Memoirs of the Life of Sir Walter Scott, Bart.
Walter Scott to Daniel Terry, 18 April 1819
“Abbotsford, 18th April, 1819.
“I am able (though very weak) to answer your kind
enquiries. I have thought of you often, and been on the point of writing or
dictating a letter, but till very lately I could have had little to tell you of
but distress and agony, with constant relapses into my unhappy malady, so that
for weeks I seemed to lose rather than gain ground, all food nauseating on my
stomach, and my clothes hanging about me like a potato-bogle,* with from five
or six to ten hours of mortal pain every third day; latterly the fits have been
much milder, and have at last given way to the hot bath without any use of
opiates; an immense point gained, as they hurt my general health extremely.
Conceive my having taken, in the course of six or seven hours, six grains of
opium, three of hyoscyamus, near 200 drops of laudanum, and all without any
sensible relief of the agony under which I laboured. My stomach is now getting
confirmed, and I have great hopes the bout is over; it has been a dreadful
set-to. I am sorry to hear Mrs Terry is
complaining; you ought not to let her labour, neither at Abbotsford sketches
nor at any thing else, but study to keep her mind amused as much as possible.
As for Walter, he is a shoot of an Aik,† and I have no fear of him; I hope he
remembers Abbotsford and his soldier namesake.
“I send the MS.—I wish you had written for it earlier.
My touching or even thinking of it was out of the question; my corrections
would have smelled as cruelly of the cramp, as the Bishop of Grenada’s homily‡ did of the apoplexy.
Indeed I hold myself inadequate to estimate those criticisms which rest on
stage effect, having
* Anglice—Scarecrow.
† Ditto—an Oak. ‡ Sermon—p. 241.
|
254 | LIFE OF SIR WALTER SCOTT. | |
been of late very little of a play-going person. Would to
Heaven these sheets could do for you what Rob Roy has done for Murray; he has absolutely netted upwards of
L.3000: to be sure the man who played
the Bailie made a piece of acting equal to whatever has been seen in the
profession. For my own part, I was actually electrified by the truth, spirit,
and humour which he threw into the part. It was the living Nicol Jarvie: conceited, pragmatical, cautious,
generous, proud of his connexion with Rob
Roy, frightened for him at the same time, and yet extremely
desirous to interfere with him as an adviser: The tone in which he seemed to
give him up for a lost man after having provoked him into some burst of
Highland violence—‘Ah Rab,
Rab!’ was quite
inimitable. I do assure you I never saw a thing better played. It is like it
may be his only part, for no doubt the Patavinity and knowledge of the
provincial character may have aided him much; but still he must be a wonderful
fellow; and the houses he drew were tremendous.
“I am truly glad you are settled in London—a
‘rolling stone’ the proverb is something musty: it is always
difficult to begin a new profession; I could have wished you quartered nearer
us, but we shall always hear of you. The becoming stage-manager at the
Haymarket, I look upon as a great step; well executed, it cannot but lead to
something of the same kind elsewhere. You must be aware of stumbling over a
propensity which easily besets you from the habit of not having your time fully
employed—I mean what the women very expressively call dawdling. Your motto must be Hoc
age. Do instantly whatever is to be done, and take the hours
of reflection or recreation after business, and never before it. When a
regiment is under march, the rear is often thrown into confusion because the
front do not move
| LETTER TO TERRY—APRIL 18, 1819. | 255 |
steadily and without interruption. It is the same thing with business. If that
which is first in hand is not instantly, steadily, and regularly despatched,
other things accumulate behind till affairs begin to press all at once, and no
human brain can stand the confusion; pray mind this—it is one of your few weak
points—ask Mrs Terry else. A habit of
the mind it is which is very apt to beset men of intellect and talent,
especially when their time is not regularly filled up, but left at their own
arrangement. But it is like the ivy round the oak, and ends by limiting, if it
does not destroy, the power of manly and necessary exertion. I must love a man
so well to whom I offer such a word of advice, that I will not apologize for
it, but expect to hear you are become as regular as a Dutch clock—hours,
quarters, minutes, all marked and appropriated. This is a great cast in life,
and must be played with all skill and caution.
