Memoirs of the Life of Sir Walter Scott, Bart.
Chapter IV 1783-86
120 |
LIFE OF SIR WALTER SCOTT. |
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CHAPTER IV.
ILLUSTRATIONS OF THE BIOGRAPHY CONTINUED—ANECDOTES
OF SCOTT’S COLLEGE LIFE,—
1783-1786.
On returning to Edinburgh, and entering the College, in
November, 1783, Scott found himself once more in the fellowship of all his intimates of the
High School; of whom, besides those mentioned in his autobiographical fragment, he speaks
in his diaries with particular affection of Sir William Rae,
Bart., David Monypenny, afterwards
Lord Pitmilly, Thomas Tod, W.S., Sir
Archibald Campbell of Succoth, Bart., all familiar friends of his through
manhood, and the present Earl of Dalhousie, whom, on
meeting with him after a long separation in the evening of life, he records as still being,
and having always been, “the same manly and generous character that all about him
loved as the Lordie Ramsay of the
Yards.” His chosen intimate, however, continued to be for some time Mr John Irving—his suburban walks with whom have been
recollected so tenderly, both in the Memoir of 1808, and in the Preface to Waverley of 1829. It will interest the
reader to compare, with those beautiful descriptions, the following extract from a letter
with which Mr Irving has favoured me:—
“Every Saturday, and more frequently during the vacations, we
used to retire, with three or four books from the circulating library, to Salisbury
Crags, Arthur’s Seat, or Blackford Hill, and read them together. He read faster
than I, and had, on this account, to wait
| MR IRVING’S REMINISCENCES. | 121 |
a little at finishing every two pages,
before turning the leaf. The books we most delighted in were romances of
knight-errantry the Castle of
Otranto, Spenser, Ariosto, and Boiardo were great favourites. We used to climb up the rocks in search
of places where we might sit sheltered from the wind; and the more inaccessible they
were, the better we liked them. He was very expert at climbing. Sometimes we got into
places where we found it difficult to move either up or down, and I recollect it being
proposed, on several occasions, that I should go for a ladder to see and extricate him,
but I never had any need really to do so, for he always managed somehow either to get
down or ascend to the top. The number of books we thus devoured was very great. I
forgot great part of what I read, but my friend, notwithstanding he read with such
rapidity, remained, to my surprise, master of it all, and could even, weeks or months
afterwards, repeat a whole page in which any thing had particularly struck him at the
moment. After we had continued this practice of reading for two years or more together,
he proposed that we should recite to each other alternately such adventures of
knight-errants as we could ourselves contrive; and we continued to do so a long while.
He found no difficulty in it, and used to recite for half an hour or more at a time,
while I seldom continued half that space. The stories we told were, as Sir Walter has said, interminable—for we were unwilling to
have any of our favourite knights killed. Our passion for romance led us to learn
Italian together; after a time we could both read it with fluency, and we then copied
such tales as we had met with in that language, being a continued succession of battles
and enchantments. He began early to collect old ballads, and as my mother could repeat
a great many, he used to come and learn those she could recite 122 | LIFE OF SIR WALTER SCOTT. | |
to
him. He used to get all the copies of these ballads he could, and select the
best.”
These, no doubt, were among the germs of the collection of ballads in six
little volumes, which, from the handwriting, had been begun at this early period, and which
is still preserved at Abbotsford. And it appears, that at least as early a date must be
ascribed to another collection of little humorous stories in prose, the Penny Chap-books, as they are called, still in high favour among the lower
classes in Scotland, which stands on the same shelf. In a letter of 1830* he states that he
had bound up things of this kind to the extent of several volumes, before he was ten years
old.
