Memoirs of William Hazlitt
Ch. VII 1822-23
BOOK THE THIRD.
CHAPTER VII.
1822-3.
Publication of the ‘Liber Amoris’—The
‘Liberal’—Going to the Fight.
Upon his return from Scotland, Mr.
Hazlitt superintended through the press his book of ‘Conversations
with the Statue,’ adding his correspondence with Mr.
Patmore and Mr. S—— K——. Certain
alterations, in my opinion hasty and ill-considered very often, were introduced into the
text, and here and there a comparison with the MSS. shows that insertions were made.
Occasionally even the matter was transposed; and, altogether, the volume, as it stands,
seems to me, looking at it simply in a literary point of view, perplexing, ill-digested,
and unsatisfactory.
The title attached to it was ‘Liber Amoris; or, the New Pygmalion.’ The vignette
which accompanies it was engraved by Mr. Reynolds of
Bayswater, from the original, which is particularly alluded to in the first
‘Conversation.’
Mr. John Hunt was the publisher; but the copyright
was purchased by Mr. C. H. Reynell, of Broad Street,
for 100l. from the author himself.
What De Quincey said of the
‘Liber Amoris’ was
eloquently, yet strictly and religiously true. He writes on this matter as follows:—
“It was an explosion of frenzy. He threw out his clamorous
anguish to the clouds and to the winds and to the air; caring not who might listen, who might sympathize, or who might sneer. Pity was no demand of his; laughter no wrong;
the sole necessity for him was—to empty his over-burdened spirit.”
The divorce was a separation a mensâ et
thoro, and my grandfather had accomplished what he desired, the
severance of his connection with a lady who, he conceived, did not understand or value him,
and who had her independent means of support. But it was not a parting for ever. Strangely
enough, there does not seem to have been any ill-will on either side in the matter. They
were to meet again.
It should be remembered that they had a strong tie remaining, which they
could not or would not cut. It was my father—their only surviving child. They were both fondly attached to him, Mr. Hazlitt in his way, and Mrs. Hazlitt in hers, and he was often a channel of communication between
his disunited parents.
Let me leave this subject of the ‘Liber Amoris’ for good, with one observation, that
it does not seem that the passion left a very deep or lasting impression on his mind. It
was a piece of Buncle-ishness, which
soon eva-
68 | ESSAYS FINISHED AND FUTURE. | |
porated, and we hear,
fortunately, very little of it afterwards, and then only in casual and half unintelligible
allusions. As for the dissolution of that marriage-bond, it was decidedly the best course
to have taken, and it was a mere piece of diplomacy after all. There were no tears shed on
either side. It was a stroke of business. Let it pass. Majora canemus.
He was all this time at work upon a second series of ‘Table Talk’ for Mr. Colburn, to be
published in one volume, uniform with the last; and of this the greater part, if not all,
was completed in Edinburgh or at Renton Inn, Berwickshire, in the presence of a great
anxiety, and in an indifferent state of bodily health, between January and March, 1822.
At the end of one of his letters to Mr.
Patmore, written in March, he says:—
“You may tell Colburn when
you see him that his work is done magnificently, to wit:—I. ‘On the Knowledge of Character,’ 40 pp. II.
‘Advice to a
Schoolboy,’ 60 pp. III. ‘On Patronage and Puffing,’ 50 pp. IV. and V.
‘On Spurzheim’s
Theory,’ 80 pp. VI. ‘On the Disadvantages of Intellectual
Superiority,’ 25 pp. VII. ‘On the Fear of Death,’ 25 pp. VIII. ‘Burleigh House,’ 25 pp. IX.
‘Why Actors should not sit in the
Boxes,’ 35 pp.—in all 340 pages. To do by Saturday night:—X. ‘On Dreams,’ 25 pp. ‘On Individuality,’ 25 pp.—390 pages.”
In this labour he found a relief and distraction from less agreeable
thoughts, and the exertion was, besides, necessary as a source of ways and means. Nor was
this
the full extent of his occupation. He had other
essays on the stocks, that is to say, in his head, for other people.
For, in the year after his disagreement with Mr.