“We wish much to have a plan of the great bed, that
we may hang up the tester. Mr Atkinson
offered to have it altered or exchanged; but with the expense of land-carriage
and risk of damage, it is not to be thought of. I enclose a letter to thank him
for all his kindness. I should like to have the invoice when the things are
shipped. I hope they will send them to Leith and not to Berwick. The plasterer
has broke a pane in the armoury. I enclose a sheet with the size, the black
lines being traced within the lead, and I add a rough drawing of the arms,
which are those of my mother. I should like it replaced as soon as possible,
for I will set the expense against the careless rascal’s account.
“I have got a beautiful scarlet paper inlaid with
gold (rather crimson than scarlet) in a present from India, which will hang the
parlour to a T: But we shall want some articles from town to enable us to take
possession of the parlour—namely, a carpet—you mentioned
256 | LIFE OF SIR WALTER SCOTT. | |
a wainscot pattern, which
would be delightful—item grates for said parlour and
armoury—a plain and unexpensive pattern, resembling that in my room (which
vents most admirably), and suited by half-dogs for burning wood. The sideboard
and chairs you have mentioned. I see Mr
Bullock (George’s
brother) advertises his museum for sale. I wonder if a good set of real tilting
armour could be got cheap there. James
Ballantyne got me one very handsome bright steel cuirassier of
Queen Elizabeth’s time, and
two less perfect for L.20—dog cheap; they make a great figure in the armoury.
Hangings, curtains, &c. I believe we shall get as well in Edinburgh as in
London; it is in your joiner and cabinet work that your infinite superiority
lies.
“Write to me if I can do aught about the play—though
I fear not: much will depend on Dumbiedykes, in whom Liston
will be strong. Sophia has been chiefly
my nurse, as an indisposition of little Charles called Charlotte to
town. She returned yesterday with him. All beg kind compliments to you and
Mrs Terry and little Walter. I remain your very feeble but
convalescent to command,
“P.S.—We must not forget the case for the leaves
of the table while out of use; without something of the kind I am afraid
they will be liable to injury, which is a pity, as they are so very
beautiful.”*
William Atkinson (1774-1839)
English architect who worked at Sir Walter Scott's Abbotsford; he published
Views of Picturesque Cottages (1805).
James Ballantyne (1772-1833)
Edinburgh printer in partnership with his younger brother John; the company failed in the
financial collapse of 1826.
George Bullock (1782-1818)
English cabinetmaker in Liverpool and London, the brother of the museum-director William
Bullock; his clients included Walter Scott.
William Bullock (1780 c.-1849)
Naturalist and antiquary who in 1795 opened a museum in Liverpool; in 1809 his
collections opened in London as the Liverpool Museum.
John Liston (1776 c.-1846)
English comic actor who performed at the Haymarket and Covent Garden.
Charles Mackay (1787-1857)
Scottish actor who performed characters from Walter Scott's novels, notably Bailie Nichol
Jarvie.
William Henry Murray (1790-1852)
Actor and theater manager, the illegitimate son of the playwright Charles Murray; he
performed in Ediburgh adaptations of Walter Scott's novels.
Charles Scott (1805-1841)
The younger son of Sir Walter Scott; educated at Oxford, he pursued a career in diplomacy
and died in Tehran.
Daniel Terry (1789-1829)
English actor; after a career in provincial theater made his London debut in 1812. A
close friend of Walter Scott, he performed in theatrical adaptations of Scott's
novels.
Elizabeth Wemyss Terry [née Nasmyth] (1793-1862)
Painter and wife of Walter Scott's friend Daniel Terry; after the death of her first
husband she married the lexicographer Charles Richardson (1775-1865) in 1835.
Walter Scott Terry (1816-1842)
The son of the actor Daniel Terry; he was a lieutenant in the Bombay Artillery, mortally
wounded fighting at the Khyber Pass. Walter Scott was his godfather.