Memoirs of the Life of Sir Walter Scott, Bart.
Sir Walter Scott to Daniel Terry, 9 January 1823
“Abbotsford, January 9th, 1823.
“It is close firing to answer letters the day they
come to hand, but I am afraid of losing opportunities, as in the case of the
mirror, not to be retrieved. I am first to report progress, for your
consideration and Mr Atkinson’s,
of what I have been doing here. Every thing about the house has gone
à rien mieux, and the
shell is completely finished; all the upper story and garrets, as well as the
basement, have had their first coat of plaster, being first properly fenced
from the exterior air. The only things which we now greatly need are the
designs for the ceilings of the hall and drawing-room, as the smiths and
plasterers are impatient for their working plans, the want of which rather
stops them. I have taken actual, real, and corporal possession of my
sitting-room, which has been fitted with a temporary floor, door, and
window—the oratory, and the door into the library, being bricked up
ad interim. This was a stop
of necessity, as my books began to suffer in Peter’s garret, so they were brought up to the said room,
and are all ranged in their old shelves and presses, so as to be completely
comeatable. They have been now there a fortnight without the least appearance
of damp, so dry
do the brick facings
make the wall; and as we keep good fires in the place (which, by the by, vents
like all Mr Atkinson’s chimneys, in a superior
style), I intend they shall remain there till they are transferred to the
Library, so that this room will be fitted up last of all. I shall be then able
to judge of a point on which I have at present some doubt—namely, the capacity
of my library to accommodate my books. Should it appear limited (I mean making
allowance for future additions) I can perhaps, by Mr
Atkinson’s assistance, fit up this private room with a
gallery, which might enter by carrying the stair up the oratory, and renouncing
the idea of fitting it up. The cedar, I assure you, is quite beautiful. I have
had it sawn out into planks, and every one who looks at it agrees it will be
more beautiful than oak. Indeed, what I have seen of it put to that use, bears
no comparison unless with such heart of oak as Bullock employed, and that you know is veneered. I do not go on
the cry in this, but practical knowledge, for Mr
Waugh, my neighbour, a West Indian planter (but himself bred a
joiner), has finished the prettiest apartment with it that I ever saw. I should
be apt to prefer the brass notches, were the difference only what you mention,
namely, L.20; but I cannot make out how that should be, unless by supposing the
joiners’ wages much higher than with us. But indeed, in such a library as
mine, when the books are once catalogued, I could perhaps in many instances
make fixed shelves answer the turn, by adopting a proper arrangement from the
beginning. I give up the Roslin drop in the oratory—indeed I have long seen it
would not do. I think the termination of it may be employed as the central part
of Mr Atkinson’s beautiful plan for the recess in
the library; by the by, the whole of that ceiling, with the heads we have got,
will be the prettiest thing ever seen in these parts.
240 |
LIFE OF SIR WALTER SCOTT. |
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“The plan preferred for the door between the
entrance-hall and ante-room, was that which was marked B. To make this plain, I
reinclose A and C—which mode of explaining myself puts me in mind of the
evidence of an Irish officer—‘We met three rebels, one we shot, hanged
another, the third we flogged and made a guide
of.’—‘Which of the three did you flog and make a guide
of?’—‘Him whom we neither shot nor hanged.’
Understand, therefore, that the plan not returned is that fixed upon. I think
there is nothing left to say about the house excepting the chimney-pieces. I
have selected for the hall chimney-piece one of the cloister arches of Melrose,
of which I enclose an accurate drawing. I can get it finished here very
beautifully, at days’ wages, in our dark red freestone. The chimneys of
drawing-room, library, and my own room, with grates conforming, will be got
much better in London than any where else; by the by, for the hall I have got
an old massive chimney-grate which belonged to the old persecutor Bishop Sharp, who was murdered on Magus Muir.
All our grates must be contrived to use wood as well as coal, with what are
called half-dogs.
“I am completely Lady
Wishfort as to the escritoire. In fact, my determination would
very much depend on the possibility of showing it to advantage; for if it be
such as is set up against a wall, like what is called, par excellence, a writing-desk, you know
we have no space in the library that is not occupied by book-presses. If, on
the contrary, it stands quite free, why, I do not know—I must e’en leave
it to you to decide between taste and prudence. The silk damask, I fancy, we
must have for the drawing-room curtains; those in the library we shall have of
superfine crimson cloth from Galashiels, made of mine own wool. I should like
the silk to be sent down in the bales, as I wish these curtains to be made
up on a simple useful pattern, without
that paltry trash of drapery, &c. &c. I would take the armoury curtains
for my pattern, and set my own tailor, Robin Goodfellow,
to make them up; and I think I may save on the charge of such an upholsterer as
my friend Mr Trotter much of the difference in the value
of materials. The chairs will be most welcome. Packing is a most important
article, and I must be indebted to your continued goodness for putting that
into proper hands. The mirror, for instance—O Lord, sir!