Although the Ashestiel
Memoir mentions so very lightly his boyish addiction to verse, and the rebuke
which his vein received from the Apothecary’s blue-buskined wife as having been
followed by similar treatment on the part of others, I am inclined to believe that while
thus devouring, along with his young friend, the stores of Italian romance, he essayed,
from time to time, to weave some of their materials into rhyme;—nay, that he must have made
at least one rather serious effort of this kind, as early as the date of these rambles to
the Salisbury Crags. I have found among his mother’s papers a copy of verses headed,
“Lines to Mr Walter Scott on reading his
poem of Guiscard and Matilda, inscribed to Miss Keith of
Ravelston” There is no date; but I conceive the lines bear internal
evidence of having been written when he was very young—not, I should suppose, above
fourteen or fifteen at most. I think it also certain that the writer was a woman; and have
almost as little doubt that they came from the pen of his old admirer, Mrs Cockburn. They are as follows:—
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“LINES TO MR W. SCOTT,” &c. |
123 |
“If such the accents of thy early youth
When playful fancy holds the place of truth;
If so divinely sweet thy numbers flow,
And thy young heart melts with such tender wo
What praise, what admiration shall be thine,
When sense mature with science shall combine
To raise thy genius and thy taste refine!
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“Go on, dear youth, the glorious path pursue
Which bounteous Nature kindly smooths for you;
Go, bid the seeds her hand hath sown arise,
By timely culture, to their native skies;
Go, and employ the poet’s heavenly art,
Not merely to delight, but mend the heart.
Than other poets happier mayst thou prove,
More blest in friendship, fortunate in love,
Whilst Fame, who longs to make true merit known,
Impatient waits, to claim thee as her own.
|
“Scorning the yoke of prejudice and pride,
Thy tender mind let truth and reason guide
Let meek humility thy steps attend,
And firm integrity, youth’s surest friend.
So peace and honour all thy hours shall bless,
And conscious rectitude each joy increase;
A nobler meed be thine than empty praise—
Heaven shall approve thy life, and Keith thy
lays.”
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At the period to which I refer these verses, Scott’s parents still continued to have some expectations of curing
his lameness, and Mr Irving remembers to have often
assisted in applying the electrical apparatus, on which for a considerable time they
principally rested their hopes. There is an allusion to these experiments in
Scott’s autobiographical fragment, but I have found a fuller
notice on the margin of his copy of the “Guide to Health, Beauty, Riches, and Longevity,” as Captain Grose chose to entitle an amusing collection of
quack advertisements.
“The celebrated Dr
Graham” (says the annotator)
124 | LIFE OF SIR WALTER SCOTT. | |
“was an
empiric of some genius and great assurance. In fact, he had a dash of madness in his
composition. He had a fine electrical apparatus, and used it with skill. I myself,
amongst others, was subjected to a course of electricity under his charge. I remember
seeing the old Earl of Hopetoun seated in a large
arm-chair, and hung round with a collar, and a belt of magnets, like an Indian chief.
After this, growing quite wild, Graham set up his Temple of Health, and lectured on the celestial bed. He attempted a course of these lectures at Edinburgh, and as
the Magistrates refused to let him do so, he libelled them in a series of
advertisements, the flights of which were infinitely more absurd and exalted than those
which Grose has collected. In one tirade (long
in my possession), he declared that ‘he looked down upon them’ (the
Magistrates) ‘as the sun in his meridian glory looks down on the poor, feeble,
stinking glimmer of an expiring farthing candle, or as G—— himself, in the plenitude of
his omnipotence, may regard the insolent bouncings of a few refractory maggots in a
rotten cheese.’ Graham was a good-looking man; he used to
come to the Grey-friars’ Church in a suit of white and silver, with a
chapeau-bras, and his hair marvellously dressed into a sort of double toupee, which
divided upon his head like the two tops of Parnassus. Mrs
Macauley, the historianess, married his brother. Lady Hamilton is said to have first enacted his
Goddess of Health, being at this time a fille de
joie of great celebrity.* The Temple of Health dwindled into a sort
of obscene hell, or gambling house. In a quarrel which took
place there, a poor young man was run into the bowels with a red-hot poker, of which
injury he died. The mob vented their * Lord Nelson’s
connexion with this lady will preserve her celebrity. |
fury on the house, and the Magistrates,
somewhat of the latest, shut up the exhibition. A quantity of glass and crystal
trumpery, the remains of the splendid apparatus, was sold on the South Bridge for next
to nothing. Graham’s next receipt was the earth-bath, with
which he wrought some cures, but that also failing, he was, I believe, literally
starved to death.”