Leigh Hunt, he received overtures from that gentleman to aid him in an
undertaking which had been set on foot for Mr. Hunt’s benefit
under the auspices of Lord Byron. The undertaking was of
course a literary one, and was a publication—now well known as the ‘Liberal: Verse and Prose from the South.’
The contributors were Mr. Hunt himself, Lord
Byron, and Mr. Shelley; and upon
Shelley’s death it was proposed that Mr. Hazlitt should supply his place on the periodical, it
being thought doubtless that his name would be valuable and strengthening.
In one of Byron’s
conversations with Medwin, he says, “I believe I told you of a plan
we had in agitation for his (Hunt’s) benefit.
His principal object in coming out [to Italy] was to establish a literary journal,
whose name is not yet fixed. I have promised to contribute, and shall probably make it
a vehicle for some occasional poems; for instance, I mean to translate Ariosto. I was strongly advised by Tom Moore, long ago, not to have any connection with
such a company as Hunt, Shelley, and Co.; but I have pledged myself——.”
Co. was Mr. Hazlitt. I shall
give Co.’s history of the ‘Liberal’ and its projectors.
“At the time that Lord Byron
thought proper to join with Mr. Leigh Hunt and
Mr. Shelley in the publication called the
‘Liberal.’ ‘Blackwood’s Magazine’
overflowed, as might be expected, with tenfold
gall and bitterness; the ‘John
Bull’ was outrageous; and Mr.
Jerdan black in the face at this unheard-of and disgraceful disunion.
But who would have supposed that Mr. Thomas
Moore and Mr. Hobhouse, those
stanch friends and partisans of the people, should also be thrown into almost
hysterical agonies of well-bred horror at the coalition between their noble and ignoble
acquaintance, between the patrician and the ‘newspaper-man.’ Mr.
Moore darted backwards and forwards from Coldbath Fields Prison to the
Examiner office,
from Mr. Longman’s to Mr. Murray’s shop, in a state of ridiculous
trepidation, to see what was to be done to prevent this degradation of the aristocracy
of letters, this indecent encroachment of plebeian pretensions, this undue extension of
patronage and compromise of privilege.
“The Tories were shocked that Lord
Byron should grace the popular side by his direct countenance and
assistance—the Whigs were shocked that he should share his confidence and counsels with
any one who did not unite the double recommendations of birth and genius—but
themselves. Mr. Moore had lived so long among
the great that he fancied himself one of them, and regarded the indignity as done to
himself. Mr. Hobhouse had lately been
black-balled by the clubs, and must feel particularly sore and tenacious on the score
of public opinion.
“Mr. Shelley’s
father, however, was an older baronet than Mr.
Hobhouse’s. Mr. Leigh Hunt was
‘to the full
as
genteel a man’ as Mr. Moore, in
birth, appearance, and education. The pursuits of all four were the same—the Muse, the
public favour, and the public good. Mr. Moore was himself invited
to assist in the undertaking, but he professed an utter aversion to, and warned
Lord Byron against having any concern with joint publications, as of a very neutralizing and levelling
description. He might speak from experience. He had tried his hand at that Ulysses’ bow of critics and politicians, the
‘Edinburgh Review,’ though
his secret had never transpired. Mr. Hobhouse, too, had written
‘Illustrations of Childe
Harold’ (a sort of partnership concern)—yet, to quash the publication
of the ‘Liberal,’ he seriously
proposed that his noble friend should write once a week, in his own
name, in the Examiner—the ‘Liberal’ scheme,
he was afraid, might succeed: the newspaper one, he knew, could not.
“I have been whispered that the member for Westminster (for whom I once gave an ineffectual vote) has
also conceived some distaste for me. I do not know why, except that I was at one time
named as the writer of the famous ‘Trecenti Juravimus Letter,’ to Mr. Canning, which appeared in the Examiner, and was afterwards
suppressed. He might feel the disgrace of such a supposition: I confess I did not feel
the honour.
“The cabal, the bustle, the significant hints, the confidential
rumours were at the height when, after Mr.
Shelley’s death, I was invited to take part in this obnoxious
publication (obnoxious alike to friend and foe); and when the ‘Essay on the Spirit of Monarchy’
appeared (which must indeed have operated like a
bombshell thrown into the coteries that Mr. Moore
frequented, as well as those that he had left) this gentleman wrote off to Lord Byron to say that there was a taint in the
‘Liberal,’ and that he
should lose no time in getting out of it.’ And this from Mr.
