Samuel Rogers and his Contemporaries
Sir Charles Eastlake to Samuel Rogers, 3 January 1852
‘7 Fitzroy Square, London: 3rd Jan., 1852.
‘Dear Mr.
Rogers,—At the risk of telling you things that you have heard
before, about the great man we have lost, I give you, from good sources, but
without vouching for correctness, some of the stories which are now current. He
had been ill, and almost confined to his bed since October. Mr. Harpur, one of the executors, and I believe a
relative, only found out his place of concealment about ten days before his
death. He had been residing at Chelsea for some years, with a widow named
Booth or Brooke, and it seems that he
was there known only by her name. When his danger was apparent, a Dr.
Price, who had formerly attended him, I think they say at
Ramsgate, was sent for. On his telling Turner that he must be prepared to quit
this world, our friend, perhaps observing some agitation in his doctor, said,
“Go down stairs and take a glass of sherry.” When the
medical man returned, T. said, “Well, what do you say now?”
The same opinion was repeated. “Then,” said T., “I am soon
to be a nonentity.” This expression had, I am convinced, no
special meaning, but was only one of his grandiloquent phrases, meaning that
his end was come. On the morning when he died, it is said that either by his
desire or by accident the window-curtains were opened just before he breathed
his last, and the red sunlight, struggling through the fog, shone full on his
face. The body was removed to his residence in Queen Anne Street, and a cast
was taken of his face under Mr.
Jones’s direction.
‘The magnificent funeral procession reached St.
Paul’s on Tuesday last through the crowded streets without any obstacle,
and the full service, with chanting and anthem, was performed by the Dean.
‘It was not till the following day that rumours began
to circulate about his will. Having now conversed with several of the
Executors, I believe what follows to be near the truth. He had not more than
80,000l. in the Funds. The property in dilapidated
houses and land is not considered important. On the other hand, there is a vast
amount of proof impressions of engravings from his works, sketch books,
drawings, and unfinished
408 | ROGERS AND HIS CONTEMPORARIES | |
pictures. All the finished
pictures are bequeathed to the nation, provided a room be built for them within
ten years; if not, they are to continue to be exhibited in his gallery and
house till the end of thirty years, and then to be sold for the benefit of the
R. Academy. The unfinished pictures and all drawings and sketches are to be
sold, together I presume with the engravings. You doubtless know that he has
left his Executors (you being one) 20l. apiece, but
almost all his Executors were his warm admirers, and he intended to honour them
by the selection. To his (natural) daughter he has left nothing, to his old
housekeeper in Queen Anne St. 150l. a year and some
bonds; to the Chelsea lady nothing; 60l. a year for a
professorship of landscape painting in the Academy, and an annual medal for
landscape; 50l. a year for an annual Academic dinner!
The great bequest is for a proposed foundation of almshouses for decayed
painters on some land of his at Twickenham; some legal difficulty is expected
with regard to this, the question being whether the Statute of Mortmain will
interfere with his intentions or not. If it does, the bulk of his property will
go to the nearest of kin. Many of the bequests are contingent and depend on the
residue after the alms-houses are built and endowed. He has left l000l. for a monument to himself.
‘The bequest of his finished pictures excepted, his
will has not given satisfaction; the wisdom even of the alms-houses is
questioned by many, the Academic dinner is folly; the old housekeeper’s
legacy alone meets with universal approval. More will come out by degrees, but
I send you what I have heard so far.
‘With best wishes, in which my wife joins, to Miss Rogers and yourself, I remain, my dear Sir, truly yours,
Sir Charles Lock Eastlake (1793-1865)
English painter educated at Charterhouse; he was a student of Benjamin Robert Haydon, a
member of the Plymouth Institute, and was director of the National Gallery in London
(1850-65).
Lady Elizabeth Eastlake [née Rigby] (1809-1893)
Art critic, translator, and reviewer for the
Quarterly; she
married Sir Charles Lock Eastlake in 1849. She was related to Lady Palgrave through her
mother, Anne Palgrave.
Henry Harpur (1852 fl.)
The grandson of J. M. W. Turner's uncle Henry Harpur; he was one of Turner's
executors.
George Jones (1786-1869)
English painter who fought in the Peninsular War and was noted for his paintings of
battles; he illustrated works by Scott and Byron and was the friend of Francis Chantrey and
J. M. W. Turner. He was elected to the Royal Academy in 1824.
Samuel Rogers (1763-1855)
English poet, banker, and aesthete, author of the ever-popular
Pleasures of Memory (1792),
Columbus (1810),
Jaqueline (1814), and
Italy (1822-28).