Recollections of the Life of Lord Byron
Argument intended for English Bards and Scotch Reviewers
RECOLLECTIONS
OF THE
LIFE OF LORD BYRON,
FROM THE YEAR
1808 TO THE END OF 1814;
EXHIBITING
HIS EARLY CHARACTER AND OPINIONS, DETAILING THE PROGRESS OF HIS
LITERARY CAREER, AND INCLUDING VARIOUS UNPUBLISHED
PASSAGES OF HIS WORKS.
TAKEN FROM AUTHENTIC DOCUMENTS.
IN THE POSSESSION OF THE AUTHOR.
BY THE LATE
R. C. DALLAS, Esq.
TO WHICH IS PREFIXED
AN ACCOUNT OF THE CIRCUMSTANCES LEADING TO THE SUPPRESSION
OF LORD
BYRON’S CORRESPONDENCE WITH THE AUTHOR,
AND HIS LETTERS TO HIS MOTHER,
LATELY
ANNOUNCED FOR PUBLICATION.
LONDON:
PRINTED FOR CHARLES KNIGHT, PALL-MALL-EAST.
MDCCCXXIV.
ARGUMENT INTENDED FOR THE SATIRE.
The poet considereth times past and
their poesy—maketh a sudden transition to times present—is incensed
against book-makers—revileth W. Scott
for cupidity and ballad-mongering, with notable remarks on Master Southey—complaineth that
Master Southey hath inflicted three poems, epic and
otherwise, on the public—inveigheth against Wm. Wordsworth, but laudeth Mr.
Coleridge and his elegy on a young ass—is disposed
to vituperate Mr. Lewis—and
greatly rebuketh Thomas
Little (the late) and the Lord
Strangford—recommendeth Mr.
Hayley to turn his attention to prose—and exhorteth the
Moravians to glorify Mr.
Grahame—sympathizeth with the Rev.
Bowles—and deploreth the melancholy fate of Montgomery—breaketh out into invective
against the Edinburgh
Reviewers—calleth them hard names, harpies, and the
like—apostrophiseth Jeffrey and
prophesieth—Episode of Jeffrey and Moore, their jeopardy and deliverance;
portents on the morn of the combat; the Tweed, Tolbooth, Frith of Forth
severally shocked; descent of a goddess to save Jeffrey;
incorporation of the bullets
with his sinciput and
occiput—Edinburgh Reviews en masse—Lord
Aberdeen, Herbert,
Scott, Hallam,
Pillans, Lambe, Sydney Smith,
Brougham, &c.—The Lord Holland applauded for dinners and
translations—The Drama; Skeffington, Hook,
Reynolds, Kenney, Cherry, &c.—Sheridan, Colman, and
Cumberland called upon to
write—Return to poesy—scribblers of all sorts—Lords sometimes
rhyme; much better not—Hafiz,
Rosa Matilda, and X. Y.
Z.—Rogers, Campbell, Gifford, &c., true poets—Translators of the Greek
Anthology—Crabbe—Darwin’s style—Cambridge—Seatonian
Prize—Smythe—Hodgson—Oxford—Richards—Poeta loquitur—Conclusion.
Anonymous,
“Dallas’s Recollections of Lord Byron” in Gentleman’s Magazine
Vol. 94 (November 1824)
Mr. DALLAS, the author of the
“Recollections,” has
soon followed the subject of his work to the “bourne whence no traveller
returns.” He was at the time of his death 70 years of age, and was personally
connected with the Noble Lord’s family, his sister
having married the father of the present Peer. These circumstances led, at one period of his
Lordship’s life, to a degree of intimacy; in the course of which Mr.
Dallas not only became one of his Correspondents, but was entrusted with the
duty of an Editor to several of his poems, and lastly was made the depositary of many of his
Lordship’s confidential letters to his mother and other persons. Whether those letters
were or were not intended by Lord Byron to see the light at
a future period, is a matter of some doubt. We confess we think they were; but his executors
have restrained their publication. A long “preliminary statement,” of 97 pages,
drawn up by the Rev. A. R. C. Dallas, son of the Author,
is occupied with the disputes between his father and the executors, who obtained an injunction
from the Court of Chancery against the publication of the Letters. We pass over this, and come
to the “Recollections.” . . .
