Memoirs of the Life of Sir Walter Scott, Bart.
Walter Scott to Joanna Baillie, 12 November 1815
“November 12, 1815, Abbotsford.
“I have been long in acknowledging your letter, my
dear friend, and yet you have not only been frequent in my thoughts, as must
always be the case, but your name has been of late familiar in my mouth as a
household word. You must know that the pinasters you had the goodness to send
me some time since, which are now fit to be set out of the nursery, have
occupied my mind as to the mode of disposing of them. Now, mark the event;
there is in the middle of what will soon be a bank of fine young wood, a
certain old gravel-pit, which is the present scene of my operations. I have
caused it to be covered with better earth, and gently altered with the spade,
so as, if possible, to give it the air of one of those accidental hollows which
the surface of a hill frequently presents. Having arranged my ground, I intend
to plant it all round with the pinasters, and other varieties of the pine
species, and in the interior I will have a rustic seat, surrounded by all kinds
of evergreen shrubs (laurels in particular), and all varieties of the holly and
cedar, and so forth, and this is to be called and entitled Joanna’s Bower. We are determined in the choice of our ornaments
by necessity, for our ground fronts (in poetic phrase) the rising sun, or, in
common language, looks to the east; and being also on the north side of the
hill—(don’t you shiver at the thought?)—why, to say truth, George Wynnos and I are both of opinion that
nothing but evergreens will flourish there; but I trust I shall convert a
present deformity into a very pretty little hobby-horsical sort of thing. It
will
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not bear
looking at for years, and that is a pity: but it will so far resemble the
person from whom it takes name, that it is planted, as she has written, for the
benefit as well of posterity as for the passing generation. Time and I, says
the Spaniard, against any two; and, fully confiding in the proverb, I have just
undertaken another grand task. You must know, I have purchased a large lump of
wild land, lying adjoining to this little property, which greatly more than
doubles my domains. The land is said to be reasonably bought, and I am almost
certain I can turn it to advantage by a little judicious expenditure; for this
place is already allowed to be worth twice what it cost me; and our people here
think so little of planting, and do it so carelessly, that they stare with
astonishment at the alteration which well planted woods make on the face of a
country. There is, besides, a very great temptation, from the land running to
within a quarter of a mile of a very sweet wild sheet of water, of which (that
is, one side of it) I have every chance to become proprietor: this is a
poetical circumstance not to be lost sight of, and accordingly I keep it full
in my view. Amid these various avocations, past, present, and to come, I have
not thought much about Waterloo,
only that I am truly glad you like it. I might, no doubt, have added many
curious anecdotes, but I think the pamphlet long enough as it stands, and never
had any design of writing copious notes.
“I do most devoutly hope Lord Byron will succeed in his proposal of bringing out one of
your dramas; that he is your sincere admirer is only synonymous with his being
a man of genius; and he has, I am convinced, both the power and inclination to
serve the public, by availing himself of the treasures you have laid before
them. Yet I long for ‘some yet untasted spring,’ and
390 | LIFE OF SIR WALTER SCOTT. | |
heartily wish you would take Lord B. into your counsels,
and adjust, from your yet unpublished materials, some drama for the public. In
such a case, I would, in your place, conceal my name till the issue of the
adventure. It is a sickening thing to think how many angry and evil passions
the mere name of admitted excellence brings into full activity. I wish you
would consider this hint, and I am sure the result would be great gratification
to the public, and to yourself that sort of satisfaction which arises from
receiving proofs of having attained the mark at which you aimed. Of this last,
indeed, you cannot doubt, if you consult only the voices of the intelligent and
the accomplished; but the object of the dramatist is professedly to delight the
public at large, and therefore I think you should make the experiment fairly.
“Little
Sophia is much obliged by your kind and continued recollection:
she is an excellent good child, sufficiently sensible, very affectionate, not
without perception of character; but the gods have not made her poetical, and I
hope she will never attempt to act a part which nature has not called her to. I
am myself a poet, writing to a poetess, and therefore cannot be suspected of a
wish to degrade a talent, to which, in whatever degree I may have possessed it,
I am indebted for much happiness: but this depends only on the rare coincidence
of some talent falling in with a novelty in style and diction and conduct of
story, which suited the popular taste; and were my children to be better poets
than me, they would not be such in general estimation, simply because the
second cannot be the first, and the first (I mean in point of date) is every
thing, while others are nothing, even with more intrinsic merit. I am therefore
particularly anxious to store the heads of my young damsels with something
better than the tags
| LETTER TO MISS BAILLIE—NOV. 1815. | 391 |
of rhymes; and I hope Sophia is old enough (young
though she be) to view her little incidents of celebrity, such as they are, in
the right point of view. Mrs Scott and she
are at present in Edinburgh: the rest of the children are with me in this
place; my eldest boy is already a bold horseman and a fine shot, though only
about fourteen years old. I assure you I was prouder of the first black cock he
killed, than I have been of any thing whatever since I first killed one myself,
and that is twenty years ago. This is all stupid gossip; but, as Master Corporal Nym says, ‘things must
be as they may:’ you cannot expect grapes from thorns, or much
amusement from a brain bewildered with thorn hedges at Kaeside, for such is the
sonorous title of my new possession, in virtue of which I subscribe myself,
Abbotsford & Kaeside.”
Joanna Baillie (1762-1851)
Scottish poet and dramatist whose
Plays on the Passions
(1798-1812) were much admired, especially the gothic
De Montfort,
produced at Drury Lane in 1800.
George Waynes (d. 1843)
One of Walter Scott's employees at Abbotsford.