“Another and most important service would be to
procure me, from any person whom Mr
Atkinson may recommend, the execution of the enclosed commission
for fruit-trees. We dare not trust Edinburgh; for though the trade never makes
a pause in furnishing you with the most rare plants, insomuch that an old
friend of mine, the original Jonathan
Oldbuck, having asked one of them to supply him with a dozen of
anchovies, he answered ‘he had plenty of them, but, being a delicate
plant, they were still in the hothouse’ yet, when the said plants
come to bear fruit, the owner may adopt the classical line—
‘Miratur novas frondes et non sua poma.’ |
My new gardener is a particularly clever fellow in his way, and thinks the
enclosed kinds like to answer best. Our new garden-wall will be up in spring,
time enough to have the plants set. By the way, has Mr
Atkinson seen the way of heating hot-houses, &c., adapted by
Mr Somebody at Glasgow, who has got a patent? It is by a new application of
steam, which is poured into a vaulted roof, made completely air-tight, except
where it communicates with an iron box, so to speak, a receptacle of the heated
air. This vaulted recess is filled with bricks, stones, or such like
substances, capable of 242 | LIFE OF SIR WALTER SCOTT. | |
receiving and retaining an extreme
degree of heat from the steam with which they are surrounded. The steam itself
is condensed and carried off; but the air, which for many hours continues to
arise from these heated bricks, ascends into the iron receptacle, and is let
off by ventilators into the space to be heated in such quantities as may be
desired. The excellence of this plan is not only the saving of fuel, but also
and particularly the certainty that the air cannot be overheated, for the
temperature at hottest does not exceed 95 degrees—nor overchilled, for it
continues to retain, and of course to transmit, the same degree of heated air,
or but with little variation, for ten or twelve hours, so as to render the
process of forcing much more certain and simple than it has been from any means
hitherto devised. I dare say that this is a very lame explanation, but I will
get a perfect one for Mr Atkinson if he wishes it. The
Botanical Garden at Glasgow has adopted the plan, and they are now changing
that of Edinburgh for the same purpose. I have not heard whether it has been
applied to houses; but, from the principle, I should conceive it practicable.
“Peveril has been stopped ten days, having been driven back to Leith
Roads by stress of weather. I have not a copy here, but will write to Ballantyne to send you one forthwith. I am
sick of thinking of it myself. We hear of you often, and always of your
advancing favour with the public. It is one of many cases in which the dearly
beloved public has come round to my decided opinion, after seeming to waver for
a time. Washington Irving’s
success is another instance of the same. Little
Walter will, I hope, turn out all we can wish him; and Mrs Terry’s health, I would fain hope,
will be completely re-established. The steam-boats make a jaunt to Scotland
comparatively so speedy and easy, that I hope you will sometimes cast both of
yourselves this way. Abbotsford, I am sure, will please you, when
you see all your dreams realized, so
far as concerns elevation, &c.
“John Thomson,
Duddingstone, has given me his most splendid picture, painted, he says, on
purpose for me a true Scottish scene. It seems to me that many of our painters
shun the sublime of our country, by labouring to introduce trees where
doubtless by search they might be found, but where most certainly they make no
conspicuous part of the landscape, being like some little folks who fill up a
company, and put you to the proof before you own to have seen them. Now this is
Fast Castle, famous both in history and legend, situated near St Abb’s
Head, which you most certainly must have seen, as you have cruized along the
coast of Berwickshire. The view looks from the land down on the ragged ruins, a
black sky and a foaming ocean beyond them. There is more imagination in the
picture than in any I have seen of a long time a sort of Salvator Rosa’s doings.—Revenons à nos moutons. I find that
the plans for the window-shutters of the entrance-hall are much wanted. My
wainscot will not be altogether seven feet—about six. Higher it cannot be,
because of the pattern of the Dunfermline part; and lower I would not have it,
because the armour, &c. must be suspended beyond the reach of busy and rude
fingers, to which a hall is exposed. You understand I mean to keep lighter,
smaller, and more ornate objects of curiosity in the present little room, and
have only the massive and large specimens, with my fine collection of horns,
&c., in the hall. Above the wainscot, I propose the wall to be planked and
covered with cartridge paper, and then properly painted in wainscot, to match
the arrangement beneath.
