My Friends and Acquaintance
Charles Lamb IX
IX.
LAMB AT HOME AND ABROAD.—ANECDOTES OE NORTHCOTE,
L.E.L., &c.—EVENING AT LEIGH
HUNT’S.—ANECDOTES OF COLERIDGE AND
LAMB.
As it is not the aim of this work to exalt or aggrandize the
intellectual pretensions of the persons to whom it relates, but only to give true sketches
of them as they appeared from the point of view from which the writer looked at them, I
shall resort very sparingly to those daily records which I occasionally made, of my
personal intercourse with them at set literary or other meetings, where they were more or
less on show, and consequently never perfectly themselves—any more
than a sitter for his portrait is until the artist has talked and enticed him into
forgetfulness of the occasion of his visit. What I profess to know and to depict of the
persons I treat of was gathered chiefly in that familiar tête-à-tête intercourse in which alone men show themselves for what
they really are. The startling strangeness of
Lamb’s utterances at those social meetings in
which he joined, either at his own house or elsewhere, though strikingly characteristic of
the turn of thought and tone of feeling which prompted them, were anything but indicative
of his personal and intellectual character, except as these were momentarily coloured and
modified by the circumstances acting upon them. Still, as these colourings and
modifications are part and parcel of the picture he has left on my recollection, the reader
may like, and, indeed, may be considered as entitled in Lamb’s
case, to see a few of those traits and touches which the self-painter was accustomed to
throw in when the beloved solitude of his studio was disturbed by the presence of
comparative strangers. And to this end I shall copy verbatim from a diary which, when made
at all, was invariably made on the night of the day to which it refers.
“December 5, 1826.—Spent the evening at Lamb’s. When I went in, they
(Charles and his sister) were alone, playing at cards
together.
“I took up a book on the table—
‘
Almack’s’—and Lamb said—‘Ay; that must be
all max to the lovers of scandal.’
“Speaking of Northcote, he related a story of him, illustrating his love for
doing and saying little malicious things. It was at a party at Sir Joshua Reynolds’s, where Boswell was present, and they were talking of
Malone, and somebody said that
Malone seemed to live in Shakespeare, and not to have a feeling or thought connected
with anything else; upon which Northcote
said—‘Then he must have been the meanest of mankind. The man who
sets up any other man as a sort of God, and worships him to the exclusion
of all other things and thoughts, must be the meanest of
men;—and everybody,’ said Northcote
(who was himself the original relator of the story), ‘everybody turned
and looked at Boswell.’
“We spoke of L. E.
L., and Lamb
said—‘If she belonged to me, I would lock her up and feed her on
bread and water till she left off writing poetry. A female poet, or female
author of any kind, ranks below an actress, I think.’
“—— was mentioned, and Lamb said
he seemed to him to be a sort of
L. E. L. in pantaloons.
“Bernard Barton
was mentioned, and Lamb said that he did
not write nonsense, at any rate—which all the rest of them did (meaning the
Magazine poets of the day). He was dull enough; but not nonsensical.
‘He writes English, too,’ said
Lamb, ‘which they do not.’
“H. C. R. came in
about half-past eight, and put a stop to all further conversation— keeping all
the talk to himself.
“Speaking of some German story, in which a man is made
to meet himself—he himself having changed forms with
some one else—the talk turned on what we should think of ourselves, if we could
see ourselves without knowing that it was ourselves.
R. said that he had all his life
felt a sort of horror come over him every time he caught a sight of his own
face in the glass; and that he was almost afraid to shave himself for the same
reason. He said that he often wondered how anybody could sustain an intimacy
with, much less feel a friendship for, a man with such a face. Lamb said—‘I hope you have
mercy on the barbers, and always shave
yourself.’
“Speaking of names, Lamb said—‘John of
Gaunt, time-honoured Lancaster,’ was the grandest
name in the world. On this R. spoke of a
Spanish pamphlet he had lately met with, describing the Reformation, in which
all the English names were changed to Spanish ones, and the fine effect it had.
