Samuel Rogers and his Contemporaries
Chapter III. 1834-1837.
‣ Chapter III. 1834-1837.
CHAPTER III.
1834-1837.
Public Affairs in 1834—Deaths of Coleridge and
Lamb—Moore’s
Diary—Crabb Robinson and Wordsworth at
Rogers’s—Last Letter to R.
Sharp—R. Sharp’s
Death—Wordsworth upon him—Rogers
to his Sister—Wordsworth’s
Letters—Ticknor’s
Diary—Rogers’s Reputation for
Cynicism—Rogers and
Campbell—Rogers and
Turner—Rogers’s Bitter
Sayings—Jokes of his Friends against him—The Quarterly
Review on his Appearance—Letter of the Duchess of
Sutherland—Wordsworth—Rogers
at Broadstairs—Crabb Robinson’s
Diary—Moore’s Diary—Washington
Irving—Wordsworth’s
Letter—Sir H.
Taylor—Moore’s Diary
again—Rogers at Broadstairs and Paris—Mrs.
Butler’s Recollections—Crabb
Robinson’s—Moore’s—A Whig
Conclave at Bowood—Haydon.
I have not thought it necessary to re-tell the familiar story of
the political events to which the letters of Richard
Sharp and of Rogers in the previous
chapter refer. The brief episode of Lord Grey’s
retirement from office in July 1834; of the hasty summoning of Sir Robert Peel from Rome; of the Duke of
Wellington filling five Cabinet offices for a time, so that a contemporary
satirist said ‘the Cabinet Council sits in the Duke’s Head and the Ministers
are all of one mind’; the general election; the debates which turned, as
Miss Martineau says, chiefly on the anecdotage
of the crisis; the defeats of the Ministry; the refusal of Lord Grey
to return to office and the reconstruction of a Whig Administration under Lord
112 | ROGERS AND HIS CONTEMPORARIES | |
Melbourne, covered a period of nine agitating months.
In the literary world, too, some stirring events had happened. Coleridge died at Highgate in July, 1834; and Charles Lamb followed at the close of the year. Richard Sharp, whose long, valuable and most interesting life was drawing
rapidly to its close, was spending the winter at Torquay, and Rogers
and his other friends in London were in great anxiety about him. Meanwhile Moore’s Diary is full as ever of the small social
events it was his pleasure to put on record, and we constantly meet with Rogers in the
amusing society in which Moore spent his time during his visits to
London.
‘February 20th,
1835.—Wrote my letters at Brooks’s, and from thence to Rogers’s: a good speculation, as it turned out.
His servant, on opening the door, asked eagerly, “Are you come to dine here, Sir?
Mr. Wordsworth is coming.” Found that
Rogers, though engaged out himself, had asked
Wordsworth and his wife, who are just
arrived in town, to dinner. Mrs. Wordsworth was
not well enough to come, but Rogers, W., and myself sat down to
dinner at half-past five, and our host, having done the honours of the table to us till
near seven o’clock, went off to his other engagement and left us tête-à-tête.
‘February 24th.—Dinner at Rogers’s:
company, Sydney Smith, Eastlake the painter, and another artist whose name I
cannot now recall. Eastlake told of a dinner given to Thorwaldsen the sculptor, at Rome, Wilkie presiding in the chair, and making a very eloquent speech on the
occasion, which it seems he is very
| THORWALDSEN: EASTLAKE: HENRY TAYLOR | 113 |
capable of, though so tiresomely slow of
words in society. In speaking of Thorwaldsen, he described him as
“coming from the North to warm the marbles of the South with his
genius”; and this poetical flight being very much applauded,
Thorwaldsen, who sat next to Eastlake,
begged he would interpret it to him. “He speaks of you,” said
Eastlake, “as a great artist ‘chi
è venuto dal settentrione per riscaldar i
marmi.’” “Riscaldar i
marmi!’ exclaimed Thorwaldsen, puzzled at the
metaphor, “che vuol dire?”
“Col suo genio,” continued
Eastlake, which at once solved the difficulty and very much to
the great sculptor’s satisfaction. “Ah,
sì,” he replied. Canova
said of the numerous portraits painted of himself that they were all different; and the
reason was that each artist mixed up, unconsciously, something of his own features with
the resemblance. On Eastlake’s mentioning this to
Thorwaldsen, the latter said this was particularly the case
with the heads done by Canova, as they were all like his
own—“fin’ ai
cavalli.”’
Another day Moore is at Holland
House, and stories are told of Rogers’s good
and kind qualities; on the 28th of February he breakfasts at
Rogers’s ‘to meet the new poet, Mr. Taylor, the author of “Van Artevelde.”’ On that occasion the
visitors at Rogers’s table, besides the new poet and
Moore, were Sydney Smith
and Southey, ‘Van
Artevelde, a tall handsome young fellow,’ and the conversation may be
described as authors’ shop. It was chiefly about the profits publishers make out of
authors. On the next day he writes—
‘March 1st,
1835.—Wretchedly wet day. . . . Dined
114 | ROGERS AND HIS CONTEMPORARIES | |
at Rogers’s to meet Barnes; an entirely clandestine dinner. None of our Whig friends in the
secret; and R. had been a good deal puzzled as to who he should ask to meet him. Tried
Lord Lyndhurst, with whom
Barnes is intimate, and he would have come had he not been
engaged. Could then think of none but Turner the
painter; and he, Barnes, and myself formed the whole of the
guests. . . . Had some talk with Turner in the evening. Mentioned
to him my having sometimes thought of calling in the aid of the pencil in commemorating
by some work or other the neighbourhood in which I have now so long resided . . . [but]
he interrupted me by exclaiming, “But Ireland, Mr. Moore,
Ireland! There’s the region connected with your name. Why not illustrate the
whole life? I have often longed to go to that country; but am, I confess, afraid to
venture myself there. Under the wing of Thomas Moore, however,
I should be safe.”’
Crabb Robinson writes in his Diary—
‘March 3rd,
1835.—Mr. Rogers also called; he
invited me to dine with the Wordsworths at his
house to-day. I then walked with the Wordsworths to Pickersgill, who is painting a small likeness of the
poet for Dora. We sat there for a couple of
hours, enlivening by chat the dulness of sitting for a portrait. At six o’clock I
returned to the West, and dined at Rogers’s with Mr. and
Mrs. Wordsworth. The very rooms would have
made the visit interesting without the sight of any person. The pictures and marbles
are delightful. Everywhere the most perfect taste imaginable.’
|
LAST LETTER TO RICHARD SHARP
|
115 |
Moore writes of an earlier dinner at which Wordsworth was present—
‘March 30th.—The day I met Wordsworth at
dinner at Rogers’s the last time I was in
town, he asked us all in the evening to write something in a little album of his
daughter’s, and Wilkie drew a slight sketch in it. One of the things
Luttrell wrote was the following epitaph on
a man who was run over by an omnibus—
‘Killed by an omnibus—why not?
So quick a death a boon is.
Let not his friends lament his lot,
Mors omnibus communis.’
|
Rogers’s last letter to Richard Sharp is full of the talk of the time.
‘My dear Friend,—I need not say how much your
letter has afflicted me. Have you written to Clark? Surely you should tell him
how you are. I look with impatience to your coming in April. Wordsworth and Southey are still here; S. having paid his daughter a visit,
and W. projecting one to Cambridge.
‘Have you read Van Artevelde? If not, pray do. I like
Taylor much. The W.’s are
staying in his house.
‘Did you read a sketch of the Duke in “The
Morning Chronicle,” January 22nd? It will remind you of
Macaulay.
‘I passed a week with Lord
Grey at Woburn before he came to town. Last night I sat an hour
with him and then went across B[erkeley] Square to Lady
116 | ROGERS AND HIS CONTEMPORARIES | |
Brougham’s, where I found B[rougham] encircled with ex-Ministers—the
Duke of Richmond, Lansdowne, Melbourne, &c. Peel
evidently wants an excuse to go out, and taunts them to give it him—but
they wisely determine to let him bring on his measures. Londonderry’s appointment has already
damaged him.
‘The Duke of
Somerset called upon me to-day and I want much to see him and
talk to him about you. I have seen Lord
Sinclair and Courtney. Do you know the
Newarks? Lord Grey
says B. told him last year he was worth 25,000l. My
monthly numbers I know little about. It is a scheme of Moxon’s.1 Your
volume circulates
fast, as it ought. Babbage’s
parties are becoming blue with Lady Morgan,
Miss Jane Porter, &c. Lady Fanny Harley is about to marry a son of
the Archbishop of York.
‘Pray remember me to your ladies: I hardly know how to
be sorry for anybody who has such a singing-bird in his cage.
‘Yours ever,
‘St. James’s Place: 19th March, 1835.’
A few days after the receipt of this letter Richard Sharp set out on his journey homeward, but never reached London. He
became rapidly worse, and died at Dorchester on the 30th of March. He was only four years
older than Rogers, and the friendship between them
had been close and unbroken for more than forty years.
1 This edition was published by Moxon in 1835. It was advertised as ‘illustrated by 128
vignettes from designs by Stothard and
Turner.’ There were ten monthly
parts at four shillings each. |
It is unfortunate that so few
memorials remain of this remarkable person. The fact that he was spoken of by his
contemporaries as ‘Conversation’ Sharp, marks the chief
source of the impression he made upon them. But he was a great deal more than the best
talker of his time. He was a man of large and varied reading, of deep philosophic insight,
and of great practical knowledge of public affairs. Statesmen took counsel with him,
authors and others eagerly sought his advice, and the most distinguished persons were proud
to regard him as a friend. He had written but little, and everybody regretted that he had
not written much. His little volume of ‘Letters and Essays,’ published in 1834,
became widely popular among cultivated people, and caused much regret that he had not
exercised his great powers on some themes of permanent interest. There was a pathos in the
concluding words of his preface to this, his only book. Speaking of the letters, he said,
‘Being, of course, in the possession of his friends, they might (however
insignif1cant) appear hereafter, when he could no longer correct them; and the dates of
some will show that he had no time to lose. Vesper . . .
admonuit.’ The words had not been written a year when the evening warning
was fulfilled.
‘My dear Rogers,—The papers record the death of your, and let me add
my, long-known and long-valued friend Richard
Sharp. Sincerely do I condole with you, and with his nearest
connections upon thia loss. How a thought of the presence of living friends
brightens
118 | ROGERS AND HIS CONTEMPORARIES | |
particular spots, and what a shade falls over
them when those friends have passed away! This I have felt strongly in the
course of the last twelve months, in respect to London, vast as the place is.
And even in regard to the Lakes, it makes me melancholy to think that
Sharp will visit them no more. If you be in
communication with Mrs. Sharp and Miss Kinnaird, pray assure them that Mrs. W. and I sympathize sincerely with them
in their bereavement.
‘The papers also tell us that you have suffered a
serious loss of property by a robbery committed in your house—the
offender one of your own servants. Was it the footman? I remember being a good
deal startled by your telling me that that servant took the liberty of being
absent as much as four hours at a time. I made some observation upon what you
said, but not in such strong terms as would have been used had I not been in
the habit of placing reliance upon your discretion. You expressed
dissatisfaction and talked of dismissing him. After all, this may not be the
man. Have any valuable pieces of virtù been taken?
If not I shall be glad, and also to hear both that the value of the property,
viz., 2,000l., has been exaggerated, and part of it, at
least, recovered.1
1 In the Times of the 2nd of April, 1835, is the
following account of this robbery:—‘On Tuesday last [31st
March] several friends of Mr.
Rogers were invited to partake of a breakfast, and a
quantity of plate, which had not recently been used was desired to be
got ready on the occasion. Just before the arrival of the company, the
footman, Thomas Sims, left the house. Not being in
attendance, and the plate not being ready, his absence excited
suspicion, which was further corroborated by the keys of the
plate-chests being removed from their usual place. After the lapse of a
few hours Mr. Rogers sent for
Plank, the officer,
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|
WORDSWORTH’S ’UNCHANGEABLE ATTACHMENT’
|
119 |
‘Pray write to us at your early convenience. The great
public unsettling with which we are threatened unsettles my little plans also,
causing me to doubt whether I shall return to London or not. Whatever may be
shaken or altered, be you assured of my unchangeable attachment, and that I am,
and ever shall be,
‘Firmly yours,
Trinity Lodge: 5th April [1835].