Moore to Lord Byron—the last of whom had just involved
the publication, against which he was cautioned as having a taint in it, in a prosecution
for libel by his ‘Vision of
Judgment;’ and the first of whom had scarcely written anything all his life
that had not a taint in it.
“It is true that the Holland House party might be somewhat
staggered by a jeu d’esprit that set their Blackstone and De
Lolme theories at defiance, and that they could as little write as
answer. But it was not that.
“Mr. Moore also
complained that ‘I had spoken against “Lalla Rookh,” though he had just before sent
me his “Fudge
Family.”’ Still it was not that.
“But at the time he sent me that very delightful and spirited
publication, my little bark was seen ‘hulling on the flood’ in a
kind of dubious twilight; and it was not known whether I might not prove a vessel of
gallant trim. Mr. Blackwood had not then
directed his Grub-street battery against me; but as soon as the was the case, Mr. Moore was willing to ‘whistle me down the
wind,’ and let me prey at fortune: not that I ‘proved
haggard,’ but the contrary. It is sheer cowardice and want of heart. The
sole object of this set is not to stem the tide of prejudice and falsehood,
but to get out of the way
themselves. The instant another is assailed (however unjustly), instead of standing
manfully by him, they cut the connection as fast as possible. . . . .”
In another place he takes occasion to inquire whether
“Mr. Moore is bound to advise a
noble poet to get as fast as possible out of a certain publication, lest he should not
be able to give an account, at Holland or at Lansdowne House, how his friend Lord B[yron] had associated himself with his friend
L[eigh] H[unt]? Is he afraid,”
Mr. Hazlitt asks at the same time,
“that the ‘Spirit of
Monarchy’ will eclipse the ‘Fables for the Holy Alliance’ in virulence
and plain speaking?”
The ‘Liberal’
lived into the fourth number, and Mr. Hazlitt
contributed to it five papers: ‘My First
Acquaintance with Poets,’ ‘Arguing in a Circle,’ ‘On the Scotch Character,’ ‘Pulpit Oratory,’ and ‘On the Spirit of Monarchy.’
I find attributed to him under 1822 an octavo volume called ‘A Selection of Speeches Delivered at Several County Meetings, in the years
1820 and 1821,’ but I do not believe it to be his. The advertisement,
which is the only original part of the book, is not in his manner, and he was away from
England from January to July, 1822.
It happened at the beginning of December the same year, within a few
months after the close of the Scottish business, that his friend Mr. Patmore heard there was to
be a grand prize-fight at a place in Berkshire, on the 11th,
between Hickman and Neate; and he half-jocularly suggested to my grandfather that he should run
down with him, and do an account of the
thing for the ‘New Monthly
Magazine.’ But Mr. Hazlitt took him
more readily at his word than he had dreamt of.
The fact was, that getting an article out of the matter was a
consideration which always weighed more or less; and then he had never seen a good fight.
He spoke to Colburn about it, and
Colburn seemed to entertain the notion; so he determined to make a
day, or rather two, of it.
But somehow or other, he and Patmore, when it came to the time—the afternoon of the 10th—missed each
other, and Mr. Hazlitt had to find another
companion, his friend Joseph Parkes, Esq. Fights in
those days were spectacles from which even the author of ‘Elia’ would not have shrunk.
Nothing which I could ever put together would approach his own narrative
of the adventure, as I propose to give it, divested only of certain particulars which
possess no permanent interest. The incident itself, as it is related below, is
intrinsically valuable, since it exhibits the writer in one of his healthier moods, when he
was no longer the “poor creature” he liked occasionally, in fits of gloom, to
proclaim himself (such a cry was sure never to lack a chorus); and it would have astonished
Lamb’s friends, Lamb
and his biographer included, to have seen him step out along the road, and snuff up the
country air.
|
MR. HAZLITT’S NARRATIVE. |
75 |
“Where there’s a will there’s a
way. I said so to myself, as I walked down Chancery Lane, about half-past six
o’clock on Monday the 10th of December [1822], to inquire at Jack Randall’s where the fight the next day was
to be; and I found ‘the proverb’ nothing ‘musty’ in the present
instance. I was determined to see this fight, come what would, and see it I did, in
great style. It was my first fight, yet it more than answered my
expectations. Ladies! it is to you I dedicate this description; nor let it seem out of
character for the fair to notice the exploits of the brave. . . .