Graham’s earth-bath too was, I understand,
tried upon Scott, but his was not one of the cases, if
any such there were, in which it worked a cure. He, however, improved about this time
greatly in his general health and strength, and Mr
Irving, in accordance with the statement in the Memoir, assures me, that
while attending the early classes at the College, the young friends extended their walks,
so as to visit in succession all the old castles within eight or ten miles of Edinburgh.
“Sir Walter” (he says) “was
specially fond of Rosslyn. We frequently walked thither before breakfast—after
breakfasting there walked all down the river side to Lasswade—and thence home to town
before dinner. He used generally to rest one hand on my shoulder when we walked
together, and leaned with the other on a stout stick.”
The love of picturesque scenery, and especially of feudal castles, with
which the vicinity of Edinburgh is plentifully garnished, awoke, as the Memoir tells us,
the desire of being able to use the pencil. Mr
Irving says,—“I attended one summer a class of drawing along with
him, but although both fond of it, we found it took up so much time that we gave this
up before we had made much progress.” In one of his later diaries, Scott himself gives the following more particular account of
this matter:—
“I took lessons of oil-painting in youth from a little Jew
animalcule—a smouch called Burrell—a clever sen-
126 | LIFE OF SIR WALTER SCOTT. | |
sible creature though. But I could make no progress either in painting or drawing.
Nature denied me the correctness of eye and neatness of hand. Yet I was very desirous
to be a draughtsman at least—and laboured harder to attain that point than at any other
in my recollection to which I did not make some approaches.
Burrell was not useless to me altogether neither. He was a
Prussian, and I got from him many a long story of the battles of Frederick, in whose armies his father had been a
commissary, or perhaps a spy. I remember his picturesque account of seeing a party of
the black hussars bringing in some forage carts which they had taken from a body of the
Cossacks, whom he described as lying on the top of the carts of hay mortally wounded,
and like the dying gladiator, eyeing their own blood as it ran down through the
straw.”
A year or two later Scott renewed his attempt. “I
afterwards” (he says) “took lessons from Walker,
whom we used to call Blue Beard. He was one of the most
conceited persons in the world, but a good teacher—one of the ugliest countenances he
had that need be exhibited—enough, as we say, to spean weans.
The man was always extremely precise in the quality of every thing about him; his
dress, accommodations, and every thing else. He became insolvent, poor man, and, for
some reason or other, I attended the meeting of those concerned in his affairs. Instead
of ordinary accommodations for writing, each of the persons present was equipped with a
large sheet of drawing-paper, and a swan’s quill. It was mournfully ridiculous
enough. Skirving made an admirable likeness of
Walker; not a single scar or mark of the smallpox, which
seamed his countenance, but the too accurate brother of the brush had faithfully laid
it down in longitude and latitude. Poor Walker destroyed it (being
in crayons)
rather then let the caricature
of his ugliness appear at the sale of his effects. I did learn myself to take some vile
views from nature. When Will Clerk and I lived
very much together, I used sometimes to make them under his instruction. He to whom, as
to all his family, art is a familiar attribute, wondered at me as a Newfoundland dog
would at a greyhound which showed fear of the water.”
Notwithstanding all that Scott says
about the total failure of his attempts in the art of the pencil, I presume few will doubt
that they proved very useful to him afterwards; from them it is natural to suppose he
caught the habit of analyzing, with some approach at least to accuracy, the scenes over
which his eye might have continued to wander with the vague sense of delight. I may add
that a longer and more successful practice of the crayon might, I cannot but think, have
proved the reverse of serviceable to him as a future painter with the pen. He might have
contracted the habit of copying from pictures rather than from nature itself; and we should
thus have lost that which constitutes the very highest charm in his delineations of
scenery, namely, that the effect is produced by the selection of a few striking features,
arranged with a light unconscious grace, neither too much nor too little—equally remote
from the barren generalizations of a former age and the dull servile fidelity with which so
many inferior writers of our time fill in both background and foreground, having no more
notion of the perspective of genius than Chinese paper-stainers have of that of the
atmosphere, and producing in fact not descriptions but inventories.