‘Kindest regards from Mrs. W. and myself to your sister.’
Rogers gives an account of himself this spring in a
letter to his sister, written before the robbery or
the fatal turn of his friend Sharp’s illness.
‘My dear Sarah,—. . . I went to Woburn on Sunday and left it on
Friday. I found Lord Grey, Lord
when it was advised that the
plate-chests should be broken open, which was done with great
difficulty. The result fully confirmed the suspicions of Mr. Rogers of the dishonesty of his
servant, who, it appears, has robbed him of a large quantity of plate.
Amongst the articles stolen are four double dishes, chased, which cost,
it is said, upwards of 1,000l., upwards of a
hundred pieces of plate belonging to the dinner and tea-service, a
massy silver tea-kettle; two splendid silver-gilt vases and spoons
which were presented to the author of Italy by a
member of the Royal Family, now no more; besides a number of other
valuable articles. The offender, who is about twenty-five years of age,
and a native of Minstead, in the New Forest, Hampshire, had been in the
service of Mr. Rogers for the last seven years;
and so high was the opinion entertained of him by his master, that he
was entrusted with the whole of the valuable property contained in the
house, and to prevent the possibility of temptation, large wages were
given him. There can be no doubt that a considerable portion of the
property has been gone for some time.’ |
120 | ROGERS AND HIS CONTEMPORARIES | |
Melbourne, Duchess
of Sutherland, and a very large family party, among others a
relation of ours, who contrived to come to me when I was alone and to say,
“You have forgot me;” Sam
Johnes’s only child, now married to a son of Sir John
Shelley, a very lively and pleasing girl, for she cannot be much
above twenty, and I took much to her. She and her husband sing delightfully together. How glad we are that the
weather continues so mild for you. Poor Sharp! I have a sad letter from him, and the ladies at Torquay
are much alarmed for him. Mr. Towgood
goes out every day as usual, and Patty is pretty well,
though she has her bad days. You say you wish to know something of politics. I
went for three minutes to Lady
Brougham’s party last night, and found B. encircled with ex-Ministers, and in high
spirits, having just spoken well on the Poor Law Bill, as you will
see—not that I exchanged a word or a look with him. Peel evidently wishes himself out, and taunts
the Opposition to turn him out by some leading motion, but it is wisely
determined to give him no excuse and to let him bring his measures on.
Lord Londonderry’s appointment
has already damaged the Government very much in the country. Adieu, my dear
Sarah. My kind love to Patty.
Perhaps, if the mild weather continues, you will stay a little longer.
Mrs. Lockhart says she watches your
windows. Babbage had a very blue party
last Saturday. Lady Morgan, Miss Jane Porter, &c., &c.
‘Ever yours,
S. B.
‘So Lady Fanny
Harley is going to be married to a
son of the Archbishop of York’s—in the
army I believe. Bickersteth, I hear,
has dined at the Archbishop’s—Query, as her papa? What will
become of poor Jane? Millingen, I hear, has left Marseilles for
Aix, on account of the cholera, I suppose. Mr. Boddington is very unwell, according to
Webster. . . . Whether W. speaks through his fears
or his wishes I don’t know, but W. thinks him in danger. I am sorry
to say that I must part with Thomas. He is always out,
sometimes for three or four hours, and sometimes comes home in liquor.
Reece and Kay both think he
will never mend while he is here. I suppose his great leisure while I was
away has been his ruin. I have not yet spoken to him on the subject; and I
put it off from day to day. It is a great trouble to me, as I had looked to
him as a successor to R., if any change had required it. I find he is
married and has a child. His wife lives in Chelsea, and is a very decent
person.’
Early in May the Wordsworths were
again at home, and two letters to Rogers tell of the troubles that met them there.
‘My dear Rogers,—I enclose a line barely to say that after a journey
of three days, having slept at Birmingham and Manchester, we reached this place
in good health. My poor sister is rather
better; but every day and hour add to our anxiety for the removal of my
daughter to London for medical
advice.
‘I hope when we return we shall find you in London.
122 | ROGERS AND HIS CONTEMPORARIES | |
It grieved me to come away without seeing you again. My
son William is now with us, and looking
better than I have seen him do for some years. He bears his disappointment in
being still without a better provision as well as could be expected. You would
be pleased to see how sensible he is of your affectionate kindness towards him,
and happy am I to see he is not unworthy of it. He is a great comfort to us all
in our distress. Poor Mrs. Southey
appears to be but little, if at all, improved. Your portrait is much liked in
this house—I own, elegant as it is, I could have wished for something
with more strength. Love from everyone here to yourself and sister,
‘And believe [me], my dear Friend,
‘Most faithfully yours,
‘4th May, 1835: Rydal Mount.’
‘Rydal Mount: Thursday [27th June, 1835].
‘My dear Rogers,—I write merely to announce that one of the many
anxieties with which this house has been afflicted is over. Miss Hutchinson, after an illness of five
weeks, expired on Tuesday evening. After the fever was subdued she suffered no
acute pain, and passed away as gently as her dearest friends could wish. She
will be deeply lamented by many out of her own family.
‘According to your request I did not write after the
melancholy tidings of your last; nor need you write now. We have in this house
more before us, which
| GEORGE TICKNOR AT ROGERS’S | 123 |
must be passed through shortly, and much that may. Pray
for us—my poor wife bears up wonderfully.
‘Be assured, my dear Friend, that in pleasure and pain,
in joy and sorrow, you are often and often in my thoughts. Present our united
love to your sister.
‘Affectionately yours,
Some contemporary glimpses of Rogers in the succeeding month are given by an eminent American author,
who, like all his literary countrymen, regarded Rogers and his house
as among the objects of their transatlantic pilgrimage.
Mr. Ticknor writes—
‘July 5, 1835.—The dinner at
Rogers’s was truly agreeable; nobody
present but Mr. Kenney, author of the farce
“Raising the Wind.”
The house, as everybody knows, opens on the Park, near the old Mall, which was the
fashionable walk in Pope’s time, and the
place from which the beaux were to see the lock of Belinda’s hair when it should be changed into a constellation;
his garden gate opening immediately upon the green grass, and his library and dining
room windows commanding a prospect of the whole of the Park and of all the gay life
that is still seen there.
‘Everything within the house is as beautiful, and in as good
taste, as the prospect abroad. The rooms are fine and appropriate and the walls covered
with beautiful pictures . . . each of the principal masters being well represented. The
library is the same, all recherché and
124 | ROGERS AND HIS CONTEMPORARIES | |
yet all in perfectly good taste. Mr.
Rogers’s conversation was in keeping with his establishment, full
of the past, anecdotes, facts, recollections in abundance—and yet quite familiar
with what is now passing and doing in the world. All he says is marked by the good
taste he shows in his works, and the perfected good sense which he has been almost a
century in acquiring.1
‘Monday, July 13, 1835.—We all
breakfasted—including Nannie—with the excellent and
kind old Mr. Rogers, nobody being present except
Campbell the poet, who returned two or three
days ago from his Algerine expedition, of which, of course, he is now full. I need not
say that the two hours we then passed were extremely agreeable. The vast amount of
Mr. Rogers’s recollections, extending back through the
best society for sixty years; his exquisite taste, expressed alike in his conversation,
his books, his furniture and his pictures; his excellent common sense and sound
judgment; and his sincere, gentle kindness, coming quietly, as it does, from the
venerableness of his age, render him one of the most delightful men a stranger can see
in London. He went over his whole house with us, showed us his pictures, curiosities,
correspondence with distinguished men, &c., &c., and made the visit seem
extremely short.
‘Campbell was pleasant,
a little over nice both in his manner and choice of words and subjects, witty even,
sometimes; but though full of fresh knowledge from Africa, by no means so interesting
as Rogers.’ Ticknor’s biographer adds to this record a note,
written by Mr. Ticknor on another occasion, in which
he says,
‘From what I have heard since,
I suppose Rogers is not always so kind and charitable as I found
him both today and whenever I saw him afterwards.’
This note of Ticknor’s
calls for some remark. He had spoken of Rogers as he
found him, and then discovered that Rogers had a reputation which was
not in harmony with his experience of him. Rogers had cultivated the
habit of making caustic remarks till it had become a second nature. Sir Henry Taylor tells us1 that
his wit was in higher repute than any in his time except that of Sydney Smith, but while
Sydney’s was genial and good-humoured, that of
Rogers was sarcastic and bitter. Rogers knew
this and sometimes apologised for it. ‘They tell me I say ill-natured
things,’ he observed to Sir Henry Taylor in his slow, quiet,
deliberate way. ‘I have a very weak voice; if I did not say ill-natured things no
one would hear what I said.’ There is profound truth in the observation. It
is not needful to assume that he had deliberately adopted this principle, and persistently
acted on it; he had simply discovered that acid remarks were listened to and remembered
when jokes were unnoticed or forgotten. When men came away after an evening with
Sydney Smith they only remembered how greatly they had enjoyed
themselves and how infinitely amusing he was; after contact with
Rogers one or two sharp sayings were deeply implanted in their
memories, very often, indeed, to rankle there. This is the sufficient explanation of the
different statements that are made about him. He had no tolerance for vulgarity or
pre-
1Autobiography, vol. i., p. 321. |
126 | ROGERS AND HIS CONTEMPORARIES | |
tence, and vulgar and pretentious people who forced themselves upon
him often went away with a wound. Others treasured up their recollections of discomfiture,
and visited them on his memory after he was dead. Mr.
Hayward assures us that there was something irresistibly comic rather than
annoying or repulsive in the pertinacity and ingenuity with which he indulged his caustic
humour; and this was no doubt the case when one was auditor and spectator of it and not its
subject. It is astonishing how few, even of sensible and cultivated men, have the
magnanimity to enjoy, without resenting, a laugh against themselves.
Rogers’s wit, however, was not that which merely raised a
laugh, as Sydney Smith’s was; it sometimes left a sore. It was,
as Mr. Hayward calls it,’ habitual severity of comment’;
and at one time in his life, Mr. Hayward tells us, it had become so
formidable that ‘his guests might be seen manœuvring which should leave the
room last, so as not to undergo the apprehended ordeal; and it was said of him, with
more wit than truth, that he made his way in the world, as Hannibal made his across the Alps—with vinegar.’
One of the most common stories, still quoted by his detractors, is that
of an observation he made to Madame de Staël
about Campbell in
Campbell’s early days—‘How sorry I am for
Campbell,’ said Madame de
Staël to Rogers; ‘his
poverty so unsettles his mind that he cannot write.’
Rogers replied, ‘Why doesn’t he take a situation as
a clerk, he could then compose verses during his leisure hours.’ She thought
the remark cruel, and it is constantly paraded as a proof of
Rogers’s coldness of heart. But the course he recommended
for
| HARD SAYINGS AND KIND DOINGS | 127 |
another was just what
Rogers had taken himself. In his own youth he was a banker’s
clerk, busy every day in his father’s bank from ten to five, and writing his verses
at home at night. This is how ‘The
Pleasures of Memory’ was written. What Campbell
himself thought of Rogers’s hardness, and how contrary his
experience of him was, the letters in a former chapter show. When somebody remarked, in
Campbell’s hearing, that Rogers said
spiteful things, ‘Borrow five hundred pounds of him,’ replied
Campbell, ‘and he will never say a word against you till
you want to repay him.’ Campbell, as we have seen, did
borrow five hundred pounds of him and repaid it, and Rogers’s
comment was that when Campbell brought back the money and insisted on
repaying it, ‘I knew that he was every day pressed for small sums.’
Rogers said bitter things in society; in private he was always
saying kind things and doing generous things. Moore
illustrates this contrast by a remark in his Diary in 1832. Rogers and
he walked home together one evening from a dinner at Lord
Essex’s; and, says Moore, ‘the
difference there is between him thus tête-à-tête
and when in Society was never more striking; he both amused himself and me, and laughed
at something I said like a boy.’
