Samuel Rogers and his Contemporaries
John Ruskin to Samuel Rogers, 4 May [1844?]
‘Denmark Hill, Camberwell: 4th May.
‘My dear Mr.
Rogers,—I cannot tell you how much pleasure you gave
yesterday . . . yet, to such extravagance men’s thoughts can reach, I do
not think I can be quite happy unless you permit me to express my sense of your
kindness, to you here under my father’s roof. Alas, we have not even the
upland lawn, far less the cliff with
1 Præterita,
vol. i., p. 150. |
302 | ROGERS AND HIS CONTEMPORARIES | |
foliage hung, or wizard stream;1
but we have the spring around us, we have a field all over daisies, and
chestnuts all over spires of white, and a sky all over blue. Will you not come
some afternoon, and stay and dine with us? I do think it would give you
pleasure to see how happy my father would be, and to feel, for I am sure you
would feel, how truly and entirely we both honour you with the best part of our
hearts, such as it is. And for the rest, I am not afraid, even after so late a
visit to St. James’s Place, to show you one or two of our Turners, and I have some Daguerreotypes of
your dear, fair Florence, which have in them all but the cicadas among the
olive leaves—yes, and some of the deep sea too, “in the broad, the
narrow streets,” which are as much verity as the verity of it is a dream.
Will you not come? I have no farther plea, though I feel sadly inclined to vain
repetition. Do come, and I will thank you better than I can beg of you.
‘Ever, my dear Mr.
Rogers, believe me, yours gratefully and respectfully,
Samuel Rogers (1763-1855)
English poet, banker, and aesthete, author of the ever-popular
Pleasures of Memory (1792),
Columbus (1810),
Jaqueline (1814), and
Italy (1822-28).
John Ruskin (1819-1900)
Art critic and social reformer; he published
Modern Painters, 5
vols (1843-60) and
The Stones of Venice (1851-53).
Joseph Mallord William Turner (1775-1851)
English landscape and history painter who left his collection to the National Gallery and
Tate Gallery.