“I was going down Chancery Lane, thinking to ask at Jack Randall’s where the fight was to be, when
looking through the glass door of the Hole in the Wall, I heard a gentleman asking the
same question at Mrs. Randall, as the
author of ‘Waverley’ would
express it. Now Mrs. Randall stood answering the gentleman’s
question with the authenticity of the lady of the Champion of the Light Weights. Thinks
I, I’ll wait till this person comes out, and learn from him how it is. For, to
say a truth, I was not fond of going into this house of call for heroes and
philosophers, ever since the owner of it (for Jack is no
gentleman) threatened once upon a time to kick me out of doors for wanting a
mutton-chop at his hospitable board, when the conqueror in thirteen battles was more
full of blue ruin than of good manners. I was the more mortified
at this repulse, inasmuch as I had heard Mr. James Simpkins,
hosier in the Strand, one day when the character of the Hole in the Wall was brought in
76 | MR. HAZLITT’S NARRATIVE. | |
question,
observe—‘The house is a very good house, and the company quite genteel: I
have been there myself!’ Remembering this unkind treatment of mine host,
to which mine hostess was also a party, and not wishing to put her in unquiet thoughts
at a time jubilant like the present, I waited at the door; when who should issue forth
but my friend Joe Toms,* and turning suddenly up
Chancery Lane with the quick jerk and impatient stride which distinguishes a lover of
the Fancy, I said, ‘I’ll be hanged if that
fellow is not going to the fight, and is on his way to get me to go with
him.’ So it proved in effect, and we agreed to adjourn to my lodgings to
discuss measures with that cordiality which makes old friends like new, and new friends
like old, on great occasions Toms and I, though we seldom meet,
were an alter idem on this memorable
occasion, and had not an idea that we did not candidly impart; and ‘so
carelessly did we fleet the time,’ that I wish no better, when there is
another fight, than to have him for a companion on my journey down. . . . .
“Joe Toms and I could
not settle about the method of going down. He said there was a caravan, he understood,
to start from Tom Belcher’s at two, which
would go there right out and back again the next day. Now I never travel all night, and
I said I should get a cast to Newbury by one of the mails. Joe
swore the thing was impossible, and I could only answer that I had made up my mind to
it. In short, he seemed to me
| MR. HAZLITT’S NARRATIVE. | 77 |
to waver, said he only came to
see if I was going, had letters to write, a cause coming on the day after, and faintly
said at parting (for I was bent on setting out that moment)—‘Well, we meet at
Philippi!’ I made the best of my way to Piccadilly. The mail-coach stand
was bare. ‘They are all gone,’ said I. ‘This is always the
way with me—in the instant I lose the future—if I had not stayed to pour out that
last cup of tea, I should have been just in time;’ and cursing my folly
and ill-luck together, without inquiring at the coach-office whether the mails were
gone or not, I walked on in despite, and to punish my own dilatoriness and want of
determination. At any rate, I would not turn back: I might get to Hounslow, or perhaps
farther, to be on my road the next morning. I passed Hyde Park Corner (my Rubicon), and
trusted to fortune. Suddenly I heard the clattering of a Brentford stage, and the fight
rushed full upon my fancy. I argued (not unwisely) that even a Brentford coachman was
better company than my own thoughts (such as they were just then), and at his
invitation mounted the box with him. I immediately stated my case to him—namely, my
quarrel with myself for missing the Bath or Bristol mail, and my determination to get
on in consequence as well as I could, without any disparagement or insulting comparison
between longer or shorter stages. It is a maxim with me that stage-coaches, and
consequently stage-coachmen, are respectable in proportion to the distance they have to
travel; so I said nothing on that subject to my Brentford friend. Any 78 | MR. HAZLITT’S NARRATIVE. | |
incipient tendency to an
abstract proposition, or (as he might have construed it) to a personal reflection of
this kind, was however nipped in the bud; for I had no sooner declared indignantly that