The illness, which he alludes to in his Memoir as interrupting for a
considerable period his attendance on the Latin and Greek classes in Edinburgh College, is
spoken of more largely in one of his pre-
128 | LIFE OF SIR WALTER SCOTT. | |
faces.* It arose from the
bursting of a blood-vessel in the lower bowels; and I have heard him say that his uncle,
Dr Rutherford, considered his recovery from it
as little less than miraculous. His sweet temper and calm courage were no doubt important
elements of safety. He submitted without a murmur to the severe discipline prescribed by
his affectionate physician, and found consolation in poetry, romance, and the enthusiasm of
young friendship. Day after day John Irving relieved
his mother and sister in their attendance upon him. The bed on which he lay was piled with
a constant succession of works of imagination, and sad realities were forgotten amidst the
brilliant day-dreams of genius drinking unwearied from the eternal fountains of Spenser and Shakspeare. Chess was recommended as a relief to these unintermitted though
desultory studies; and he engaged eagerly in the game which had found favour with so many
of his Paladins. Mr Irving remembers playing it with him hour after
hour, in very cold weather when, the windows being kept open as a part of the medical
treatment, nothing but youthful nerves and spirit could have persevered. But Scott did not pursue the science of chess after his boyhood.
He used to say that it was a shame to throw away upon mastering a mere game, however
ingenious, the time which would suffice for the acquisition of a new language.
“Surely,” he said, “chess-playing is a sad waste of
brains.”
His recovery was completed by another visit to Roxburghshire. Captain Robert Scott, who had been so kind to the sickly
infant at Bath, finally retired about this time from his profession, and purchased the
elegant villa of Rosebank, on the Tweed, a little below
Kelso. Here Walter now took up his quarters, and here, during all the rest of his
youth, he found, whenever he chose, a second home, in many respects more agreeable than his
own. His uncle, as letters to be subsequently quoted will show, had nothing of his
father’s coldness for polite letters, but entered into all his favourite pursuits
with keen sympathy, and was consulted, from this time forth, upon all his juvenile essays,
both in prose and verse.
He does not seem to have resumed attendance at College during the session
of 1785-6; so that the Latin and Greek classes, with that of Logic, were the only ones he
had passed through previous to the signing of his indentures as an apprentice to his
father. The Memoir mentions the ethical course of Dugald
Stewart, as if he had gone immediately from the logical professor (Mr Bruce) to that eminent lecturer; but he, in fact,
attended Mr Stewart four years afterwards, when beginning to consider
himself as finally destined for the bar.
I shall only add to what he sets down on the subject of his early
academical studies, that in this, as in almost every case, he appears to have underrated
his own attainments. He had, indeed, no pretensions to the name of an extensive, far less
of an accurate, Latin scholar; but he could read, I believe, any Latin author, of any age,
so as to catch without difficulty his meaning; and although his favourite Latin poet, as
well as historian, in later days, was Buchanan, he
had preserved, or subsequently acquired, a strong relish for some others of more ancient
date. I may mention, in particular, Lucan and Claudian. Of Greek, he does not exaggerate in saying that he
had forgotten even the alphabet; for he was puzzled with the words
άοιδος and
ποιητης, which he had occasion to
introduce, from some authority on his table, into his “Introduction
130 | LIFE OF SIR WALTER SCOTT. | |
to Popular Poetry,” written in April 1830; and happening to be
in the house with him at the time, he sent for me to insert them for him in his MS.