Turner’s biographer tells us that Turner and Rogers
got on very well together, though Rogers did not spare him. He was one
day admiring a beautiful table in Turner’s room. It was
wonderful, he said; ‘but,’ he added, ‘how much more wonderful it would
be to see any of his friends sitting round it.’ He was one of
Turner’s earliest admirers. ‘Ah,’ he would
say, looking through
128 | ROGERS AND HIS CONTEMPORARIES | |
his telescoped hand, ‘there’s a
beautiful thing, and the figures too—one of them with his hand on the
horse’s tail, not that I can make them out though.’ Landseer heard that he had expressed his admiration for
the picture of a Newfoundland dog, called ‘Portrait of a
Distinguished Member of the Royal Humane Society,’ and he expressed to
Rogers his gratification. ‘Yes,’ said
Rogers, ‘I thought the ring of the dog’s collar
well painted.’ He was one day looking at the early pages of a presentation
copy of a new book. ‘Is that the contents you are looking at?’ asked the
author, who had just given it to him. ‘No, the discontents,’ answered
Rogers, pointing to the list of subscribers. He was hardest,
perhaps, on men who flattered him in order that they might pose in society as his friends.
One of these persisted in trying to walk home with him one night from an evening party.
Rogers had already put his arm into that of Mr. Hayward, whom he wished to accompany him, and the
sycophant made the excuse for joining them that he did not like walking alone. ‘I
should have thought, sir,’ said Rogers, ‘that no one
was so well satisfied with your company as yourself.’ It is easy to imagine
that when such a person committed to some bulky volume or some magazine his Recollections
of the circles into which he had forced himself, he would declare that in all his long life
and with all his ample means, Rogers never said a kind word nor did a
generous deed.
His cynical sayings represented only his passing thought, not his
deliberate convictions. He always regretted, as I have already said, that he had never
married, and regarded married life as the best and fittest
| ROGERS’S CYNICAL SAYINGS | 129 |
for both men and women. Yet he used to say that it
mattered little whom a man married, for he was sure to find the next morning that he had
married somebody else. When a man he disliked was wedded to a pretty woman, he said,
‘Now we shall have our revenge on him.’ He spoke severely of another
friend’s marriage, and somebody answered, ‘But all his friends are
pleased.’ ‘Fortunate man,’ replied
Rogers; ‘his friends are pleased and his enemies
delighted.’ A member of Parliament had been stopped in Italy by brigands, but
was released, and Rogers used to say he owed his escape to his wife.
‘They wanted to carry off P—— to the mountains, but she flung her
arms round his neck, and rather than take her with them they let him go.’ One
day Lady Davy, with whom Mr. Hayward says he was unceasingly at war, exclaimed across the dinner
table, ‘Mr. Rogers, I am sure you are talking about
me.’ ‘Lady Davy,’ answered
Rogers, ‘I pass my life in defending you.’
Moore used to tell a story1 of his visit to Sloperton, where Moore’s
dining-room was hung round with engraved portraits of Lord
Grey, Lord John Russell, Lord Lansdowne, and others. ‘Why, you have all your
patrons here.’ A good-natured man, said Moore in telling
the story, would have said friends. Rogers’s
1 In a letter published in the eighth volume of Moore’s Life
, he tells Rogers (p. 279),
‘I did not think you would have seen my late Epistle, the channel
through which it appeared lying so much out of your way, your “solar
track.” Did you at all remember the circumstance in which it originated?
It was your saying to me, the last time you were at Sloperton, on seeing the
prints we have hung round our dining-room, ‘Why, you have all your
patrons here.” The twelve first lines were written the day after that
visit, and never thought of again till very lately, when I added the
remainder.’ (April 18, 1839.) |
130 | ROGERS AND HIS CONTEMPORARIES | |
friends amply repaid him for his cynical remarks on them. There were
constant jokes at his appearance—his countenance always being singularly pale, and in
more advanced years cadaverous and wrinkled. One day, when he had been visiting the
catacombs with a party of friends, Rogers emerged last.
‘Good-bye, Rogers,’ said Lord
Dudley, shaking his hand, and everybody understood the joke. Sydney Smith jocosely advised him, in having his portrait
taken, to be drawn saying his prayers with his face in his hands. Lord Alvanley asked him why, as he could afford it, he did not set up his
hearse, and the story used to be told that, on hailing a cab in St. Paul’s
Churchyard, the affrighted cabman had exclaimed, ‘No, not you,’ and had
taken him for a ghost. Another story was that Rogers, telling
Ward that a watering-place to which he had gone was so full that
he could not find a bed, Ward replied, ‘Dear me, was there no
room in the churchyard?’
These jokes, which might be multiplied indefinitely, were taken by
Rogers in good part. He sometimes repeated them
to his friends with evident enjoyment. One example of his way of meeting them when they
amounted to deliberate rudeness, is narrated in the most interesting and admirable
‘Reminiscences of Samuel
Rogers,’ in ‘The Quarterly
Review’ for October 1888, to which I have already referred. ‘On
one occasion the writer was present when an instance occurred of that rudeness of
attack which we just now hoped was obsolete. A small party were at table, Mr.
Rogers and others present, including a gentleman well known for an
inexcusable coarseness and freedom of speech, which eventually caused him to
| PERSONAL ATTACKS ON ROGERS | 131 |
be shunned in society. It was in
the middle of dinner, when a tremendous knock at the front door was heard.
“What’s that?” said the host, starting. The gentleman in question
looked straight at Mr. Rogers. “It’s the devil come to
carry off you.” Everyone was silent, the host looked all
consternation, one lady half rose from her seat; when the small, distinct voice was
heard, and in the blandest tones—“Perhaps he may have the discrimination” (the word of five syllables being pronounced with
special clearness, and with a slightly nasal pause on the fourth syllable) “to
prefer another member of the company.” In a moment of such embarrassment it was
difficult to know what to do or say without adding to the embarrassment of the host,
but the attack could not be left unnoticed; Mr. Rogers said the
right thing and yet kept his place as a gentleman. The retort, unlike the attack, was
not personal; but it satisfied the guests, it was understood by all, the lady subsided,
the host raised a slight laugh, and the thing passed off.’ He treated with
similar coolness and self-control the attacks which were made upon him in the press. During
Theodore Hook’s editorship of the Tory
weekly paper ‘John Bull,’
Rogers was the object of a long series of personal attacks.
Theodore Hook, with the ‘loud voice, blazing red face,
and staring black eyes,’ of which Fanny
Kemble speaks, was not more the antithesis of Rogers in
personal appearance than he was in mind and in manners. His mode of attack on
Rogers was to father upon him many of his vulgar jokes and
far-fetched, and sometimes indecent puns. I have before me a huge mass of statements about
Rogers, taken from the paper he edited. They consist 132 | ROGERS AND HIS CONTEMPORARIES | |
of puns, rhymes, sometimes short letters, attributed to
Rogers, now with his full name, then with his initials, and then
again in the indirect and round-about way such writers affect. Some of these things got
considerable currency, a few of them are still told as his, but it is needless to say that
they are all inventions intended to wound him. Most of them are vulgar, some are utterly
pointless, and all are poor. I have looked through them in vain for anything worth quoting.
The best of them is a quiz on the never-failing subject of his personal appearance, which
got considerable popularity at the time, and, I am told by an octogenarian friend, who
repeated the stanzas to me from memory, that sixty years ago they created considerable
amusement among his friends. The lines appeared in ‘John
Bull’ on the 7th of March, 1824, under the heading—
Human Life.
Cries Sam, ‘All Human Life is frail,
E’en mine may not endure;
Then, lest it suddenly should fail,
I’ll hasten to insure.’
|
Beckoning without his host;
‘Avaunt!’ the frightened Morgan cried,
‘I can’t insure a ghost.’
|
‘Zounds! ’tis my poem, not my face;
Here, list while I recite it.’
Said Morgan, ‘Seek some other place,
I cannot underwrite it.’
|
1 The Equitable Insurance Office in Blackfriars. William Morgan, nephew of Dr. Price and a friend of Rogers, was actuary of the Equitable, which attained a very high position
under his management.
|
|
PERSONAL RECOLLECTIONS OF ROGERS
|
133 |
Theodore Hook ceased to edit ‘John Bull’ in 1830; and the long series of
puns attributed to Rogers and of rhymed attacks upon
him ceased. They were renewed in the ‘Chit-Chat’ of ‘The Metropolitan’ in 1835; but Campbell, who was then editing it, expressed his great
annoyance and regret, and there was an end of them so far as that magazine was concerned.
In the ‘Reminiscences
of Samuel Rogers,’ in ‘The
Quarterly Review,’ already quoted, the writer, who had known Rogers intimately in his old age, puts on record some
personal recollections of him. ‘It is the more desirable,’ says the
Reviewer, ‘to record these
recollections from the fact that exaggerated ideas as to the asperity of his tongue,
and vulgar ones, even, as to his personal appearance, have obtained a credence which
can only be refuted by personal testimony.’ The Reviewer’s personal
testimony on the first of these points is that Rogers’s tongue
was ‘an incisive organ, never allowed to grow blunt or rusty, but kept bright and
well pointed for needful occasions—moreover, always polite and always distinct,
which immensely increased its effect; but, what has been forgotten by his detractors,
it was strictly used for defence, never for provocation, and for defence of others
quite as much as of himself. Although, therefore, within these limits no one could
better say a bitterer thing, yet, all will admit that he never said a vulgar or a rude
one; or that that small and distinct voice ever failed to be lifted up in praise of
merit or defence of the injured.’ On the second point, that of personal
appearance, the Reviewer is equally emphatic. Quoting from a recent work in which an
obscure enemy
134 | ROGERS AND HIS CONTEMPORARIES | |
of Rogers has said that he was
‘as repellent in countenance as he was shrivelled in heart and contracted in
mind,’ ‘that he was like a death’s head, and that he frightened people by
his ugliness,’ the Reviewer calls it ‘scurrilous trash which one is almost
ashamed to repeat,’ and adds, ‘Mr. Rogers had no
pretension to good looks; he was very pale and very bald; but, as may be seen in the
engraving from Sir Thomas Lawrence’s life-size
drawing, which forms the frontispiece to his poems (edition 1845), he was gentle and
intelligent-looking. He looked, in short, what he was: a benevolent man and a thorough
gentleman. In these respects he was not unlike Mr.
Wilberforce, whose actual plainness was far greater, and increased by
considerable deformity of person, but whose social and mental rank could never be
mistaken.’
Three letters, two in answer to welcome epistles from him, and one by
him to his sister Sarah, give a view of him in his
social relations which supplies the natural and sufficient antidote to much depreciation.
‘Dunrobin: 2nd August [1835],
‘You see what you have brought upon yourself, my dear
Mr. Rogers, by a letter so
acceptable as that I received two days ago, and the contents of which reassured
me as to your recovery, though I had not seen the alarming part of the notices
so ably collected by our friend in St. Paul’s, and which play with the
feelings of the reader by the sudden changes and reverses they exhibit, and end
by so useful a caution against ginger beer.
| THE DUCHESS OF SUTHERLAND | 135 |
I wish to hear from some authority besides
his own that Mr. Grenville is again
well.
‘I see we quite agree about young Canning. They are both very amiable people, and were
proceeding with zeal on the most tiresome tour you can conceive, of twenty
miles a-day, towards the North Sea, when some letters of business induced him
to turn towards the south. Since the meeting of the council of Trent, I have
continued in my usual society, which I like much, and in the mornings I am
occupied much to my satisfaction. My buildings go on well. That here will be
indebted entirely to Mr. Westmacott for
turning out as it does. My larger work of a church also owes much to his good
taste, and will be very handsome. It is to be restored in as far as possible to
what it was when built by Saint Bar
in 1100. The then Earl of Caithness attacked and
“herried” it, took St. Bar, made him into
soup, boiled and eat him at his Castle of Girnigo; for many years afterwards it
was frequently attacked and destroyed by the same family, but is now in a way
completely to recover. I have remarked to its clergyman, that though the new
Earl of Caithness is living quietly at
Edinburgh and does not come here, still, from the uncertain state of things, he
must not be too sure of not being “grillé,” which I trust will keep him in a good and quiet frame
of mind.
‘I think the Duke of
Somerset’s domestic happiness is likely to be very much
improved by the new step he has taken,1 though I do not
know the lady, and I hear he has behaved very handsomely to his daughters in
making
1 The Duke of
Somerset had married, on the 28th of July, his second
wife. He had been a widower for rather more than eight years. |
136 | ROGERS AND HIS CONTEMPORARIES | |
them (and himself) independent; cela vaut mieux
que de garder son argent et de payer de sa personne.