I had missed the mails, than he flatly denied that they were gone along; and lo! at the
instant three of them drove by in rapid, provoking, orderly succession, as if they
would devour the ground before them. . . . . If I had stopped to inquire at the White
Horse Cellar, which would not have taken me a minute, I should now have been driving
down the road in all the dignified unconcern and ideal perfection of mechanical
conveyance. The Bath mail I had set my mind upon, and I had missed it, as I miss
everything else, by my own absurdity, in putting the will for the deed, and aiming at
ends without employing means. ‘Sir,’ said he of the Brentford,
‘the Bath mail will be up presently, my brother-in-law drives it, and I
will engage to stop him if there is a place empty.’ I almost doubted my
good genius; but, sure enough, up it drove like lightning, and stopped directly at the
call of the Brentford Jehu. I would not have believed this possible, but the
brother-in-law of a mail-coach driver is himself no mean man. I was transferred without
loss of time from the top of one coach to that of the other; desired the guard to pay
my fare to the Brentford coachman for me, as I had no change; was accommodated with a
great-coat; put up my umbrella to keep off a drizzling mist, and we began to cut
through the air like an arrow. The milestones disappeared one after another; the rain
kept off; Tom Thurtell the trainer | MR. HAZLITT’S NARRATIVE. | 79 |
sat before me on the coach-box,
with whom I exchanged civilities as a gentleman going to the fight; the passion that
had transported me an hour before was subdued to pensive regret and conjectural musing
on the next day’s battle; I was promised a place inside at Reading, and upon the
whole I thought myself a lucky fellow. Such is the force of imagination! On the outside
of any other coach on the 10th of December, with a Scotch mist drizzling through the
cloudy moonlight air, I should have been cold, comfortless, impatient, and no doubt wet
through; but seated on the royal mail, I felt warm and comfortable, the air did me
good, the ride did me good, I was pleased with the progress we had made, and confident
that all would go well through the journey. When I got inside at Reading I found
Thurtell and a stout valetudinarian, whose costume bespoke him
one of the Fancy, and who had risen from a three
months’ sick bed to get into the mail to see the fight. They were intimate, and
we fell into a lively discourse. . . . .”
Ludovico Ariosto (1474-1533)
Italian poet, author of the epic romance
Orlando Furioso
(1532).
Thomas Belcher (1783-1854)
English prize-fighter; in 1821 he was among those selected by Gentleman John Jackson to
guard the entrance to Westminster Abbey at the coronation of George IV.
Sir William Blackstone (1723-1780)
English jurist, the author of
Commentaries on the Laws of England,
4 vols (1765-69).
William Blackwood (1776-1834)
Edinburgh bookseller; he began business 1804 and for a time was John Murray's Scottish
agent. He launched
Blackwood's Magazine in 1817.
George Canning (1770-1827)
Tory statesman; he was foreign minister (1807-1809) and prime minister (1827); a
supporter of Greek independence and Catholic emancipation.
Henry Colburn (1785-1855)
English publisher who began business about 1806; he co-founded the
New
Monthly Magazine in 1814 and was publisher of the
Literary
Gazette from 1817.
Thomas De Quincey (1785-1859)
English essayist and man of letters; he wrote for the
London
Magazine and
Blackwood's, and was author of
Confessions of an English Opium-Eater (1821).
Sarah Hazlitt [née Stoddart] (1774-1840)
The daughter of John Stoddart (1742-1803), lieutenant in the Royal Navy; she married
William Hazlitt in 1808 and was divorced in 1822.
William Hazlitt (1778-1830)
English essayist and literary critic; author of
Characters of
Shakespeare's Plays (1817),
Lectures on the English Poets
(1818), and
The Spirit of the Age (1825).
William Hazlitt Jr. (1811-1893)
The son of the critic and father of the bibliographer William Carew Hazlitt; he was
registrar of the London court of bankruptcy and editor of his father's works.
Tom Hickman [The Gasman] (1795 c.-1822)
English prizefighter who died at the height of his career when the chaise he was driving
overturned when returning from a fight.