Mr Irving has informed us of the early period at
which he enjoyed the real Tasso and Ariosto. I presume he had at least as soon as this enabled
himself to read Gil Blas in the original;
and, in all probability, we may refer to the same time of his life, or one not much later,
his acquisition of as much Spanish as served for the Guerras Civiles de Granada, Lazarillo de Tormes, and, above all, Don Quixote. He read all these languages in after life
with about the same facility. I never but once heard him attempt to speak any of them, and
that was when some of the courtiers of Charles X. came
to Abbotsford, soon after that unfortunate prince took up his residence for the second time
at Holyrood-house. Finding that one or two of these gentlemen could speak no English at
all, he made some efforts to amuse them in their own language after the champagne had been
passing briskly round the table; and I was amused next morning with the expression of one
of the party, who, alluding to the sort of reading in which Sir
Walter seemed to have chiefly occupied himself, said, “Mon Dieu!
comme il estropiait, entre deux vins, le Français du bon sire de Joinville!” Of all these tongues, as
of German somewhat later, he acquired as much as was needful for his own purposes, of which
a critical study of any foreign language made at no time any part. In them he sought for
incidents, and he found images; but for the treasures of diction he was content to dig on
British soil. He had all he wanted in the old wells of “English
undefiled,” and the still living, though fast shrinking, waters of that sister
idiom which had not always, as he flattered himself, deserved the name of a dialect.
As may be said, I believe, with perfect truth of every
really great man, Scott was
self-educated in every branch of knowledge which he ever turned to account in the works of
his genius—and he has himself told us that his real studies were those lonely and desultory
ones of which he has given a copy in the first chapter of Waverley, where the hero is represented as
“driving through the sea of books, like a vessel without pilot or
rudder;” that is to say, obeying nothing but the strong breath of native
inclination;—“He had read, and stored in a memory of uncommon tenacity, much
curious, though ill arranged and miscellaneous information. In English literature, he
was master of Shakspeare and Milton, of our earlier dramatic authors, of many
picturesque and interesting passages from our old historical chronicles, and was
particularly well acquainted with Spenser,
Drayton, and other poets, who have exercised
themselves on romantic fiction,—of all themes the most fascinating to
a youthful imagination, before the passions have roused themselves, and demand
poetry of a more sentimental description.”* I need not repeat his
enumeration of other favourites, Pulci, the Decameron, Froissart, Brantome, Delanoue, and the chivalrous and romantic lore of Spain. I
have quoted a passage so well known, only for the sake of the striking circumstance by
which it marks the very early date of these multifarious studies.
Ludovico Ariosto (1474-1533)
Italian poet, author of the epic romance
Orlando Furioso
(1532).
Matteo Maria Boiardo (1441 c.-1494)
Italian poet and humanist, author of the chivalric romance
Orlando
innamorato (1487).
John Bruce (1744-1826)
Professor of Logic at Edinburgh (1778), author of
First Principles of
Philosophy (1780) and
Historical View of Plans for the
Government of British India (1793).
George Buchanan (1506-1582)
Scottish historian, scholar, and respected Latin poet; he was tutor to James VI. and
author of
Rerum Scoticarum historia (1582).
Sir Archibald Campbell, second baronet (1769-1846)
Scottish advocate, the son of Sir Illay Campbell of Succoth, first baronet; he was
educated at Edinburgh University and was Lord of Session (1809-24).
King Charles I of England (1600-1649)
The son of James VI and I; as king of England (1625-1649) he contended with Parliament;
he was revered as a martyr after his execution.
Charles X, King of France (1757-1836)
He was King of France 1824-1830 succeeding Louis XVIII; upon his abdication he was
succeeded by Louis Philippe, duc d'Orléans.
Claudian (397 fl.)
Late Roman poet, author of
The Rape of Proserpine.
William Clerk (1771-1847)
Edinburgh lawyer, the son of John Clerk of Eldin and brother of Lord Eldin (1757-1832);
he was Clerk of the Jury Court (1815) and a friend of Sir Walter Scott. He is said to be
the model for Darsie Latimer in
Redgauntlet.
Alison Cockburn [née Rutherford] (1713-1794)
Scottish poet and literary hostess; she married the advocate Patrick Cockburn in 1731 and
late in life was a friend of David Hume, Henry Mackenzie, and Walter Scott.
Michael Drayton (1563-1631)
English poet, the imitator of Spenser and friend of Ben Jonson; he published
Poly-Olbion (1612).