‘I ought not to bore you with all my nonsense, but your
letter, and the gratitude I feel for it, made it irresistible. I hear that
Lord Dunmore has had some attack, but I
cannot learn any particulars; if true, it is much to be regretted. I can only
hear of him here by those who talk of his purchase of
what is called the Long Island, which is said to be a very good one, though one
should not in one’s ignorance have supposed it to be so.
‘What weather! It is now better. I see the D. of Rutland has been nearly drowned—I
hate those yachts.
‘E. G. S.’
‘Lowther Castle: 28th Sept. [1835].
‘I have long owed you an acknowledgment, my dear Friend,
for an affectionate letter, which was very welcome, distressed as we were, had
been, and alas! still are.
‘It is a week since I came to this hospitable mansion,
which I leave to-day. The country is most beautiful, the leaves in many places
changed to the exact point of autumnal splendour and variety. During my walks I
missed you much, and also our friend Sir
George. Lady Frederick is
not here, she comes at the end of the week. Lord
Lonsdale had a sharp attack of indisposition when he first came,
but he threw it off in two or three days, and, to the great joy of his friends,
is as active and well
| WORDSWORTH’S SISTER AND DAUGHTER | 137 |
as ever. Lady Lonsdale also, one of the best of women, is
quite well. Lady Ann and Miss
Thompson are both here; so is Mrs.
O’Callaghan.
‘You will be desirous, I am sure, to learn how our
invalids are. My dear sister, in bodily
health, is decidedly better, though quite unable to stand. Her mind, however,
is, I grieve to say, much shattered. The change showed itself upon the death of
dear Miss Hutchinson, but probably was
preparing before. Her case at present is very strange; her judgment, her
memory, and all her faculties are perfect as ever, with the exception of what
relates to her own illness and passing occurrences. If I ask her opinion upon
any point of literature, she answers with all her former acuteness; if I read
Milton, or any favourite author, and
pause, she goes on with the passage from memory, but she forgets instantly the
circumstances of the day. Considering that she is not sixty-four years of age,
I cannot but hope that her mind may be restored, if her bodily health should go
on improving.
‘My daughter is a
good deal better, but very far from being strong and well. Lady Lonsdale is in the room and begs to be
remembered to you.
‘When shall we meet again? You know well how much I
delight in your conversation and what a value I set upon your friendship. I am
not likely to be soon in London, but when will you come again northwards?
‘Miss Kinnaird, I
am told, is about to be married to L.
Drummond,1 of calculating celebrity. Is
he an amiable
1 Lieutenant
Drummond was the inventor of the lime-light, first
called the ‘Drummond light,’ and of a heliostat. He was
engaged on |
138 | ROGERS AND HIS CONTEMPORARIES | |
man? I should like to know, for she is a great favourite
with me and mine.
‘Miss Rogers, I
hope, is well. My poor body is always getting into some scrape or other. Last
year it was my foot, now it is my right arm which I have sprained so violently
that I can scarcely guide my pen, and I much fear you will not think my letter
worth the trouble of deciphering.
‘Southey, from
whom I heard this morning, is upon the point of finishing his first volume of
Cowper. His edition will have 101 original letters
of the poet. Pray write at your early convenience, as I wish to know how you
are and where spending the summer.
‘Most affectionately yours,
‘W. Wordsworth.’
[Broadstairs: 30th Sept., 1835.]
‘My dear Sarah,—Many thanks for your kind letter. I was in the very
act of writing to you when it arrived. Henry
Sharpe I met, half way in my walk to St. Peter’s, between
five and six o’clock. He was on the stage box and I was on foot. But he
and Sam called in the evening, and I was
glad to receive his account and your own.
the Ordnance Survey from 1823 to
1830. In 1831 he was made head of the Boundary Commission under the
Reform Act, and his biographer, Mr. E.
Barry O’Brien, thinks it was in connection with
his services on this commission that Wordsworth speaks of him as ‘of calculating
celebrity.’ From 1835 to 1840 he was Irish Secretary, and in a
reply to the Tipperary magistrates reminded them, in words which have
become historical, that ‘Property has its duties as well as its
rights.’ His Irish administration was regarded as, up to that
time, the most successful in the history of Ireland. |
| AT BROADSTAIRS IN 1835 | 139 |
Maltby left us yesterday, and as he went
to call upon you to-day, you will probably, if he sees you, hear more than I
can tell you. As I could not take leave of Patty, I wrote
to her some days ago, and my letter, I suppose, followed her to Brighton. I
slept, coming down, at Rochester and Canterbury, and found when I arrived that
I could not have been taken in before the Tuesday, Lord Shaftesbury having vacated the rooms on that day. So I
lost only three days. Mr. Talbot and his boy have the next
room, and Mrs. Enderby and her twenty girls the next
house. The girls sleep on mattresses on the floor and are seldom seen, never I
think by me but when a puppet show was exhibited on the grass plot for the
amusement of Master Talbot, an exhibition of which the
twenty orphans partook, crowding their windows. When they walk I don’t
know. My eyes are tolerably well and the inflammation is nearly gone, scarcely
perceptible. Once or twice I have been waked by a great smarting and great
discharge from the tear vessel, such as I had some years ago, but that I
believe to arise from a humour in the lid, not in the eye. In all other
respects I never was better, and I wish you could say the same, my dear
Sarah. Our weather has been beautiful, and I reproach
myself all day, and all night too, the full moon is so glorious, for not
enjoying it as I ought to do. One event at Broadstairs I had forgot, and must
leave to M. to do justice to—Miss Hale is married.
He has never caught a glimpse of her, though she lives at St. Peter’s,
but he never passed her door without silently pointing to it and then turning
away. Sam and his family I have generally seen every day.
They are for ever on the 140 | ROGERS AND HIS CONTEMPORARIES | |
sands, collecting shells and
weeds, and he and she are very active, having been up the Lighthouse and up the
Windmill, and filling their sketch books with sails and steamers. To-day they
have promised to eat goose with me. You will have the traveller, and hear much
of Venice and Florence, I hope, and perhaps give some instructions about the
house. I am very sorry for you, as nothing is so harassing as doubt and
perplexity when even time, the great settler in most matters, can render you no
service. Pray give my love to all under your roof, and believe me to be, my
dear Sarah,
‘Yours very affectionately,
‘S. R.
‘How long I shall stay I cannot say, perhaps till
Wednesday, and then, perhaps, return by Tunbridge. Maltby has become more abstracted than
ever. He saw nothing without, as you say. You would think the only child in
the world was Master Talbot, whom he met on the stairs
and admired over much. T. himself, whenever he comes in, exchanges his coat
for a dressing-gown ten times a-day, and drinks wine and brandy all day
long. No wonder the two ladies left him. He has been here about six weeks,
having left Hastings, as the Nurse told me, in April. The parlour is as
full of toys as a toy shop, and the boy utterly spoilt. Lady Ashburnham is at Ramsgate.’
The Commission for examining and reporting on the plans offered in the
competition for the building of the new Houses of Parliament was nominated in the course of
the summer, and Rogers was appointed one of the
| CBABB ROBINSON AT ROGERS’S | 141 |
Commissioners. His colleages in the Commission
were Mr. C. H. Tracy, Sir E.
Cust, Mr. T. Liddell, and Mr. George Vyvyan. It was one of the few public duties
placed on him, and was discharged with much satisfaction.
Crabb Robinson writes—
‘Nov. 29th, 1835.—I breakfasted with Mr. Rogers, tête-à-tête, staying with him from ten till one o’clock.
A very agreeable morning, and I left him with feelings of enhanced respect. There was
very little of that severity of remark for which he is reproached. Candour and good
sense marked all he said. He talked about Wordsworth, Byron, and Goethe. He seemed sufficiently prepossessed in favour
of Goethe, and I have lent him Mrs.
Austin’s book. Of Lord Byron he spoke freely, especially of his
sensitiveness as to what was said of him. He spoke very highly of
Wordsworth, but with qualifications which would not satisfy
Wordsworth’s admirers. He thinks he is likely now to be
over-lauded, as he was before to be under-rated. I was least prepared for his affirming
that Wordsworth is a careless versifier. He thinks his blank verse
better than his rhymes. On moral subjects and religion Rogers
showed much seriousness. He spoke of the much greater distinctness with which he could
recollect his faults than his kind actions: “Every man has his kind moments;
of course, I, as well as others—and it is distressing I cannot recollect
them.” “A Pharisee would,” I replied, “and
surely it is better not.”
Rogers produced a small volume which he praised
greatly—“Clio on
Taste, by J.
Usher.”’
142 |
ROGERS AND HIS CONTEMPORARIES
|
|
Early in 1836 Moore was again in
London and in his Diary there are some very pleasant accounts of literary mornings or
evenings with Rogers—
‘February 24th.—Called upon Rogers and stayed
some time with him: most agreeable and cordial. Told me some amusing things, one of
which was Theodore Hook’s saying to some
man with whom a bibliopolist dined the other day, and got extremely drunk,
“Why, you appear to me to have emptied your wine-cellar into your book-seller.”
‘28th.—Went to Rogers’s, and while there, Lord and Lady Seymour called, she
looking in great beauty. . . .
‘29th.—Breakfasted with Rogers to meet Taylor and
young Villiers. Conversation on various topics.
Referred to Shakespeare’s Sonnets for one that
Taylor had, on some former occasion, praised to
Rogers. It begins, “That time of year thou
may’st in me behold,” and is full of sweet thought and language
throughout. The first four lines are exquisite—
‘That time of year thou may’st in me behold When yellow leaves, or none, or few, do hang Upon those boughs which shake against the cold: Bare, ruined choirs where late the sweet birds sang. |
A good deal of conversation about Southey,
who is a great friend of Taylor’s.’
There is a letter of this date from Washington Irving introducing the author of ‘Alnwick Castle,’ ‘Marco Bozzaris,’ some spirited lines
‘On the Death of
Drake,’
and other poems. The
letter has a further interest of its own—
‘New York: 3rd Feb., 1836.
‘My dear Sir,—You will receive herewith a small
volume containing poems by Mr. Fitz Greene
Halleck, an American author, whose name is probably already
known to you, and some of whose writings you may have seen in collections of
American poetry published in England. I send the volume to you at the request
of the author, in testimony of that admiration of your poetry, and high esteem
for your private worth, which he feels in common with his countrymen.
‘Mr. H. has published in this
volume merely a selection from his various poems which have appeared from time
to time in our periodical works. He might have extended the selection with
advantage, as he has omitted several of great merit, possessing much terseness
of language and epigrammatic point; but which he may have thought too local,
temporary, and satirical in their nature for republication. Some of them lashed
the follies of the day and of his countrymen with much spirit and wit, but
without harshness, and produced a great sensation at the time.
‘The specimens he has furnished, however, will be
sufficient to give you an idea of his talents, and as I think, to satisfy you
that the reputation he enjoys among his countrymen is not unmerited.
‘I am building a little cottage on the banks of the
144 | ROGERS AND HIS CONTEMPORARIES | |
Hudson, and hope, in the course of the spring, to have,
for the first time in my life, a roof of my own over my head. It stands in the
midst of the “fairy haunts of long lost hours,” in a neighbourhood
endeared to me by boyish recollections, and commands one of our magnificent
river prospects. I only wish I could have you there as a guest, and shew my
sense of that kind and long-continued hospitality enjoyed in your classic
little mansion in St. James’s Place.
‘Ever, my dear Sir,
‘Most truly and affectionately your
friend,
The next is from a more familiar hand.
‘Rydal Mount [18th Feb., 1836.]
‘Many and sincere thanks, my dear Friend, for your
grand present of Watkins’s Gray, which reached me a few days ago. I
have already skimmed the second volume, which was new to me; and I hope for
much pleasure and profit from the perusal of most of it at leisure. This last
word, by the by, reminds me of a reference I found to Oldham, for the words—
‘I have not yet leisure to be good. |
‘You recollect that long ago I said to you I was sure
the line would be found somewhere, and if I am not mistaken you told me, some
time after, you had met with it in Owen
Feltham’s prose. Is this so?
‘I shall greatly value these two superb volumes, and
more for your sake than for their own, and I hope that they of my family into
whose hands they may pass will also prize them as a memorial of our friendship.