It began by relating that a great prince named Don
Henriquez (Henry
VIII.) was married to a beautiful princess called La Donna Catalina (Queen Catherine)—that he was under the
influence of a wily priest named il Cardinal
Bolseo (Wolsey),
who advised him to divorce his chaste wife la Donna
Catalina, and unite himself to a foul though beautiful
witch named La Donna Anna Volena
(Anna Boleyn). Jane Seymour was called La Donna Joanna Sumaro, and her house (at
Greenwich) the castle of Grenuccio.
“Friday, July 13.—Spent the evening at Leigh Hunt’s, with the
Lambs, Atherstone, Mrs.
Shelley, and the Gliddons.
Lamb talked admirably about Dryden and some of the older poets, in
particular of Davenant’s
Gondibert. Of this Hunt wanted to show
that it consisted almost entirely of monosyllables, which give a most heavy and
monotonous effect to the versification; and he read some passages to that
effect. Lamb would not admit this, and he read an
admirable passage in reply, about a Museum of Natural Curiosities in which Man,
the pretended Lord of all the other creatures, hung by the wall, dry, like all
the rest, and even Woman, the Lord of Man, hung there too—‘and
she dried by him.’ The effect of the
passage was prodigious. . . .
“He (Lamb) spoke
of Dryden as a prodigious person, so far
as his wonderful power of versification went, but not a first-rate poet, or
even capable of appreciating such—giving instances from his prefaces in proof
of this. He spoke of Dryden’s prefaces as the finest
pieces of criticism, nevertheless, that had ever been
written, and the better for being contradictory to each other, because not
founded on any pretended rules.
“Hunt was asking how
it was necessary to manage in order to get Coleridge to come and dine. Lamb replied that he believed he (Cole-
ridge) was under a kind of watch and ward—alluding to the watchful care taken
of him by the
Gilmans, with whom he was
then residing. ‘Ah,’ said H., ‘vain
is the watch (
Mrs. G.), and
bootless is the ward’ (Mr.
G.), who always wore shoes.
“Lamb repeated one
of his own enormous puns. He had met Procter, and speaking of his little girl (then an infant),
Procter said they had called her Adelaide. ‘Ah,’ said
Lamb, ‘a very good name for her—Addle-head.’”
The two following anecdotes are so characteristic that, although they
reached me at second-hand, and may possibly, therefore, have been printed before, I will
not omit them. They were told me by James Smith (of
the “Rejected Addresses”),
at a dinner at the late Charles Matthews’s:—
Lamb and Coleridge were talking together on the incidents of
Coleridge’s early life, when he was beginning his career in
the Church, and Coleridge was describing some of the facts in his usual tone, when he paused, and said: “Pray, Mr.
Lamb, did you ever
hear me preach?”
“Damme,” said Lamb, “I
never heard you do anything else.”
The other anecdote was of a lady—a sort of social Mrs. Fry—who had been for some time lecturing Lamb on his irregularities.
At last, she said: “But, really, Mr. Lamb, I’m afraid
all that I’m saying has very little effect on you. I’m afraid, from your
manner of attending to it, that it will not do you much good.” “No,
ma’am,” said Lamb, “I don’t think
it will. But as all that you have been saying has gone in at this ear (the one next her) and out at the other, I dare say it will do this
gentleman a great deal of good,” turning to a stranger who stood on the other
side of him.
Edwin Atherstone (1788-1872)
English poet educated at the Fulneck Moravian School in Yorkshire; he was an associate of
the painter John Martin.
Bernard Barton (1784-1849)
Prolific Quaker poet whose verse appeared in many of the literary annuals; he was an
acquaintance of Charles Lamb.
Anne Boleyn (1500 c.-1536)
The second queen of Henry VIII, to whom she was secretly married in 1533; she was the
mother of Queen Elizabeth.
James Boswell (1740-1795)
Scottish man of letters, author of
The Life of Samuel Johnson
(1791).
Catherine of Aragon (1485-1536)
The daughter of King Ferdinand II of Aragon, she was briefly married to Prince Arthur,
afterwards becoming the first consort of his younger brother Henry VIII, who divorced her
in 1533.
