street, was a bon vivant. He was a dreadful gourmand.

On the day when he was dying, and would not believe it, he ordered some fresh cod for his dinner. A servant took the dish to his bedside; he eyed it, missed the savoury bits, exclaimed in an excited manner “Where’s the sounds?” dropped his head on the pillow, and so died.

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