Samuel Rogers and his Contemporaries
Samuel Rogers to Sarah Rogers, 14 October 1815
‘My dear Sarah,—I wish you had seen the “Pie
Voleuse” with us. It was for the ninetieth time, and, though
in a little theatre on the Boulevard, charmingly acted throughout. Palaiseau is
a mountain village, and given to the life—the headdresses, I confess,
from their extravagance, disturbed me. Little
Annette’s cap of white crape resembled at a
little distance a plume of feathers. I have seen Mlle. Mars many times with great delight, and Talma, though the life is a little laborious,
as I am obliged to read Play and Entertainment before I go (a work of three
hours at least) or I don’t understand a word they say. The best dancer at
the opera—the best, they say, they ever had—is a Mlle.
Goselin; she is very young and one of a large family. When
Talma acts the orchestra is full, and the music sent
off. I begin rather to like the French tragedy. Talma
plays for his benefit next Thursday “Hamlet” and “Shakespeare Amoureux.” The lady,
some Warwickshire beauty of course, is to be performed by Mlle.
Mars. I was enrhumé for many days
last week, but the situation of the hotel consoled me a little for the
confinement, as from my windows I see the whole of the palace, and the gardens
full of orange trees, and statues, and idlers, and newspaper readers. I wish so
much that we had lodged there last year. To dine at Very’s we only cross
the street. The King goes out every day. If
you remember, there were two carriages. The last is always empty and follows in
case of accident. I suppose some king of France once broke down and
| PARIS UNDER THE ALLIES | 203 |
had to return on foot.
Du Cane had left Paris before I
came, I suppose for Italy. When we had been here seven or eight days, who
should walk into our room before breakfast but Millingen! He had been detained by illness and had seen B. at a
distance in the street. He set off two hours afterwards. I mentioned your
regret at missing him. The Conynghams and
Lord Ebrington are at Geneva.
Stuart is here from Italy; he saw the last of poor
Eustace and was at Genoa when Lady
Jane died. The Duchess comes home immediately. The
Philipses and Dr. H. removed to our hotel and left us
ten days ago, returning by Holland. Jeffrey, the Edinburgh Reviewer, succeeded them, and we have
generally dined together.1 As to the English world, I
have seen nothing of it. Once I was asked to a ball, but I did not go, and have
called on nobody. Lawrence dined with us
once at Beauvillier’s and walked afterwards in the Palais Royal.
Lord Stuart gave him a horse, and he lived upon it. I
wonder whether he ever rode before. The Emperor of
Russia promised to sit to him, but never did. I think there are
more men here without a leg or an arm than I ever saw anywhere. At a dance
(bal paré) on the
boulevard last night (where were more fireworks and a conjuror, and all for two
livres) a Frenchman quadrilled and waltzed on a wooden leg with an agility and
neatness of execution such as I have not often seen on a natural one. We had a
fine day for St. Cloud, but saw only half the house, Blucher having rummaged the 1 Jeffrey says to Moore, ‘I was lucky far beyond my deservings
in meeting with Sam Rogers
at Paris, and we had great comfort in talking of
you.’—Life, vol. ii., p. 102. |
204 | ROGERS AND HIS CONTEMPORARIES | |
library, and the Duchess of
Angoulême, who visits the chateau almost every day, being
there. I met Lord Mountmorres and his wife
and daughter there. Our old friends the concierge and the gardener are gone. In
our way we passed, as you know, through the Bois de Boulogne, full of English
tents and just like a fair—many French with wares and eatables having
established their stalls among them—and I am sorry to say that the axe is
very busy in our hands. Last Sunday we were at Versailles, the gardens were gay
and full of people, the palace still unfurnished, and I don’t think you
lost much. With regard to the gallery, a subject I don’t like to begin
upon, it is now only full of picture frames and pedestals, and the swallows are
literally on the wing there. Every marble of note, except the Borghese Vase and
the fighting gladiator, are gone, and every picture, except a small Correggio and Titian. Much difficulty and many repulses we found, while they
were removing—even from our own soldiers, to whom our officers often gave
instructions to admit only officers—but now all is thrown open and the
French have full leave to contemplate the wreck, a leave none of the better
sort avail themselves of. The French are said to show no feeling; but the
melancholy groups assembled for some days before the Venetian horses—till
our engineers took them down (for the Austrians did not know how)—and
those afterwards round the column with the same sad presentiment, would have
affected you not a little. The English are very unpopular, a caricature is in
circulation of Wellington with large
moustaches and a stern countenance, under-written “M.
Blucher,” and it is everywhere said | PARIS UNDER THE ALLIES | 205 |
that our officers in the
gallery presented their ladies publicly with small
Correggios and Raphaels, a tale we contradict to no purpose. Denon has resigned, and, when I called upon
him the other day, I found him in a condition that overcame me. I saw Canova out in the open street with the
“Transfiguration,” the “St.
Jerome” of Domenichino,
and two other Raphaels, half supported in the dirt, and at
a loss how to marshal the Austrian soldiers who were to transport them on their
heads, uncovered, to the barrack, where I have been two or three times, and
which is a terrible scene of confusion.