‘I have not forgotten that I am in your debt for a
letter received many months ago, and for which you would have been thanked long
since if I could have added anything respecting myself or family which it would
have gratified you to learn. We struggle on, bearing up under our trials and
afflictions as well as with God’s help we can. My daughter is something better, though not able
to exert herself, but for my poor sister, though her bodily health is better
upon the whole, this blessing is more than counterbalanced by a disorder of the
mind, obviously proceeding from some inflammatory action upon the brain.
Mrs. W. continues pretty well.
‘Last summer I saw a good deal of our excellent friends
both at Lowther and Whitehaven. Lady
Frederick was there, and you were often talked about. At
Whitehaven I had frequent walks upon the cliffs, which were not unproductive of
poetic suggestions, I do not presume to say inspirations. Possibly, and even
probably, T may visit London before the spring is over; if so, how happy shall
I be to renew my conversations and walks with you. These are (truly may I say
it) among the principal attractions London has for me. With kindest
remembrances to yourself and sister, in
which my own poor dear sister is still
able to join with us all, I remain, my dear Friend,
‘Faithfully yours,
146 |
ROGERS AND HIS CONTEMPORARIES
|
|
‘P.S. Be so good as to say to Moxon that I wish him to present you, as
from me, a couple of copies of my verses upon Lamb—one for your sister. I should have expressed this wish to himself upon
the slip on the other side had there been room.’
Wordsworth carried out the intention of visiting
London in the spring or summer, and Sir Henry Taylor
has a little story to tell about it. Speaking in a letter to Miss Fenwick of a breakfast to Wordsworth, he says:
‘I committed the mistake of asking Rogers, which made two suns in one system, Edward Villiers said; or, as Lister amended it, a sun and a moon, which was bad, for
Rogers’s position does not admit of people treating him
as a listener, and as he cannot keep pace with Wordsworth, he must
necessarily break a party into two conversations.’ 1
A little later in the year he says, in a letter to Miss Fenwick: ‘By way of variety I dined
yesterday téte-à-téte with old Rogers, and he was very agreeable. I dare say there is
no man living who has seen so much of so many eminent men as he has, touching as he
does all circles—philosophic, literary, political, naval and military, and
artistical. I suppose there is hardly any hero or man of genius of our times, from
Nelson and Crabbe downwards, who has not dined at
Rogers’s table; and he can tell something worth hearing
of them all, and can tell it in the most agreeable manner.’ 2
This was in the summer. Moore
makes some almost similar remarks a few months earlier.
|
SYDNEY SMITH: LORD JEFFREY
|
147 |
‘April 6th,
1836.—Dined at Miss Rogers’s, R. and
I and Sydney going there together: company, the
Hollands, the Langdales, Lady Davy, Surgeon Travers, and Rogers’s
nephew. Sydney highly amusing in the evening. His
description of the dining process, by which people in London
extract all they can from new literary lions, was irresistibly comic.
“Here’s a new man of genius arrived: put on the stewpan; fry away;
we’ll soon get it all out of him.” On this and one or two other topics he
set off in a style that kept us all in roars of laughter.
‘April 13th.—Breakfast at Brooks’s, and from thence to Rogers’s, where I found (as one is sure always
to find the best things going) Lord Jeffrey,
whom I had not seen for a length of time, and was most glad to find so well and
prosperous, with the honours of his new judgeship fresh about him. They say there
cannot be a better or more satisfactory judge, which I rejoice at exceedingly, not only
for his sake, but as an answer to your dull prosemen who conceit that none but
themselves are fit for grave occupations, and look down upon men of lively fancy as
little better than (what the lawyers used to call) “diverting vagabonds.”
Jeffrey’s wife and daughter were also
of the party, as well as old Whishaw, who
mentioned an amusing instance of Dr. Parr’s
stilted phraseology. In addressing a well-known lawyer (whose name I now forget), after
some great forensic display he had made, Parr said, “Sir,
you are incapable of doing justice to your own argument; you weaken it by diffusion
and perplex it by reiteration.” Jeffrey, in allusion
to my healthy looks, said I was the only “vernal thing” he had yet
seen.
148 |
ROGERS AND HIS CONTEMPORARIES
|
|
‘April 14th,
1836.—Dinner with Rogers, none but ourselves. Opera, the “Gazza Ladra,” perfect in every way; with four such
singers as Grisi, Lablache, Tamburini, and
Rubini all doing their best, it could not be
otherwise. By the omission of the part of Pippo,
the piece was in some degree estropié, but altogether the
effect was delicious. Very pretty dancing afterwards by Grisi’s sister—her first appearance.
‘April 16th.—. . . . To dinner at Lord
Essex’s; company: Rogers
(who took me), Luttrell, Byng, Rich, and one or two more,
whom I forget. Conversation agreeable, particularly Lord
Essex’s stories about the Prince and old Travis.
‘April 19th.—. . . Went from Rogers’s
to Devonshire House; a large assembly, where I met a number of old acquaintances. . . .
As I was coming away from Devonshire House, there was that gay “young gentleman
about town,” Rogers, just arrived, having got rid of his own
party, and still so “up to everything,” as to think it worth his while to
come out at this late hour (between twelve and one o’clock) to attend a ducal
assembly! Long may he be able and willing to do so, say I.’
In the late summer Rogers writes
to his sister, who was travelling on the Continent with their niece
Mary—
‘Broadstairs: Sept. 28 [1836].
‘My dear Sarah,—Your kind letter of the 19th found me here as you
guessed, for here I arrived ten days ago. Your former from Pau found me in the
act of setting
out, and I
answered it to Marseilles, while the carriage stood at the door, on the 17th.
That night I slept at Rochester and the next at Canterbury, where I spent an
hour in the evening with Lady Byron, whom I
had not seen for twenty-two years. Here I found Maltby, who had answered my proposal with an equivocal letter
and who still hesitates, excusing himself on account of his health. So I shall
say no more to him on the subject. To tell you the truth, the prospect of going
and returning alone dispirits me, together with the chance of passing a very
short time with you two in Paris so late in the year. I wrote last week to
propose it to William Sharpe, but he was
engaged to some friends near Havre. So I am in a thousand minds and at a loss
what to do. I hope and trust you will go to Genoa, as you can never have a
better opportunity, that is, if the cholera is gone, of which I have heard only
that it has been subsiding of late in Italy—but at Marseilles you can
surely learn. Here is Miss Stephens’s brother with
his family, and at Ramsgate I met on the pier Mrs. Scott,
the Miss Biggs who is married, with another daughter. They
are at a boarding house, and inquired much about you two. I am delighted to
think you have had so prosperous a journey—you say nothing about health,
so I hope you are both well. To-day we have been to some races near Margate. At
Ramsgate I met with Mr. Webb, my fellow-traveller in 1802.
He is returning to Paris, and if I go it will most probably be with him, but
pray don’t alter your plans for me, as our stay at Paris would at all
events be so short in the cold season. Mr.
Robinson is in this neighbourhood on a visit, and one morning
breakfasts with us, talking of 150 | ROGERS AND HIS CONTEMPORARIES | |
Wordsworth and Goethe. The weather here has been fine; and
the moon, at the full for the three last nights, has given us recollections of
the Mediterranean—I say us, but my companion seldom looks out after dark,
and almost always withdraws to his room at nine; to-night, having a cold, he
went at seven. His protégée is here, boarding in the house; she came,
and will of course return, with him. Mr. Coope and his
family were here and are just gone. Poor Malibran. She died, you know, at Manchester in her
twenty-seventh year. Pray give my love to Mary, and
believe me
‘Yours ever,
He overcame his hesitation and went to Paris, where he met his sister and his niece on their return, and came home with
them at the end of November. ‘I had a delightful ride with my uncle to
Rochester,’ says his niece, though all the way from Paris the weather was dismal with
unceasing rain. Moore had been in London in his
absence, and records that Rogers wrote to reproach
him for not taking up his quarters at St. James’s Place. ‘Why did not you,
the other day, come at once to my house and ask for a bed there. Have I not told you to
do so again and again, you varlet you?’
Fanny Kemble’s (Mrs.
Butler’s) stories of Rogers
appear to belong to this period. She writes—
‘The occasion of my becoming acquainted with my admirable and
very kind friend, the Rev. Sydney Smith, was a
dinner at Mr. Rogers’s to which I had been
asked
| MRS. BUTLER ON LADY HOLLAND | 151 |
to meet Lord and Lady
Holland, by special desire, as I was afterwards informed, of the latter,
who, during dinner, drank out of her neighbour (Sydney
Smith’s) glass, and otherwise behaved herself with the fantastic
despotic impropriety in which she frequently indulged, and which might have been
tolerated in a spoilt beauty of eighteen, but was hardly becoming in a woman of her age
and “personal appearance.” When first I came out on the stage, my father and mother, who occasionally went to Holland House, received an invitation
to dine there, which included me; after some discussion, which I did not then
understand, it was deemed expedient to decline the invitation for me, and I neither
knew the grounds of my parent’s decision, nor of how brilliant and delightful a
society it had then closed the door to me. On my return to England after my marriage,
Lady Holland’s curiosity revived with regard to me, and
she desired Rogers to ask me to meet her at dinner, which I did;
and the impression she made upon me was so disagreeable that for a time it involved
every member of that dinner-party in a halo of undistinguishing dislike in my mind. . .
. Altogether the evening was unsuccessful, if its purpose had been an acquaintance
between Lady Holland and myself. . . . She complained to Charles Greville that I would not let her become
acquainted with me, and twice after our first unavailing meeting at
Rogers’s made him ask me to meet her again, each time,
however, with no happier result.
‘The first time, after making herself generally obnoxious at
dinner, she at length provoked Rogers, who, the
conversation having fallen upon the subject of
152 | ROGERS AND HIS CONTEMPORARIES | |
beautiful hair,
and Lady Holland saying, “Why,
Rogers, only a few years ago I had such a head of hair
that I could hide myself in it, and I’ve lost it all,” merely
answered, “What a pity!”—but with such a look and tone that an
exultant giggle ran round the table at her expense. . . .
Rogers’s keen-eyed wit seemed to cut his lips as he
uttered it; Sydney Smith’s was without
sting or edge or venomous point of malice, and his genial humour was really the
overflowing of a kindly heart.
‘Rogers’s helpful
benevolence and noble generosity to poor artists, poor authors, and all distressed whom
he could serve or succour was unbounded; he certainly had the kindest heart and the
unkindest tongue of any one I ever knew. His benefits remind me of a comical story my
dear friend Harness once told me of a poor woman
at whose lamentations over her various hardships one of his curates was remonstrating.
“Oh come, come now, my good woman, you must allow that Providence has
been, on the whole, very good to you.” “So He ‘ave, sir,
so He ‘ave mostly. I don’t deny it; but I sometimes think He ‘ave
taken it out in corns.” I think Rogers took out his
benevolence, in some directions, in the corns he inflicted, or at any rate trod upon,
in others.
‘Mr. Rogers’s
inveterate tongue-gall was like an irresistible impulse, and he certainly bestowed it
occasionally, without the least provocation, upon persons whom he professed to like. He
was habitually kind to me, and declared he was fond of me. One evening (just after the
publication of my stupid drama, “The
Star of Seville”), he met me with a malignant grin, and the
exclamation, “Ah, I’ve just been reading your play. So
nice! young
poetry!”—with a diabolical dig of emphasis on
the “young.” “Now, Mr. Rogers,” said I,
“what did I do to deserve that you should say that to me?” I do not
know whether this appeal disarmed him, but his only answer was to take me
affectionately by the chin, much as if he had been my father. When I told my sister of this, she, who was a thousand times quicker
witted than I, said, “Why didn’t you tell him that young poetry was
better than old?”
‘Walking one day in the Green Park, I met Mr. Rogers and Wordsworth, who took me between them, and I continued my walk in great
glory and exultation of spirit, listening to Rogers and hearing
Wordsworth—the gentle rill of the one speech broken into
by sudden loud splashes of the other; when Rogers, who had vainly
been trying to tell some anecdote, pathetically exclaimed, “He won’t let
me tell my story!” I immediately stopped, and so did
Wordsworth, and during this halt Rogers
finished his recital. Presently afterwards, Wordsworth having left
us, Rogers told me that he (Mr. Wordsworth),
in a visit he had been lately paying at Althorp, was found daily in the magnificent
library, but never without a volume of his own poetry in his hand. Years after this,
when I used to go and sit with Mr. Rogers, I never asked him what
I should read to him without his putting into my hands his own poems, which always lay
by him on his table.
