My Friends and Acquaintance
William Hazlitt X
Peter George Patmore, diary entry, 21 May 1822
May 21, 1822.—On Sunday, while we (Hazlitt and myself) were with John Hunt,* he (Hazlitt)
related two or three nice things about Jeffrey. One was a reply of his to Owen (of New Lanark), who had been relating to him something of
a person who, on visiting his (Owen’s) place, seemed
disposed chiefly to notice those of his people who were good-looking; on which
Owen said, “Now,
* Then confined in Coldbath Fields Prison for a
political offence. |
my plan is exactly the reverse of this. I notice in
particular those to whom nature has not been so bountiful as she has been
to the rest.” “Ah,” said
Jeffrey, “nature smiles on one, and Owen on
the other.”
On another occasion, when Owen was teazing Jeffrey
about his system, Jeffrey said, “But
Mr. Owen, according to all this that you are
telling me, you, who are the founder and inventor of
this system, on the supposition of its being capable of working these
effects, ought to be the best man in the world. Now, to tell you the truth,
I don’t see that you are any better than many other people that I
know. And what,” added Jeffrey, “do
you think he had the impudence to reply to this? Why, he bade me name the
persons to whom I alluded; and when I did so he took exceptions to them, as
persons not so good as himself.”
Speaking of Mrs.
Siddons and Miss
O’Neil, Hazlitt
said it was idle to compare them together; for, however excellent
Miss O’Neil might be, Mrs.
Siddons was above all excellence. He
added that he had said this to a party of Scotchmen at Edinburgh, and that
they did not understand what he meant; they did not seem
to see that there was anything in what he had said characteristic either of
Mrs. Siddons or of himself; and he related the story
as being perfectly characteristic of them—that however
acute they (the Scotch) may be to a certain point, beyond that they cannot feel
or appreciate anything.
Speaking of Walter Scott,
he said that when he was in Edinburgh, Jeffrey had offered to introduce him
(Hazlitt) to Scott, but that he
declined. He said to Jeffrey, “I should be
willing to kneel to him, but I could not take him by the hand.”
Alluding to Scott’s political opinions and his
supposed connexion with the Beacon
and Blackwood’s Magazine.
He afterwards said of Walter
Scott, “He seems to me to hang over Scottish literature
just as Arthur’s Seat hangs over Edinburgh, like a great hulking
lion.”*
Dined at ——’s with Hazlitt. He told
* I think he afterwards used this comparison in
print. |
some capital things of A——. When A—— was manager of the Italian
Opera, the king (George IV.) went one night,
accompanied by Lord Hertford, and
A—— and Taylor lighted them, as
usual, to the royal box. On ascending the stairs Lord
Hertford (who was growing very infirm at this time) slipped and
hurt himself, and had nearly fallen down, but evidently wished it not to be
noticed, and jumped up again, and pretended that nothing had happened. When
they reached the royal box, A——, instead of taking this
cue, which the marquis had given to all in attendance, addressed him, and
“hoped his lordship had not injured himself by the little accident
on the stairs?” The marquis, evidently hurt at this notice,
replied, “Accident—accident? what accident? What do you
mean?”
It was A—— himself who
related this story of his own blundering impertinence, but related it purely as
an instance of court manners—of the want of gratitude in the marquis for the
kind interest that he (A——) had taken in his infirmities.
“As if,” said Hazlitt, “it were the place of the manager
of a theatre to see any deficiencies in a
marquis!”
He told another story of A—— having taken some people to see Harlow’s copy of the Transfiguration (which Hazlitt described as very bad), and showing it
to them as a prodigiously fine thing; but on one of the party (who told the
story to Hazlitt) saying that he thought one of the heads,
pointing to it, a very bad one, he (A——) replied,
“Oh, I don’t mean to say that the heads are good. I’m
not praising the Transfiguration. I don’t think anything of that; it is the copy that I
speak of as inimitable. Its faults are the faults of the
original.”
He related another story of the same person (whom he
described as a singular embodiment of self-sufficient impertinence). On
entering a room at a friend’s house, where two or three persons were
collected round a picture, seemingly intent on admiring it, A—— walked towards the picture, but before he
had got half way to it, stopped and looked: “Ay,” said he,
“I see—a copy, evidently. I can see that from the cracks in
the varnish.” “Thus,”
said Hazlitt, “throwing out his
impertinence before him, as a herald of his approach, and, as is not
uncommon with him, pitching upon as a mark of the picture’s youth
precisely that which, if it indicated anything, indicated its
age.”
Speaking of having just called on
Andrews about a volume of Maxims that he was
writing, he said Andrews had spoken of his (Hazlitt’s) article about the Fight (between Neate and the Gas
Man) in the New
Monthly, and seemed to think it was unrivalled in its way.
