Lady Morgan’s Memoirs
Sydney Owenson to Alicia Le Fanu, 9 December 1803
Strabane,
December 9th, 1803.
I read your little secret memoir with much the same
species of emotion as Uncle Toby listened
to
Trim’s account of Le Fevre, for more than once I wished I was
asleep.
You allude to the “imprudence of Ellen Maria Williams. Although I am perfectly
acquainted with her works, I know not anything of her history. May I hope in
your next for a little biographical sketch. Imprudence of conduct so frequently
connected with superiority of talent in woman, is, indeed, a solecism. Dare we
say with Burns, that “the light
which leads astray, is the light from
Heaven?” Salvater says, “the
primary matter of which woman is constituted is more flexible, irritable
and elastic than that of man;” added to this, their delicacy, the
ardour of their subtilized feelings, the warmth, the animated tenderness of
their affections; then, for a moment, conceive the influence of genius and
talent over this dangerous organization; conceive a flowing but dejected heart,
refined but desponding mind, escaping from the solitary state of isolation its
own superiority has plunged it in,—deceived by a gleam of sympathy, and
led “by passion’s meteor beam,” beyond the barrier
virtue has erected and which prudence never transgresses. Then, though we
lament, while we condemn, we almost cease to wonder. I had yesterday a letter
(four pages long) from Lady Clonbrock, with
an account of St.
Clair’s reception at Bath and Bristol. It is just
such as I knew you would wish for the bantling, who first sought protection and
countenance from yourself. I know you will smile at the vanity of this account;
but it set every particle of authorship afloat which had been for some time
grad-
240 | LADY MORGAN'S MEMOIR. | |
ually subsiding, Can you forgive me sending such a
letter of “shreds and patches,” to you as this? the truth is it has
been written by snatches,—sometimes with the “buzz and murmur of
those unfinished things one knows not what to call,” (who come in
droves to us every day) still sounding in my ears and dissipating every
propensity to common rationality; and sometimes by the side of an invalid
sister, who is paying the tribute of a rheumatic complaint for having too
closely adhered to the fashionable costume of the day; added to this, I began
my epistle in full dress, going to a party, that I continued it in deshabillé, and literally concluded
en bonnet de nuit; and then,
if you consider (according to Buffon)
that dress enters into the character, and becomes part of the individual
“man” (or woman), it will account for the nuances de style of this letter, which by
fits is sad, and by starts is wild! Adieu, my dear madam, have the goodness
de faire mes amitiés to
your fireside circle. My father desires to be respectfully remembered, and I
request you to believe, I am yours most sincerely,
The commissions I troubled you with—were to
inquire at Archer’s if the
London edition of St. Clair was come over, and at Power’s music-shop, Westmorland
Street, if “Castle Hyde”* was
published. I shall watch the post,—so have mercy on me!
John Archer (d. 1811)
Dublin bookseller who traded at Dame Street, 1788-1809.
Georges-Louis Leclerc, comte de Buffon (1707-1788)
French natural philosopher, author of
Histoire naturelle genéralé et
particulière (1749-1804) and an address to the French Academy,
Discours sur le style (1753).
Robert Burns (1759-1796)
Scottish poet and song collector; author of
Poems, chiefly in the
Scottish Dialect (1786).
James Power (1766-1836)
Dublin music publisher who moved to London in 1807 where he issued Moore's
Irish Melodies (1808-34).
Helen Maria Williams (1761-1827)
English poet, novelist, and miscellaneous writer who resided in France after 1788; she
published
Letters from France (1790-96).