‘A comical instance of the rivalry of wits (surely as keen as
that of beauties), occurred one day when Mr.
Rogers had been calling on me, and speaking of that universal social
favourite, Lady Morley, he said, “There
154 | ROGERS AND HIS CONTEMPORARIES | |
is but one voice against her in all England, and that is
her own.” (A musical voice was the only charm wanting to Lady
Morley’s delightful conversation.) I was enchanted with this
pretty epigram, so unlike in its tone to Mr. Rogers’s usual
friendly comments; and very soon after he left me, Sydney Smith coming in, I told him how clever and how
pleasant a remark the “departed” poet (Sydney Smith
often spoke of Rogers as dead on account of his cadaverous
complexion) had made on Lady Morley’s voice. “He
never said it,” exclaimed my second illustrious visitor. “But he
did, Mr. Smith, to me, in this room, not half an hour
ago.” “He never made it; it isn’t his;
it isn’t a bit like him.” To all of which I could only repeat that,
nevertheless, he had said it, and that, whether he made it or
not, it was extremely well made. Presently Sydney Smith went away.
I was living in Upper Grosvenor Street, close to Park Lane; and he in Green Street, in
the near neighbourhood. But I believe he must have run from my house to his own, so
short was the interval of time before I received the following note, “Dans
toute l’Angleterre iln’y a qu’une voix contre moi, et c’est
la mienne.” Then followed the signature of a French lady of the
eighteenth century, and these words: “What a dear, innocent, confiding,
credulous creature you are! and how you do love
Rogers.—Sydney
Smith.”’
Crabb Robinson says:—
‘February 23rd,
1837.—An agreeable day. I breakfasted with Samuel
Rogers. We had a long and interesting chat about Landor, Wordsworth, Southey, &c.
Rogers is
a good teller of anecdotes! He spoke with great affection of Mrs. Barbauld. Of Southey’s
genius and moral virtues he spoke with respect; but Southey is anti-popular—not a friend to the improvement of the
people. We talked of slander and the truth blended with it. A friend repeated to
Rogers a saying by Wilkes: “Give me a grain of truth, and I will mix it up with a
great mass of falsehood, so that no chemist shall ever be able to separate
them.” Talking of composition, he showed me a note to his “Italy,” which he says took him a
fortnight to write. It consists of a very few lines. Wordsworth
has amplified the idea of this note in his poem on the picture of Miss Quillinan by Stone. Rogers says, and I think truly, that the
prose is better than the poem. The thought intended to be expressed is, that the
picture is the substance, and the beholders are the shadows.’
Moore was in London, as usual, in the spring, and
there are some points of interest in his Diary.
‘April 7th,
1837.—Went to Brooks’s, where Rogers
came to look for me. Offered to dine with him to-day, which he most heartily agreed to.
. . . Rogers very agreeable. Mentioned the Duke of Wellington saying to some enthusiastic woman, who
was talking in raptures about the glories of a victory, “I should so like to
witness a victory!” &c., &c. “My dear madam, a victory
is the greatest tragedy in the world except one,—and that is a
defeat.”
‘April 24th.—Dined at Lord Grey’s; company,
besides their own family: the Hollands, Rogers, Lord
Duncannon,
156 | ROGERS AND HIS CONTEMPORARIES | |
and Ellice. The day very agreeable. In the evening came some of the
Carlisles, and the Duke of Sutherland, with his engaging Duchess, who combines the thoroughly feminine woman with the air of the
“high-born ladye” in a most remarkable and pleasing manner.
‘29th.—After breakfasting at
Rogers’s, went to Maclise’s and gave him a long sitting; ditto to
Moore at his house in Holland Street. Was obliged to be
dressed and ready at half-past four to accompany Rogers to the
Academy in order to have a view of the exhibition before dinner. The whole thing,
exhibition, dinner, and company, a spectacle well worth being present at. Was sorry to
see that the Duke of Wellington entirely forgets
me, though to be sure so many years have passed since I dined at his table in Dublin,
when he was secretary there, that it is by no means to be wondered at. We have been
thrown together once or twice in society of late years, and then, from the few words
that passed between us, I was in hopes that he remembered me; but from the manner in
which he received me to-day, when Rogers, after shaking hands with
him himself, made a sort of half presentation of me to him, I am pretty sure he has no
recollection of me whatever. Got seated near Jones, the artist, who, in talking of Turner’s forthcoming designs from “The Epicurean,” mentioned his having
“attempted” some subjects from it himself, and his being curious to see
whether Turner had fixed upon the same.’
Crabb Robinson writes—
|
MOORE: WORDSWORTH: EMPSON
|
157 |
‘August 17th,
1837.—I breakfasted with Rogers this
morning; Empson went with me. Wordsworth there. A very interesting chat with him
about his poetry. He repeated emphatically what he had said to me before, that he did
not expect or desire from posterity any other fame than that which would be given him
for the way in which his poems exhibit man in his essentially human character and
relations—as child, parent, husband—the qualities which are common to all
men as opposed to those which distinguish one man from another. His Sonnets are not,
therefore, the work that he esteems the most. Empson and I had
spoken of the Sonnets as our favourites; he said, “You are both wrong.”
Rogers, however, attacked the form of the Sonnet with
exaggeration, that he might be less offensive. I regret my inability to record more of
Wordsworth’s conversation. Empson
related that Jeffrey had lately told him that so
many people had thought highly of Wordsworth, that he resolved to
reperuse his poems, and see if he had anything to retract. Empson,
I believe, did not end his anecdote; he had before said to me that
Jeffrey, having done so, found nothing to retract, except,
perhaps, a contemptuous and flippant phrase or two. Empson says he
believed Jeffrey’s distaste for
Wordsworth to be honest—mere uncongeniality of mind.
Talfourd, who is now going to pay
Jeffrey a visit, says the same. Jeffrey
does acknowledge that he was wrong in his treatment of Lamb.’
In the same month there are further records by Moore of talks with Rogers and his friends. One day
158 | ROGERS AND HIS CONTEMPORARIES | |
Moore meets at his house at breakfast a celebrated Frenchman and a
Polish refugee, Count Krasinski. Wordsworth is there at dinner, full of his Continental
tour. Moore tells him of a young man who had seen him in Italy and
boasted of it, and Moore says, ‘The sublime Laker replied,
“Oh, Virgilium tantum
vidi,” but, immediately conscious of the assumption, turned it off with a
laugh.’ On another day Wordsworth, Landseer, and Henry Taylor are at
Rogers’s with Moore, and the
conversation turns on Campbell’s
poetry,’ which they are all much disposed to carp at and depreciate, especially
Wordsworth.’ Moore remarks that some of
Campbell’s odes bid fair for immortality, ‘on
which,’ says he, ‘they all began to pick holes in some of the most beautiful of
these things— ‘Every sod beneath their feet Shall be a soldier’s sepulchre. |
‘A sod being a sepulchre.’ ‘This,’ intercalates
Moore, ‘perhaps, is open to objection.’ ‘The
meteor flag of England braving the battle and the breeze’ was another of the things
objected to, and Henry Taylor remarked that, ‘the coming events
cast their shadows before’ was borrowed. Speaking of letter-writing,
Taylor mentioned Southey’s industry, and Wordsworth said he had
such a horror of having his letters preserved, that in order to guard against it he made
them as bad and dull as possible. This is a matter in which posterity takes leave to differ
entirely from Wordsworth. Moore says that on
another day Rogers read over to him some last verses of his own and
showed great sensibility in doing so. ‘Part | ’MRS. MOORE IS MY ALMONER’ | 159 |
of the feeling in them consists in
sadly anticipating all that youth has before it in life, of wrong as well as of
suffering, of wrong that will be regretted in after years.’ In the autumn
there was what the papers called a Whig conclave at Bowood, and Rogers
and his sister, as well as Sydney Smith, were of it. It was a gathering for amusement
and relaxation, and not for business. Moore, who reports no political
talk, puts on record another trait of Rogers’s character.
‘October 18th,
1837.—Joined Rogers and Sydney in a walk before breakfast. . . . After
breakfast, set off to return home and Rogers accompanied me.
Nothing could be more agreeable and amiable than he was. In talking of his age (he is
now some months turned seventy-five—[this should be seventy-four]) he said,
“If I was asked what ailment I have I really could not say that I have
any”; and yet, so delicate was his health up to the age of between thirty
and forty, that it was difficult to keep him alive. We walked up and down between Sandy
Lane Gate and the Calne Road three or four times, I still turning back with him and he
then retreading his steps with me. In the course of our walk he said, “You
know Mrs. Moore is my almoner.” I
anticipated what was coming, and both for Bessy’s sake and
the poor peoples’ rejoiced in my heart. He then took out of his pocket five
sovereigns and gave them to me for the poor of Bromham.
‘One of my embarrassments, indeed, during his visit has been
the fear lest Bessy should thank him for the
five pounds I brought her in his name, for the same
160 | ROGERS AND HIS CONTEMPORARIES | |
purpose, two
or three years since. But I had taken the opportunity of warning her against doing so,
saying that it would look like asking for more. I now told him the circumstance of my
having imposed upon her, as just stated, not saying, however, that it was in his name I
had done so. I need not say how great was Bessy’s pleasure
on my producing this new fund for her old women.’
Poor Haydon has left it on
record, that on the fourth of November in this year he met Rogers in the Park and told him he had just been to the Duke of Sutherland’s to see Delaroche’s picture of Strafford.
Haydon did not like it. It was too French, he said, and the basis
of all French art he declared to be the theatre and the lay figure.
Rogers touched him on the side and said, ‘Give us
something better of the same sort—you could.’ It is needless to say
that Haydon went home consoled, as Rogers, who
always had a tender feeling for artists in misfortune, probably intended that he should.
William Arden, second baron Alvanley (1789-1849)
The son of Sir Richard Pepper Arden, first Baron Alvanley; he was a friend of Beau
Brummell with a reputation as a wit and a spendthrift.
Sarah Austin [née Taylor] (1793-1867)
The daughter of John Taylor of Norwich (1750-1826); she was a respected translator
unhappily married to the legal philosopher John Austin (1790-1859) in 1819.
Charles Babbage (1791-1871)
Cambridge-educated mathematician and computer pioneer, in which capacity in 1843 he
published a paper in collaboration with Byron's daughter, Ada Augusta, countess of
Lovelace.
Anna Laetitia Barbauld [née Aikin] (1743-1825)
English poet and essayist, the sister of John Aikin, who married Rochemont Barbauld in
1774 and taught at Palgrave School, a dissenting academy (1774-85).
Thomas Barnes [Strada] (1785-1841)
The contemporary of Leigh Hunt at Christ's Hospital; he was editor of
The Times from 1817.
Lady Anne Beckett [née Lowther] (d. 1871)
The youngest daughter of William Lowther, first Earl of Lonsdale; in 1817 she married Sir
John Beckett, second baronet (1775-1847).
Henry Bickersteth, baron Langdale (1783-1851)
Son of a physician of the same name; he studied at Caius College, Cambridge and the Inner
Temple, was a friend of Sir Francis Burdett and Jeremy Bentham, and was appointed master of
the rolls and created Baron Langdale in 1836. In 1835 he married Lady Jane Elizabeth
Harley, daughter of the Earl of Oxford.
Samuel Boddington (1766-1843)
West India merchant in partnership with Richard “Conversation” Sharp; he was a Whig MP
for Tralee (1807). Samuel Rogers and Sydney Smith was a friend.
Henry Peter Brougham, first baron Brougham and Vaux (1778-1868)
Educated at Edinburgh University, he was a founder of the
Edinburgh
Review in which he chastised Byron's
Hours of Idleness; he
defended Queen Caroline in her trial for adultery (1820), established the London University
(1828), and was appointed lord chancellor (1830).
Lady Mary Anne Brougham [née Eden] (1785-1865)
The daughter of Thomas Eden; she married (1) the Scottish MP John Spalding (d. 1815) in
1807 and (2) Henry Brougham, first Baron Brougham and Vaux in 1819.