Anonymous,
“Dallas’s Recollections of Lord Byron” in Gentleman’s Magazine
Vol. 94 (November 1824)
In our review of Capt.
Medwin’s book (p. 436), we have observed, that the publication of Childe Harold was
“the crisis of Lord Byron’s fate as a
man and a poet.” The present volume sets this truth in the strongest light;
but it adds a fact so extraordinary, that if it were not related so circumstantially, we
own we should hesitate to give it credence—this fact is, that Lord
Byron himself was insensible to the value of Childe Harold, and could with difficulty be brought to
consent to its publication! He had written a very indifferent paraphrase of Horace’s Art of Poetry, and was anxious to have it
published. . . .
Anonymous,
“Dallas’s Recollections of Lord Byron” in Gentleman’s Magazine
Vol. 94 (November 1824)
Childe Harold, with all its moral
faults, is beyond a doubt the great work of Lord Byron. No
one, after reading it, can deny him to be a Poet. Yet was this production the ruin of his
Lordship’s mind. “The rapidity of the sale of the Poem,” says Mr. Dallas, “its reception, and the elution of the
author’s feelings were unparalleled.” This elation of feeling was the
outbreaking of an inordinate vanity which had at last found its food, and which led him in the
riotous intoxication of his passions to break down all the fences of morality, and to trample
on everything that restrained his excesses. Mr. Dallas rendered him
essential service, by persuading him to omit some very blamable stanzas: and when he could not
prevail on him to strike out all that was irreligious, he entered a written Protest against certain passages. This protest, which is a very curious document, is
preserved in p. 124 of the volume before us. Probably Lord Byron grew
weary of such lecturing; for in a few years he dropped his intimacy with Mr.
Dallas, and fell into other hands, which only accelerated his degradation. . . .
Anonymous,
“Dallas’s Recollections of Lord Byron” in Gentleman’s Magazine
Vol. 94 (November 1824)
It certainly does appear that Mr. Dallas,
from the first to the last of his intimacy with Lord Byron,
did every thing that a friend, with the feelings of a parent, could do to win his Lordship to
the cause of virtue, but unhappily in vain. . . .
Anonymous,
“Dallas’s Recollections of Lord Byron” in Gentleman’s Magazine
Vol. 94 (November 1824)
The concluding chapter of this book is written by Mr. Dallas, jun. to whom his father on his death-bed confided the task of
closing these “Recollections.” This Gentleman’s
reflections on the decided and lamentable turn which the publication of Childe Harold gave to Lord Byron’s character, are forcible and just. . . .
[John Cam Hobhouse],
“[Review of Dallas and Medwin on Byron]” in Westminster Review
Vol. 3 (January 1825)
Since
Orrery wrote his defamatory life of Swift, and since Mr.
Wyndham published Doddington’s diary, in order to expose the author of that strange record of venality, we are not
aware that the friends or family of any writer have deliberately set down to diminish his
fame and tarnish his character. Such, however, has been the case in the work before us. We
do not mean to say that such was the first object in view by the author or authors of this
volume. No; their first object was the laudable motive of putting money into their purses;
for it appears upon their own showing, that Mr. R. C. Dallas, having
made as much money as he could out of lord Byron in his life time,
resolved to pick up a decent livelihood (either in his own person or that of his son) out
of his friend’s remains when dead. . . .
[John Cam Hobhouse],
“[Review of Dallas and Medwin on Byron]” in Westminster Review
Vol. 3 (January 1825)
But it appears that Mr. R. C. Dallas
could not wait for his money so long as was requisite, and that in the year 1819 he became
a little impatient to touch something in his life time: accordingly, in an evil hour, he
writes a long long letter to lord Byron, containing a debtor and
creditor account between R. C. Dallas and his lordship; by which, when
duly balanced, it appeared that said lord Byron was still considerably
in arrears of friendship and obligation to said R. C. Dallas, and
ought to acquit himself by a remittance of materials (such is
Mr. R. C. Dallas’s own word, in his own letter, as will be
seen by and by) to his creditor Mr. R. C.