John Cam Hobhouse, baron Broughton (1786-1869)
Founder of the Cambridge Whig Club; traveled with Byron in the orient, radical MP for
Westminster (1820); Byron's executor; after a long career in politics published
Some Account of a Long Life (1865) later augmented as
Recollections of a Long Life, 6 vols (1909-1911).
John Hunt (1775-1848)
English printer and publisher, the elder brother of Leigh Hunt; he was the publisher of
The Examiner and
The Liberal, in
connection with which he was several times prosecuted for libel.
James Henry Leigh Hunt (1784-1859)
English poet, journalist, and man of letters; editor of
The
Examiner and
The Liberal; friend of Byron, Keats, and
Shelley.
William Jerdan (1782-1869)
Scottish journalist who for decades edited the
Literary Gazette;
he was author of
Autobiography (1853) and
Men I
have Known (1866).
James Sheridan Knowles (1784-1862)
Irish-born playwright, author of
Virginius (1820),
Caius Gracchus (1823),
William Tell (1825)
and
The Hunchback (1832).
Charles Lamb [Elia] (1775-1834)
English essayist and boyhood friend of Coleridge at Christ's Hospital; author of
Essays of Elia published in the
London
Magazine (collected 1823, 1833) and other works.
Jean Louis de Lolme (1741-1806)
Born in Geneva, the author of
The Constitution of England (1775);
he was called by D'Israeli “the English Montesquieu.”
Thomas Norton Longman (1771-1842)
A leading London publisher whose authors included Southey, Wordsworth, Scott, and
Moore.
Thomas Medwin (1788-1869)
Lieutenant of dragoons who was with Byron and Shelley at Pisa; the author of
Conversations of Lord Byron (1824) and
The Life of
Percy Bysshe Shelley, 2 vols (1847).
Thomas Moore (1779-1852)
Irish poet and biographer, author of the
Irish Melodies (1807-34),
The Fudge Family in Paris (1818), and
Lalla
Rookh (1817); he was Byron's close friend and designated biographer.
John Murray II (1778-1843)
The second John Murray began the
Quarterly Review in 1809 and
published works by Scott, Byron, Austen, Crabbe, and other literary notables.
Joseph Parkes (1796-1865)
Tutored by Samuel Parr and educated at Greenwich under Charles Burney, he was a
correspondent of Jeremy Bentham who pursued a career as an election agent and political
reformer.
Peter George Patmore [Tims] (1786-1855)
English writer and friend of Charles Lamb and Leigh Hunt; an early contributor to
Blackwood's, he was John Scott's second in the fatal duel, editor of
the
Court Journal, and father of the poet Coventry Patmore.
Jack Randall (1794-1828)
English pugilist credited with inventing the “one-two punch.”
Carew Henry Reynell (1777-1859)
London printer, the son of the printer Henry Reynell; he was the brother-in-law of John
Hunt, and the printer of
The Examiner.
Samuel William Reynolds (1773-1835)
English painter and engraver patronized by Samuel Whitbread; his son of the same name
(1794-1872) was also a painter.
Percy Bysshe Shelley (1792-1822)
English poet, with Byron in Switzerland in 1816; author of
Queen
Mab (1813),
The Revolt of Islam (1817),
The Cenci and
Prometheus Unbound (1820), and
Adonais (1821).
John Thurtell (1794-1824)
Amateur pugilist who brutally murdered the gambler William Weare; the lurid crime
attracted national attention and figured in broadsides and later fiction.
Blackwood's Edinburgh Magazine. (1817-1980). Begun as the
Edinburgh Monthly Magazine,
Blackwood's assumed the name of its proprietor, William Blackwood after the sixth
number. Blackwood was the nominal editor until 1834.
The Examiner. (1808-1881). Founded by John and Leigh Hunt, this weekly paper divided its attention between literary
matters and radical politics; William Hazlitt was among its regular contributors.
John Bull. (1820-1892). A scurrilous Tory weekly newspaper edited by Theodore Hook.
New Monthly Magazine. (1814-1884). Founded in reaction to the radically-inclined
Monthly Magazine,
the
New Monthly was managed under the proprietorship of Henry
Colburn from 1814 to 1845. It was edited by Thomas Campbell and Cyrus Redding from
1821-1830.