“I have now, as your own Dogberry says, bestowed all my tediousness upon you;—yet I have
still a question
244 | LIFE OF SIR WALTER SCOTT. | |
of yours to answer on a certain
bookseller’s part. Unquestionably I know many interesting works of the
kind he mentions which might be translated from the German:—almost all those of
Musæus, of which Beddoes made two volumes, and which are
admirably written; many of La Motte
Fouque; several from the collection bearing the assumed name of
Beit Weber. But there is a point more essential to
their success with the British public than even the selection. There is in the
German mode of narration, an affectation of deep metaphysical reflection and
protracted description and discussion, which the English do not easily
tolerate; and whoever translates their narratives with effect should be master
of the taste and spirit of both nations. For instance, I lately saw a
translation of ‘Sintram und seine
Gefahrten,’ or Sintram and his Comrades, the story in the world
which, if the plot were insinuated into the boxes, as
Bayes says, would be most striking,
translated into such English as was far more difficult to me than the original
German. I do not know where an interpreter such as I point to could be found;
but a literal jog-trotter, such as translated the
passages from Goëthe annexed to the
beautiful engravings, which you sent me,* would never make a profitable job.
The bibliopole must lay his account to seek out a man of fancy, and pay him
well. I suppose my friend Cohen†
is above superintending such a work, otherwise he is the man to make something
of it. Perhaps he might be induced to take it in hand for the love of the task.
All who are here—namely, my lovely lady and the Lady Anne—salute you and Mrs
Terry with the most sincere good wishes.—Faithfully yours,
|
PEVERIL OF THE PEAK—JANUARY, 1823. |
245 |
“P.S. Direct to Edinburgh, where I shall be on the
14th. Perhaps the slightest sketch of the escritoire might enable me to
decide. If I could swop my own, which cost me L.30, it might diminish my
prudential scruples. Poor little Johnnie would have offered the prime cost at once. Your
letter shall go to James Ballantyne.
I think I have something new likely to be actually dramatical. I will send
it you presently; but, on your life, show it no one, for certain reasons.
The very name is kept secret, and, strange to tell, it will be printed
without one.”
William Atkinson (1774-1839)
English architect who worked at Sir Walter Scott's Abbotsford; he published
Views of Picturesque Cottages (1805).
James Ballantyne (1772-1833)
Edinburgh printer in partnership with his younger brother John; the company failed in the
financial collapse of 1826.
John Ballantyne (1774-1821)
Edinburgh publisher and literary agent for Walter Scott; he was the younger brother of
the printer James Ballantyne.
William Thomas Beckford (1760-1844)
English novelist and aesthete, son of the Jamaica planter and Lord Mayor William Beckford
(1709-1770), author of
Vathek: An Arabian Tale, surreptitiously
translated and published in 1786. He was MP for Wells (1784-90) and Hindon (1790-94,
1806-20).
George Bullock (1782-1818)
English cabinetmaker in Liverpool and London, the brother of the museum-director William
Bullock; his clients included Walter Scott.
Johann Wolfgang Goethe (1749-1832)
German poet, playwright, and novelist; author of
The Sorrows of Young
Werther (1774) and
Faust (1808, 1832).
Sir Francis Palgrave (1788-1861)
Barrister, medieval historian, and writer for the
Quarterly
Review; he was keeper of her majesty's records, 1838-61.
Salvator Rosa (1615-1673)
Italian painter whose wild landscapes were much admired by connoisseurs of the
picturesque.
Anne Scott (1803-1833)
Walter Scott's younger daughter who cared for him in his old age and died
unmarried.
James Sharp, archbishop of St Andrews (1618-1679)
Professor of Philosophy at St. Andrews; after his conversion to episcopacy he was made
archbishop in 1661. He was murdered by Covenenters on Magus Moor.
Daniel Terry (1789-1829)
English actor; after a career in provincial theater made his London debut in 1812. A
close friend of Walter Scott, he performed in theatrical adaptations of Scott's
novels.
Elizabeth Wemyss Terry [née Nasmyth] (1793-1862)
Painter and wife of Walter Scott's friend Daniel Terry; after the death of her first
husband she married the lexicographer Charles Richardson (1775-1865) in 1835.
Walter Scott Terry (1816-1842)
The son of the actor Daniel Terry; he was a lieutenant in the Bombay Artillery, mortally
wounded fighting at the Khyber Pass. Walter Scott was his godfather.
Robert Waugh (1754 c.-1832)
Jamaica planter who in 1807 built an estate called Harmony Hall near Melrose Abbey, where
he is buried. In Sir Walter Scott's family he was known as “Melancholy Jaques.”