“The poesy of this young lord belongs to the class which
                                neither God nor man are said to permit. Indeed we do not recollect to have seen a
                                quantity of verse with so few deviations in either direction from that exact
                                standard. His effusions are spread over a dead flat, and can no more get above or
                                below the level than if they were so much stagnant water. As an extenuation of this
                                offence, the noble author is peculiarly forward in pleading minority. We have it in
                                the titlepage, and on the very back of the volume; it follows his name like a
                                favourite part of his style. Much stress is laid upon it in
                                the preface; and the poems are connected with this general statement of his case by
                                particular dates, substantiating the age at which each was written. Now the law
                                upon the point of minority we hold to be perfectly clear. It is a plea available
                                only to the defendant; no plaintiff can offer it as a supplementary ground of
                                action. Thus, if any suit could be brought against Lord
                                    Byron, for the purpose of compelling him to put into court a certain
                                quantity of poetry, and if judgment were given against him, it is highly probable
                                that an exception would be taken, were he to deliver for
                                    poetry the contents of this volume. To this he might plead minority; but as he now makes voluntary tender of the
                                article, he hath 
| LORD BYRON | 45 | 
“His other plea of privilege our author brings forward to waive it. He certainly, however, does allude frequently to his family and ancestors, sometimes in poetry, sometimes in notes; and while giving up his claim on the score of rank, he takes care to remind us of Dr. Johnson’s saying, that when a nobleman appears as an author, his merit should be handsomely acknowledged. In truth, it is this consideration only that induces us to give Lord Byron’s poems a place in our Review, besides our desire to counsel him, that he do forthwith abandon poetry, and turn his talents, which are considerable, and his opportunities, which are great, to better account.
 “With this view we must beg leave seriously to assure him,
                                that the mere rhyming of the final syllable, even when accompanied by the presence
                                of a certain number of feet; nay, although (which does not always happen) these
                                feet should scan regularly, and have been all counted upon the fingers, is not the
                                whole art of poetry. We would entreat him to believe, that a 
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|  Shades of heroes, farewell! your descendant, departing   From the seat of his ancestors, bids you adieu;   Abroad or at home, your remembrance imparting   New courage, he’ll think upon glory and you.  | 
|  Though a tear dim his eye at this sad separation,   ’Tis nature, not fear, that excites his regret;   Far distant he goes with the same emulation,   The fame of his fathers he ne’er can forget.  | 
|  That fame and that memory still will he cherish,   He vows that he ne’er will disgrace your renown;   Like you will he live, or like you will he perish,   When decay’d, may he mingle his dust with your own.
                                     | 
“Now, we positively do assert, that there is nothing better than these stanzas in the whole compass of the noble minor’s volume.
“Lord Byron should also have a care of attempting what the greatest poets have done before him, for comparisons (as he must have had occasion to see at his writing-master’s) are odious. Gray’s Ode to Eton College should really have kept out the ten hobbling stanzas on a distant view of the village and school at Harrow.
|  Where fancy yet joys to trace the resemblance   Of comrades in friendship or mischief allied,   How welcome to me your ne’er-fading remembrance,   Which rests in the bosom, though hope is denied.  | 
 “In like manner, the exquisite lines of Mr. Rogers, On a Tear, might have warned the noble author
| LORD BYRON | 47 | 
|  Mild charity’s glow,   To us mortals below,   Shows the soul from barbarity clear;   Compassion will melt   Where the virtue is felt.   And its dew is diffused in a tear.  | 
|  The man doom’d to sail   With the blast of the gale,   Through billows Atlantic to steer,   As he bends o’er the wave,   Which may soon be his grave,   The green sparkles bright with a tear.  | 
“And so of instances in which former poets had failed. Thus, we do not think Lord Byron was made for translating, during his nonage, Adrian’s Address to his Soul, when Pope succeeded indifferently in the attempt. If our readers, however, are of another opinion, they may look at it.
|  Ah! gentle, fleeting, wav’ring sprite,   Friend and associate of this clay,   To what unknown region borne   Wilt thou now wing thy distant flight?   No more with wonted humour gay,   But pallid, cheerless, and forlorn.  | 
 “However, be this as it may, we fear his translations and
                                imitations are great favourities with Lord
                                Byron. We have them of all kinds, from Anacreon to Ossian; and,
                                viewing them as school-exercises, they may pass. Only, why print them after they
                                have had their day and served their turn? And why call the thing in p. 79 a
                                translation, where two words (θελο
                                λεγειν) of the original are expanded into four lines,
                                and the other thing in p. 81, where
                                μεσονυκτικις
                                ποθʹ ύραις is rendered by means of six
                                hobbling verses. As to his Ossian poesy, we are not very good
                                judges; being, in truth, so moderately skilled in that species of composition, that
                                we should, in all probability, be criticis-
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“It is some sort of privilege of poets to be egotists; but they should ‘use it as not abusing it’; and particularly one who piques himself (though, indeed, at the ripe age of nineteen) on being an infant bard—
|  The artless Helicon I boast is youth—  | 
 “As the author has dedicated so large a part of his
                                volume to immortalize his employments at school and 
| LORD BYRON | 49 | 
“In an ode, with a Greek motto, called Granta, we have the following magnificent stanzas:—
|  There, in apartments small and damp,   The candidate for college prizes   Sits poring by the midnight lamp,   Goes late to bed, yet early rises:   Who reads false quantities in Seale,   Or puzzles o’er the deep triangle,   Depriv’d of many a wholesome meal,   In barbarous Latin doomed to wrangle.  | 
|  Renouncing every pleasing page   From authors of historic use;   Preferring to the letter’d sage   The square of the hypotenuse.   Still harmless are these occupations,   That hurt none but the hapless student,   Compared with other recreations   Which bring together the imprudent.  | 
“We are sorry to hear so bad an account of the college-psalmody, as is contained in the following attic stanzas
|  Our choir could scarcely be excused,   Even as a band of raw beginners;   All mercy now must be refused   To such a set of croaking sinners.  | 
|  If David, when his toils were ended,   Had heard these blockheads sing before him,   To us his psalms had ne’er descended—   In furious mood he would have tore ’em.  | 
 “But whatever judgment may be passed on the poems of this
                                noble minor, it seems we must take them as we find them, and be content for they
                                are the last we shall ever have from him. He is at best, he says, but an intruder
                                into the groves of Parnassus; he never lived in a garret, like thorough-bred poets,
                                and though 
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