Memoirs of the Life of Sir Walter Scott, Bart.
Walter Scott to Daniel Terry, 29 October 1817
“Abbotsford, 29th October, 1817.
“My dear Terry,
“I enclose a full sketch of the lower story, with
accurate measurements of rooms, casements, door-ways, chimneys, &c. that
Mr Atkinson’s good will may
not want means to work upon. I will speak to the subjects of your letter
separately, that I may omit none of them. 1st, I cannot
possibly surrender the window to the west in the
* This fine greyhound, a gift from Terry, had been sent to Scotland under
the care of Mr Magrath.
Terry had called the dog Marmion, but Scott
rechristened him Hamlet, in honour of his
“inky coat.” |
| LETTER TO TERRY—OCT. 1817. | 101 |
library,* although I
subscribe to all you urge about it. Still it is essential in point of light to
my old eyes, and the single northern aspect would not serve me. Above all, it
looks into the yard, and enables me to summon Tom
Purdie without the intervention of a third party. Indeed, as I
can have but a few books about me, it is of the less consequence. 2dly, I resign the idea of coving the library to your
better judgment, and I think the Stirling Heads† will be admirably
disposed in the glass of the armoury window. I have changed my mind as to
having doors on the book-presses, which is, after all, a great bore. No person
will be admitted into my sanctum, and I can have the door locked during my
absence. 3dly, I expect Mr
Bullock here every day, and should be glad to have the drawings
for the diningroom wainscot, as he could explain them to the artists who are to
work them. This (always if quite convenient) would be the more desirable, as I
must leave this place in a fortnight at farthest—the more’s the pity—and,
consequently, the risk of blunders will be considerably increased. I should
like if the pannelling of the wainscot could admit of a press on each side of
the sideboard. I don’t mean a formal press with a high door, but some
crypt, or, to speak vulgarly, cupboard, to put away
bottles of wine, &c. You know I am my own butler, and such accommodation is
very convenient. We begin roofing to-morrow. Wilkie admires the whole as a composition, * Before the second and larger part of the present
house of Abbotsford was built, the small room, subsequently known as
the breakfast parlour, was during several years Scott’s sanctum. † This alludes to certain pieces of painted
glass, representing the heads of some of the old Scotch kings, copied
from the carved ceiling of the presence-chamber in Stirling Castle.
There are engravings of them in a work called “Lacunar Strevelinense.” Edinb. 4to,
1817. |
102 | LIFE OF SIR WALTER SCOTT. | |
and that is high authority. I agree that the fountain
shall be out of doors in front of the green-house; there may be an enclosure
for it with some ornamented mason-work, as in old gardens, and it will occupy
an angle, which I should be puzzled what to do with, for turf and gravel would
be rather meagre, and flowers not easily kept. I have the old fountain
belonging to the Cross of Edinburgh, which flowed with wine at the coronation
of our kings and on other occasions of public rejoicing. I send a sketch of
this venerable relic, connected as it is with a thousand associations. It is
handsome in its forms and proportions—a free-stone basin about three feet in
diameter, and five inches and a half in depth, very handsomely hollowed. A
piece has been broken off one edge, but as we have the fragment, it can easily
be restored with cement. There are four openings for pipes in the
circumference—each had been covered with a Gothic masque, now broken off and
defaced, but which may be easily restored. Through these the wine had fallen
into a larger and lower reservoir. I intend this for the centre of my fountain.
I do not believe I should save L.100 by retaining Mrs
Redford, by the time she was raised, altered, and beautified,
for, like the Highlandman’s gun, she wants stock, lock, and barrel to put
her into repair. In the mean time, the cabin is convenient. Yours ever,
W. S.”
William Atkinson (1774-1839)
English architect who worked at Sir Walter Scott's Abbotsford; he published
Views of Picturesque Cottages (1805).
George Bullock (1782-1818)
English cabinetmaker in Liverpool and London, the brother of the museum-director William
Bullock; his clients included Walter Scott.
Terrence Magrath (1837 fl.)
Irish singing-master who in 1817 was instructor to the family of Walter Scott. A Thomas
Terrence Magrath, vicar-choral of Christ Church Dublin and St. Patrick's Cathedral, died in
1865.
Thomas Purdie (1767-1829)
Sir Walter Scott's forester; they originally met when Purdie was brought before Sheriff
Scott on charges of poaching.
Daniel Terry (1789-1829)
English actor; after a career in provincial theater made his London debut in 1812. A
close friend of Walter Scott, he performed in theatrical adaptations of Scott's
novels.
Sir David Wilkie (1785-1841)
Scottish-born artist whose genre-paintings were much admired; he was elected to the Royal
Academy in 1811.