‘The horses went by our windows, one by one, in as many
carts, uncovered, like dead horses, and the people stood at the doors to see
them pass by. It is very strange to see an English guard in the Palais Royal
and English soldiers strolling in every street. One poor fellow in a jacket
accosted me the other day in a Babylonish dialect perfectly unintelligible; at
last I said in despair, “Are you an Englishman?” “Thank God,
I am, Sir,” he answered very briskly. We dine sometimes at
Beauvillier’s, sometimes at Very’s. The first gives far the best
dinner and we always see many ladies there—French and English. Why was
not it so when we were there? One day when we were there, Lady Caroline Lamb came in alone. I wish
Henry had come. We could have lodged
him well. It was indeed a cruel thing to come in as Stothard went out. I am glad to hear from
Patty (pray thank her for her kind letter—I have
just received it) that you have taken possession of your alabasters.
‘Our month is out next Tuesday, and I hope to set
206 | ROGERS AND HIS CONTEMPORARIES | |
out on that day. In that case we shall be in town probably
early in the next week, but don’t expect me till you see me.
‘I have not seen Miss
Williams yet. I have called and written and have been asked to a
party where I could not go. Mosbourg
called and paid me a long visit. My love to Henry and Patty, and all at Highbury and
at Newington.
‘Ever yours,
‘S. R.
‘P.S. You remember the avenue by which we entered
Paris from Neuilly and St. Germains? The English, men and ladies, and many
French ladies, ride up and down there as in Hyde Park every afternoon.
‘I have taken our catalogues from the Wagram Hotel,
now removed to another street. The moment I mentioned them, our landlord
pointed to them on the table tied up as we had left them. The Spanish
Raphaels, so celebrated, are now
in the picture gallery we saw opposite our hotel.
‘One of the Lees from Highbury is here—the
only one I know. I spent a beautiful morning at Malmaison yesterday. The
Emperor of Russia has bought
Canova’s marbles, and they
are gone with many pictures. The conservatory is the prettiest I ever saw.
Mr. Davis from Mark Lane is here. He lost all the
gallery. Lord Wellington reviews all
the troops to-day under Montmartre—we are going to see them.
‘The Chambers are so violent as to alarm even the
Court. M. de Richelieu, the Minister, went down, and
in
| CHILDREN'S PARTIES AT ROGERS'S | 207 |
the House of
Peers remonstrated against their recommendation of further measures of
punishment, but without success.’
Antonio Canova (1757-1822)
Italian neoclassical sculptor who worked at Rome.
Henry Conyngham, first marquess Conyngham (1766-1832)
Irish peer, son of the second baron Conyngham; he supported the Union and sat in
Parliament as an Irish representative peer (1816), a status he supposedly owed to his
wife's relationship with the Prince Regent.
Dominique Vivant de Denon (1747-1825)
French diplomat who painted portraits and managed collections of gems and medals; he
published a libertine tale,
Point de lendemain (1777), and
Travels in Sicily and Malta (1789).
Domenichino (1581-1641)
Italian painter of the Bolognese school.
Peter Du Cane the younger (1778-1841)
Of Braxted Park in Essex; the third of the name; educated at St. John's College,
Cambridge, he was MP for Steyning (1826-30).
Francis Jeffrey, Lord Jeffrey (1773-1850)
Scottish barrister, Whig MP, and co-founder and editor of the
Edinburgh
Review (1802-29). As a reviewer he was the implacable foe of the Lake School of
poetry.
Lady Caroline Lamb [née Ponsonby] (1785-1828)
Daughter of the third earl of Bessborough; she married the Hon. William Lamb (1779-1848)
and fictionalized her infatuation with Lord Byron in her first novel,
Glenarvon (1816).
Sir Thomas Lawrence (1769-1830)
English portrait painter who succeeded Joshua Reynolds as painter in ordinary to the king
(1792); he was president of the Royal Academy (1820).
Louis XVIII, king of France (1755-1824)
Brother of the executed Louis XVI; he was placed on the French throne in 1814 following
the abdication of Napoleon.
Mademoiselle Mars (1779-1847)
French actress, the illegitimate daughter of Mlle Mars Salvetat; she excelled in ingénue
roles.
James Millingen (1774-1845)
Educated at Westminster, he worked at the French mint and became an authority on coins
and antiquities based in Paris and Italy; he was the father of Julius Millingen, physician
at Missolonghi.
Thomas Moore (1779-1852)
Irish poet and biographer, author of the
Irish Melodies (1807-34),
The Fudge Family in Paris (1818), and
Lalla
Rookh (1817); he was Byron's close friend and designated biographer.
Raphael (1483-1520)
Of Urbino; Italian painter patronized by Leo X.
Henry Rogers (1774-1832)
Son of Thomas Rogers (1735-93) and youngest brother of the poet Thomas Rogers; he was the
head of the family bank, Rogers, Towgood, and Co. until 1824, and a friend of Charles
Lamb.
Samuel Rogers (1763-1855)
English poet, banker, and aesthete, author of the ever-popular
Pleasures of Memory (1792),
Columbus (1810),
Jaqueline (1814), and
Italy (1822-28).
Sarah Rogers (1772-1855)
Of Regent's Park. the younger sister of the poet Samuel Rogers; she lived with her
brother Henry in Highbury Terrace.
Thomas Stothard (1755-1834)
English painter and book-illustrator, a friend of John Flaxman and Samuel Rogers.
François-Joseph Talma (1763-1826)
French tragic actor and reformer of the stage who was admired by Napoleon.
Titian (1487 c.-1576)
Venetian painter celebrated for his portraits.
Helen Maria Williams (1761-1827)
English poet, novelist, and miscellaneous writer who resided in France after 1788; she
published
Letters from France (1790-96).