P—— said, jokingly, “You mustn’t reckon
too much on his opinion; for it may have a rival before long:”
alluding jestingly to one that he (P.) was writing on the
same subject. “Why,” he said, “I am not going to
write another!”
He had just dined with Haydon, and related one or two things told by him
(Haydon) that passed at a dinner at
C——’s, where Y——, the tragedian, was present. Speaking of a recent
performance of his, which, by his own account, he had got through very
indifferently, he said quite seriously, “But, in fact, I have a kind
of feverette upon me
now.” He
(Y——) afterwards told what he considered as a very
interesting story, of his having actually been addressed by
name by a perfect stranger, while travelling in the Highlands of
Scotland—a fact which he seemed to regard as the summit of human celebrity.*
Speaking of the American character, Hazlitt related a story told him by
——, illustrating their coolness under uncommon
circumstances. He was spending an evening with an American family, when a young
man was shown into the room. On his entering, the master of the house got up
and went to him, saying, “Ah, George, how do you do?” The
young man replied that he was very well, and then took his seat among
* Hazlitt
afterwards related these two stories of Y—— to Northcote, and has reported (in the Boswell Redivivus)
N.’s characteristic commentary on the
latter of them. “Good God!” exclaimed
N., “did he consider this as a matter
of wonder, that, after showing himself as a sign for a number of
years, people should know his face? If an artist or an author were
recognised in that manner, it might be a proof of celebrity; but as
to an actor, a fellow who had stood in the pillory might as well be
proud of being pointed at.” |
the rest of the persons present. After a little while
something was said showing that the young man who had just joined the party was
related to the family, and had lately been absent from home. This led to
inquiries from the English visitor, and it turned out that the youth was the
son of the host, and had just arrived from China, and that this was the first
meeting after a separation of ten years!
William Ayrton (1777-1858)
A founding member of the Philharmonic Society and manager of the Italian opera at the
King's Theatre; he wrote for the
Morning Chronicle and the
Examiner.
George Henry Harlowe (1787-1819)
English painter who exhibited at the Royal Academy and visited Byron at the Palazzo
Mocenigo in 1818 shortly before his early death. He was a friend of William Jerdan.
Benjamin Robert Haydon (1786-1846)
English historical painter and diarist who recorded anecdotes of romantic writers and the
physiognomy of several in his paintings.
William Hazlitt (1778-1830)
English essayist and literary critic; author of
Characters of
Shakespeare's Plays (1817),
Lectures on the English Poets
(1818), and
The Spirit of the Age (1825).
Tom Hickman [The Gasman] (1795 c.-1822)
English prizefighter who died at the height of his career when the chaise he was driving
overturned when returning from a fight.
John Hunt (1775-1848)
English printer and publisher, the elder brother of Leigh Hunt; he was the publisher of
The Examiner and
The Liberal, in
connection with which he was several times prosecuted for libel.
Francis Jeffrey, Lord Jeffrey (1773-1850)
Scottish barrister, Whig MP, and co-founder and editor of the
Edinburgh
Review (1802-29). As a reviewer he was the implacable foe of the Lake School of
poetry.
James Northcote (1746-1831)
English portrait-painter and writer who exhibited at the Royal Academy; he wrote a
Life of Titian (1830).
Elizabeth O'Neill (1791-1872)
Irish-born actress who excelled in parts such as Ellen in the adaptation of Scott's
The Lady of the Lake; she retired in 1819 following her marriage to
William Wrixon-Becher (1780-1850), Irish MP.
Robert Owen (1771-1858)
English reformer who operated the cotton mill at New Lanark in Scotland and in 1825
founded the utopian community of New Harmony in Indiana.
Sarah Siddons [née Kemble] (1755-1831)
English tragic actress, sister of John Philip Kemble, famous roles as Desdemona, Lady
Macbeth, and Ophelia. She retired from the stage in 1812.
Charles Mayne Young (1777-1856)
English Shakespearean actor who began his professional career in 1798; he was admired in
Hamlet. He was a friend of Sir Walter Scott.
The Beacon. (1821). A Tory newspaper partly funded by Sir Walter Scott that ceased publication after its
financial backers objected to the scandals its contributors were raising.
Blackwood's Edinburgh Magazine. (1817-1980). Begun as the
Edinburgh Monthly Magazine,
Blackwood's assumed the name of its proprietor, William Blackwood after the sixth
number. Blackwood was the nominal editor until 1834.
New Monthly Magazine. (1814-1884). Founded in reaction to the radically-inclined
Monthly Magazine,
the
New Monthly was managed under the proprietorship of Henry
Colburn from 1814 to 1845. It was edited by Thomas Campbell and Cyrus Redding from
1821-1830.