LITERARY LABOUR. | 11 |
All my past life is mine no more,
The flying hours are gone:
Like transitory dreams given o’er,
Whose images are kept in store
By memory alone:
The time that is to come is not;
How can it then be mine?
The present moment’s all my lot.
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The “Literary Gazette,” from its origin to the last sheet in my hands, was edited on what I conceived to be the spirit of true criticism, especially for a work which professed to he established for the promotion of our national literature, and the encouragement of our native authors. The canon was, simply to praise heartily what merited approval or admiration; to censure mildly what the critical sense forced you to condemn; to point out defects in a friendly manner; and never to exercise severity, except where the publication gave great offence, by its immoral and dangerous tendencies. Thus conducted, it increased in popularity and influence; but still it continued, as I have hinted, to be unremunerative and uphill toil.
I refer to a pocket-book of the period; and as I have promised a candid exposition of my life, I must confess
12 | AN AUTOBIOGRAPHY. |
From this said pocket-book I gather that the “Literary Gazette” yielded, in the first month of the year, no more than 5l., 3l., 2l., and 4l. 3s. 6d., on the 2nd, 8th, 12th, 16th current, amounting together to 14l. 3s. 6d., a sum certainly more germane to the “Polite Repository,” where it was entered, than to a lucrative mercantile day-book or ledger. But the next month was worse for “balances;” and no better
LITERARY LABOUR. | 13 |
That it was not quite desperate and forlorn, I owed partly to my weekly contribution of leaders to the “North Staffordshire Pottery Gazette,” which produced a small quarterly sum—to a series of Essays in the “Chelmsford Chronicle” (of which more anon)—and to the liberal “consideration” of John Murray, for the revising and superintending in their progress through the press of two works published by him at this time.
As it is no disparagement to unpractised writers to call in the little more than mechanical aid of individuals accustomed to composition and printing, I need not conceal that the works which passed under my inspection were, Fitzclarence’s Journey from India to England, 4to, and Colonel Hippesley’s Voyage to the Orinoko, 8vo; for the former of which my honorarium was 751., and for the latter (having negotiated the copyright for 100l. to the author) 501. With these aids, and occasional bills from Pinnock and Maunder, the wolf was kept outside the door, though not without legal sacrifices to prevent the gaunt brute’s intrusion within, for old-standing arrears. That my services were appreciated by the authors—a result far above pecuniary reward—was shown by an intimate friendship with Lord Munster to the day of his death, and a handsome
14 | AN AUTOBIOGRAPHY. |
Colonel Hippesley called upon me one forenoon in much tribulation, and informed me he had a very remarkable and very distressing event to communicate, and of which he requested me to make a circumstantial memorandum, as it would, in all likelihood, confirm the belief in apparitions, and set all scepticism on this mystery at rest for ever. I was bound to listen with all my ears to the supernatural story, of which, as desired, I recorded the particulars. On the preceding evening, when the twilight had sunk into a deeper shade of darkness, and the Colonel was seated by his lady, near a sofa on which, being unwell, she reposed; on a sudden they were both surprised by an unearthly and indescribable sensation, but which, they were sensible, sprung from a cause altogether dissimilar to any they had ever before experienced. They were struck by a singular awe, and their senses, as it were, excited to receive some wonderful impression. Nor were they long in suspense, for looking towards the door, they both distinctly saw the semblance, or wraith, of their eldest son, who was at the time a soldier of fortune engaged in the sanguinary wars of South America, enter the apartment and slowly glide across it, to vanish on the opposite side.
Into such a delusion (if delusion it were), as my informant observed, it was not difficult to believe that one person in their anxious condition, after hearing of battles fought in which their offspring was concerned, might readily fall; but that the vision of two witnesses could be so affected was too extraordinary to admit of any solution but that the
LITERARY LABOUR. | 15 |
Sight was made the fool of the other senses, Or else worth all the rest— |
Now, this is a remarkable instance—of which I have the evidence still before me—of the inexplicable powers of imagination (perhaps sympathetic?), and might, analogously, account for some of the known influences of mesmerism; but I will only suppose that, instead of the actual denouement, the gallant officer had been slain, as he was very likely to be, at any date near to that which I took so much pains to preserve, would it not have been as perfect and authentic proof of supernatural appearances as has ever been created by fear, or believed by credulity or superstition? But after this I dispute Hamlet’s philosophy, and would not take the Ghost’s word for sixpence, far less for 100l.!
This, however, I should have been very glad to do, from the next personage to whom I turn my pen, and for whose memory I entertain a hundred kindly recollections. John
16 | AN AUTOBIOGRAPHY. |
LITERARY LABOUR. | 17 |
But I must not lose sight of my old and esteemed friend, honest John Murray. In his business he was spirited, and generous to literary men, and no sordid calculator of every possible chance of loss. Not foolishly so; for, as if governed by instinct, he had as ready a perception of the main chance as, aye and readier too than, the most wary and greedy curmudgeon in “the trade.” But he was also well aware of the beneficial consequences which often spring out of liberal adventure; and that all deficiencies on unsuccessful publications are not absolute losses in the long run. Then there were losses which he did not seem to care about. He gave Mr. Lalor Shiel 400l. for his first tragedy on the morning after he had witnessed the first night’s performance at the theatre, and he cleared the price; but when the author counted upon a like sum for his second drama, Mr. Murray was not found ready for another venture of the like kind; and I think he recommended Mr. Shiel to Messrs. Longmans, who knew the market too well to give more than a small sum for the copyright, which Mr. M. did not like to offer, after the former transaction. In these minor affairs he almost played at publishing, with fine inclinations to encourage talent and reward merit. In all things he was straightforward and open, without mistrustful reserve or meaner dissimulation. Such did he appear to me in all I had to with, or heard of him, and I am thankful for an opportunity to pay this tribute to his memory.