Frances Butler [née Kemble] (1809-1893)
English actress and writer, daughter of Charles Kemble and Maria Theresa Kemble; on a
tour to America in 1834 she was unhappily married to Pierce Butler (1807-1867).
Frederick Gerald Byng [Poodle] (1784-1871)
Son of John Byng, fifth viscount Torrington; he was a dandy acquaintance of the Prince
Regent and a clerk at the Foreign Office.
Thomas Campbell (1777-1844)
Scottish poet and man of letters; author of
The Pleasures of Hope
(1799),
Gertrude of Wyoming (1808) and lyric odes. He edited the
New Monthly Magazine (1821-30).
Charles John Canning, first earl Canning (1812-1862)
The third son of George Canning; educated at Eton and Christ Church, Oxford, he was MP
for Warwick (1836) and governor-general of India (1856-62) and created earl in 1859.
Antonio Canova (1757-1822)
Italian neoclassical sculptor who worked at Rome.
Samuel Taylor Coleridge (1772-1834)
English poet and philosopher who projected
Lyrical Ballads (1798)
with William Wordsworth; author of
Biographia Literaria (1817),
On the Constitution of the Church and State (1829) and other
works.
Anthony Ashley- Cooper, seventh earl of Shaftesbury (1801-1885)
The son of the sixth earl (d. 1851); he was asocial reformer who introduced legislation
to relieve women and children laboring in coal mines and to limit the work-day for factory
laborers to ten hours.
John Singleton Copley, baron Lyndhurst (1772-1863)
The son of the American painter; he did legal work for John Murray before succeeding Lord
Eldon as lord chancellor (1827-30, 1834-35, 1841-46); a skilled lawyer, he was also a
political chameleon.
William Cowper (1731-1800)
English poet, author of
Olney Hymns (1779),
John
Gilpin (1782), and
The Task (1785); Cowper's delicate
mental health attracted as much sympathy from romantic readers as his letters, edited by
William Hayley, did admiration.
George Crabbe (1754-1832)
English poet renowned for his couplet verse and gloomy depictions of country persons and
places; author of the
The Village (1783),
The
Parish Register (1807),
The Borough (1810), and
Tales of the Hall (1819).
Sir Edward Cust, baronet (1794-1878)
The sixth son of Brownlow Cust, first Baron Brownlow; educated at Eton and Sandhurst,
after a distinguished military career and service as Tory MP for Grantham (1818-26) and
Lostwithiel (1826-32) he was assistant master of the ceremonies to Queen Victoria. He was
an antiquary and prolific writer.
Lady Jane Davy [née Kerr] (1780-1855)
Society hostess who in 1798 married Shuckburgh Ashby Apreece (d. 1807) and Humphry Davy
in 1812.
Paul Delaroche (1797-1856)
French historical painter trained under Baron Gros; he was the friend of Théodore
Géricault and Eugène Delacroix.
Maria Drummond [née Kinnaird] (1807 c.-1891)
The adopted daughter and heir of Richard Sharp; she corresponded with Dora Wordsworth and
Mathew Arnold.
Thomas Drummond (1797-1840)
Educated at Edinburgh University, he was an inventor of scientific instruments, chairman
of the Parliamentary Boundary Commission (1831), and under-secretary of Ireland
(1835).
Sir Charles Lock Eastlake (1793-1865)
English painter educated at Charterhouse; he was a student of Benjamin Robert Haydon, a
member of the Plymouth Institute, and was director of the National Gallery in London
(1850-65).
Lady Elizabeth Eastlake [née Rigby] (1809-1893)
Art critic, translator, and reviewer for the
Quarterly; she
married Sir Charles Lock Eastlake in 1849. She was related to Lady Palgrave through her
mother, Anne Palgrave.
Edward Ellice (1783-1863)
British merchant with the Hudson's Bay Company and Whig MP for Coventry (1818-26,
1830-63); he was a friend of Sir Francis Burdett and John Cam Hobhouse.
William Empson (1791-1852)
Educated at Winchester and Trinity College, Cambridge, he succeeded Sir James Mackintosh
as professor of law at the East India College, Haileybury. He wrote for the
Edinburgh Review, of which he became editor in 1847.
Owen Felltham (1602 c.-1668)
English poet and essayist, author of
Resolves: Divine, Morall,
Politicall (1623).
Isabella Fenwick (1783-1856)
Friend and neighbor of the Wordsworths; she was the daughter of Nicholas Fenwick of
Lemminton Hall near Alnwick, and a relation of the poet Henry Taylor.
Elizabeth Fox, Lady Holland [née Vassall] (1771 c.-1845)
In 1797 married Henry Richard Fox, Lord Holland, following her divorce from Sir Godfrey
Webster; as mistress of Holland House she became a pillar of Whig society.
Henry Richard Fox, third baron Holland (1773-1840)
Whig politician and literary patron; Holland House was for many years the meeting place
for reform-minded politicians and writers. He also published translations from the Spanish
and Italian;
Memoirs of the Whig Party was published in 1852.
Johann Wolfgang Goethe (1749-1832)
German poet, playwright, and novelist; author of
The Sorrows of Young
Werther (1774) and
Faust (1808, 1832).
Thomas Grenville (1755-1846)
The third son of George Grenville; he was a Whig MP and follower of Charles James Fox who
was first lord of the Admiralty (1806-07) and bequeathed a collection of 20,000 volumes to
the British Library.
Charles Cavendish Fulke Greville (1794-1865)
The son of Captain Charles Greville (1762-1832); he was educated at Eton College and at
Christ Church, Oxford, and was clerk-in-ordinary to the privy council. His famous
Diary began appearing in 1874.
Charles Grey, second earl Grey (1764-1845)
Whig statesman and lover of the Duchess of Devonshire; the second son of the first earl
(d. 1807), he was prime minister (1831-34).
Giulia Grisi (1811-1869)
Italian soprano who made her London debut in 1834.
Fitz-Greene Halleck (1790-1867)
American poet and satirist who clerked for John Jacob Astor and published in the
New York Evening Post.
Hannibal (247 BC-182 BC)
Leader of the Carthaginians in the Second Punic War with Rome.
Edward Venables-Vernon Harcourt, archbishop of York (1757-1847)
The son of George Venables-Vernon, first Baron Vernon, educated at Westminster and
All-Souls College, Oxford; he was prebendary of Gloucester (1785-91), bishop of Carlisle
(1791-1807), and archbishop of York (1807-47).
Henry Venables-Vernon- Harcourt (1791-1853)
The son of Edward Venables-Vernon-Harcourt, archbishop of York; he was lieutenant-colonel
of the Grenadier Guards.
William Harness (1790-1869)
A Harrow friend and early correspondent of Byron. He later answered the poet in
The Wrath of Cain (1822) and published an edition of Shakespeare
(1825) and other literary projects. Harness was a longtime friend of Mary Russell
Mitford.
Benjamin Robert Haydon (1786-1846)
English historical painter and diarist who recorded anecdotes of romantic writers and the
physiognomy of several in his paintings.
Abraham Hayward (1801-1884)
English barrister and essayist who contributed to the
Quarterly
Review and wrote
The Art of Dining (1852); his translation
of Goethe's
Faust was published in 1833.
George Stillman Hillard (1808-1879)
Harvard-educated American lawyer and man of letters; the friend of Charles Sumner and
Nathaniel Hawthorne, he published
Six Months in Italy (1853).
Theodore Edward Hook (1788-1841)
English novelist, wit, and friend of the Prince of Wales; he edited the
John Bull (1820) and appears as the Lucian Gay of Disraeli's
Conigsby and as Mr. Wagg in
Vanity Fair.
George Howard, sixth earl of Carlisle (1773-1848)
Son of the fifth earl (d. 1825); he was educated at Eton and Christ Church, Oxford, wrote
for the
Anti-Jacobin, and was MP for Morpeth (1795-1806) and
Cumberland (1806-28).
Sara Hutchinson (1775-1835)
The daughter of John Hutchinson of Penrith (d. 1785) and sister of Mary Hutchinson
Wordsworth.
Charlotte Jeffrey [née Wilkes] (d. 1850)
The daughter of Charles Wilkes, a New York banker, and great-niece of the radical John
Wilkes; in 1813 the became the second wife of the critic Francis Jeffrey. Their daughter
was also named Charlotte.
Francis Jeffrey, Lord Jeffrey (1773-1850)
Scottish barrister, Whig MP, and co-founder and editor of the
Edinburgh
Review (1802-29). As a reviewer he was the implacable foe of the Lake School of
poetry.
George Jones (1786-1869)
English painter who fought in the Peninsular War and was noted for his paintings of
battles; he illustrated works by Scott and Byron and was the friend of Francis Chantrey and
J. M. W. Turner. He was elected to the Royal Academy in 1824.
Adelaide Kemble (1815-1879)
English soprano who studied music with John Braham; the daughter of Charles Kemble and
sister of Fanny Kemble, she retired following her marriage to Edward John Sartoris in
1842.
Charles Kemble (1775-1854)
English comic actor, the younger brother of John Philip Kemble and Sarah Siddons.
Maria Theresa Kemble [née De Camp] (1777-1838)
English actress, the daughter of the musician George Lewis De Camp; she began performing
at the age of eight and married the actor Charles Kemble in 1806.
James Kenney (1780-1849)
Irish playwright, author of
The World (1808); he was a friend of
Lamb, Hunt, Moore, and Rogers.
Samuel Johnes Knight (1756 c.-1852)
Of Henley Hall, Shropshire, England, the son of Thomas Johnes. He was fellow of All-Souls
College, Oxford and the Rector at Welwyn, Hertfordshire (1797-1852). A friend of Lord
Brougham, he took the name Knight in 1813 having inherited property from Richard Payne
Knight.
Zygmunt Krasinski (1812-1859)
Polish romantic poet, the author of
Undivine Comedy (1835), who
spent much of his life in exile.
Luigi Lablache (1794-1858)
Italian bass who made his London debut in 1830.
Charles Lamb [Elia] (1775-1834)
English essayist and boyhood friend of Coleridge at Christ's Hospital; author of
Essays of Elia published in the
London
Magazine (collected 1823, 1833) and other works.
William Lamb, second viscount Melbourne (1779-1848)
English statesman, the son of Lady Melbourne (possibly by the third earl of Egremont) and
husband of Lady Caroline Lamb; he was a Whig MP, prime minister (1834-41), and counsellor
to Queen Victoria.
Walter Savage Landor (1775-1864)
English poet and man of letters, author of the epic
Gebir (1798)
and
Imaginary Conversations (1824-29). He resided in Italy from 1815
to 1835.
Sir Edwin Henry Landseer (1802-1873)
English painter trained at the Royal Academy schools, renowned for his portraits of
animals—he painted Walter Scott with his dogs.
Sir Thomas Lawrence (1769-1830)
English portrait painter who succeeded Joshua Reynolds as painter in ordinary to the king
(1792); he was president of the Royal Academy (1820).
Thomas Liddell (1800-1856)
The son of Sir Thomas Henry Liddell, first baron Ravensworth (1775-1855); he was an
architect who specialised in gothic designs.
Thomas Henry Lister (1800-1842)
English silver-fork novelist educated at Westminster School and Trinity College,
Cambridge; he published
Granby (1826),
Herbert
Lacy (1828), and
Arlington (1832).
Henry Luttrell (1768-1851)
English wit, dandy, and friend of Thomas Moore and Samuel Rogers; he was the author of
Advice to Julia, a Letter in Rhyme (1820).
Daniel Maclise (1806-1870)
Irish painter who exhibited at the Royal Academy and executed a famous series of
portraits of literary celebrities that appeared in
Fraser's Magazine
from 1830 to 1838.
Maria Felicia Malibran (1808-1836)
Born in Paris; opera singer who made her debut in London in 1825 performing in Rossini's
Barber of Seville; she died of a riding accident in
Manchester.
William Maltby (1764-1854)
A schoolmate and life-long friend of Samuel Rogers; he was a London solicitor and a
member of the King of Clubs. In 1809 he succeeded Richard Porson as principal librarian of
the London Institution.
Harriet Martineau (1802-1876)
English writer and reformer; she published
Illustrations of Political
Economy, 9 vols (1832-34) and
Society in America
(1837).
Thomas James Mathias (1755-1835)
English satirist, the anonymous author of
Pursuits of Literature
(1794-98) and editor of
The Works of Thomas Gray, 2 vols (1814).
