Samuel Rogers and his Contemporaries
Sir Robert Peel to Samuel Rogers, 2 July 1844
‘Whitehall: 2nd July, 1844.
‘My dear Mr.
Rogers,—I am building at Drayton Manor a gallery for the
reception of that collection of portraits which I have formed of the eminent
men of my own time. My collection is not confined to men distinguished in
political life. It includes the portraits of Byron, Southey,
Wordsworth, Chantrey, Cuvier, Walter Scott,
&c.
‘Will you have the great kindness to let me fill up the
void which I feel there is in this series of illustrious men, by giving to some
artist who may be worthy of it a commission for your portrait?
‘I will employ for this purpose (it you are enabled to
accede to this request) whomever you may prefer, and shall feel greatly obliged
by your compliance with this wish on my part, which is prompted by very sincere
feelings of respect and personal esteem.
‘Believe me, my dear Mr.
Rogers, most faithfully yours,
Sir Francis Leggatt Chantrey (1781-1841)
English sculptor who worked as a statuary from 1804; he employed the poet Allan
Cunningham in his studio from 1814. He was knighted in 1835.
Georges Cuvier (1769-1832)
French biologist whose comparative study of fossils led him to believe in the
immutability of species.
Samuel Rogers (1763-1855)
English poet, banker, and aesthete, author of the ever-popular
Pleasures of Memory (1792),
Columbus (1810),
Jaqueline (1814), and
Italy (1822-28).
Robert Southey (1774-1843)
Poet laureate and man of letters whose contemporary reputation depended upon his prose
works, among them the
Life of Nelson, 2 vols (1813),
History of the Peninsular War, 3 vols (1823-32) and
The Doctor, 7 vols (1834-47).
William Wordsworth (1770-1850)
With Coleridge, author of
Lyrical Ballads (1798), Wordsworth
survived his early unpopularity to succeed Robert Southey as poet laureate in 1843.