Memoirs of the Life of Sir Walter Scott, Bart.
James Ballantyne to Walter Scott, 15 September 1810
“Edinburgh, Sept. 15, 1810.
Dear Sir,
“What you have sent of Waverley has amused me much; and certainly if
I had read it as part of a new novel, the remainder of which was open to my
perusal, I should have proceeded with avidity. So much for its general effect;
but you have sent me too little to enable
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me to form a
decided opinion. Were I to say that I was equally struck with Waverley as I was with the much smaller portion of the
Lady, which you first
presented to us as a specimen, the truth would not be in me; but the cases are
different. It is impossible that a small part of a fine novel can equally
impress one with the decided conviction of splendour and success as a small
part of a fine poem. I will state one or two things that strike me. Considering
that ‘sixty years since’ only leads us back to the year 1750, a
period when our fathers were alive and merry, it seems to me that the air of
antiquity diffused over the character is rather too great to harmonize with the
time. The period is modern; Johnson was
writing—and Garrick was acting—and in
fact scarcely any thing appears to have altered, more important than the cut of
a coat.
“The account of the studies of Waverley seems unnecessarily minute. There are
few novel readers to whom it would be interesting. I can see at once the
connection between the studies of Don
Quixote, or of the Female Quixote, and the events of
their lives; but I have not yet been able to trace betwixt Waverley’s character and his studies such
clear and decided connection. The account, in short, seemed to me too
particular; quite unlike your usual mode in your poetry, and less happy. It may
be, however, that the further progress of the character will defeat this
criticism. The character itself I think excellent and interesting, and I was
equally astonished and delighted to find in the last-written chapter, that you
can paint to the eye in prose as well as in verse,
“Perhaps your own reflections are rather too often
mixed with the narrative but I state this with much diffidence. I do not mean
to object to a train of reflections arising from some striking event, but I
don’t like
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their so
frequent recurrence. The language is spirited, but perhaps rather careless. The
humour is admirable. Should you go on? My opinion is, clearly—certainly. I have
no doubt of success, though it is impossible to guess how much. . . . . .
.—Ever respectfully,
James Ballantyne (1772-1833)
Edinburgh printer in partnership with his younger brother John; the company failed in the
financial collapse of 1826.
David Garrick (1717-1779)
English actor, friend of Samuel Johnson, and manager of Drury Lane Theater.
Samuel Johnson (1709-1784)
English man of letters, among many other works he edited
A Dictionary
of the English Language (1755) and Shakespeare (1765), and wrote
Lives of the Poets (1779-81).