Dallas. . . .
[John Cam Hobhouse],
“[Review of Dallas and Medwin on Byron]” in Westminster Review
Vol. 3 (January 1825)
The death of lord Byron, of
course, seemed at once to promise this settlement: no sooner had he heard it, than he set
about copying the manuscripts; he wrote to Messrs.
Galignani at Paris, to know whether they would “enter into the speculation” of publishing some very interesting manuscripts
of lord Byron; he set off for London; he sold the volume to a London:
bookseller, and “he returned without loss of time to
France.” His worthy son has told us all this himself, at pages 94 and 96 of his
volume, and has actually printed the letter his father wrote to Messrs.
Galignani, to show, we suppose, how laudably alert Mr. R. C.
Dallas evinced himself to be on this interesting opportunity of securing his
lawful property. The booksellers, also, performed their part; they announced the “Private Correspondence” of lord Byron for
sale; and, as it also appears by this volume, were so active as to be prepared to bring
their goods to market before lord Byron’s funeral. . . .
[John Cam Hobhouse],
“[Review of Dallas and Medwin on Byron]” in Westminster Review
Vol. 3 (January 1825)
They thought
differently of the publication of private letters; and Mrs. Leigh
desired Mr. Hobhouse one of the executors, to write
to Mr. R. C. Dallas to say, that she should think the publication, in
question “quite unpardonable,” at least for the present, and unless
after a previous inspection by his lordship’s family. Unfortunately for Mr.
Dallas, it appears, according to this volume, that Mr.
Hobhouse did not in this letter, state that he was lord
Byron’s executor; but merely appealed to Mr. R. C.
Dallas’s “honour and feeling,” wishing
probably to try that topic first; and thinking it more respectful to do so, than to
threaten the author with legal interference at once. . . .
[John Cam Hobhouse],
“[Review of Dallas and Medwin on Byron]” in Westminster Review
Vol. 3 (January 1825)
Mr. Dallas was resolved upon getting his money, and wrote a very angry
letter, not to Mr. Hobhouse but to Mrs. Leigh
(which, his prudent son has also printed), containing menaces not unkilfully calculated to
intimidate that lady, especially considering that she must have been at that moment
peculiarly disposed to receive any unpleasant impressions—her brother’s corpse
lying yet unburied. For an author and seller of Remains the time was
not ill chosen—by a gentleman and a man, another moment, to say nothing of another
style, might perhaps have been selected. But no time was to be lost; the book must be out
on the 12th of July, and out it would have been had not the executors procured an
injunction against it on the 7th of the same month, and thus very seriously damaged, if not
ruined, Mr. R. C. Dallas’s “speculation.” . . .
[John Cam Hobhouse],
“[Review of Dallas and Medwin on Byron]” in Westminster Review
Vol. 3 (January 1825)
Ninety-seven
pages of the volume are taken up with a statement of the proceedings in Chancery, which
were so fatal to the “speculation.” In this statement, which is written by
Mr. Alexander Dallas, the son of Mr.
R. C. Dallas, who died before the volume could be published, it may easily
be supposed that all imaginable hard things are said of those who spoiled the speculation.
The executors, and lord Byron’s sister, are spoken of in terms
which, if noticed, would certainly very much increase those “expenses” of which the Rev. Alexander Dallas so
piteously complains; for we doubt if any jury would hesitate to return a verdict of libel
and slander against many passages which we could point out in the preliminary
statement. . . .