From 1817 he lived in Italy, where he translated classic English poets into Italian.
James Millingen (1774-1845)
Educated at Westminster, he worked at the French mint and became an authority on coins
and antiquities based in Paris and Italy; he was the father of Julius Millingen, physician
at Missolonghi.
John Milton (1608-1674)
English poet and controversialist; author of
Comus (1634),
Lycidas (1638),
Areopagitica (1644),
Paradise Lost (1667), and other works.
Thomas Moore (1779-1852)
Irish poet and biographer, author of the
Irish Melodies (1807-34),
The Fudge Family in Paris (1818), and
Lalla
Rookh (1817); he was Byron's close friend and designated biographer.
William Morgan (1750-1833)
A noted actuary for the Equitable Assurance Company, he was the nephew of the philosopher
Richard Price and a friend of Horne Tooke, Sir Francis Burnett, and Samuel Rogers.
Edward Moxon (1801-1858)
Poet and bookseller; after employment at Longman and Company he set up in 1830 with
financial assistance from Samuel Rogers and became the leading publisher of literary
poetry.
Horatio Nelson, viscount Nelson (1758-1805)
Britain's naval hero who destroyed the French fleet in the Battle of the Nile (1798) and
defeated the combined French and Spanish fleets at Trafalgar (1805) in which action he was
killed.
Richard Barry O'Brien (1847-1918)
Irish journalist and biographer, educated at the Catholic University, Dublin; he wrote on
Irish affairs and published
The Life of Thomas Drummond
(1889).
John Oldham (1653-1683)
English poet much admired in the Restoration era for his rugged satires; Dryden wrote
commemorative verses upon his early death.
Frances Parker, countess of Morley [née Talbot] (d. 1857)
The daughter of the surgeon Thomas Talbot; in 1809 she became the second wife of John
Parker, Lord Boringdon, afterwards earl of Morley. Sydney Smith described her as “the
perfection of all that is agreeable and pleasant in society.”
Samuel Parr (1747-1825)
English schoolmaster, scholar, and book collector whose strident politics and assertive
personality involved him in a long series of quarrels.
Henry William Pickersgill (1782-1875)
English portrait painter who exhibited at the Royal Academy in 1806, to which he was
elected in 1826. Among his sitters were Hannah More, Jeremy Bentham, William Godwin and
William Wordsworth.
John William Ponsonby, fourth earl of Bessborough (1781-1847)
The son of Frederick Ponsonby, third earl of Bessborough (d. 1844) and elder brother of
Lady Caroline Lamb; he was a Whig MP (1805-34), home secretary (1834-35), and
lord-lieutenant of Ireland (1846-47).
Alexander Pope (1688-1744)
English poet and satirist; author of
The Rape of the Lock (1714)
and
The Dunciad (1728).
Jane Porter (1776-1850)
English novelist, sister of the poet and novelist Anna Maria Porter (1778-1832); she
wrote
The Scottish Chiefs (1810).
Richard Price (1723-1791)
Dissenting divine, philosopher, and political radical who was the target of Burke's
remarks in
Reflections on the Revolution in France; he published
Review of the Principal Questions and Difficulties in Morals
(1758).
Dora Quillinan [née Wordsworth] (1804-1847)
The daughter of William Wordsworth who in 1841 married the poet Edward Quillinan despite
her father's concerns about his debts.
Jemima Anne Deborah Quillinan [née Brydges] (1793-1822)
The second daughter of Sir Egerton Brydges; in 1817 she married the poet Edward Quillinan
and lived near Rydal Mount; she died of injuries sustained when her dress caught
fire.
Henry Crabb Robinson (1775-1867)
Attorney, diarist, and journalist for
The Times; he was a founder
of the Athenaeum Club.
Henry Rogers (1774-1832)
Son of Thomas Rogers (1735-93) and youngest brother of the poet Thomas Rogers; he was the
head of the family bank, Rogers, Towgood, and Co. until 1824, and a friend of Charles
Lamb.
Samuel Rogers (1763-1855)
English poet, banker, and aesthete, author of the ever-popular
Pleasures of Memory (1792),
Columbus (1810),
Jaqueline (1814), and
Italy (1822-28).
Sarah Rogers (1772-1855)
Of Regent's Park. the younger sister of the poet Samuel Rogers; she lived with her
brother Henry in Highbury Terrace.
John Russell, first earl Russell (1792-1878)
English statesman, son of John Russell sixth duke of Bedford (1766-1839); he was author
of
Essay on the English Constitution (1821) and
Memoirs of the Affairs of Europe (1824) and was Prime Minister (1865-66).
Edward Adolphus Seymour, eleventh duke of Somerset (1775-1855)
The son of the tenth duke (d. 1793), educated at Eton and Christ Church, Oxford he was an
accomplished scholar elected to the Royal Society in 1797, the Society of Antiquaries in
1816, and the Linnean Society in 1820. From 1801 to 1838 was president of the Royal
Literary Fund.
Richard Sharp [Conversation Sharp] (1759-1835)
English merchant, Whig MP, and member of the Holland House set; he published
Letters and Essays in Poetry and Prose (1834).
Henry Sharpe (1802-1873)
The son of Sutton Sharpe and nephew of the poet Samuel Rogers; he was a businessman and
philanthropist.
Samuel Sharpe (1799-1881)
Banker and Egyptologist; he was the nephew of the poet Samuel Rogers and brother of the
geologist Daniel Sharpe.
William Sharpe (1804-1870)
London solicitor, the son of Sutton Sharpe and nephew of the poet Samuel Rogers, whose
Reminiscences (1859) he edited.
Sir John Shelley, sixth baronet (1772-1852)
The son of Sir John Shelley of Michelgrove; educated at Eton, he served in the Coldstream
Guards and was patronized by the Duke of York; he was a Whig MP for Helston (1806) and a
Tory MP for Lewes (1816-31).
Sydney Smith (1771-1845)
Clergyman, wit, and one of the original projectors of the
Edinburgh
Review; afterwards lecturer in London and one of the Holland House
denizens.
Edith Southey [née Fricker] (1774-1837)
The daughter of Stephen Fricker, she was the first wife of Robert Southey and the mother
of his children; they married in secret in 1795.
Robert Southey (1774-1843)
Poet laureate and man of letters whose contemporary reputation depended upon his prose
works, among them the
Life of Nelson, 2 vols (1813),
History of the Peninsular War, 3 vols (1823-32) and
The Doctor, 7 vols (1834-47).
Germaine de Staël (1766-1817)
French woman of letters; author of the novel
Corinne, ou L'Italie
(1807) and
De l'Allemagne (1811); banned from Paris by Napoleon, she
spent her later years living in Germany, Britain, and Switzerland.
Frank Stone (1800-1859)
Born in Manchester, he was a self-taught painter of literary subjects and friend of
William Makepeace Thackeray and Charles Dickens.
Thomas Stothard (1755-1834)
English painter and book-illustrator, a friend of John Flaxman and Samuel Rogers.
Sir Thomas Noon Talfourd (1795-1854)
English judge, dramatist, and friend of Charles Lamb who contributed articles to the
London Magazine and
New Monthly
Magazine.
Sir Henry Taylor (1800-1886)
Poet, writer for the
Quarterly Review, and autobiographer; he was
author of the tragedy
Philip van Artevelde (1834).
George Walter Thornbury (1828-1876)
English art critic and man of letters; he contributed to
Bentley's
Miscellany,
The Athenaeum, and
Household
Words; under the supervision of Ruskin he published
The Life of
J. M. W. Turner, 2 vols (1861).
Bertel Thorwaldsen (1770-1844)
Danish sculptor who with Canova led the neoclassical school at Rome.
George Ticknor (1791-1871)
American author and Harvard professor of modern languages who travelled extensively in
Europe 1815-19.
John Towgood (d. 1837)
Of Upper Bedford-place; he was a banker in the Rogers firm who married Martha, sister of
Samuel Rogers.
Charles Hanbury Tracy, first baron Sudeley (1778-1858)
Of Toddington Manor; the son of John Hanbury, he assumed the name of Tracy upon his
marriage in 1798 to Henrietta Susanna Tracy. He was MP for Tewkesbury (1807-12,
1832-37).
Benjamin Travers (1783-1858)
Surgeon at Guy's Hospital and London Eye Infirmary; he was FRS (1813) and surgeon to
Queen Victoria. His first wife was Sarah Morgan, daughter of the actuary (and friend of
Samuel Rogers) William Morgan.
Joseph Mallord William Turner (1775-1851)
English landscape and history painter who left his collection to the National Gallery and
Tate Gallery.
James Usher (1720-1771)
Born in Dublin, educated at Trinity College, he was a Roman-Catholic schoolmaster and
journalist in London who published several philosophical works.
Charles William Vane, third marquess of Londonderry (1778-1854)
Originally Stewart; he was the half-brother of Lord Castlereagh, and served under Sir
John Moore and the Duke of Wellington, fighting at Talavera; was minister to Prussia (1813)
and ambassador at the Congress of Vienna (1814) and held a variety of diplomatic and court
positions.
Edward Ernest Villiers (1806-1843)
The younger brother of the Earl of Clarendon and friend of the poet Henry Taylor; in 1835
he married Elizabeth Charlotte Liddell, daughter of Baron Ravensworth; he was Commissioner
of the Colonial Land and Emigration Board.
Virgil (70 BC-19 BC)
Roman epic poet; author of
Eclogues,
Georgics, and the
Aenead.
George Vivian (1798-1873)
Of Claverhouse manner, near Bath. He was an art collector, connoisseur, amateur
architect, and member of the Society of Dilettanti.
John William Ward, earl of Dudley (1781-1833)
The son of William Ward, third Viscount Dudley (d. 1823); educated at Edinburgh and
Oxford, he was an English MP, sometimes a Foxite Whig and sometimes Canningite Tory, who
suffered from insanity in his latter years.
Sir Richard Westmacott (1775-1856)
English sculptor trained under Canova; he was professor of sculpture at the Royal Academy
(1827-57).
John Whishaw (1764 c.-1840)
Barrister, educated at Trinity College, Cambridge; he was Secretary to the African
Association and biographer of Mungo Park. His correspondence was published as
The “Pope” of Holland House in 1906.
William Wilberforce (1759-1833)
British statesman, evangelical Christian, and humanitarian who worked for the abolition
of slavery. He was an MP for Yorkshire aligned with Fox and Sheridan.
Sir David Wilkie (1785-1841)
Scottish-born artist whose genre-paintings were much admired; he was elected to the Royal
Academy in 1811.
John Wilkes (1725-1797)
English political reformer and foe of George III who was twice elected to Parliament
while imprisoned; he was the author of attacks on the Scots and the libertine
Essay on Woman.
Dorothy Wordsworth (1771-1855)
The sister of William Wordsworth who transcribed his poems and kept his house; her
journals and letters were belatedly published after her death.
William Wordsworth (1770-1850)
With Coleridge, author of
Lyrical Ballads (1798), Wordsworth
survived his early unpopularity to succeed Robert Southey as poet laureate in 1843.
William Wordsworth (1810-1883)
The second son of William Wordsworth; of St. Ann's Hill, Carlisle, he was a justice of
the peace.
John Bull. (1820-1892). A scurrilous Tory weekly newspaper edited by Theodore Hook.
Morning Chronicle. (1769-1862). James Perry was proprietor of this London daily newspaper from 1789-1821; among its many
notable poetical contributors were Coleridge, Southey, Lamb, Rogers, and Campbell.
The Quarterly Review. (1809-1967). Published by John Murray, the
Quarterly was instigated by Walter
Scott as a Tory rival to the
Edinburgh Review. It was edited by
William Gifford to 1824, and by John Gibson Lockhart from 1826 to 1853.
The Times. (1785-). Founded by John Walter, The Times was edited by Thomas Barnes from 1817 to 1841. In the
romantic era it published much less literary material than its rival dailies, the
Morning Chronicle and the
Morning
Post.
Samuel Rogers (1763-1855)
Italy, a Poem. 2 vols (London: John Murray, 1823-1828). In 1828 the poem was revised and expanded into two parts; in 1830 it was elaborately
illustrated with engravings after paintings by J. M. W. Turner and Thomas Stothard.