In social life he was joyous and festive; and, as far as his constitution allowed, up to a certain point (in later years diminishing the time) an exceedingly pleasant boon companion, full of information, cheerful in converse, humorous
18 | AN AUTOBIOGRAPHY. |
Peter Robertson, now Lord Robertson, and an honoured judge of the supreme Court of Session in Scotland, was long acknowledged as the Edinburgh Premier in the social Court of Humour and Facetiæ, and was at this period on a visit to London. In London the supremacy of Theodore Hook in convivial intercourse was equally established, and a plan was arranged, not a disagreeable one in any respect, that the heroes of the North and South, the modern Athens and the modern Babylon, should be pitted against each other at a dinner-party in Albemarle Street, Mr. Murray holding the lists, and giving a hearty welcome to all the lucky comers, about a dozen strong. Mr. Lockhart was second to his countryman, Lord Peter, and Mr. Milnes, of the Woods and Forests, appeared as the backer of King Theodore; or rather, I should say, these were their respective bottleholders, as long as either combatants or seconds could manage to hold a bottle. It was a fair sit-down fight and
LITERARY LABOUR. | 19 |
Menalcas. Nunquam hodiè effugies: veniam quocumque vocaris: Audiat hæc tantum vel qui venit, ecce, Palæmon. Efficiam, post hac ne quemquam voce lacessas. |
Damælas. Quin age, si quid habes: in me mora non erit ulla, Ncc quemquam fugio: tantum, vicine Palæmon, Sensibus hæc imis (res est non parva) reponas. |
Palæmon. Dicite * * * * * * * * * * * Incipe Damæta, tu deinde sequêre Menalca. Alternis dicetis: amant alterna Camœnæ. |
During dinner the conversation was lively and sparkling, and Hook’s wonderful ready wit carried all before it. He was in high feather, inextinguishable and inexhaustible. It seemed as if the Scotchman had a very poor chance; and would be what the jockeys term nowhere. But Mr. Lockhart was an abler tactitian, and knew better. He suffered Hook to expend some of his brilliant fire, and after the cloth was removed brought out his man. He gave us at due intervals a Gaelic sermon without a syllable of the Erse language, an Italian operatic scena without a word of Italian, and post-prandial speech after speech of military, political, and other characters, to which bursts of extorted laughter did homage for their racy performance and extraordinary ingenuity. The imitative speeches were certainly inimitable in matter and manner; and the identity of the meaningless sounds, with the tongues in which they
20 | AN AUTOBIOGRAPHY. |
LITERARY LABOUR. | 21 |
Mr. Murray’s philosophical bearing of the heavy loss in the attempt to establish the “Conservative” newspaper, amounting, I believe, to above 15,000l., the present Chancellor of the Exchequer being one of the principal contributors, and Maginn, the Parisian correspondent, was quite characteristic of the man; and his connection with the “Quarterly Review” another lasting proof of his skill in the conduct of bookselling affairs, and his right and liberal understanding of what was due to the literature, as it might be said, without offence to the dignity of its professors in his pay.
If the relative positions of writers and publishers were maintained more constantly in this correct and genial spirit, it would be advantageous to all. “Authors,” says Mr. D’Israeli (the father), “continue poor, and booksellers become opulent, an extraordinary result! Booksellers are not agents for authors, but the proprietors of their works; so that the perpetual revenues of literature are solely in possession of the trade. Is it then wonderful that even successful authors are indigent? They are heirs to fortunes, but, by a strange singularity, they are disinherited at their birth; for, on the publication of their works, these cease to be their own property. * * Let that natural property,” adds the writer, “be secured, and a good book would be an inheritance, a leasehold or a freehold, as you choose it; it might at least last out a generation, and descend to the author’s blood, were they permitted to live in their father’s glory, as in all other property they do by his industry.”
The conclusion does not bear upon my immediate matter, but I cannot help quoting it as another pregnant illustration of the hard fate of literature; though at present all I am
22 | AN AUTOBIOGRAPHY. |
From whose still unrequited labours flow Half we enjoy, and almost all we know. |
“I now send the first five sheets of the work which I mentioned. I wish you to confine your alterations to such as you deem indispensable, and to send them back to me, or at least one or two, as early to-morrow as you can. To save trouble, I will send at nine to-morrow for what your leisure may have permitted you to do. Do me the favour to let me know what will be a compensation for your own trouble. The work will extend to nearly 500 pages.
“I will send you a copy of ‘King’ as soon as I fix the time of its publication. Reserve your remarks upon ‘Hakewell’ until the publication of the next number. It
LITERARY LABOUR. | 23 |
“‘The Curiosities’ is a delightful work for young persons, and has passed through many editions. I am now preparing a seventh. The ‘Literary Character’ of the same author is also very good; he has caught the true tact and feelings of authors.
“I send you the next portion of MSS., on which I will beg you to effect your further emendations; and I send you a letter, which, when you have read, please to return, and send me portions of the MSS. at your convenience. Mr. G. [Gifford] thinks your corrections cautious and judicious. Use your best skill.
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