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Memoirs of the Life of Sir Walter Scott, Bart.
Walter Scott to Charles Mackay, [February 1819]
INTRODUCTION & INDEXES
DOCUMENT INFORMATION
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Vol I Preface
Vol. I Contents.
Chapter I
Chapter II 1771-78
Chapter III 1778-83
Chapter IV 1783-86
Chapter V 1786-90
Chapter VI 1790-92
Chapter VII 1792-96
Chapter VIII 1796-97
Chapter IX 1798-99
Chapter X 1800-02
Chapter XI 1802-03
Chapter XII 1803-04
Vol. II Contents.
Chapter I 1804-05
Chapter II 1805
Chapter III 1806
Chapter IV 1806-08
Chapter V 1808
Chapter VI 1808-09
Chapter VII 1809-10
Chapter VIII 1810
Chapter IX 1810
Chapter X 1810-11
Chapter XI 1811
Chapter XII 1811-12
Vol. III Contents.
Chapter I 1812-13
Chapter II 1813
Chapter III 1814
Chapter IV 1814
Chapter V 1814
Chapter VI 1814
Chapter VII 1814
Chapter VIII 1814
Chapter IX 1814
Chapter X 1814-15
Chapter XI 1815
Chapter XII 1815
Vol III Appendix
Vol. IV Contents.
Chapter I 1816
Chapter II 1817
Chapter III 1817
Chapter IV 1818
Chapter V 1818
Chapter VI 1818
Chapter VII 1818-19
Chapter VIII 1819
Chapter IX 1819
Chapter X 1819
Chapter XI 1820
Chapter XII 1820
Vol. V Contents.
Chapter I 1820
Chapter II 1820-21
Chapter III 1821
Chapter IV 1821
Chapter V 1821
Chapter VI 1821
Chapter VII 1822
Chapter VIII 1822
Chapter IX 1822-23
Chapter X 1823
Chapter XI 1823
Chapter XII 1824
Chapter XIII 1824-25
Vol. VI Contents.
Chapter I 1825
Chapter II 1825
Chapter III 1825
Chapter IV 1825
Chapter V 1826
Chapter VI 1826
Chapter VII 1826
Chapter VIII 1826
Chapter IX 1826
Chapter X 1826
Chapter XI 1826
Vol. VII Contents.
Vol VII Preface
Chapter I 1826-27
Chapter II 1827
Chapter III 1828
Chapter IV 1828
Chapter V 1829
Chapter VI 1830
Chapter VII 1830-31
Chapter VIII 1831
Chapter IX 1831
Chapter X 1831-32
Chapter XI 1832
Chapter XII
Vol VII Appendix
Index
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“Friend Mackay,

“My lawful occasions having brought me from my residence at Gandercleuch to this great city, it was my lot to fall into company with certain friends, who impetrated from me a consent to behold the stage-play, which hath been framed forth of an history entitled Rob (seu potius Robert) Roy, which history, although it existeth not in mine erudite work, entitled Tales of my Landlord, hath nathless a near relation in style and structure to those pleasant narrations. Wherefore, having surmounted those arguments whilk were founded upon the unseemliness of a personage in my place and profession appearing in an open stage-play house, and having buttoned the terminations of my cravat into my bosom, in order to preserve mine incognito, and indued an outer coat over mine usual garments, so that the hue thereof might not betray my calling, I did place myself (much

“Between February 15th, 1819, and March 14th, 1837, Rob Roy was played in the Theatre-Royal, Edinburgh, 285 times.” Letter from Mr W. Murray.

LETTER TO CHARLES MACKAY.229
elbowed by those who little knew whom they did incommode) in that place of the Theatre called the two-shilling gallery, and beheld the show with great delectation, even from the rising of the curtain to the fall thereof.

“Chiefly, my facetious friend, was I enamoured of the very lively representation of Bailie Nicol Jarvie, in so much that I became desirous to communicate to thee my great admiration thereof, nothing doubting that it will give thee satisfaction to be apprised of the same. Yet further, in case thou shouldst be of that numerous class of persons who set less store by good words than good deeds, and understanding that there is assigned unto each stage-player a special night, called a benefit (it will do thee no harm to know that the phrase cometh from two Latin words, bene and facio), on which their friends and patrons show forth their benevolence, I now send thee mine in the form of a five-ell web (hoc jocose, to express a note for L.5), as a meet present for the Bailie, himself a weaver, and the son of a worthy deacon of that craft. The which propine I send thee in token that it is my purpose, business and health permitting, to occupy the central place of the pit on the night of thy said beneficiary or benefit.

“Friend Mackay! from one, whose profession it is to teach others, thou must excuse the freedom of a caution. I trust thou wilt remember that, as excellence in thine art cannot be attained without much labour, so neither can it be extended, or even maintained, without constant and unremitted exertion; and farther, that the decorum of a performer’s private character (and it gladdeth me to hear that thine is respectable) addeth not a little to the value of his public exertions.

“Finally, in respect there is nothing perfect in this world,—at least I have never received a wholly faultless
230 LIFE OF SIR WALTER SCOTT.  
version from the very best of my pupils—I pray thee not to let
Rob Roy twirl thee around in the ecstacy of thy joy, in regard it oversteps the limits of nature, which otherwise thou so sedulously preservest in thine admirable national portraicture of Bailie Nicol Jarvie. I remain thy sincere friend and well-wisher,

Jedediah Cleishbotham.”