Frederick II of Prussia (1712-1786)
King of Prussia (1740-86) and military commander in the War of the Austrian Succession
and Seven Years War.
Jean Froissart (1337 c.-1404 c.)
French courtier and poet; author of
Chronicles (1373-1400).
James Graham (1745-1794)
Quack doctor and publisher who specialized in the treatment of nervous disorders; he died
in poverty.
Francis Grose (1731-1791)
English antiquary, Fellow of the Royal Society, author of
Antiquities
of England and Wales (1772-1787),
Classical Dictionary of the
Vulgar Tongue (1785), and
Antiquities of Scotland
(1789-91).
John Irving (1770-1850)
The younger brother of Alexander Irving, Lord Newton; he was Writer to the Signet in
Edinburgh and a friend of Sir Walter Scott.
Jean de Joinville (1225-1317)
French chronicler and friend of Louis IX (Saint Louis), whose life he wrote.
Joanna Keith [née Swinton] (d. 1792)
The daughter of Sir John Swinton (d. 1723); she married Alexander Keith of Dunnottar and
Ravelston (1705-92), Walter Scott's grand-uncle.
François de La Noue (1531-1591)
Huguenot soldier and author; he wrote
Discours politiques et
militaires (1587) and other works.
Lucan (39-65)
Author of the epic poem
Pharsalia about the Roman civil
wars.
Catherine Macaulay [née Sawbridge] (1731-1791)
English historian; in 1760 she married George Macaulay, and in 1778 William Graham; she
published
History of England from the Accession of James I to that of the
Brunswick Line (1763-83).
John Milton (1608-1674)
English poet and controversialist; author of
Comus (1634),
Lycidas (1638),
Areopagitica (1644),
Paradise Lost (1667), and other works.
David Monypenny, Lord Pitmilly (1769-1850)
Educated at Edinburgh University, he was depute-sheriff of Fife (1807), Solicitor-General
of Scotland (1811), and raised to the Bench as Lord Pitmilly (1813-20).
Horatio Nelson, viscount Nelson (1758-1805)
Britain's naval hero who destroyed the French fleet in the Battle of the Nile (1798) and
defeated the combined French and Spanish fleets at Trafalgar (1805) in which action he was
killed.
Luigi Pulci (1432-1484)
Italian poet patronized by the Medici family; author of the
Il
Morgante (1483).
Sir William Rae, third baronet (1769-1842)
Educated at Edinburgh University, he was Lord Advocate (1819-30, 1834-35) and MP for
Anstruther (1819-26), Harwich (1827), Buteshire (1830, 1833-42) and Portarlington
(1831-32). He was a close friend of Sir Walter Scott.
George Ramsay, ninth earl of Dalhousie (1770-1838)
Son of the eighth earl (d. 1787); he was educated at Edinburgh University and was
Governor of Nova Scotia (1816-20), Governor General of British North America (1820-28) and
Commander-in-Chief in India (1830-1832).
Daniel Rutherford (1749-1819)
Scottish physician and botanist, the son of Professor John Rutherford; after study at
Edinburgh University he was physician-in-ordinary to the Royal Infirmary (1791). He was Sir
Walter Scott's uncle.
Robert Scott of Rosebank (1739-1804)
The uncle of Sir Walter Scott; he was a naval officer who retired to Rosebank near Kelso
in 1771.
Archibald Skirving (1749-1819)
Scottish portraitist, son of the poet Adam Skirving; he was captured and imprisoned while
returning from Rome (1795); he is remembered for his chalk portrait of Robert Burns.
Edmund Spenser (1552 c.-1599)
English poet, author of
The Shepheards Calender (1579) and
The Faerie Queene (1590, 1596).
Dugald Stewart (1753-1828)
Professor of moral philosophy at Edinburgh University (1785-1809); he was author of
Elements of the Philosophy of the Human Mind (1792-93).
John Strang (1795-1863)
Glasgow translator and man of letters; he published
Glasgow and its
Clubs (1855).
Torquato Tasso (1554-1595)
Italian poet, author of
Aminta (1573), a pastoral drama, and
Jerusalem Delivered (1580).