Lady Morgan’s Memoirs
Lady Morgan to George Francis Mulvany, 27 March [1852]
William Street,
March 27.
Lady Morgan presents her compliments to
Mr. Mulvany, and, in answer to his
flattering note, begs to say, that any project for honouring the memory of
their illustrious countryman Moore,
cannot fail to interest her feelings or her pride, both as a personal friend
and as an Irish woman. With respect to Mr. Mulvany’s
allusion to Lady Morgan’s suggestion of a monumental
tablet in St. Patrick’s Cathedral (the Westminster Abbey of Ireland) it
was only incidentally made in a note to one of the best patrons of the
benevolent St. Patrick’s School Society in London. For the rest,
Lady Morgan presumes to say, that in the choice of a
site, and the selection of a monumental testimonial, climate and money are
necessary subjects of consideration; to “consult the genius of the
place in all,” is an old maxim of taste, and to have some regard to financial means,
is an indispensable restraint upon national enthusiasm in Ireland.
Lady Morgan has lived to see so
many “emerald crowns” national monuments,
tributary cenotaphs, and other such offerings decreed to national merit by
Irish gratitude through vocal acclamation and on paper, which “no
storied urn or ani-
mated bust,” ever
afterwards realised, that she now ventures to suggest the necessity of first
consulting the funds collected for a consummation so devoutly to be wished,
before any decision is made as to the quality of the testimonial.
Lady Morgan humbly gives her opinion, as Mr.
Mulvany asked it, and will be happy to contribute her very
limited influence to the promotion of that object, admirable in itself, and
doubly consecrated as being decided under the classical roof of Charlemont House, where all that was ever done
“wisest and best,” was debated and
carried into effect by that illustrious Irishman under whose banner Ireland was
first led forth against a foreign invader, and taught to resist domestic
despotism, the father of the always patriotic nobleman who is about to honour
the meeting by his presence.
Thomas Moore (1779-1852)
Irish poet and biographer, author of the
Irish Melodies (1807-34),
The Fudge Family in Paris (1818), and
Lalla
Rookh (1817); he was Byron's close friend and designated biographer.
George Francis Mulvany (1809-1869)
The son of the painter Thomas James Mulvany; he studied painting at the Royal Hibernian
Academy school and was the first director of the National Gallery of Ireland (1862).