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Samuel Rogers and his Contemporaries
Sir Walter Scott to Samuel Rogers, 10 June 1821
INTRODUCTION & INDEXES
DOCUMENT INFORMATION
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Preface
Vol. I Contents
Chapter I. 1803-1805.
Chapter II. 1805-1809.
Chapter III. 1810-1812.
Chapter IV. 1813-1814.
Chapter V. 1814-1815.
Chapter VI. 1815-1816.
Chapter VII. 1816-1818.
Chapter VIII. 1818-19.
Chapter IX. 1820-1821.
Chapter X. 1822-24.
Chapter XI. 1825-1827.
Vol. II Contents
Chapter I. 1828-1830.
Chapter II. 1831-34.
Chapter III. 1834-1837.
Chapter IV. 1838-41.
Chapter V. 1842-44.
Chapter VI. 1845-46.
Chapter VII. 1847-50.
Chapter VIII. 1850
Chapter IX. 1851.
Chapter X. 1852-55.
Index
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‘My dear Rogers,—Yon recollect the apology of the sapient parrot who, when he was upbraided with not talking, replied, ‘I think not the less’; now, if I seldom write to my friends I pay it off, like pretty Poll, by thinking much of them, and of all their kindness. I break my silence just now to remind you that you gave us some hope you would visit Scotland this season, and Abbotsford in particular. We have had such an ungenial
SCOTT ON THE ACTOR MACKAY307
spring that we will have some right to look on ourselves as ill-used gentlemen if we have not a few pleasant days in July and August, and I wish you to come down and enjoy them with us. Bring
Sharp with you if possible, and if you care not to encounter the fatigue of a long land journey, the steamboat will bring you to Leith in sixty hours. Pray do think of this in the course of the season.

‘If you do not think it too great a bore to go to the theatre—and God knows as now managed it is no small one—I want you, and any of our friends who love the art, to see an actor from Scotland, Mackay by name, who plays one single part (the Bailie in “Rob Roy”) with unrivalled excellence. The truth is I never saw anything so much like truth upon the stage. I doubt the English will not understand what a very excellent representation it is of the Scottish peculiarities, because it wants the breadth of caricature usually expected in national portraits. I therefore wish you, and one or two of my friends, to see him as something very extraordinary. He is only to play for one night. He is otherwise a respectable comedian, though not often first class, except in that particular character, and, I am told, is a deserving sort of person.

Allan is returned here, delighted with the reception his picture met with in London. He tells me he could have sold it repeatedly. Yesterday I hunted out for him an old gipsy woman whose figure and features I was much struck with as I passed her on the road. As I found the artist studying a sketch of the recovery of a child which had been stolen by gipsies, my old woman
308 ROGERS AND HIS CONTEMPORARIES  
was quite a windfall, but as she was unconscious of her own charms it was no easy matter to trace her out. I succeeded, however, by some police interest.

‘I am here on a visit of two days to Lord Chief Commissioner (once your William Adam), in company with our Lord Chief Baron (once your Sir Samuel Shepherd), which makes very good society. Always, my dear Rogers,

‘Most truly yours,
Walter Scott.
‘Blair Adam: 10 June (1821).

‘Sophia bids me say she longs to repay you some well-remembered breakfast. She is now quite stout and busy with her little cottage, being precisely that where
‘Lucy at the door shall sing
In russet gown and apron blue.1

‘I have a black-eyed brunette besides—a sunburnt Scotch lass that longs to make your acquaintance. So pray look northward and bring Sharp if possible.’