[John Cam Hobhouse],
“[Review of Dallas and Medwin on Byron]” in Westminster Review
Vol. 3 (January 1825)
Lord Byron was taken into Scotland by his mother and
father, and Mrs. Leigh was left in England with her
grandmother, to whom her father had consigned her on condition that she should provide for
her. They were thus separated from 1789 until lord Byron came to
England; when thy met as often as possible, although it was not easy to bring them
together, as Mrs. Byron, the mother of
lord Byron, had quarrelled with lady
Holdernesse. For the intercourse which did take place, the brother and
sister were indebted to the kind offices of lord
Carlisle. . . .
[John Cam Hobhouse],
“[Review of Dallas and Medwin on Byron]” in Westminster Review
Vol. 3 (January 1825)
That lord Byron might have dropt an
unguarded opinion as to relationship in general is possible, though such an error is
nothing in comparison with the atrocity of coolly recording that opinion as if it had been
an habitual sentiment, which we say it was not. We say that it is untrue that lord Byron declaimed against the ties of
consanguinity. It is untrue that he entirely withdrew from the
company of his sister during the period alluded to. It is untrue
that he “made advances” to a friendly intercourse with her only after the
publication of Childe Harold, and only at
the persuasion of Mr. R. C. Dallas. Mrs. Leigh corresponded with lord Byron at the very time
mentioned, and saw in lord Carlisle’s house in
the spring of 1809; after which he went abroad, and did not return until July 1811. . . .
[John Cam Hobhouse],
“[Review of Dallas and Medwin on Byron]” in Westminster Review
Vol. 3 (January 1825)
We speak from the same authority, when we say that what is said of
lord Carlisle, though there was, as all the world
knows, a difference between his lordship and lord Byron,
is also at variance with the facts. . . .
[John Cam Hobhouse],
“[Review of Dallas and Medwin on Byron]” in Westminster Review
Vol. 3 (January 1825)
Such was Mr. Alexander
Dallas’s letter to Mr.
Hobhouse; and that he should, after writing such a letter, make a statement
which he knew the production of that letter could positively contradict, is an instance of
confidence in the forbearance of others such as we never have happened before to witness.
We beg the reader to compare the words in italics from Mr.
Dallas’s statement with the words in capitals from Mr.
Dallas’s letter—and then to ask himself whether he thinks
lord Byron’s
reputation, or that of his relations and friends, has much to suffer or
fear from such a censor as the Reverend Alexander Dallas. In the
Statement, he tells the world that Mr. Hobhouse is mentioned in
lord Byron’s letters in the enumeration of his suite; and,
in a remark, that lord Byron was satisfied at being alone. In the
letter, he tells Mr. Hobhouse, that “he (Mr.
Hobhouse) is mentioned throughout the whole of the correspondence with great
affection.” . . .
[John Cam Hobhouse],
“[Review of Dallas and Medwin on Byron]” in Westminster Review
Vol. 3 (January 1825)
It answered the purpose of the editor to
deal in the strongest insinuations against Mr. Hobhouse; but,
unfortunately, his father had, in the course of his correspondence with lord
Byron, mentioned that gentleman in very different terms—what does
the honest editor do? he gives only the initial of the name, so that the eulogy, such
as it is, may serve for any Mr. H * *. Mr. R. C.
Dallas’s words are, “I gave Murray your note on M * *, to be placed in the page with Wingfield. He must have been a very extraordinary
young man, and I am sincerely sorry for H * *, for whom I have felt an
increased regard ever since I heard of his intimacy with my son at Cadiz, and that they
were mutually pleased” [p. 165]. The H * * stands for
Hobhouse, and the M * * whom R. C. Dallas
characterises here, “as an extraordinary young man,” becomes, in the hands
of his honest son, “an unhappy Atheist” [p. 325], whose name he mentions,
in another place, at full length, and characterises him in such a way as must give the
greatest pain to the surviving relations and friends of the deceased. . . .
[John Cam Hobhouse],
“[Review of Dallas and Medwin on Byron]” in Westminster Review
Vol. 3 (January 1825)
We now come to the reverend gentleman’s father, and as the death of
lord Byron did not prevent that person from writing
what we know to be unfounded of his lordship, we shall not refrain, because he also is
dead, from saying what we know to be founded of Mr. R. C.