Samuel Taylor Coleridge (1772-1834)
English poet and philosopher who projected
Lyrical Ballads (1798)
with William Wordsworth; author of
Biographia Literaria (1817),
On the Constitution of the Church and State (1829) and other
works.
Sir William Davenant (1606-1668)
English poet and playwright; he was poet laureate (1638) and founder of the Duke's
Company (1660).
John Dryden (1631-1700)
English poet laureate, dramatist, and critic; author of
Of Dramatick
Poesie (1667),
Absalom and Achitophel (1681),
Alexander's Feast; or the Power of Musique (1697),
The Works of Virgil translated into English Verse (1697), and
Fables (1700).
Elizabeth Fry [née Gurney] (1780-1845)
The daughter of the Quaker banker John Gurney (1749-1809), she was married Joseph Fry in
1800 and was a philanthropist and prison reformer.
Anne Gillman [née Harding] (1779 c.-1860)
Of Highgate, the daughter of James Harding; in 1807 she married the surgeon James
Gillman, afterwards Coleridge's friend and patron.
James Gillman (1782-1839)
The Highgate surgeon with whom Coleridge lived from 1816 until his death in 1834; in 1838
he published an incomplete
Life of Samuel Taylor Coleridge.
Arthur Gliddon (1788-1862)
Tobacconist in King Street, Covent Garden, and personal friend of Leigh Hunt, the husband
of Alistasia Gliddon.
James Henry Leigh Hunt (1784-1859)
English poet, journalist, and man of letters; editor of
The
Examiner and
The Liberal; friend of Byron, Keats, and
Shelley.
Charles Lamb [Elia] (1775-1834)
English essayist and boyhood friend of Coleridge at Christ's Hospital; author of
Essays of Elia published in the
London
Magazine (collected 1823, 1833) and other works.
Letitia Elizabeth Landon [L. E. L.] (1802-1838)
English poet who came to attention through the
Literary Gazette;
she published three volumes in 1825. She was the object of unflattering gossip prior to her
marriage to George Maclean in 1838.
Edmond Malone (1741-1812)
Irish literary scholar; member of Johnson's Literary Club (1782); edited the Works of
Shakespeare (1790) and left substantial materials for the notable variorum Shakespeare, 21
vols (1821).
Charles Mathews (1776-1835)
Comic actor at the Haymarket and Covent Garden theaters; from 1818 he gave a series of
performances under the title of
Mr. Mathews at Home.
James Northcote (1746-1831)
English portrait-painter and writer who exhibited at the Royal Academy; he wrote a
Life of Titian (1830).
Adelaide Anne Procter [Mary Berwick] (1825-1864)
The eldest child of Bryan Waller Procter; she contributed poetry to Dickens's periodicals
collected as
Legends and Lyrics (1858, 1861).
Bryan Waller Procter [Barry Cornwall] (1787-1874)
English poet; a contemporary of Byron at Harrow, and friend of Leigh Hunt and Charles
Lamb. He was the author of several volumes of poem and
Mirandola, a
tragedy (1821).
Sir Joshua Reynolds (1723-1792)
English portrait-painter and writer on art; he was the first president of the Royal
Academy (1768).
Henry Crabb Robinson (1775-1867)
Attorney, diarist, and journalist for
The Times; he was a founder
of the Athenaeum Club.
Mary Wollstonecraft Shelley [née Godwin] (1797-1851)
English novelist, daughter of William Godwin and Mary Wollstonecaft, and the second wife
of Percy Bysshe Shelley. She is the author of
Frankenstein (1818)
and
The Last Man (1835) and the editor of Shelley's works
(1839-40).
James Smith (1775-1839)
Solicitor and author; with his brother Horace he wrote
Rejected
Addresses (1812) and
Horace in London (1813).
Cardinal Thomas Wolsey (1471-1530)
English prelate and sometimes favorite of Henry VIII; he was lord chancellor (1515-29)
and bishop of York (1514-30). He died while under arrest for treason.