Lady Morgan’s Memoirs
Thomas Dermody to Sydney Owenson, 2 February 1801
London, Feb. 2nd, 1801.
I received your very affectionate letter with the
sincerest transport, and take the earliest opportunity of answering it. Though
of late not unused to general adulation, when I pictured that angelic semblance
I had once seen, writing my encomium, the flattery, I confess, was of the most
pleasing kind. Did I not know your taste and accomplishments, indeed, in my
opinion unrivalled, the pleasure would be less. Why not mention my dear
Olivia? Why not tell me more of
your, I may say my, father, for as such
I shall ever respect him. I have a thousand things to say, so expect nothing
but incoherency. First for the army:—I am not now in commission, being
put on half-pay after the reducement of the corps. I have lost the use of my
left hand, and received two wounds more, being in five different engagements;
however, I do not know but I shall be promoted, having lately had a line from
His Royal Highness the Duke—of this you shall hear more. Now for
literature; besides the little volume you have seen, there have been two
satirical poems of mine, published under the signature of “Mauritius
Moonshine;” one, the Battle of the Bards, the other, More
Wonders, besides a variety of biographical and critical
pieces in the monthly publications. I have just transcribed another volume of
202 | LADY MORGAN'S MEMOIR. | |
poetry for the press, which will be immediately
printed. I have now commenced my own memoirs, where some of my acquaintance
will not find me neglectful. I am not sure if a certain affair takes place, but
I shall be in Dublin about June next. Your father knows Grant, alias Raymond, the performer; he is here, but no
genius. Cooke is a constellation, the
everything, the rage. Curse fame! I am sick of it for my share. I had more
rapture in dropping a tear on the tomb of Abelard, in Normandy, than in the plaudits of all the reviews.
I have grown very much since you knew me, and, except a scar or two on my face,
am altered much for the better. You will see my picture in the next poems. I
request you speedily to write, with every domestic circumstance of moment. Your
father is certainly too sensible to deem me ungrateful. If this letter had been
as I first meditated, it would be all poetry, for, I assure you, my heart was
touched. I remember distinctly the last time I saw you; it is a long, long time
since. How could you remember me? I hope I shall yet see some of my dear
friends here, all is impossible. I have been melancholy since I got your
letter. No stranger is to see this letter, it is a miserable production for an
author, but it is sincere. Mind my injunctions, and pray answer me soon.
My dear and respected Sydney,
Yours ever,
Your epistle is much more poetical than some modern
compositions in rhyme. Direct to me,
“No. 28, Stratton Ground,
“Westminster, London.”
Peter Abelard (1079-1142)
French scholastic philosopher and lover of Heloise; he was the author of
Dialectica (1114-22).
Lady Olivia Clarke [née Owenson] (1785 c.-1845)
The younger sister of Lady Morgan who married Dublin physician Sir Arthur Clarke
(1778-1857) in 1808. She wrote songs and a play, and published in the
Metropolitan Magazine and
Athenaeum.
George Frederick Cooke (1756-1812)
Shakespearean actor in London and the United States; his journals became the basis for
the biography by the American playwright William Dunlop (1766-1839).
Thomas Dermody (1775-1802)
Prolific Irish poet whose early promise a child prodigy went unfulfilled; after the
publication of James Grant Raymond's 1806 biography he became a type of the wastrel
bard.
Robert Nugent Owenson (1744-1812)
Originally MacOwen; Irish actor who performed in London (where he was a friend of Oliver
Goldsmith) and founded theaters in Galway and London; he was the father of Lady
Morgan.
James Grant Raymond (1771-1817)
Originally Grant; actor and manager of Drury Lane Theater, and biographer of the Irish
poet Thomas Dermody.