Dallas. In performing this task we are, most luckily, furnished with a list
of Mr. Dallas’s pretensions, by Mr. Dallas
himself, in the shape of a letter written by that person to lord Byron
in 1819, of which the Reverend Alexander Dallas has
thought fit to publish a considerable portion. To this letter, or list of Mr. R.
C. Dallas’s brilliant virtues, and benefits conferred upon
lord Byron, we shall oppose an answer from a person, whom neither
Mr. R. C. Dallas nor his reverend son had ever dreamt could appear
against them again in this world—that person is lord Byron
himself. For it so happens, that although his lordship did not reply to the said letter by
writing to the author, yet he did transmit that epistle, with sundry notes of his own upon
it, to one of his correspondents in England. The letter itself, with lord
Byron’s notes, is now lying before us, and we shall proceed at once to
cite the passages which lord Byron has commented upon, all of which,
with one exception, to he noticed hereafter, have before been given to the public. . . .
[John Cam Hobhouse],
“[Review of Dallas and Medwin on Byron]” in Westminster Review
Vol. 3 (January 1825)
Across these passages, opposite the words “saving you from
perpetuating the enmity,” lord Byron has put
“the Devil you did?” and over the
words “rapid retrograde motion” lord Byron has
written “when did this happen? and how?”
. . .
[John Cam Hobhouse],
“[Review of Dallas and Medwin on Byron]” in Westminster Review
Vol. 3 (January 1825)
We have now to mention that, Mr. R. C.
Dallas after the words which conclude his letter, as given by his son,
namely, these words: “but my present anxiety is, to see you restored to your
station in this world, after trials that should induce you to look seriously into
futurity.”—after these words, we find in the original letter the
following— . . .
[John Cam Hobhouse],
“[Review of Dallas and Medwin on Byron]” in Westminster Review
Vol. 3 (January 1825)
The upshot of this letter appears to be, to obtain my sanction to
the publication of a volume about
Mr. Dallas and
myself, which I shall not allow. The letter has remained and will remain
unanswered. I never injured Mr. R. C. Dallas, but did him all
the good I could, and I am quite unconscious and ignorant of what he means by
reproaching me with ungenerous treatment; the facts will speak for themselves to
those who know them—the proof is easy. . . .
[John Cam Hobhouse],
“[Review of Dallas and Medwin on Byron]” in Westminster Review
Vol. 3 (January 1825)
These persons, whose work, or rather, whose conduct we are reviewing, have tried all the
common topics by which they think they may enlist the sympathy of their readers in their
favour, to the prejudice of their illustrious benefactor. They have bandied about the
clap-trap terms of atheism, scepticism, irreligion, immorality, &c. but the good sense,
nay more, the generosity, the humanity, and the true Christian spirit of their
fellow-countrymen, will reject such an unworthy fellowship. They may weep over the failings
of Byron; but they will cast from them, with scorn and reprobation,
detractors, whose censure bears on the face of it, the unquestionable marks of envy,
malice, and. all uncharitableness. Can anything be more unpardonable, anything more unfair,
for instance, than for the editor of this volume (the clergyman) to take for granted, that
the Conversations of Medwin are authentic, though he himself has given an
example of two gross mis-statements in them, which would alone throw a doubt over their
authenticity; and upon that supposition to charge lord Byron with being sunk to the lowest
depths of degradation? What are we to say to this person who, at the same time that he
assumes the general truth of the Conversations, makes an
exception against that part of them, which represents lord
Byron’s dislike of the anti-religious opinions of Mr. Shelley? . . .
[John Cam Hobhouse],
“[Review of Dallas and Medwin on Byron]” in Westminster Review
Vol. 3 (January 1825)
If the author of “Aubrey” had but read, or had not forgotten lord
Byron’s preface to the second edition of English Bards and Scotch Reviewers, he would have spared us
all this fine writing, for that preface explains that “phenomenon of the human mind, for which it is difficult to
account,” and which this poor writer has accounted for so
profoundly. . . .
