Memoirs of William Hazlitt
Ch. VI 1792-1803
William Hazlitt to William Hazlitt sen.; 7 January 1803
“Paris, January 7th, 1803.
“My dear Father,
“I finished, as far as I intend, the copy of Hippolito de Medici, for Northcote, the day after I wrote to him; and the day following
I began a copy of a part of the Transfiguration, by
Raphael, which had not been
exhibited in the common or large room till the week before. I have nearly done
the head of the boy, who is supposed to see Christ in his Ascension from the
Mount, and who is the principal figure in the piece. I shall paint it in
another morning. It is the best copy I have done, though I have been only
fifteen hours about it. There will be two other figures included in the canvas;
this is 4 feet 8 in. high, and 10 feet 8 in. in breadth. You will easily get a
distinct idea of the size of the picture by measuring it on the parlour floor.
Northcote’s copy, and that of the Death of Clorinda, are the same size. The
Transfiguration itself is about three times as high, and three times as wide.
It is by no means the
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largest,
though it is the finest figure-picture in the place. I am about a second copy
of the de Medici for Railton. I shall have done it in two or three days more. I have
also finished, since I wrote last, the first copy which I began, from Titian.
“I am your affectionate son,
“W. Hazlitt.”
James Northcote (1746-1831)
English portrait-painter and writer who exhibited at the Royal Academy; he wrote a
Life of Titian (1830).
Mr. Railton (1803 fl.)
William Hazlitt's Liverpool patron. If Hazlitt's editor Sikes is correct about the names,
this would be Joseph Benn Railton (b. 1773)—brother, not father, of Frances-Ann (1769-1840)
who Hazlitt admired and who married William Wentworth Deschamps in 1796. Their father,
Joseph Railton, was a London attorney who died a suicide in 1797.
Raphael (1483-1520)
Of Urbino; Italian painter patronized by Leo X.
Titian (1487 c.-1576)
Venetian painter celebrated for his portraits.