Memoirs of the Life of Sir Walter Scott, Bart.
Walter Scott to George Ellis, [November? 1805]
Scott’s letter in reply opens thus:
“I will not castrate John Dryden.
I would as soon castrate my own father, as I believe Jupiter did of yore. What would you say to any man who would
castrate Shakspeare, or Massinger, or Beaumont and Fletcher? I
don’t say but that it may be very proper to select correct passages for
the use of boarding-schools and colleges, being sensible no improper ideas can
be suggested in these seminaries, unless they are intruded or smuggled under
the beards and ruffs of our old dramatists. But in making an edition of a man
of genius’s works for libraries and collections, and such I conceive a
complete edition of Dryden to be, I must give my author as
I find him, and will not tear out the page, even to get rid of the blot, little
as I like it. Are not the pages of Swift, and even of Pope,
larded with indecency, and often of the most disgusting kind, and do we not see
them upon all shelves and dressing-tables, and in all boudoirs? Is not
Prior the most indecent of
tale-tellers, not even excepting La
Fontaine, and how often do we see his works in female hands? In
fact, it is not passages of ludicrous indelicacy that corrupt the manners of a
people—it is the sonnets which a prurient genius like Master Little sings virginibus putrisque—it is the sentimental slang, half
lewd, half methodistic, that debauches the understanding, inflames the sleeping
passions, and prepares the reader to give way as soon as a tempter appears. At
the same time, I am not at all happy when I peruse some of
Dryden’s comedies: they are very stupid, as well
as indelicate; sometimes, however, there is a con-
78 | LIFE OF SIR WALTER SCOTT. | |
siderable
vein of liveliness and humour, and all of them present extraordinary pictures
of the age in which he lived. My critical notes will not be very numerous, but
I hope to illustrate the political poems, as Absalom and Achitophel, the Hind and Panther, &c. with some
curious annotations. I have already made a complete search among some hundred
pamphlets of that pamphlet-writing age, and with considerable success, as I
have found several which throw light on my author. I am told that I am to be
formidably opposed by Mr Crowe, the
Professor of Poetry at Oxford, who is also threatening an edition of
Dryden. I don’t know whether to be most vexed
that some one had not undertaken the task sooner, or that Mr
Crowe is disposed to attempt it at the same time with me;
however, I now stand committed, and will not be crowed
over, if I can help it. The third edition of the Lay is now in the press, of which I hope you will
accept a copy, as it contains some trifling improvements or additions. They
are, however, very trifling.
“I have written a long letter to Rees, recommending an edition of our
historians, both Latin and English; but I have great hesitation whether to
undertake much of it myself. What I can I certainly will do; but I should feel
particularly delighted if you would join forces with me, when I think we might
do the business to purpose. Do, Lord love you, think of this grande opus.
“I have not been so fortunate as to hear of Mr Blackburn. I am afraid poor Daniel has been very idly
employed—Cælum non
animum. I am glad you still retain the purpose of visiting
Reged. If you live on mutton and game, we can feast you; for, as one wittily
said, I am not the hare with many friends, but the friend with many hares.—W.
S.”
Sir John Beaumont, first baronet (1584 c.-1627)
English poet and friend of Michael Drayton; his verse circulated in manuscript though his
major poem,
Bosworth Field was posthumously printed in 1629.
John Blackburn (1756-1840)
Glasgow merchant in the West India trade; he was a mutual friend of Walter Scott and
George Ellis.
William Crowe (1745-1829)
English poet educated at Winchester and New College Oxford; he was rector of Alton
Barnes, Wiltshire; he is remember for his descriptive poem
Lewesdon
Hill (1788). He corresponded with Samuel Rogers.
John Dryden (1631-1700)
English poet laureate, dramatist, and critic; author of
Of Dramatick
Poesie (1667),
Absalom and Achitophel (1681),
Alexander's Feast; or the Power of Musique (1697),
The Works of Virgil translated into English Verse (1697), and
Fables (1700).
John Fletcher (1579-1625)
English playwright, author of
The Faithful Shepherdess (1610) and
of some fifteen plays in collaboration with Francis Beaumont.
Jean de La Fontaine (1621-1695)
French poet whose
Fables were first translated into English in
1734.
Philip Massinger (1583-1649)
Jacobean playwright; author of
A New Way to Pay Old Debts (1625);
his works were edited by William Gifford (1805, 1813).
Thomas Moore (1779-1852)
Irish poet and biographer, author of the
Irish Melodies (1807-34),
The Fudge Family in Paris (1818), and
Lalla
Rookh (1817); he was Byron's close friend and designated biographer.
Alexander Pope (1688-1744)
English poet and satirist; author of
The Rape of the Lock (1714)
and
The Dunciad (1728).
Matthew Prior (1664-1721)
English poet and statesman successful in both comic and serious verse collected in
Poems on Several Occasions (1718).
Owen Rees (1770-1837)
London bookseller; he was the partner of Thomas Norton Longman and friend of the poet
Thomas Moore.
Daniel Scott (1776 c.-1806)
The dissolute younger brother of Sir Walter Scott who emigrated to Jamaica in
1804.
Jonathan Swift (1667-1745)
Dean of St Patrick's, Scriblerian satirist, and author of
Battle of the
Books with
Tale of a Tub (1704),
Drapier
Letters (1724),
Gulliver's Travels (1726), and
A Modest Proposal (1729).