[John Gibson Lockhart],
“Lord Byron” in Blackwood’s Edinburgh Magazine
Vol. 17
No. 97 (February 1825)
The story of his having said to his mother, when he and Mr
Hobhouse parted company on their travels, that he “was glad to be
alone,” amounts to nothing; for who is he, and above all, who is the poet, who does
not often feel the departure of his dearest friend as a temporary relief? The man
that was composing Childe Harold had other
things to entertain him than the conversation of any companion, however pleasant; and we
believe there are few pleasanter companions anywhere than Mr Hobhouse.
This story, however, has been magnified into a mighty matter by Mr Dallas, whose name has recently been rather wearisomely connected with
Lord Byron’s. . . .
[John Gibson Lockhart],
“Lord Byron” in Blackwood’s Edinburgh Magazine
Vol. 17
No. 97 (February 1825)
Old Mr Dallas appears to have been an
inveterate twaddler, and there are even worse things than twaddling alleged against him by
Mr Hobhouse, in the article we have been quoting.
The worst of these, however, his misstatement as to the amount of his pecuniary obligations to
Lord Byron, may perhaps be accounted for in a way much
more charitable than has found favour with Mr Hobhouse; and as to the son,
(Mr Alexander Dallas,) we assuredly think he has
done nothing, but what he supposed his filial duty bound him to, in the whole matter. Angry
people will take sneering and perverted views of the subject matter of dispute, without
subjecting themselves in the eyes of the disinterested world, to charges so heavy either as
Mr Hobhouse has thought fit to bring against Mr A.
Dallas, or as Mr A. Dallas has thought fit to bring against
Mr Hobhouse. As for the song of which so much has been said, what is it, after all, but a mere
joke— . . .
[John Gibson Lockhart],
“Lord Byron” in Blackwood’s Edinburgh Magazine
Vol. 17
No. 97 (February 1825)
Dallas’s book,
utterly feeble and drivelling as it is, contains certainly some very interesting
particulars as to his feelings when he was a very young author. The whole getting up of the
two first cantos of Childe Harold—the
diffidence—the fears —the hopes that alternately depressed and elevated his
spirits while the volume was printing, are exhibited, so as to form a picture that all
students of literature, at least, will never cease to prize. All the rest of the work is
more about old Dallas than young Byron, and is
utter trash. . . .
Leigh Hunt,
Lord Byron and Some of his Contemporaries (London: Henry Colburn, 1828)
The only publications that contained any thing at once new and true
respecting Lord Byron were, Dallas’s Recollections, the Conversations by
Captain Medwin, and Parry’s and Gamba’s Accounts of his Last Days. A good deal of the real
character of his Lordship, though not always as the writer viewed it, may be gathered from
most of them; particularly the first two. . . .
Leigh Hunt,
Lord Byron and Some of his Contemporaries (London: Henry Colburn, 1828)
Dallas, who was a sort of lay-priest, errs from
being half-witted. He must have tired Lord Byron to death with blind
beggings of the question, and solemn mistakes. The wild poet ran against him, and scattered
his faculties. To the last he does not seem to have made up his mind, whether his Lordship
was Christian or Atheist. I can settle at least a part of that dilemma. Christian he
certainly was not. He neither wrote nor talked, as any Christian, in the ordinary sense of
the word, would have done: and as to the rest, the strength of his belief probably varied
according to his humour, and was at all times as undecided and uneasy, as the lights
hitherto obtained by mere reason were calculated to render it. . . .
Leigh Hunt,
Lord Byron and Some of his Contemporaries (London: Henry Colburn, 1828)
Now, the passage here quoted was quoted by myself, one of those
“atheists and scoffers,” according to Mr.
Dallas, by whom “he was led into defiance of the sacred
writings.” . . .
