William Godwin: his Friends and Contemporaries
Ch. II. 1785-1788
Thomas Abthorpe Cooper to William Godwin, 16 August 1792
“Newcastle, Aug. 16, 1792.
“The die is cast, and when, having tottered some time,
I thought myself firm, at that instant the fate was reversed, and I fell
headlong without hopes of recovery. I will now explain my meaning, and I am
afraid that the explanation will be more serious than you may expect from this
introduction. I told you in my last of the doubtful manner of talking of
Mr Kemble, and at last of his saying
that he would keep me, and endeavour to bring me forward, on account of his
respect for Mr Holcroft. Irresolute
blockhead! he has again altered his mind. Now he has got the shadow of a reason
for his final determination, to which, although one of the most irresolute, I
believe he will adhere; but observe, although I call it the shadow of a reason,
I do not mean to say that I was without blame. He desired me to study Malcolm against the next time it was acted. But
the next morning I told him that I would undertake it for that time, as I had
two before me: he consented. I went through the part very well, and tolerably
perfectly, till I came within two lines of the end of the play (I speak the
last speech), and there I wanted the word. The noise behind scenes, the play
being nearly over, prevented my hearing the prompter, and in an instant some
people at the back of the gallery, as I guessed, began to hiss, and immediately
everybody else began to clap, which lasted for a minute, and as we were so near
the end it was not advisable to wait the conclusion of the bustle to say the
few words that remained. The trumpets sounded, and the curtain fell. My blame
consisted in want of courage, or recollection, in not skipping to the next line
the very instant they began to hiss, and it was impossible to catch the word.
Mr Kemble made this his handle, declared I was totally
unfit for the profession, and that I had not one single requisite for an actor,
and in fine, he said, ‘As a friend, I advise you to return to London.
I cannot keep you.’ I told him that I would undertake anything,
however low, if I was not qualified for higher, and in proportion to my little
utility would be willing to receive little.
I told him I
should be willing to take the salary of Mr Charteris,
junr. (a foolish fellow about my age), and he certainly could
not deny that I should be of equal, if not more utility than him. He could not
deny it, but he did not want a person of that description—that Mr
Ch. was going to leave. I thought I had submitted already too
much for honesty, and therefore would submit no further. I asked if that was
his reason for dismissing him. This question was a home-thrust at his own
equivocation. He said, ‘he had no business to account to me for his
motives.’ I answered ironically, begging his pardon that it was
an improper question. I believe he understood me literally. I have too much
dependence on your sense of justice to think that you will blame me for not
stooping to his pride any further than honesty would justify, and altering my
manner when I perceived his injustice, which I did with moderation, as appears
from his not even understanding my irony (which perhaps you do not, for from
hurry I’m afraid I am not very intelligible). I ought to observe, in
addition, that Mr Charteris goes away by his own choice
with a number of other actors from Mr Kemble’s
company, who are going to stroll as a sharing company. I have been endeavouring
to get admission into it, but have not succeeded, and I suppose shall not. The
most disagreeable part of my most disagreeable situation, is that I am afraid I
must determine on something without waiting for advice. I write, however. If
you can suggest any means by which in London I can earn 10s. 6d. per week, at
the expense even of four or five hours a day. 10s. 6d. is sufficient to live
on. Write . . . I shall presently be left alone here. It is now Thursday. They
play here for the last time on Friday.
Thomas Holcroft (1745-1809)
English playwright and novelist; a friend of William Godwin indicted for treason in 1794;
author of
The Road to Ruin (1792). His
Memoirs (1816) were completed by William Hazlitt.
Stephen George Kemble (1758-1822)
English actor and theater manager; he was the brother of John Philip Kemble and Sarah
Siddons.