Samuel Rogers and his Contemporaries
Thomas Moore to Samuel Rogers, 25 October 1847
‘10 Western Cottages, Brighton: 25th October, 1847.
‘My dear Sir,—You already know from Miss Denman that through the excellent
management of Edwin Field
316 | ROGERS AND HIS CONTEMPORARIES | |
the Flaxman
remains have been rescued at a very small sacrifice. They are once more at her
disposition. You know also what her anxious desire is—and I now think
that that desire will be gratified, for she tells me that you take an interest
in the matter and have expressed a wish to see me as soon as I return to
London. I believe that that will be, at the latest, this day week. I will lose
no time in seeing you, and I hope that it will suit your convenience to
accompany me to the University College, where these things are warehoused now,
but where I trust, with your aid, or rather through your instrumentality, they
will one day constitute a Flaxman gallery.
‘When Miss Denman
offered these remains to the Government, a sum was offered which, if money had
been her object, would have been acceptable; but as the Government had no room
to place them in (it was declared by the officers at the British Museum that
they could not afford to take in anything but marble), they would certainly
have been lost to the world, perhaps in a short time destroyed. Now, what the
Government could not give, the University College can give, but unfortunately
nothing else—house-room. The finances of the College are in such a sad
state that, with all my solicitude, I could not, as a member of the council,
vote for the diversion of any portion of our scanty means from their proper
object, even for the flooring of the apartment under the dome, where they might
be placed; the funds must be supplied elsewhere both for fitting up the
apartment and repairing the models and casts.
‘When the negotiation took place with the Government, it
was stated by the Council of the Royal Academy,
to whom the matter was referred, that it would
cost 500l. to put the things in order, that is, repair,
cleanse and paint; Miss Denman says it
may be done for 200l.; Mr. Atkinson
says the dome may be put in a condition to receive them for 150l. But it will be safer to estimate the requisite sum at
500l. to 600l.
‘I cannot think that there will be any difficulty in
raising the money. Edwin Field says the
same, but we differ in our opinion as to the means of raising it. He would
obtain subscriptions of 5l. or 10l. from the lawyers and artists. And he would give to each subscriber
a cast from some favourite work. I would rather go to a few of the known
patrons of art, such as Sir Robert Peel,
Lord Northampton, &c., and I
should expect that in sums of 100l. or 50l. the money might be easily procured. Many months ago,
when I called on Watson the sculptor and
hinted at this thought of forming a Flaxman gallery—but said nothing about sums—he
said, if anything of the kind be done, let my name be put down for 50l. You will have the goodness to turn this over in your
mind—and indeed, the whole business of the proposed gallery.
‘I called yesterday on Miss
Rogers, and was struck by a great change in her appearance and
in her talk also. She was wonderfully improved. My friends the Masqueriers desire their best remembrances to
you.
‘Very truly yours,
Spencer Joshua Alwyne Compton, second marquess of Northampton (1790-1851)
Son of the first marquis; he was educated at Trinity College, Cambridge and was Whig MP
for Northampton (1812-20) before residing in Italy, 1820-30; he succeeded to the title in
1828 and was president of the Royal Society (1838-49).
Maria Denman (1776-1861)
The adopted daughter of John Flaxman (married to her elder sister Ann), afterwards his
heir and executor. She was an amateur artist who had known and admired William Blake in her
youth.
Edwin Wilkins Field (1804-1871)
The law-partner of William Sharpe and husband of Mary Sharpe, Samuel Rogers's nephew and
niece. He was an enthusiastic artist who assisted Henry Crabb Robinson in forming the
Flaxman Gallery at University College, London.
John Flaxman (1755-1826)
English sculptor and draftsman who studied at the Royal Academy and was patronized by
William Hayley.
John James Masquerier (1778-1855)
He studied at the Royal Academy Schools (1792-94) and pursued a career as a
portrait-painter in London and Scotland. He was a close personal friend of Henry Crabb
Robinson.
Henry Crabb Robinson (1775-1867)
Attorney, diarist, and journalist for
The Times; he was a founder
of the Athenaeum Club.
Samuel Rogers (1763-1855)
English poet, banker, and aesthete, author of the ever-popular
Pleasures of Memory (1792),
Columbus (1810),
Jaqueline (1814), and
Italy (1822-28).
Musgrave Lewthwaite Watson (1804-1847)
On the advice of John Flaxman he abandoned the law to pursue a career as a sculptor,
studying at the Royal Academy School and opening a studio in London in 1828.