Pietro Gamba,
A Narrative of Lord Byron’s Last Journey to Greece (London: John Murray, 1825)
Again, in order to prove the difficulty of living with Lord Byron, it is said, that “When Mr. Hobhouse and he travelled in Greece together, they
were generally a mile asunder.” I have the best authority for saying, that
this is not the fact: that two young men, who were continually together and slept in the
same room for many months, should not always have ridden side by side on their journey is
very likely; but when Lord Byron and Mr. Hobhouse
travelled in Greece, it would have been as little safe as comfortable to be
“generally a mile asunder;” and the truth is, they were generally
very near each other. . . .
William Lisle Bowles (1762-1850)
English poet and critic; author of
Fourteen Sonnets, elegiac and
descriptive, written during a Tour (1789), editor of the
Works
of Alexander Pope, 10 vols (1806), and writer of pamphlets contributing to the
subsequent Pope controversy.
Henry Peter Brougham, first baron Brougham and Vaux (1778-1868)
Educated at Edinburgh University, he was a founder of the
Edinburgh
Review in which he chastised Byron's
Hours of Idleness; he
defended Queen Caroline in her trial for adultery (1820), established the London University
(1828), and was appointed lord chancellor (1830).
Thomas Campbell (1777-1844)
Scottish poet and man of letters; author of
The Pleasures of Hope
(1799),
Gertrude of Wyoming (1808) and lyric odes. He edited the
New Monthly Magazine (1821-30).
Andrew Cherry (1762-1812)
Irish actor and playwright who performed in Dublin and English provincial theaters; he
was author of
The Soldier's Daughter (1804).
Samuel Taylor Coleridge (1772-1834)
English poet and philosopher who projected
Lyrical Ballads (1798)
with William Wordsworth; author of
Biographia Literaria (1817),
On the Constitution of the Church and State (1829) and other
works.
George Colman the younger (1762-1836)
English poet, playwright and censor of plays; manager of the Haymarket Theater
(1789-1813); author of
The Iron Chest (1796) taken from Godwin's
novel
Caleb Williams.
George Crabbe (1754-1832)
English poet renowned for his couplet verse and gloomy depictions of country persons and
places; author of the
The Village (1783),
The
Parish Register (1807),
The Borough (1810), and
Tales of the Hall (1819).
Richard Cumberland (1732-1811)
English playwright and man of letters caricatured by Sheridan as “Sir Fretful Plagiary.”
Memoirs of Richard Cumberland, written by himself was published
in two volumes (1806-07).
Charlotte Dacre [née King] [Rosa Matilda] (1782 c.-1825)
English poetess, daughter of the radical writer John King; she published in the
Morning Post and
Morning Herald under the
name “Rosa Matilda.” In 1815 she married Nicholas Byrne, owner and editor of the
Morning Post.
Erasmus Darwin (1731-1802)
English physician and philosophical poet, the author of
The Loves of
the Plants (1789); his interests in botany and evolution anticipated those of his
more famous grandson.
Henry Richard Fox, third baron Holland (1773-1840)
Whig politician and literary patron; Holland House was for many years the meeting place
for reform-minded politicians and writers. He also published translations from the Spanish
and Italian;
Memoirs of the Whig Party was published in 1852.
William Gifford (1756-1826)
Poet, scholar, and editor who began as a shoemaker's apprentice; after Oxford he
published
The Baviad (1794),
The Maeviad
(1795), and
The Satires of Juvenal translated (1802) before becoming
the founding editor of the
Quarterly Review (1809-24).
George Hamilton- Gordon, fourth earl of Aberdeen (1784-1860)
Harrow-educated Scottish philhellene who founded the Athenian Society and was elected to
the Society of Dilettanti (1805); he was foreign secretary (1841-1846) and prime minister
(1852-55).
James Grahame (1765-1811)
Scottish poet; author of the oft-reprinted blank-verse poem,
The
Sabbath (1804). He corresponded with Annabella Milbanke.
Henry Hallam (1777-1859)
English historian and contributor to the
Edinburgh Review, author
of
Introduction to the Literature of Europe, 4 vols (1837-39) and
other works. He was the father of Tennyson's Arthur Hallam.
