Samuel Rogers and his Contemporaries
Samuel Rogers to Thomas Moore, 20 September 1811
‘Aberystwith: Sept. 20th, 1811
‘My dear Moore,—You know me and my faults too well to be much
surprised at my long silence, and now (forgive me for my selfishness) I am not
sure I should have written at all but to make you write, and tell me something
about yourself, &c. What have you done? Is the dramatic concluded and the
epic begun? Are you now in a pavilion on the banks of the Tigris; or in the
shape of a nightingale singing love-songs to a rose in the gardens of Cashmere?
As for me, I have been visiting an elder
brother, who, many years ago, retired from the world to
cultivate his own patrimonial fields and read his Homer under the shade of his own beech-trees near Hagley. His
farm is beautiful, very woody and uneven, and full of little dingles, and
copses, and running waters. A green lane a mile long leads to the house, which
overlooks the fields. The prospect, enlivened with a few cottages, is bound by
a chain of hills, which affect almost to be mountains, and beyond these appear,
every now and then, over their heads, such as are fully entitled to the name,
and as blue as a blue atmosphere can make them. From one circumstance or
another, it is now some years since I came here; his girls, now being lovely,
are nearly grown-up, and I am half tempted to get up every time they come into
the room. It makes
me feel very old, and very
melancholy too sometimes. I think of the time when they used to sit on my knee
and tease me to tell them stories of the world they were about to enter into.
The other day it was proposed to dine in a wood, and I was surprised when I
came to find everything set out there in a Hermitage. The tables, the chairs,
napkins, knives, and eatables—all carried on their heads and under their
arms; not a servant assisted. How little, said I to myself, when I saw them
smiling over their work, would the fine ladies in town be inclined to think of
such a thing! But we are all transported to a very different scene—a
bleak mountain on a seashore in Wales. How long I shall remain here I cannot
say—probably a month. So pray write me a line in the course of a
fortnight at least. Rebuke me by setting me a better example. I have received a
letter from Mrs. Grattan, and as I am
writing a line to her and Lady D., shall
inclose both under cover to G. My book, I fear, is at a standstill. I have
written but a very few lines, and those of no moment. Some time or other you
shall see them. I hope to be in town in about five weeks.
‘Ever yours,
‘I am very anxious about your proceedings with
Arnold, and am continually looking out for an
opera. Have you given it a name? My sister desires to be kindly remembered
to you.’
Anna May Chichester, marchioness of Donegall [née May] (d. 1849)
The illegitimate daughter of Sir Edward May, second baronet; she married Sir George
Augustus Chichester, second marquess of Donegall in 1795. In 1815 it was revealed that she
was under-age at the time of her marriage.
Henry Grattan (1746-1820)
Irish statesman and patriot; as MP for Dublin he supported Catholic emancipation and
opposed the Union.
Homer (850 BC fl.)
Poet of the
Iliad and
Odyssey.
Thomas Moore (1779-1852)
Irish poet and biographer, author of the
Irish Melodies (1807-34),
The Fudge Family in Paris (1818), and
Lalla
Rookh (1817); he was Byron's close friend and designated biographer.
Daniel Rogers (1760 c.-1829)
Son of Thomas Rogers (1735-93) and eldest brother of the poet Thomas Rogers; he married
Martha Bowles and lived as a country squire near Stourbridge.
Samuel Rogers (1763-1855)
English poet, banker, and aesthete, author of the ever-popular
Pleasures of Memory (1792),
Columbus (1810),
Jaqueline (1814), and
Italy (1822-28).