William Hayley (1745-1820)
English poet, patron of George Romney, William Cowper, and William Blake. His best-known
poem,
Triumphs of Temper (1781) was several times reprinted. Robert
Southey said of him, “everything about that man is good except his poetry.”
Hon. William Herbert (1778-1847)
English poet, naturalist, MP, and clergyman; he was the son of Henry Herbert, first earl
of Carnarvon and the author of
Select Icelandic Poetry, translated from
the Originals (1804, 1806).
Francis Hodgson (1781-1852)
Provost of Eton College, translator of Juvenal (1807) and close friend of Byron. He wrote
for the
Monthly and
Critical Reviews, and was
author of (among other volumes of poetry)
Childe Harold's Monitor; or
Lines occasioned by the last Canto of Childe Harold (1818).
Theodore Edward Hook (1788-1841)
English novelist, wit, and friend of the Prince of Wales; he edited the
John Bull (1820) and appears as the Lucian Gay of Disraeli's
Conigsby and as Mr. Wagg in
Vanity Fair.
Francis Jeffrey, Lord Jeffrey (1773-1850)
Scottish barrister, Whig MP, and co-founder and editor of the
Edinburgh
Review (1802-29). As a reviewer he was the implacable foe of the Lake School of
poetry.
James Kenney (1780-1849)
Irish playwright, author of
The World (1808); he was a friend of
Lamb, Hunt, Moore, and Rogers.
William Lamb, second viscount Melbourne (1779-1848)
English statesman, the son of Lady Melbourne (possibly by the third earl of Egremont) and
husband of Lady Caroline Lamb; he was a Whig MP, prime minister (1834-41), and counsellor
to Queen Victoria.
James Montgomery (1771-1854)
English poet and editor of the
Sheffield Iris (1795-1825); author
of
The Wanderer of Switzerland (1806) and
The
World before the Flood (1813).
Thomas Moore (1779-1852)
Irish poet and biographer, author of the
Irish Melodies (1807-34),
The Fudge Family in Paris (1818), and
Lalla
Rookh (1817); he was Byron's close friend and designated biographer.
James Pillans (1778-1864)
Edinburgh Reviewer and rector of Edinburgh High School, afterwards professor of Latin at
Edinburgh University. He earned Byron's enmity for his review of Francis Hodgson's
Juvenal.
Frederick Reynolds (1764-1841)
The author of nearly a hundred plays, among them
The Dramatist
(1789) and
The Caravan; or the Driver and his Dog (1803). He was a
friend of Charles Lamb.
George Richards (1767-1837)
English poet and clergyman who gained much attention with his Oxford prize-poem
The Aboriginal Britons (1791).
Samuel Rogers (1763-1855)
English poet, banker, and aesthete, author of the ever-popular
Pleasures of Memory (1792),
Columbus (1810),
Jaqueline (1814), and
Italy (1822-28).
Richard Brinsley Sheridan (1751-1816)
Anglo-Irish playwright, author of
The School for Scandal (1777),
Whig MP and ally of Charles James Fox (1780-1812).
Sydney Smith (1771-1845)
Clergyman, wit, and one of the original projectors of the
Edinburgh
Review; afterwards lecturer in London and one of the Holland House
denizens.
Robert Southey (1774-1843)
Poet laureate and man of letters whose contemporary reputation depended upon his prose
works, among them the
Life of Nelson, 2 vols (1813),
History of the Peninsular War, 3 vols (1823-32) and
The Doctor, 7 vols (1834-47).
Thomas Stott [Hafiz] (1755-1829)
Irish poet and friend of Thomas Percy, prolific contributor of patriotic verse to the
periodicals; author of
The Songs of Deardra, and other Pieces
(1825).
William Wordsworth (1770-1850)
With Coleridge, author of
Lyrical Ballads (1798), Wordsworth
survived his early unpopularity to succeed Robert Southey as poet laureate in 1843.